Breathing Lessons: A Novel
Breathing Lessons: A Novel book cover

Breathing Lessons: A Novel

Mass Market Paperback – September 26, 2006

Price
$6.57
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345485595
Dimensions
4.2 x 1.1 x 6.8 inches
Weight
6.4 ounces

Description

Review NEW YORK TIMES BESTSELLERA TIME MAGAZINE BEST BOOK OF THE YEAR“A wonderful novel, glowing with the insight and compassion of an artist’s touch.” –The Boston Globe“More powerful and moving than anything she has done.”–Los Angeles Times“Simple, wise, funny, touching, and real . . . Tyler is known for offbeat characters, and Maggie Moran is one of her most endearing.”–The Christian Science Monitor“An occasion for laughter and tears.”–New York Post“SUPERB FICTION: IT SHOWS US HOW TO LIVE.”–Newsday From the Trade Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1 Maggie and Ira Moran had to go to a funeral in Deer Lick, Pennsylvania. Maggie’s girlhood friend had lost her husband. Deer Lick lay on a narrow country road some ninety miles north of Baltimore, and the funeral was scheduled for ten-thirty Saturday morning; so Ira figured they should start around eight. This made him grumpy. (He was not an early-morning kind of man.) Also Saturday was his busiest day at work, and he had no one to cover for him. Also their car was in the body shop. It had needed extensive repairs and Saturday morning at opening time, eight o’clock exactly, was the soonest they could get it back. Ira said maybe they’d just better not go, but Maggie said they had to. She and Serena had been friends forever. Or nearly forever: forty-two years, beginning with Miss Kimmel’s first grade. They planned to wake up at seven, but Maggie must have set the alarm wrong and so they overslept. They had to dress in a hurry and rush through breakfast, making do with faucet coffee and cold cereal. Then Ira headed off for the store on foot to leave a note for his customers, and Maggie walked to the body shop. She was wearing her best dress—blue and white sprigged, with cape sleeves—and crisp black pumps, on account of the funeral. The pumps were only medium-heeled but slowed her down some anyway; she was more used to crepe soles. Another problem was that the crotch of her panty hose had somehow slipped to about the middle of her thighs, so she had to take shortened, unnaturally level steps like a chunky little windup toy wheeling along the sidewalk. Luckily, the body shop was only a few blocks away. (In this part of town things were intermingled—small frame houses like theirs sitting among portrait photographers’ studios, one-woman beauty parlors, driving schools, and podiatry clinics.) And the weather was perfect—a warm, sunny day in September, with just enough breeze to cool her face. She patted down her bangs where they tended to frizz out like a forelock. She hugged her dress-up purse under her arm. She turned left at the corner and there was Harbor Body and Fender, with the peeling green garage doors already hoisted up and the cavernous interior smelling of some sharp-scented paint that made her think of nail polish. She had her check all ready and the manager said the keys were in the car, so in no time she was free to go. The car was parked toward the rear of the shop, an elderly gray-blue Dodge. It looked better than it had in years. They had straightened the rear bumper, replaced the mangled trunk lid, ironed out a half-dozen crimps here and there, and covered over the dapples of rust on the doors. Ira was right: no need to buy a new car after all. She slid behind the wheel. When she turned the ignition key, the radio came on—Mel Spruce’s AM Baltimore, a call-in talk show. She let it run, for the moment. She adjusted the seat, which had been moved back for someone taller, and she tilted the rearview mirror downward. Her own face flashed toward her, round and slightly shiny, her blue eyes quirked at the inner corners as if she were worried about something when in fact she was only straining to see in the gloom. She shifted gears and sailed smoothly toward the front of the shop, where the manager stood frowning at a clipboard just outside his office door. Today’s question on AM Baltimore was: “What Makes an Ideal Marriage?” A woman was phoning in to say it was common interests. “Like if you both watch the same kind of programs on TV,” she explained. Maggie couldn’t care less what made an ideal marriage. (She’d been married twenty-eight years.) She rolled down her window and called, “Bye now!” and the manager glanced up from his clipboard. She glided past him—a woman in charge of herself, for once, lipsticked and medium-heeled and driving an undented car. A soft voice on the radio said, “Well, I’m about to remarry? The first time was purely for love? It was genuine, true love and it didn’t work at all. Next Saturday I’m marrying for security.” Maggie looked over at the dial and said, “Fiona?” She meant to brake, but accelerated instead and shot out of the garage and directly into the street. A Pepsi truck approaching from the left smashed into her left front fender—the only spot that had never, up till now, had the slightest thing go wrong with it. Back when Maggie played baseball with her brothers, she used to get hurt but say she was fine, for fear they would make her quit. She’d pick herself up and run on without a limp, even if her knee was killing her. Now she was reminded of that, for when the manager rushed over, shouting, “What the . . . ? Are you all right?” she stared straight ahead in a dignified way and told him, “Certainly. Why do you ask?” and drove on before the Pepsi driver could climb out of his truck, which was probably just as well considering the look on his face. But in fact her fender was making a very upsetting noise, something like a piece of tin dragging over gravel, so as soon as she’d turned the corner and the two men—one scratching his head, one waving his arms—had disappeared from her rearview mirror, she came to a stop. Fiona was not on the radio anymore. Instead a woman with a raspy tenor was comparing her five husbands. Maggie cut the motor and got out. She could see what was causing the trouble. The fender was crumpled inward so the tire was hitting against it; she was surprised the wheel could turn, even. She squatted on the curb, grasped the rim of the fender in both hands, and tugged. (She remembered hunkering low in the tall grass of the outfield and stealthily, wincingly peeling her jeans leg away from the patch of blood on her knee.) Flakes of gray-blue paint fell into her lap. Someone passed on the sidewalk behind her but she pretended not to notice and tugged again. This time the fender moved, not far but enough to clear the tire, and she stood up and dusted off her hands. Then she climbed back inside the car but for a minute simply sat there. “Fiona!” she said again. When she restarted the engine, the radio was advertising bank loans and she switched it off. Ira was waiting in front of his store, unfamiliar and oddly dashing in his navy suit. A shock of ropy black, gray-threaded hair hung over his forehead. Above him a metal sign swung in the breeze: sam’s frame shop. picture framing. matting. your needlework professionally displayed. Sam was Ira’s father, who had not had a thing to do with the business since coming down with a “weak heart” thirty years before. Maggie always put “weak heart” in quotation marks. She made a point of ignoring the apartment windows above the shop, where Sam spent his cramped, idle, querulous days with Ira’s two sisters. He would probably be standing there watching. She parked next to the curb and slid over to the passenger seat. Ira’s expression was a study as he approached the car. Starting out pleased and approving, he rounded the hood and drew up short when he came upon the left fender. His long, bony, olive face grew longer. His eyes, already so narrow you couldn’t be sure if they were black or merely dark brown, turned to puzzled, downward-slanting slits. He opened the door and got in and gave her a sorrowful stare. “There was an unexpected situation,” Maggie told him. “Just between here and the body shop?” “I heard Fiona on the radio.” “That’s five blocks! Just five or six blocks.” “Ira, Fiona’s getting married.” He gave up thinking of the car, she was relieved to see. Something cleared on his forehead. He looked at her a moment and then said, “Fiona who?” “Fiona your daughter-in-law, Ira. How many Fionas do we know? Fiona the mother of your only grandchild, and now she’s up and marrying some total stranger purely for security.” Ira slid the seat farther back and then pulled away from the curb. He seemed to be listening for something—perhaps for the sound of the wheel hitting. But evidently her tug on the fender had done the trick. He said, “Where’d you hear this?” “On the radio while I was driving.” “They’d announce a thing like that on the radio?” “She telephoned it in.” “That seems kind of . . . self-important, if you want my honest opinion,” Ira said. “No, she was just—and she said that Jesse was the only one she’d ever truly loved.” “She said this on the radio?” “It was a talk show, Ira.” “Well, I don’t know why everyone has to go spilling their guts in public these days,” Ira said. “Do you suppose Jesse could have been listening?” Maggie asked. The thought had just occurred to her. “Jesse? At this hour? He’s doing well if he’s up before noon.” Maggie didn’t argue with that, although she could have. The fact was that Jesse was an early riser, and anyhow, he worked on Saturdays. What Ira was implying was that he was shiftless. (Ira was much harder on their son than Maggie was. He didn’t see half as many good points to him.) She faced forward and watched the shops and houses sliding past, the few pedestrians out with their dogs. This had been the driest summer in memory and the sidewalks had a chalky look. The air hung like gauze. A boy in front of Poor Man’s Grocery was tenderly dusting his bicycle spokes with a cloth. “So ...

Features & Highlights

  • Maggie and Ira Moran have been married for twenty-eight years–and it shows: in their quarrels, in their routines, in their ability to tolerate with affection each other’s eccentricities. Maggie, a kooky, lovable meddler and an irrepressible optimist, wants nothing more than to fix her son’s broken marriage. Ira is infuriatingly practical, a man “who should have married Ann Landers.” And what begins as a day trip to a funeral becomes an adventure in the unexpected. As Maggie and Ira navigate the riotous twists and turns, they intersect with an assorted cast of eccentrics–and rediscover the magic of the road called life and the joy of having somebody next to you to share the ride . . . bumps and all.
  • From the Trade Paperback edition.

Customer Reviews

Rating Breakdown

★★★★★
30%
(941)
★★★★
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(627)
★★★
15%
(470)
★★
7%
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28%
(878)

Most Helpful Reviews

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Topic Too Strained for This Reader [73]

The term "Breathing Lessons" - derived from the prenatal classes shared by protagonist Maggie Moran and her daughter-in-law Fiona - fools the reader into thinking that this book would engage in familial bliss. It does not.

This book starts with the funeral of Maggie's best friend's husband, evolves into an impromptu visit with the daughter in law who divorced Maggie's son years ago, and amid that matrimonial squalor is a collaterally damaged child left scarred by parental fury toward one another - which is aggravated by grandparent interference where worse things can be said or done.

Ira Moran, Maggie's husband, admits to having no friends, having a lousy relationship with his son, and knows he is disrespected by his soon-to-be-a-coed daughter. The weather forecast for their lives in the Baltimore suburbs appears to be "rain every day."

These 50-somethings in mid-life crisis, soon-to-be-empty-nesters, have to contemplate what their lives have been. And, the answer is not pretty. "He was just as sad as Maggie was, and for just the same reasons. He was lonely and tired and lacking in hope and his son had not turned out well and his daughter didn't think much of him, and he still couldn't figure where he had gone wrong." Gray weather is more than a forecast; gray weather is the funk these people live and exude in this novel.

After trudging through the continual blues these two creatures constantly endure, the author finishes the book with one more off note: "[M]aggie had a sudden view of her life as circular. It forever repeated itself, and it was entirely lacking in hope."

The Morans are seemingly similar to Updike's Rabbit Angstrom, [[ASIN:B000NXJ2QC Revolutionary Road]]'s Frank Wheeler, [[ASIN:0375701966 The Moviegoer]]'s Binx Bolling or more mid-century main characters who seem out of it. But, unlike those books, this book revolves around parents who stayed the course and raised their children, together, to adulthood. But, whether defeated before parenting (Bolling), or when starting parenting (Rabbit or Wheeler), or upon ending parenting, these other authors and Anne Taylor received fanfare. Bitter lives can make Pulitzer material. But, be forewarned, this is not light or fun stuff these people live with or through. There is comedy sprinkled about, but much more misery and doldrums.

If you can read hundreds of pages about people who live without hope, knock yourself out. Personally, this is hard for me to do. Maybe it is because I am Maggie's and Ira's age. Maybe not
3 people found this helpful
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Horribly boring

This is one of the most boring books I've ever read. I wanted to quit reading it many times, but I always hate quitting a book before it's done. The book takes place over one day and is way too descriptive. The characters are extremely annoying. They say and do things that are so stupid I wanted to choke them. Besides that, it doesn't even turn out well. I was so bored I didn't even read the last page, I finally gave up on it.
2 people found this helpful
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I kept wondering what I was missing

I went to a local library book club meeting to discuss Digging to America. No one liked it much but there was a good ending that tied all the details of the characters together. It was suggesed that Breathing Lessons was better. But it didn't even have the punch at the end. The only person I felt truly sorry for was Ira and would have felt sorry for Leroy but she was largly ingnored by the author. Maggie was what a mother is - not seeing the faults of her son but imagines him as a better person. The book was a good portrayal of a middle class existance, something I don't have much interest in reading as it is mandane. I could understand why Daisy would not want to spend much time at home.
2 people found this helpful
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Pulitzer? Really?

I had only read one of Anne Tyler's books, A Patchwork Planet, and I happened to mention to a friend that I didn't see what the big deal about her was. She told me I'd read one of her minor works, and that I should give this "wonderful author" another try. So I picked Breathing Lessons, figuring I couldn't go wrong with a Pulitzer Prize winning novel.

Well, I still don't get what the big deal about Anne Tyler is, and I'm baffled as to why this novel received the Pulitzer. It's dull and not particularly well-written--an average novel about some very average people.
2 people found this helpful
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A Engaging Day in the Life of a Desperate Family

Anne Tyler's award-winning novel, BREATHING LESSONS, is literally a day in the life of Maggie and Ira Moran, a fiftyish married couple in the late 1980s with a rocker son and a college-bound daughter. Maggie and Ira, for various reasons, have "settled" for what life has brought them; they allowed circumstances to dictate or circumstances dictated to them their lot in life. Maggie is dogged by a reputation for being accident-prone, and is unambitious, except for working tirelessly to get her son Jesse reunited with his estranged wife, Fiona, to the point where she is estranged from reality. Ira is resigned to running his father's frame shop his whole life, having had to abandon his hopes for college. He treats Jesse with disdain and outright hostility, perhaps, in part, because his son represents the freedom Ira never had.

The story moves along due to three catalysts: the funeral of Maggie's best friend's husband, followed by an auto incident involving an elderly African-American, and finally, Maggie's attempt to take Fiona and daughter, Leroy, back to the Moran home to have dinner with Jesse. The narrative, which covers the span of a day, is very near real time. Even the flashbacks and the dreams seemed to have been accounted for in the passage of chronological time.

The novel is written first from the perspective of Maggie, and then from the vantage of Ira, and finally from a sort of combination of the two views. What you don't get is any objective reality: for instance, what do we really know about Jesse? or of his sister Daisy? The novel is, then, very much about Maggie and Ira and their marriage. This couple is not going to strike every reader as appealing. Their lives, in fact, seem downright depressing and meaningless. Ultimately, though, Maggie and Ira accommodate one another; there is, when all is said and done, a tenderness between them that's moving. The story is funny and touching at times, but some readers may get impatient with the Morans and their rather desperate lives.
2 people found this helpful
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Four Stars

good
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POINTLESS AND RATHER DEPRESSING

I really enjoyed Anne Tyler's new book "Noah's Compass" so I went back to reading some of her older novels. I picked up "Breathing Lessons" at a library book sale for fifty cents. I am glad I didn't pay more. I don't understand the point to this book, it wasn't interesting and didn't have any surprises (like Noah's Compass). I found it to be rather depressing. The only part that was interesting was after Maggie watched the film from her friend's wedding and realized her original feelings for her husband.
I don't think I can read another of her novels.
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Marriage is not a Doris Day and Rock Hudson movie

Maggie and Ira Moran used to have a daughter-in-law, Fiona. Maggie believes she hears Fiona say on a radio show that she is going to marry for security, this time.

People view Maggie as a klutz. She is a certified geriatric assistant. She and Ira attend the memorial service of Max, the husband of Serena. Friends are shocked when Serena arranges to have a reprise of the couple's wedding, with friends singing the same songs.

Ira worries because Maggie refuses to take her own life seriously. He believes that she is always inviting other people into their lives. The term breathing lessons refers to the exercises undertaken by Fiona to assist in the birth of her child, Leroy.

Maggie learns that the voice she heard on the radio speaking of remarriage is not that of Fiona. What's past is never past, entirely. Jesse, Maggie's son, and Fiona missed connections in former days, and Maggie's interventions muddied their affairs. In the last eighth of the book the author provides the reader with the back story.

Anne Tyler highlights the eccentricities of her characters as she spins a realistic tale. Artistry is evident in the fact that she is able to make the reader care about the fictitious outcomes.
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A Day in the Life of...

We take a walk in the shoes of a family which has allowed circumstances to dictate the path their life took.