Greenwich Park
Greenwich Park book cover

Greenwich Park

Hardcover – January 25, 2022

Price
$14.69
Format
Hardcover
Pages
384
Publisher
Gallery Books
Publication Date
ISBN-13
978-1982150310
Dimensions
6 x 1.2 x 9 inches
Weight
1.2 pounds

Description

"Katherine Faulkner is amazingly talented. Greenwich Park is gripping and haunting and gorgeously suspenseful. I couldn't put this thriller down and can't recommend it highly enough." --Zakiya Dalila Harris, author of The Other Black Girl "A gloriously tangled game of cat and mouse that kept the twists coming until the very last moment." --Ruth Ware, #1 New York Times bestselling author of One By One "Wonderfully addictive and electric, Greenwich Park gets under your skin from the very first pages and it’s impossible to look away from the tangle of friendships, the haunting of a guilty past, and the unease of a growing obsession. While many thrillers are set in early motherhood, Katherine Faulkner brilliantly explores the anxious weeks before the baby is born, when the tension is as high as our hopes. I can’t wait to read what Faulkner writes next." --Ashley Audrain, New York Times bestselling author of The Push "Axa0fantastically addictivexa0read. It's so pacy, and there's a real sense of dread on every page . Fabulously unpleasant characters, andxa0a beating feminist heart ." --Abigail Dean, New York Times bestselling author of Girl A "I devoured Greenwich Park in two greedy sittings. The writing is razor-sharp, the characters deliciously problematic, and the ending utterly gasp-worthy. You’ll remember this thriller long after the final page."--xa0Robin Morgan-Bentley, author of The Wreckage "Deliciously dark and deftly plotted. Faulkner mines the seam of guilt beneath her characters’ ‘perfect’xa0 lives with devastating precision." --Lesley Kara, Sunday Times bestselling author of The Rumour "Brilliantly twisty and full of excellently observed - if chilling - characters, Greenwich Park is a clever and knowing delve into the female psyche as well as a classic, pacy mystery. Atmospheric, aspirational and addictive!"xa0 --Harriet Walker, author of The New Girl "Meticulously crafted and deeply satisfying, Greenwich Park has all the hallmarks of a first-class psychological thriller. I read it in two sittings and was left smiling sardonically at the final line." --Charlotte Philby, author of Part of the Family (Waterstones Thriller of the Month)"Terrific.xa0Pacey and suspenseful with a nice touch of satire."xa0 --Amanda Craig, author of The Golden Rule "One of the best debuts I've read in a long time... Intelligently plotted, with several completely unexpected gut-punches along the way, Greenwich Park isxa0both a psychologically complex and hugely entertaining novelxa0- in short,xa0the perfect thriller." -- Caz Frear, author of Sweet Little Lies and Shed No Tears "Razor-sharp prose, a properly twisty set-up, lots of unlikeable characters and a strong feminist undercurrent - it's got the lot!xa0I raced through it. Absolutely loved it." -- Harriet Tyce, author of Blood Orange ‘Faulkner offers a clever spin on an expanding subcategory of psychological thrillers set during maternity leave… A twisty, fast-paced read’. -- The Sunday TImes (UK) "[A] suspenseful thriller...with constantly growing levels of menace, this tension-filled novel will keep you guessing through its final revelations." -- Kirkus (starred review)“Well-paced debut… Faulkner ratchets up the tension throughout with clever narrative shifts. Domestic thriller fans should take a look.” -- Publishers Weekly “Talk about suspense! Katherine Faulkner's Greenwich Park , told from three perspectives, centers on a pregnant woman who meets another mom-to-be who couldn't be more different from her. As their friendship develops, they realize theyxa0may be more connected than they think." -- Marie Claire 's "2022 Book Releases to Get Excited About!""Axa0palpable sense of menace [hangs]xa0over the story, which packs punch after shocking punch. An original and highly imaginative plot, combined with complex characters and a stunning conclusion, will shock even the most seasoned crime-fiction aficionado. An outstanding debut thriller." -- Booklist (starred review) Katherine Faulkner, an award-winning journalist, studied history at Cambridge. She has worked as an investigative reporter and an editor and was formerly the joint Head of News at The Times (London). She lives in London, where she grew up, with her husband and two daughters. She is the author of Other Mothers and Greenwich Park . Excerpt. © Reprinted by permission. All rights reserved. 1. Helen Helen AT THE TOP OF the beer-stained carpet, a taped sign on the door reads National Childbirth Trust. The doorknob feels like it might fall off if I turn it too hard. Inside there is a semicircle of chairs. A flip chart. Trestle tables with juice and biscuits. The sash windows are jammed shut. Three other couples are here already. I am the only one on my own. We smile politely at each other, then sit in silence, too hot and uncomfortable for small talk. One bearded husband tries to yank a window open, but after a few attempts, sits down with a defeated shrug. I smile back sympathetically, fanning myself with the baby first-aid leaflet I found on a chair. We teeter like bowling pins, our swollen bellies resting on our laps, arching our backs, our knees apart, grimacing. As the room fills, I glance at the clock on the wall. Past six thirty. Where are they? I keep looking at my phone, waiting for the flash of response to my messages. But nobody replies. I’d peeled away from the office early, wanting to get here on time. I hadn’t been the only one. The air-conditioning has been broken for days. By this afternoon the place had been half empty, just a few desk fans still whirring limply into the flushed faces of middle-aged men. When I picked up my bag and flicked my screen off, I had glanced at Tom, but he’d been hunched on a call to building services, complaining about the temperature for the third time that day. I’d tried to catch his eye with a sort of awkward half wave, but he’d barely acknowledged me, gesturing me away with a sideways glance at my belly, his other hand still clutching the phone to his ear. I think he’d forgotten today was my last day. Unable to face the slow suffocation of the Tube, I’d decided to walk instead. The glare had been blinding. Heat bounced off pavements and crosswalks, shimmered between cars and buses. Horns honked in sweaty frustration. It is all anyone is talking about, the heatwave. No one can remember a summer like it. We are constantly reminded to stay in the shade, carry a bottle of water. It hasn’t rained for weeks. Shops are selling out of fans, ice packs, garden umbrellas. There is talk of a garden hose ban. I decided to cut across the park, between the Observatory and the Royal Naval College. The hazy light seemed to soften the edges around everything. Office workers were spread out on the yellowing grass, shoes kicked off, ties loosened, sunglasses on. They were drinking gin and tonics from cans, sharing Kettle chips, speaking slightly too loudly to each other, the way people do after a few drinks. It had felt like walking past a party, one I hadn’t been invited to. I had to remember not to stare. It can be hard not to stare at happy people. They are mesmerizing somehow. It was hot like this the summer we graduated from Cambridge. We used to punt down the river, the four of us. Serena and me sunbathing. Rory punting. Daniel sorting the drinks out, his pale skin reddening in the heat. We’d veer into banks, get tangled in curtains of weeping willow, the sky cloudless, the sunlight catching sequin-bright on the clear waters of the Cam. It felt as if the summer would go on forever. When it ended, I feared we would lose the closeness we felt back then. But we didn’t. Rory and Serena came to live in Greenwich, on the other side of the park. Daniel went to work with Rory at the family firm. And now, there’s our babies, due just two weeks apart. The course leader is here now. She jams the door open with a folded beer coaster, then picks up a sticky label and writes her name on it with a thick green marker: SONIA. She presses the label onto her chest, then dumps a faded shopping bag and some Tesco grocery bags next to the flip chart. A whiskery braid runs almost the length of her spine. “Right,” says Sonia. “Shall we start?” She begins a practiced monologue about labor, pain relief, and Caesareans, one eyelid flickering during the embarrassing parts. Occasionally she is forced to raise her voice over a crash of pots and pans, or a burst of expletives, from the pub kitchen on the floor below. After she has been speaking for a few minutes, I glance down at my phone screen again, just as a message flashes up from Daniel. I open it. Meeting only just finished , he says. Heading home now. Train gets in at 10 . He is so sorry again about the class, says again that he wishes he could be there with me. He’ll make it up to me, he says. I know he would be here if he could, that he is gutted to have had to let me down. That this last-minute crisis meeting just came at a terrible moment. At the same time, I can’t help feeling so disappointed. I’d been excited about these classes, about doing them together, like proper expectant parents. Sonia starts to pull objects from the grocery bags: a pelvis—through which she squeezes a fully dressed plastic newborn—knit nipples, a pair of forceps, a suction cup. The men look horrified, the women sweaty and anxious. We pass the objects around the circle, trying bravely to smile at each other. The chairs to my left are still empty. The bearded man has to lean right over them to hand me the objects as they come around. I glance down at the name tags I wrote out for Rory and Serena, sitting on their vacant seats. Those two were supposed to be here at least, to keep me company, make me feel less alone. I feel foolish, like a woman who has invented two imaginary friends. Could Serena really have just forgotten? Another message comes through. It’s from Serena. My heart sinks. Somehow, deep down, even as I tap to open it, I know what it’s going to say. Hey, Helen! I know it’s the first prenatal class tonight. Hope you don’t mind, but I think Rory and I might skip them after all. I was actually looking online and I found these other ones that look a bit more my thing—beautiful bump classes—they’re supposed to be a bit less preachy, and they meet in the organic bakery. I was thinking I might try those instead. So sorry to cancel at the last minute. Have fun! Sonia is brandishing a red marker at her flip chart now. “So. Can anyone tell me what they know about breastfeeding?” I try to focus on the breastfeeding discussion. It is not going well. Most of the mothers are staring at the floor. One mutters something about positioning, another offers an anecdote about a friend who kept breast milk in the fridge. “Anyone else?” Sonia is flagging now, half-moons of perspiration spreading from under the arms of her T-shirt. Just at this moment, a girl walks in, slamming the door behind her. Sonia winces. “Fucking hell. Sorry, everyone,” she announces loudly. She slips a metallic-gold backpack off one shoulder and drops it down on the floor with a thud. It lands inches from my foot. “Oops.” She grins, one hand on her bump. Everyone stares. Sonia, still standing in front of the flip chart with her red marker pen held aloft, eyes the girl coldly. The only things written on her flip chart so far are CORRECT POSITION (NIPPLE) and STORE IN FRIDGE. The girl points a purple-painted fingernail at the seat next to me, the one I had reserved for Serena. “This chair taken?” I hesitate, then shake my head. I feel the eyes of the other couples on me as I haul my bags over to the other side, scrape my chair out a little to make more room. Sonia sighs. “Anyone else?” The flip chart charade continues for a few further minutes. The women begin to shift in their chairs, exchange raised eyebrows, uncomfortable glances. I try to concentrate. The girl next to me, the latecomer, is chewing gum. All I seem to be able to hear is the snap of it between her teeth as her jaw opens and closes. When I glance sideways at her, I glimpse it between her teeth, a neon-pink pellet, an artificial cherry scent. She catches my eye, grinning again, as if the whole thing is hilarious. Finally, Sonia surrenders, pulling the back of her arm across the moisture on her brow. “OK,” she says. “Shall we take a short break?” A murmur of relief goes up. All the women waddle toward the jugs of juice, and I quickly follow them. Soon they are grouping up, the room filling with the noise of chatter. I am being left behind. I feel a plummeting panic. No Daniel, no Rory, no Serena. How do people make friends? What would Serena do? I hover on the edge of a group, trying to look casual, waiting to be included. But there never seems to be a good moment to interject. I open my mouth to speak a few times, but on each occasion, someone else speaks first. I end up closing my mouth again, like a fish drowning in air. I feel the trickle of my anxiety begin, the nerve center at the back of my head starting to alarm. I am uncomfortably warm. Can’t someone get that window open? The girl who came in late appears at my side. She is holding two enormous glasses of what appears to be cold white wine, clouds of condensation on the side of the glass. “Do you want one? I thought you looked like you might need a real drink. One a day can’t hurt, surely.” She holds out the glass in front of me. Her painted fingernails are short and chewed. She looks very young—perhaps she just has one of those faces. Round, dimpled, babyish. Yet when she smiles, there is something wolfish in it, her canine teeth protruding slightly, small but sharp. “What’s the deal, then?” I blink at her. “I beg your pardon?” The girl places the glasses of wine down on a side table, gestures to the two chairs next to me, the name tags Rory and Serena still lying on them. “Just wondered what the setup was.” She shrugs. Then her face snaps back at me, her eyes wide, her fingers pressed to her mouth. “You’re not a surrogate, are you?” She laughs. “That would be typical, wouldn’t it? Didn’t even want it, and now you’re left holding the baby!” The girl hoots. I look over her shoulder, try to catch the eye of one of the other women. But none return my gaze, so I am forced to reply. I clear my throat. “No, um. No. I’m not.” I try to laugh. “It’s just that my husband, Daniel, couldn’t make it tonight.” I shake my head slightly, as if it’s just one of those things, doesn’t matter. I pause, before realizing she is waiting for an explanation about the two other empty seats. “The other couple is my brother and his wife. Rory and Serena. They’re expecting in the same month as us. We’d been planning to do the classes together, as a foursome, but… I think they… obviously decided against it in the end.” The girl smiles sympathetically. “Hopeless. Never mind, you can team up with me, can’t you?” She picks the glass up again. “Shall we have this drink, then?” “Thanks,” I say hesitantly. “But I’m not sure…” Why am I incapable of completing my own sentences? I should just say no, thank you, I would rather not drink. I mean, I’m pregnant. We both are. Surely I don’t have to spell it out? “Oh, I know what you’re saying,” she booms, rolling her eyes and glancing around the room. “Ridiculous, isn’t it? All this pressure! The way they change the advice all the time! One minute you can drink, the next minute you can’t, then you can ‘in moderation,’ then it’s basically illegal! Bloody doctors.” I clear my throat, unsure how to answer. I am very aware now of the gaze of the other women in the room, looking from me to the girl and the wine, and back. “Well, fuck doctors,” she continues. “Our mums all got smashed when they were pregnant. We all bloody survived!” She is speaking far too loudly. The room is silent, and people are starting to openly stare. The girl looks over at the other mothers, registers their disapproving glances, then raises her eyebrows at me and giggles. She holds the wineglass aloft to toast her own sentiment. She brings the glass to her lips. “Fuck the NHS,” she spits. “That’s what I say.” She tips the glass to her lips and drinks. As she does so, I notice one or two of the other mothers actually wince. The girl picks up the drink she has brought for me. She holds it out, like a threat, or a dare. “Come on,” she hisses. Her eyes flick down to my name badge. “You know you want to… Helen.” Later, after everything, I will come to wonder why I act as I do in this moment. For even now, there is something about this girl. Something that makes me want to edge away, to look for a place of safety. Like the feeling of being on a cliff-top path, when the wind is just a little too strong at your back. But I don’t step away. I take the wine. And as I do, the other women turn their heads, as if by taking it I have answered all their questions. I want to tell them I’m just being polite, that I have no intention of actually drinking it. But they are already looking the other way. “Thanks,” I say weakly. “Nice to meet you, Helen. I’m Rachel.” And then Rachel clinks her glass against mine, knocks back another deep glug, and winks at me, as if we share a secret. Read more

Features & Highlights

  • “A twisty, fast-paced” (
  • The Sunday Times
  • , London) debut thriller, as electrifying as the #1
  • New York Times
  • bestseller
  • The Girl on the Train
  • , about impending motherhood, unreliable friendship, and the high price of keeping secrets.
  • In this “gloriously tangled game of cat and mouse that kept the twists coming until the very last moment” (Ruth Ware, #1
  • New York Times
  • bestselling author), Helen’s idyllic life—handsome architect husband, gorgeous Victorian house, and cherished baby on the way—begins to change the day she attends her first prenatal class. There, she meets Rachel, an unpredictable single mother-to-be who doesn’t seem very maternal: she smokes, drinks, and professes little interest in parenthood. Still, Helen is drawn to her. Maybe Rachel just needs a friend. And to be honest, Helen’s a bit lonely herself. At least Rachel is fun to be with. She makes Helen laugh, invites her confidences, and distracts her from her fears. But her increasingly erratic behavior is unsettling. And Helen’s not the only one who’s noticed. Her friends and family begin to suspect that her strange new friend may be linked to their shared history in unexpected ways. When Rachel threatens to expose a past crime that could destroy all of their lives, it becomes clear that there are more than a few secrets laying beneath the broad-leaved trees and warm lamplight of Greenwich Park.

Customer Reviews

Rating Breakdown

★★★★★
30%
(2.2K)
★★★★
25%
(1.8K)
★★★
15%
(1.1K)
★★
7%
(510)
23%
(1.7K)

Most Helpful Reviews

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So annoying and frustrating

My goodness, I am not enjoying this book. Helen is a total pushover, I mean the weakest woman character I’ve read about in ages. The story is just driving me insane. I don’t know if I’ll be able to finish it, but I’m going to try. How in the world do awful books get such good reviews???
Update after finishing: ok, the story did have an entertaining ending, but I stand by my review. I could have been happy not reading this book.
17 people found this helpful
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a mother of a thriller

Helen Thorpe is not happy. She signed herself and her husband up for a prenatal class, and instead of joining her, he has to work late. She also thought that her brother Rory and his wife Serena were going to be there. They had all signed up together, since Helen and Serena were pregnant at the same time, so it made sense that they would take this class together, learn about the breathing, support each other, laugh together about the other couples.

Instead Helen is alone.

So when Rachel shows up, also alone (but she’d never planned it any other way), she immediately befriends Helen. Rachel jokes with her, helps her from feeling so alone. Helen finds her a little pushy, but she is lonely there, so she spends the evening with her.

Helen’s husband Daniel apologizes when he got home. But ever since he started working with Rory, he’d been taking on more and more of the workload, having to stay late at the office to get things done. Helen and Rory and Daniel and Serena had all become friends at Cambridge.

Rory and Helen and their younger brother Charlie grew up in a beautiful historic house in Greenwich Park. Their father was a renowned architect, and when he and their mother died, the house had gone to Helen. Their father’s architecture firm had gone to Rory. And Charlie had gotten cash. Now, Daniel and Helen were doing a renovation to the house. Rory and Daniel both worked at the company. And Charlie was a DJ at a hot club and dating a journalist named Katie who had grown up just down the street from the family.

It’s just days after that first prenatal class that Helen is out shopping, and avoiding the workers at home causing so much noise and mess, when she bumps into Rachel again. Rachel insists that Helen join her for a coffee, and Helen agrees. As the weeks go by, they become closer friends, meeting for coffee and going to their class together.

In truth, Helen is a little uncomfortable about Rachel, as she is still drinking alcohol and smoking despite being pregnant. But she feels abandoned by the rest of her friends—by her old work friends, who are all busy when she wants to get together; by Serena, who is busy with Rory and with her photography; and by Daniel, who is spending so much time at the office. So Helen spends time with Rachel. And when Rachel shows up on her doorstep with marks around her neck, saying she has nowhere to go, then Helen takes her in and lets her stay there, even though was supposed to be her anniversary dinner with Daniel.

But after a couple of days, Rachel won’t leave. And Helen finds some suspicious things in with Rachel’s possessions. Helen starts to wonder if Rachel had ulterior motives for coming to stay with them. She wonders if Rachel had come to that class looking for Helen specifically, trying to meet her and work her way into her and Daniel’s life together. But why? And when their bonfire and fireworks party gets out of hand and Rachel goes missing, Helen is relieved to be done with her.

But then the police show up, wanting to ask questions of Helen. As she tries to remember what happened that night, Helen tries to piece together what happened. But it turns out, everyone has secrets they’re trying to cover up, and the layers of deception go even deeper than anyone expected.

Greenwich Park is Katherine Faulkner’s debut novel, and it is filled with more stunning reveals than you expect. The characters are strong and crafted with care, with interweaving relationships that will make you question what you know about family, and the plot is tight. Secrets are revealed slowly, until the end of course, when it all comes oozing out from all corners of the world.

I have heard Greenwich Park compared to the runaway bestseller The Girl on the Train, but I’m not sure that’s a good comparison. The Girl on the Train is polarizing—most readers either love it or hate it (full disclosure here: I loved it)—and I don’t think that Greenwich Park has that same dynamic to it. I think readers will just love it, swept away on this roller coaster of a thriller. This is a beautiful novel, and I think fans of mysteries and dramas and thrillers will all find something to love in its pages.

Egalleys for Greenwich Park were provided by Gallery Books through NetGalley, with many thanks.
10 people found this helpful
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Promising start

This is probably a good thriller for people who don’t read a lot of thrillers. It started off strong but had a completely uninspired ending that I predicted halfway through. Characters were not compelling or likable. Several plot holes, and the author tells you the ending in the last few pages instead of showing you. Meh.
6 people found this helpful
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Maddening and frustrating lead character who NEVER FIGURES OUT what is happening to her

If you enjoy totally passive characters who are repeatedly hit over the head with very solid, actionable clues, but who then just...go on with their lives, ignoring any easily-researched signs of trouble, and who end up thinking in the end that the main villain couldn't possibly have done what many other people think they probably did, then you might enjoy this lazily-written and very frustrating book. Chock-full of the cheapest gimmicks of the genre, but without any of the payoff, this book was a massive waste of time.
6 people found this helpful
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Good premise

Helen has a great life. Both she and her sister-in-law (who is a good friend) are expecting their first child. When Helen attends a prenatal class alone, she meets another woman also attending the class by herself. Rachel is out-spoken, friendly, and a bit of a train-wreck, but Helen finds herself drawn to her - maybe because Helen is a little lonely or maybe because she feels Rachel needs a friend.

Greenwich Park is a debut novel by Katherine Faulkner. For the most part it is well-written, with an interesting premise that holds several twists and surprises. However, I still had a hard time feeling invested in the story and the characters. I enjoyed the descriptions the author provided but, by and large, I found it to be a slow read, with characters that were fairly unappealing. When the pace picked up towards the end of the book, it led to a great ending that felt just right. Even though the rest of the book was a little disappointing, I think this new author has promise and I look forward to reading more from her.

Many thanks to NetGalley and the publisher for providing a copy of this book for review.
6 people found this helpful
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Quick juicy read

I like it when I don’t have the ending figured out after the first page, or even the first chapter. These cat and mouse reads that I can finish in an addictive 2 day read are sometimes just what the doctor ordered. I did not, for the life of me have this twisty turner figured out until almost the end. But I liked the end. Without spoiling it, I love a good “comeuppance “ just as much as the next gal. The only only reason that I didn’t give it a perfect score is because I have grown just a little bit weary of the women in some of these books being just too trusting , too guileless and too gullible. I guess I am holding out for a female hero who is on to all the bad actors from page one, and makes damn sure they don’t make her the victim. The characters were also not as fleshed out in this read as I thought they should have been considering all the plotting and scheming. But all in all a very entertaining “ take my mind off the real world” read.
4 people found this helpful
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AMAZING

Such a great book! I would recommend this to anyone, a great start for me getting back into reading for fun. I wish this author had more books out shes so good! Definitely recommending everyone should read this book!
3 people found this helpful
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Meh

Didn’t care for this one. The book was under 400 pages but felt much longer. Helen, our protagonist was super frustrating. In fact all the characters except for Katie were extremely unlikable. It did wrap up in the last few chapters but it seemed like it took forever to get there.
2 people found this helpful
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Creepy thriller

After several lost babies, Helen is pregnant again and this time, the pregnancy seems like it will be full term. However as she nears her due date, her life begins unraveling. Rachel, a strange woman she met in childbirth class, is suddenly everywhere she goes—including her own house. Her husband, Daniel, behaves strangely, as do her brother, Rory, and his wife, Serena, who’s also pregnant. They’re all United in their suspicions about Rachel, though.

When Rachel disappears, Helen’s whole world is turned upside down and dimly held memories from her university days at Cambridge suddenly haunt her.

From the very beginning, this book made me uneasy. Helen is so clearly vulnerable, and oblivious to the many hints that all is not as it seems. While it starts slow, the book's suspense builds until it is truly impossible to put down. Psychological suspense at its very best. #GreenwichPark #NetGalley
2 people found this helpful
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Excellent writing!

Excellent book!
1 people found this helpful