Early Autumn (Spenser)
Early Autumn (Spenser) book cover

Early Autumn (Spenser)

Mass Market Paperback – April 5, 1992

Price
$8.99
Publisher
Dell
Publication Date
ISBN-13
978-0440122142
Dimensions
4.15 x 0.58 x 6.85 inches
Weight
3.84 ounces

Description

Robert B. Parker is the author of more than fifty books. He lives in Boston. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER 1 xa0 The urban renewers had struck again. They’d evicted me, a fortune-teller, and a bookie from the corner of Mass. Ave. and Boylston, moved in with sandblasters and bleached oak and plant hangers, and last I looked appeared to be turning the place into a Marin County whorehouse. I moved down Boylston Street to the corner of Berkeley, second floor. I was half a block from Brooks Brothers and right over a bank. I felt at home. In the bank they did the same kind of stuff the fortune-teller and the bookie had done. But they dressed better. xa0 I was standing in the window of my office looking out at a soft rainy January day with the temperature in the high fifties and no sign of snow. To the right across Boylston I could see Bonwit Teller. To the left Police Headquarters. In Bonwit’s windows there were mannequins wearing tight leather clothes and chains. Police headquarters leaned more to Dacron. In the window bay of the advertising agency across the street a young black-haired woman in high-waisted gray trousers leaned over a drawing board. Her back was toward the window. xa0 “My compliments to your tailor,” I said out loud. My voice sounded odd in the empty room. The black-haired woman went away and I sat at my desk and looked at the picture of Susan Silverman. It was the blowup of a color picture taken last summer in her backyard. Her tanned face and pink blouse were bright against the dark green of the muted trees. I was still looking at Susan’s face when my office door opened and a client came in carrying a belted poplin raincoat over one arm. xa0 “She said, “Mr. Spenser?” xa0 I said, “I knew my clientele would upgrade when I moved in over a bank.” xa0 She smiled wonderfully at me. She had blond hair that contrasted handsomely with her black eyes and dark eyebrows. She was small and very trim and elegant. She had on a tailored black suit and vest, white shirt, black bow tie with long ends like Brett Maverick used to wear, and black boots with very high narrow heels. She was wearing gold and it looked real: gold earrings, gold watch, gold chains around the neck, gold chain bracelets, a wide gold wedding band, and a large diamond in a gold setting. I was optimistic about my fee. xa0 She said, “You are Mr. Spenser?” xa0 I said, “Yes,” and stood up and held a chair for her. She had a precise walk and a very nicely integrated figure and she sat erect in the chair. I went around behind my desk again and sat down and smiled. Time was they started to undress when I smiled, but I guess the smile had lost a step. The black eyes looked at me very carefully. The hands folded still in the lap. Ankles crossed, face serious. She looked at my face, both shoulders, my chest, and as much of my stomach as showed behind the desk. xa0 I said, “I have a puckered scar on the back of my right, ah, thigh where a man shot me about three years ago.” xa0 She nodded. xa0 “My eyes look maybe a little funny because I used to be a fighter. That’s scar tissue.” xa0 “Apparently people hit you in the nose quite often too,” she said. xa0 “Yes,” I said. xa0 She looked at me some more. At my arms, at my hands. Would I seem forward if I offered to drop trou? Probably. xa0 I said, “Got all my teeth though. See.” I bared them. xa0 “Mr. Spenser,” she said. “Tell me why I should employ you.” xa0 “Because if you don’t you’ll have wasted all this sizing up,” I said. “You’ll have spent all this time impressing me with your no-nonsense elegance and your perfect control and gone away empty.” xa0 She studied my forehead. xa0 “And I look very dashing in a deer stalker and a trench coat.” xa0 She looked directly at me and shook her head slightly. xa0 “And I have a gun,” I said. I took it off my hip and showed it to her. xa0 She turned her head away and looked out my window, where it had gotten dark and shiny with the lights glistening off the rain. xa0 I put the gun away and clasped my hands and rested my elbows on the arms of my chair and propped my chin. I let the chair tip back on its spring and I sat and waited. xa0 “Mr. Spenser, do you have time to waste like this,” she said. xa0 “Yes, I do,” I said. xa0 “Well, I do not,” she said and I lip- synched the words with her as she said them. That annoyed her. xa0 “Don’t you want the job?” she said. xa0 “I don’t know,” I said. “I don’t know what the job is.” xa0 “Well, I want some evidence of your qualifications before I discuss it with you.” xa0 “Hell, lady, I showed you my scar tissue and my gun. What else do you need?” xa0 “This is a sensitive job. It is not a matter of guns. It involves a child.” xa0 “Maybe you should get hold of Dr. Spock.” xa0 Silence. She looked at my hands where my chin was resting. xa0 “Your hands are very strong-looking,” she said. xa0 “Want to see me crack a walnut?” I said. xa0 “Are you married?” she said. xa0 “No.” xa0 She smiled again. It was a good one. Hundred, hundred-fifty watt. But I’d seen better. Susan could have smiled her right into the woodwork. She moved her body slightly in the chair. She remained trim and upright, but somehow a wiggle came through. xa0 I said, “If you bat your eyes at me I’m calling a policewoman.” xa0 She wiggled again, without moving. How the hell does she do that? xa0 “I’ve got to trust you,” she said. “I have no one else. I must turn to you.” xa0 “Hard,” I said. “Hard for a woman alone, I’ll bet.” xa0 Wiggle. Smile. Sigh. “Yes, I’ve got to find someone to help me. Will it be you?” She leaned forward slightly. She moistened her lower lip. “Will you help me?” xa0 “I would gather stars,” I said, “out of the blue.” xa0 “Don’t make fun of me,” she said. “I’m desperate.” xa0 “What are you desperate about?” xa0 “My son. His father has taken him.” xa0 “And what would you like me to do?” xa0 “Bring him back.” xa0 “Are you divorced?” xa0 “Yes.” xa0 “Do you have custody?” xa0 “Yes, of course. I’m his mother.” xa0 “Does his father have visitation privileges?” xa0 “Yes, but this isn’t a visit. He’s taken Paul and he won’t bring him back.” xa0 “And the court?” xa0 “There’s a hearing, and Mel’s being subpoenaed but they can’t find him.” xa0 “Is Mel your husband?” xa0 “Yes. So I’ve spoken to the police and they said if they could find him they’d serve him a summons. But you know they aren’t going to look for him.” xa0 “Probably not. They are sometimes busy,” I said. xa0 “And so I want you to find him and bring my Paul back.” xa0 “How’s the boy feel about all this?” xa0 “Naturally he wants to be with his mother, but he’s only fifteen. He has no say. His father has simply taken him and hidden him.” xa0 “Mel misses Paul that much?” xa0 “He doesn’t miss him. He doesn’t care about Paul one way or the other. It’s merely his way of getting at me. He doesn’t want me to have Paul.” xa0 “So he took him.” xa0 “Yes.” xa0 “Good deal for the kid,” I said. xa0 “Mel doesn’t care about that. He wants to hurt me. And he’s not going to.” xa0 There was no wiggle when she said the last sentence. “I want you to bring that kid back to me, away from his father. Paul is legally mine.” xa0 I was silent. xa0 “I can pay any reasonable fee,” she said. “I got an excellent alimony settlement.” She was quite brisk and business-suity again. xa0 I took in some air and let it out through my nose. I looked at her. xa0 She looked back. xa0 “What’s the matter,” she said. xa0 I shook my head. “It does not sound like a real good time,” I said. xa0 “Mr. Spenser,” the lower lip moistened again, mouth open a little, tip of the tongue running along the inner edge of the lip. “Please. I have no one else. Please.” xa0 “There’s a question whether you need anyone else,” I said, “but I’ll take a whack at it on one condition.” xa0 “What?” xa0 “You tell me your name so I’ll know where the bill gets sent.” xa0 She smiled. “Giacomin,” she said, “Patty Giacomin.” xa0 “Like the old Ranger’s goalie,” I said. xa0 “I’m sorry?” xa0 “Gentleman of the same name used to be a hockey player.” xa0 “Oh. I’m afraid I don’t follow sports much.” xa0 “No shame to it,” I said. “Matter of not being raised properly. Not your fault at all.” xa0 She smiled again, although this time it was a little unsure, as if now that she had me she wasn’t certain she wanted me. It’s a look I’ve seen a lot. xa0 “Okay,” I said. “Tell me everything you can think of about where old Mel might be.” xa0 I pulled a lined white pad closer, picked up a pencil, and listened.

Features & Highlights

  • “[Robert B.] Parker's brilliance is in his simple dialogue, and in Spenser.”—
  • The Philadelphia Inquirer
  • A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own. With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.1K)
★★★★
25%
(906)
★★★
15%
(543)
★★
7%
(254)
23%
(832)

Most Helpful Reviews

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"Early Autumn" - best Spenser

Most 'serious' reviewers of Robert Parker's Spenser books will argue that "A Catskill Eagle" is the best of the series. I won't disagree that it's very, very good, but I think Spenser (and by extension, Parker) is at his best in "Early Autumn".
Primarily, through the books, Spenser has deep relationships only with Susan, and to a lesser extent, Hawk. We really don't know much about him beyond the front he puts up for his clients and his opponents. "Autumn" is the exception to that; we see him treat Paul in much the same way he must have been treated as a child and the same way he would have treated a child of his own, if he'd had one -- with respect and decency. He drags the 'real' Paul out of the shell Paul had constructed to protect himself from his parents and the world and provides him with a sense of worth, teaching him, as Spenser says himself, "what [he] knows" -- boxing, running, carpentering and standing up for something.
The end of the book always gets me. I've always been glad, too, that Paul makes further appearances in other books: Widening Gyre and Playmates, among others. It's interesting to see the relationship between Spenser and Paul grow and develop. It deepens Spenser as a character and gives us one more reason to like him.
98 people found this helpful
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One of the few Spenser books I remember vividly

I think this is Parker's best Spenser book since the characters seemsed to be more alive and more commpassoniate in this book. A definate must read!
8 people found this helpful
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Spenser is a good dad

I read books as I get them. I have read many books about Spenser, I never counted the number before "Early Autumn" but I had encountered Paul Giacomin in several books and knew little about him. In fact I was often irritated by the way Spenser treated him, I thought it interrupted the flow of the book. Now I have read "Eaely Autumn" and my opinion has flip-flopped, I wish I had the time to reread the books in which Paul appears so I can use my new opinion of him and see what it does for the books.
As for the book itself, it portrays a new and different Spenser; he kills no one in this book and vents his feelings about killing, he does not want to do it unless his life or one of his loved ones is endangered and killing becomes necessary to him. Self-defense is a good reason, Harry Cotton is killed by Hawk to protect Spenser, Spenser can not do it himself. Spenser meets Paul's parents first, before meeting Paul himself, and is not impressed by them. He is hired by Paul's mother to find and return Paul to her, he has been kidnapped by his father. This job leads to further meetings with the mother, she throws herself at him and Spenser turns her down. Now his eyes are opened, he starts to have feelings for Paul and is concerned about him. As a result he takes Paul under his wing and tries to make a man of him, according to his own ideas. Fortunately for all us readers his idea of a man seems to be sound and he starts working it on Paul. To do so, he must break the family ties and supplant them with new ones. To do so he must find something in Patty Giacomin's life she wants hidden and similarly for Mel Giacomin. Spenser succeeds and he takes over the kid's education. The novel shows the change and Paul benefits greatly. Spenser is shown to make a fine dad and more of the book is taken up in the interaction between Paul and Spenser. I wanted Spenser to win, each reader must make up his own mind and see how the book appeals to him. I am sorry Parker died, now I would like to see more stories in which Paul appears.

tags spenser, paul giacomin, hawk, autonomy, body building
6 people found this helpful
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Easily one of Parker's Best

I am a big fan of Parker's writing and of the Spenser books in particular, so I would be hard pressed to pick a favorite of his, but Early Autumn would certainly be right up there. At once it combines all the elements of Spenser's hard-boiled detective universe with the coming-of-age of Paul, a regular character in subsequent Spenser novels. Handled with delicate realism and devoid of sappy sentimentality, Early Autumn is easily one of the most human of the Spenser stories. It is quick and light, and good for a weekend afternoon.
5 people found this helpful
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Chandler never wrote like this

A somewhat tedious exploration of child-rearing. The young man Spenser takes under his wing, Paul Giacomin, has lousy parents. He's taken away and led into the woods (literally) and taught how to: 1. run (!); 2. build a cabin (!); lift weights (!); learn how to cook (ditto); drink beer (ditto); learn how to dress (this is getting tiresome) etc. Spenser's girlfriend becomes quite tedious, as well. Their conversations are boring, trite, bitchy (hers), manly (his), and lead to nowhere. She feels neglected and resents Paul. Meanwhile, bad guys hired by the boy's father are trying to get him back.
The boy's mother, on the other hand, is earning her PhD in picking up and sleeping with strange men. This sub-plot has been inserted into the book for no good reason, other than to demonstrate she's a lousy mother.
There are, weirdly, quite overt homo-erotic overtones running through Spenser's relationship with the boy. Maybe this was assumed to be natural when the book was written. Today some would call this "grooming". I don't think Parker intended this at the time the book was written; I'll admit it's a bit unfair to bring today's views on sexuality into a book that is 50 years old.
Spenser, of course, with the aid of Hawk dispenses with the bad guys, gets dirt on the dad to blackmail him into supporting Paul's aspirations to become a ballet dancer. Well, Ok. At the end of the book we find Spenser and Paul, back in the woods, finishing the cabin and resuming their male bonding. "Autumn is coming," says Spenser. To which I can only add, Thank God for that.
4 people found this helpful
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Parker Pages Paul. Who is Spenser? Shrug & Rap. Clap & Cheer.

The way Spenser took on the raising of Paul Giacomin was one of the best dramatizations I've seen anywhere about saving a teenaged boy whose soul had nearly shrunken in on itself. The working scenes between Paul and Spenser gave primal meaning to warm, mesmerizing, and inspiring, as they danced through the construction of a fancier cabin than the more primitive one they inhabited while Paul learned who Spenser was and how to apply some of his tricks of growing strong and autonomous.

Here's how Parker won that transformation with literary perfection:

Spenser's opening sauntering, subtle swagger spoke volumes:

"I'm restless and bored. What worthy chatter can I get into."

Applying that approach this time, Spenser had entered the syntax construction, no Elvis implied. Imaginary settings of shuffling leaves skittered through Spenser's repartee hop, hip, and pause. The season was EARLY AUTUMN, but only in mood and theme.

The plot opened in January.

Opening a scene of Spenser's recently seated new office location, a flickering female of many poses, the now famous Patty Giacomin, put an edge on Spenser's curiosity and he began wondering (in essence) what could cause X Chromosomes to grow gangrene instead of the motherhood dream? The plot pivoted around Patty for a while as Spenser rescued her lost son.

In following scenes, the cat-like P. I. became curious about a 15-year-old stuck in a litany of shrugs. With no leeway to "lick em" Spenser joined Paul's rap (no shrink intended). By the time Spenser had met, matched, and saved Paul Giacomin, I had warmed into "Do The Shrug Shuffle."

Autumn was the symbolic season, but what was the reason for Spenser to further his feisty, full-of-it facade by adopting and growing a kid...?

For me, teenage chemical chaos isn't easy to cozy into... no wanna go back!

But Spenser sidled through Paul's Sea of Sleazy and set up male bonding before a fish could flop. Read and watch the deceivingly easy maneuvers of Spenser's pairing with Paul's paused psyche. See a master at work, and a kid whose sour luck had just turned sweet, by simple, easy treats on Private Eye Lonely Street, which had suddenly lost the edge of ennui.

Parker's Spenser is Goooood.

Not so much Good as opposed to Evil (that, too), but good like, "What part of `cool' do you understand."

This time Parker pulled my interest so smoothly I had zero chance for resistance, though I gave futility a phase:

Around word four, I felt a flash of dread, "Are you gonna lose it this time, Parker?"

The opening was so low key I had almost bought the boredom as my yawn instead of Spenser's. My misconception wasn't maintained past a few easy-flowing pages; I hadn't noticed when the flash bought the pan and the plot popped. Corn, anyone? (Thankfully the yellow are mine, not Parker's, lol.)

Maybe it was Spenser's study of Patty's entry onto his William Shakespeare mode of "All the world's a stage" which had me fooled about Parker's faked foibles. His sleuth's exorcism of this female was so subtle I began flickering:

Which way would she would go with character charisma condensation.

But the bitters were brewed by Patty's "selfless" reaction (she was so solidified-on-centered there was no self) to Spenser's success in bringing Paul home.

Her character had clarified, then chilled as corrupt. Done. Future flickers would fumble and die, no where to hide.

As noted, I wasn't ready to be sucked into the relationship between Paul and Spenser, but under Parker's liquid-butter rap and rachet-up intrigue, ready or not didn't matter. The quick slip into liking Paul was good enough for me. As hinted above, what got me there was Spenser first imitation of Paul's shrugging shuffle, as Spenser timed his shoulders in synch, doing a duo. Recalling the way Parker wormed the reader into that capture makes me smile even now, as I type about it. I won't forget about it. (In this case my Italian would slur, "Fuhgeduhboudit.")

Parker's technique was so natural it would have been easy to miss what had just happened, which would have been fine, because the author had me hooked as simply as Spenser had Paul on the line. That technique did a neon-light-script around the advice, "If you can't lick em join em."

Then RBP took the thought behind the color highlight, bounced and twirled it, dropped it, kicked out the taint of time-gathered-trite, then renewed the candor of a cliche gone rap(ture). Lucky kid. Lucky me as reader.

I agree absolutely with the reviews which wisely concluded that this is the novel in the series which defines Spenser personally. I loved it. Being party to Paul's transformation was one of the most sensitive yet underhandedly powerful psychological passages I've ever attended.

There can be no doubt that this plot is pivotal as well as potent, yet gently so.

The cooking was up to par, too.

Okay, enough juggling the review dance. Enough steaming the yeasty bread, dripping garlic-warmed-basil-butter.

If you know what's good for you (even if you don't), get it, the Early Autumn (healing) Virus. "Gedit now, kid."

Clapping and Cheering,
Linda Shelnutt
4 people found this helpful
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A fast read

I feel the relationships between Spenser and Susan and Spenser and Hawk were not developed enough in this novel. If I weren't an avid fan of Spenser novels, I would not know the true relationship between these three (which is part of the fun of these books). Hawk and Susnan included. This book is a good read - quick and funny but I was disappointed in just the glimpse you got of Hawk and Susan.
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A Fan

I'm a big fan of Robert B. Parker's Spenser novels. Nobody does detective - private eye novels better than Parker. I liked the television show "Spenser For Hire", loosely based on the books, but the books are much better. Most of the main characters are a little different than the TV show, except for Hawk. Avery Brooks nailed it. His Hawk is exactly like Hawk in the novels. I've bought the first 15 from The Godwulf Manuscript through Crimson Joy and have been reading them it order. I'm currently on the 13th, Taming A Sea-Horse, Once you start they are hard to put down. What you might call, "A page turner". Very entertaining.
3 people found this helpful
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Spenser for hire

My first Spenser novel - but 7th in the series. Probably my last Spenser novel, but it wasn't bad. The humor of the story did draw me in, and I did want to see what happened, but I can't say I would go out of my way to read more of them. The humor in the story was definitely apparent - but having seen the TV series all I could see was Robert Urich throughout the book. In this one, a woman hires Spenser to find her son. Said son is with the father. Spenser brings the son back, and then second-guesses his decision but lets it be. But not for long. Like I said, not a bad read, but not my first choice. Surprising, I admit, since humor is usually foremost in my choices.
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Early Autumn

Another well done Spenser novel. This one is about the relationship between Spencer and Paul Giacomin, and it gives all the background needed for references to Paul in future books. An interesting read, with more insights into Spenser's character.
2 people found this helpful