No One Belongs Here More Than You: Stories
No One Belongs Here More Than You: Stories book cover

No One Belongs Here More Than You: Stories

Paperback – May 6, 2008

Price
$10.99
Format
Paperback
Pages
205
Publisher
Scribner
Publication Date
ISBN-13
978-0739490983
Dimensions
5.25 x 0.6 x 8 inches
Weight
7.2 ounces

Description

"These stories are incredibly charming, beautifully written, frequently laugh-out-loud funny, and even, a dozen or so times, profound. Miranda July is a very real writer, and has one of the most original voices to appear in fiction in many years. Fans of Lorrie Moore should rub this book all over themselves – she's got that perfect balance of humor and pathos. There has been no more enjoyable and promising a debut collection in many a moon." —Dave Eggers "These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque , which is to say: infused with wonder at the things of the world." —George Saunders, author of Lincoln in the Bardo "Miranda July's is a beautiful, odd, original voice – seductive, sometimes erotic, and a little creepy, too." —David Byrne "A woman gives swimming lessons in her kitchen – of course! Miranda July can make anything seem normal in these truly original stories. She has first-rate comic timing and a generous view of the human condition. Maybe best of all, there's joy here, too, often where you would not expect to find it." —Amy Hempel, author of The Collected Stories of Amy Hempel “These stories are swift aching, almost unbearably intense flares of emotion and lyrical language, sent out into the existential darkness of everyday life. July’s characters are orphans and runaways and misfits, insecure, lost and lonely, but they do their best to find that last remaining scintilla of strength in each other and in themselves.” — Time magazine “[July’s] worlds feel real and surreal and desperately sad and filled with what one character calls ‘secret joy,’ at the same time.” — The Seattle Times “Who will Miranda July’s work appeal to? To borrow the name of her lovely first film, Me and You and Everyone We Know. ” — Entertainment Weekly “Miranda July is graced with an unabashed love for the basic humanity of her characters.” — The New York Observer “[An] astonishingly good collection of short stories.” — Vogue “Miranda July has a true intimacy with damaged hearts.” — Time Out New York “Whimsical…extraordinary tales…at the core of each strange, often comic tale lies the basic human need for love and understanding.” — The Village Voice “July is near perfect here, writing with empathy and sweetness and drawing humor from the itchily uncomfortable.” — Los Angeles magazine “Earnest, to tales of love.” — Slate “July’s stories are sexy and fast… Her characters are a new lost generation.” — O, The Oprah Magazine “July’s quicksilver fiction is always surprising, and it takes pains to remind us that, somehow, we all belong somewhere.” — The Miami Herald “July’s tales roll out epiphanies so exquisite and bizarre, they’ll change the way you view life .”— Jane “There is a marked new maturity in these stories—a determination not just to chronicle her characters’ obsessions and idiosyncrasies, but also to understand the purpose they serve.” — New York magazine “July has an unmistakable voice: earnest, funny, emotionally charged.” — Details “Rich and lyrical…playful and devastating…wonderfully accessible yet undeniably poetic.” — Zink “Devastatingly personal…curiously uplifting.” — The Salt Lake Tribune “At once reflective, sexual, funny, and sad. It’s a non sequitur, but not nonsensical…Her writing exudes a (false) simplicity as contagious and dangerous a model in the hands of less capable writers as the works of Raymond Carver…These stories are marked by an imagination that conjures the incredible, renders it mundane (often through sex) and captures an emptiness of modern spirit.” — The Oregonian “Touching on both the mundane and the provocative…[these stories] are written with July’s frank perspective and an emotional eye for detail.” — The Sacramento Bee Miranda July is a filmmaker, artist, and writer. Her most recent book is The First Bad Man , a novel. July’s collection of stories, No One Belongs Here More Than You , won the Frank O’Connor International Short Story Award and has been published in twenty-three countries. Her writing has appeared in The Paris Review , Harper’s , and The New Yorker ; It Chooses You was her first book of nonfiction. She wrote, directed and starred in The Future and Me and You and Everyone We Know —winner of the Camera d’Or at the Cannes Film Festival and a Special Jury Prize at Sundance. July’s participatory art works include the website Learning to Love You More (with artist Harrell Fletcher), Eleven Heavy Things (a sculpture garden created for the Venice Biennale), New Society (a performance), and Somebody (a messaging app created with Miu Miu.) She is currently working on a new feature film. Raised in Berkeley, California, July lives in Los Angeles.

Features & Highlights

  • Award-winning filmmaker and performing artist Miranda July, whose new movie
  • Kajillionaire
  • is in theatres now, brings her extraordinary talents to the page in this startling, sexy, tender, and bestselling debut collection.
  • In
  • No One Belongs Here More Than You
  • , Miranda July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals her characters’ idiosyncrasies and the odd logic and longing that govern their lives.
  • No One Belongs Here More Than You
  • is a stunning debut, the work of a writer with a spectacularly original and compelling voice.

Customer Reviews

Rating Breakdown

★★★★★
30%
(296)
★★★★
25%
(246)
★★★
15%
(148)
★★
7%
(69)
23%
(226)

Most Helpful Reviews

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So Twee it's Kind of Painful

I kind of had a secret crush on Miranda July after watching her delightful film "You and Me and Everyone We Know". After reading this book though, the shine is beginning to wear off.

I enjoyed the first few stories of this book, but was more than ready to move on to something else by the end. Her stories aren't so much stories in the traditional sense, but more like quirky, silly things that come into her mind that's written into a stream of consciousness which then don't really have endings in the traditional sense either. All of this could be fine, but every story is just so precious and kooky there's no ground of normalcy to stand on.

There are times though when she really captures the small things in life. There were some instances where she's describing the small behaviors of couples interactions that really connected with me, as I felt I'd had similar experiences that I'd never seen written out like that. I do love her creativity, as this book is like nothing else that I've read. I just wish there would have been a bit more substance in place of some of her Miranda July-ness.

Also, something that annoyed me was how her dialogue never ends with "so and so said". It's just paragraph after paragraph of characters dialogue, and sometimes I had to go back and figure out which character was saying what. Why does she do that? It's kooky I guess.

All in all, this book is best in small doses. Read a chapter here and there, and you'll probably have some fun. Otherwise, you may overdose on twee.
24 people found this helpful
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No one belongs here more than you

Too quirky for me. After the first two stories, which are a bit weird and somewhat disturbing, I hoped the stories would get better but didn't. The narrator seemed so desperate and hung up on her sexuality. I kept hoping for something to change - it didn't. So, because of some favorable reviews,I moved on to "How To Tell Stories To Children", but nothing was different, more predictability and mundane. I tried to like the book but couldn't and finally had to put it down.
17 people found this helpful
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The only thing I liked about this book is the cover art.

I picked this book up on a trip overseas, made it through three of the short stories, and then slipped it in the seat pocket in front of me, never intending to touch it again. If you'd like to read something that makes you want to slit your wrists, this is the book. The writing is fine, but the characters and stories are disturbing and annoying and not in any way relatable. I'm all for escapism, but this is just grim and pointless. Do. Not. Bother.
16 people found this helpful
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I hope that I did not belong there or here in this collection

While this book has received some rave reviews, again and again, I felt the narrator of each story was interchangeable. While ages, genders, and demographics differed, each short story had virtually the same voice as all the others. This collection lacked narrative variety. After a couple stories, I tired of reading a somewhat monotonous literary style.
16 people found this helpful
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Consistent Voice, Consistent Theme: Depressing Sex

I've been abandoning a lot of books recently, so I tried to resist the urge here. I was reading the book in bed and a spider crawled across me not once but twice. I realized that the crawly feeling I got from the spider was tracking with the crawly feeling these stories were giving me, and finally pulled the ripcord.

I like Miranda July's voice a lot. Unlike some authors, it helps to hear that strong voice from her movies in the stories. They all have a similar narrative voice, and that part works.

And I like some of her stories. I still remember "Shoplifting to Stay Free" from the New Yorker - raw and wild, heartbreaking and insightful.

But after the third story in this collection I decided to highlight the last couple sentences of each story if it was depressing, and realized a quarter of the way through the collection that I was highlighting the end of each one.

The sexual situations are varied, but the bleakness remains as constant as her distinctive voice. After this and "The Future", one feels like this is her outlook, and that makes me sad.

"This pain, this dying, this is just normal. This is how life is. In fact, I realize, there never was an earthquake. Life is just this way, broken, and I am crazy to hope for something else."

"...every person this person has ever known is talking on speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that."

"There was nothing in the world that was not a con, suddenly I understood this. Nothing really mattered, and nothing could be lost."
15 people found this helpful
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i can't understand why this book gets such high ratings...

i thought this book was absolutely terrible. the entire time i read this book all i could think was "is the main narrator mentally retarded". i honestly have no idea how people find this book funny or charming. i found it depressing.
everyone else seems to think the exact opposite of me, and i can't figure out why. i had such high hopes for this book after reading the reviews and was extremely disappointed with what i read.
15 people found this helpful
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HI MIRANDA

Hi Miranda - I know you are reading this, because you are bored with the 5 star reviews, and are compelled to know what a 1 star reviewer thinks. Too bad - I really give you 6 stars. But I recommend to everyone that they buy the audio CD pack instead of the book, because your voice doubles the pleasure. Thanks for the weirdness, Miranda!
15 people found this helpful
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Not quite there yet

These are charming, but ultimately forgettable stories. The book feels a little like the adventures of one character (who is definitely female), although there are many different characters who feature throughout. I didn't get a really distinct sense of voice for each character, nor was I carried into their worlds as completely as I'd hoped to be. Some of the stories felt a little contrived, or like they were trying too hard to be quirky.

I'm going to go watch the film, instead.
13 people found this helpful
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Honestly not very good

I read an article about Miranda July in a magazine last summer and ordered this book because it seemed like something I would enjoy. I guess my expectations were high. I was hoping for something original and thought-provoking; instead it was weak, meaningless, and strange just for the sake of being strange. I did enjoy one story, the one where the main character is at the party thrown for her by everyone she has ever known in her life (I cannot remember the title for the life of me), but that was the only one that stuck out. All of the other stories were seemingly pointless. I am very shocked that so many people enjoy this book; I think it is terribly overrated.
13 people found this helpful
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Insufferable

Miranda July's short stories are shallow and cliche, yet you can almost hear the author declaring herself incredibly clever with every sentence as you read.

I didn't find her stories uncomfortably strange. I didn't find them thought-provoking. I just found them a boring and annoying as they tried too hard to be quirky.
12 people found this helpful