Dancing with the Enemy: My Family's Holocaust Secret

A Look Inside Dancing with the Enemy Rosie Glaser at age seventeen, 1931 Click here for a larger image A still from the Polygon newsreels' 1940-41 season Click here for a larger image Rosie and friends, 1934 Click here for a larger image Rosie's illegal attic dance school, 1942 Click here for a larger image --This text refers to the hardcover edition. From Booklist How did the author’s glamorous Aunt Rosie survive the Holocaust? Why does his family in Holland never talk about her or about their roots? He has been raised Catholic, but is his father Jewish? Did his grandfather really die of old age? Who betrayed Rosie and her parents to the Nazis? With lots of photos throughout of his father’s sexy sister, a professional dancer, Glaser weaves together his interviews with Rosie in Sweden and his research into her amazing letters and diaries, and he tells the story in her voice parallel with his surprising discoveries of his own identity. She survived 18 months in Auschwitz, in luck to be used in invasive medical experiments, even if they did leave her sterile, singing and dancing with her capo-guard boyfriends. One of her jobs was to accompany and reassure prisoners before they went to the showers. With the personal and family secrets revealed, most shocking is the fact that 85 percent of Dutch Jews did not survive. An essential addition to the Holocaust collection. --Hazel Rochman --This text refers to the hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. The SuitcaseIn 2002 I attended a conference in Krakow for hospital directors. For once the event was scheduled while my wife Ria’s students were on holiday, and she had been able to join me for the trip. We had never been to Krakow before, so we had arranged to stay on after the conference for three extra days with a few other directors. I’d been looking forward to it. Our first day would be spent sightseeing, enjoying the city’s ancient streets. The following day was reserved for exploring the neighboring salt mines. On the third and final day we planned to visit Auschwitz, World War II’s largest concentration camp, and the adjoining camp in Birkenau.As the final day approached, I couldn’t help asking myself what business I had visiting the camp. The evening before the planned trip I told my wife I was in no mood for the excursion. I had never been to a concentration camp, and nothing about it stimulated my curiosity. The documentaries I had seen during my school days had been enough. Was I trying to rationalize a deeper impulse? I told the group they could count me out.At breakfast the following morning, a few colleagues tried to persuade me to make the trip after all. How could I not be interested, they argued. And it’s only a stone’s throw away. Out of solidarity I let them convince me. That morning I boarded the bus with mixed emotions.After an hour’s drive we arrived at a vast flat terrain. The place seemed immense. Wooden barracks extended as far as the eye could see. Our guide was a young man with short blond hair who welcomed us with a broad smile. After introducing himself, he led us through the camp gate with the words Arbeit Macht Frei suspended above our heads. Countless people were murdered here, our guide informed us, most of them Jews. Men, women, children, even babies. I felt like a disaster tourist. What was I doing there? Why hadn’t I stood my ground that morning and stayed behind in the city?With undiminished enthusiasm, the guide steered us past a number of stone buildings, stopping at a wall where people were executed on a daily basis. We then entered an adjoining building where Dr. Carl Clauberg conducted his medical experiments. The building had also been used to accommodate prisoners, and our guide led us to their dimly lit quarters, where confiscated property was piled behind glass.One display contained an enormous quantity of spectacles; another contained piles of human hair, some of it still braided. While my colleagues lingered, my wife and I proceeded to the next room, which was filled with suitcases. Prisoners were obliged to mark their baggage to make sure it didn’t get lost, at least that’s what they were told, so each piece of luggage bore its owner’s name and country of origin.My attention was quickly drawn to a large brown suitcase situated at the front. Astonishment glued me to the spot. The suitcase was from the Netherlands and was inscribed with the name “Glaser” in large letters, a relatively unusual name in my country. My wife read it as well and took my hand. In the display window I saw our reflection superimposed over the tableau, a suitcase going nowhere with my name on it. Silence engulfed us.A moment later the voices got louder, signaling the group’s approach. “I’m not in the mood for this, let’s get out of here,” I told my wife, and we hurried out of the room toward the exit. The fresh air did me good. After a while, everyone joined us outside. “Did you see it? The brown suitcase with your name on it?” someone asked. I had been dreading that question, secretly hoping that no one would have noticed the suitcase or read the name. I felt awkward and confused, and just before I attempted an answer someone else chimed in, “Did you have family here during the war?” I responded reluctantly: “My name? Yes, I saw it too. I have no idea who the suitcase might have belonged to.” More questions followed, but I managed to brush them off. To my relief the guide cut in and we continued the tour. But my thoughts were with the suitcase.At dinner that evening the group chattered spiritedly. Under normal circumstances I would have joined them without a second thought, but that night I was quieter than usual and went up to my room early.As I lay in bed, I couldn’t erase the image of the suitcase from my mind. Why had I been so evasive with my friends? Why did I beat about the bush when I knew precisely what to answer? I finally made a decision. The following morning I was still convinced: it was time to go public with the family secret. --This text refers to the paperback edition. "I could not put down this powerfully haunting story. . . . The author takes readers on a gripping journey. . . . Passionate, clever, resourceful, and determined, Rosie was a powerful force. This story reminds us once again of the resiliency of the human spirit and its ability to endure, overcome and even dance amidst unthinkable tragedy." — Cleveland Jewish News "Family secrets run deep. When Dutch-born Glaser started digging up his hidden Jewish past, he learned that his estranged aunt Rosie had survived Nazi concentration camps by giving dancing lessons to the guards and having affairs with more than one. Letters, archives, diaries, relatives and family friends lead the writer, at last, to Rosie Glaser herself, and to an extraordinary story of an unconventional, nervy woman and her determination to survive." — The New York Post "[Rosie Glaser]xa0led one of the most extraordinary lives of the 20th century. . . . [A] riveting story. . . .xa0What is undeniable . . .xa0is Rosie's fearless strength in facing her fate and her refusal to become a victim. She refers little to the brutality she encountered, but frequently mentions the little kindnesses extended by the Germans. The will to survive is powerful indeed." — The Washington Times "A compelling story about how one prisoner charmed and danced her way to survival. A fascinating read that also exposes the calumnies of the Dutch people and government both during the war and after it." — Deborah E. Lipstadt, Dorot Professor of Modern Jewish and Holocaust Studies, Emory University “It is rare, at this point, to come upon a work that offers a different angle, an unusual variation on the familiar theme. In this sense, Dancing with the Enemy … is something of an exception… [I]t is in fact two stories whose parallel strands combine to create a complex, sobering, conclusion.” — The Jerusalem Report "A readable, personable study and a scathing indictment of Dutch passivity in the face of occupation." — Kirkus Reviews "Glaser weaves together his interviews with Rosie in Sweden and his research into her amazing letters and diaries, and he tells the story in her voice parallel with his surprising discoveries of his own identity. . . .xa0An essential addition to the Holocaust collection." — Booklist "Rosie was unconventional, exuberant and ever optimistic, and her spirit comes through in these pages." — Jewish Woman magazine From the Hardcover edition. --This text refers to the paperback edition. Paul Glaser was born in the Netherlands shortly after World War II. He has held management positions in a number of educational and healthcare institutions and has been involved in the establishment of a historical printing museum, a regional theater, and a Montessori secondary school. He resides in Enschede, Netherlands. --This text refers to an alternate kindle_edition edition. Paul Glaser was born in the Netherlands shortly after World War II. He has held management positions in a number of educational and health-care institutions, including periods as director of a psychiatric hospital and as CEO of a large organization that works with the mentally handicapped. He has also been involved in the establishment of a historical printing museum, a regional theater, and a Montessori secondary school. --This text refers to the audioCD edition. Read more