Persepolis 2: The Story of a Return
Persepolis 2: The Story of a Return book cover

Persepolis 2: The Story of a Return

Price
$12.99
Format
Paperback
Pages
192
Publisher
Pantheon
Publication Date
ISBN-13
978-0375714665
Dimensions
6 x 0.58 x 8.85 inches
Weight
12.8 ounces

Description

"Wildly charming . . . Like a letter from a friend, in this case a wonderful friend: honest, strong-willed, funny, tender, impulsive, and self-aware."—Luc Sante, The New York Times Book Review "The most original coming-of-age story from the Middle East yet."— People "Elegant, simple panels tell this story of growth, loneliness, and homecoming with poignant charm and wit."— The Washington Post "Humorous and heartbreaking . . . A welcome look beind the headlines and into the heart and mind of one very wise, wicked, and winning young woman."— Elle "Scary, moving, and etched out with a simplicity that speaks volumes. The arist is less a talent than a force."— The Austin Chronicle "Irresistible . . . Satrapi's story is too important—and too fascinating—to let go of."—Fort Worth Star-Telegram "Powerful . . . A great, engaging tale . . . As deeply satisfying as a good, old-fashioned prose novel and as visually delightful as old picture books from childhood."—Cleveland Plain Dealer "Every revolution needs a chronicler like Satrapi."— San Francisco Chronicle "It is our good fortune that Satrapi has never stopped visiting Iran in her mind."— Newsweek "Persepolis 2 is much more than the chronicle of a young woman’s struggle into adulthood; it’s a brilliant, painful, rendering of the contrast between East and West, between the repression of wartime Iran and the social, political, and sexual freedoms of 1980’s Austria. There’s something universal about Satrapi’s search for self-definition, but her experiences in Vienna and Tehran are rendered with such witty particularity, and such heartbreaking honesty, that by the end of this book you’ll feel you’ve gained an intimate friend."—Julie Orringer, author of How To Breathe Underwater "Marjane Satrapi's books are a revelation. They're funny, they're sad, they're hugely readable. Most importantly, they remind you that the media sometimes tell you the facts but rarely tell you the truth. In one afternoon Persepolis will teach you more about Iran, about being an outsider, about being human, than you could learn from a thousand hours of television documentaries and newspaper articles. And you will remember it for a very long time."—Mark Haddon, author of The Curious Incident of the Dog in the Night-Time In Persepolis, heralded by the Los Angeles Times as "one of the freshest and most original memoirs of our day," Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating. MARJANE SATRAPI was born in Rasht, Iran. She now lives in Paris, where she is a regular contributor to magazines and newspapers throughout the world, including The New Yorker and The New York Times. She is the author of Persepolis, Persepolis 2, Embroideries, Chicken with Plums, and several children's books. She cowrote and codirected the animated feature film version of Persepolis, which was nominated for an Academy Award for Best Animated Feature. Her most recent film was a live-action version of Chicken with Plums. Read more

Features & Highlights

  • The fascinating continuation of the best-selling
  • Persepolis
  • , “one of the freshest and most original memoirs of our day” (
  • Los Angeles Times).
  • Marjane Satrapi dazzles with her heartrending graphic memoir about growing up in Iran during the Islamic Revolution.
  • In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.As funny and poignant as its predecessor,
  • Persepolis 2
  • is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane’s status as an outsider both abroad and at home—it is raw, honest, and incredibly illuminating.

Customer Reviews

Rating Breakdown

★★★★★
60%
(540)
★★★★
25%
(225)
★★★
15%
(135)
★★
7%
(63)
-7%
(-63)

Most Helpful Reviews

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Loved it, despite SOME people’s best efforts

Yes, this is a reader review that bashes reader reviews. At best, they are useful like prophecy, to make sense of things AFTER they have transpired. I bash because, in a moment of weakness after finishing the first installment of Persepolis, I read some reader reviews of this second installment when deciding whether I should buy and continue (I’m not always a fan of sequels). And while I found many glowing (yet vague) reviews, I also found several dissatisfied ones.

So I remained unconvinced. But when piling up tomes for my usual summer binge, the low price proved too enticing. And thus I started one day, finished two days later, and had reason to bash reader reviews, for the shame of letting a few crass “readers” delay me from this book.

This volume picks up in Austria, after the end of volume 1. Satrapi pursues her story in a similar episodic style as the first, exploring the challenges of searching for one’s identity, the difference this time being teenagedom into the early twenties. Satrapi expertly addresses ostracism, the loneliness of pursuing your own way, the challenges of love, the ridiculousness of others and their systems and philosophies. Satrapi, just like in the first volume, ties together the seemingly disjointed narrative into a splendid whole by the end, showing us that there indeed had always been a target. And along the way, we learn with her the wisdom the world has to offer. Another fine work from an amazingly talented writer and artist with a fascinating story to tell.
10 people found this helpful
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Boring, Depressing

Had to read this for a class. It was really boring, really depressing and pretty predictable. Here's the story: troubled girl tries to make it through life and gets into a lot of minor bad situations. Drugs, alcohol, sex, depression, anxiety, we've all seen it before. It tries to make an emotional impression, but it's entirely forgettable. If you're looking for a decent emotional graphic novel, try Maus.
7 people found this helpful
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The Charm Wears Thin

The first novel in this series succeeded because its childlike graphics and gee-whiz storytelling matched perfectly with this subject matter. We could imagine the infant/child author telling her story in exactly these terms.
This sequel fails because the issues of growing up and dealing with the disillusionment with one's own culture are much more subtle. The story and the graphics remind us constantly of the nuances that are left out, of the issues of women's rights and humanity that are sentimentalized, of the real conflicts that this child/woman is undergoing that are completely unexplored.
There are a few quibbles to be explored: the view of vienna is odd and the little vignette of the narrator peeing standing up seems forced. But most importantly, the mismatch between the story and the way in which it is told ends up making for a read that turns boring quickly.
6 people found this helpful
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Part 2 is not for the kids!

I did not love this book as much as the first one. I missed the sense of humor that made a tough situation relatable. I still gave it 5 stars because I suspect my negative feelings after the book could be related to my own personal journey of leaving Iran. The writing and graphics are beautiful. If you read the first one the second one is a must.
As a middle school teacher, I only recommend the first book to my students. The majority of young adults already know about the topics discussed in this book, but in an academic setting, the book does not belong in a middle school classroom.
5 people found this helpful
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MISSING PAGES

This book has missing pages and it is very frustrating. I was very disappointed, I got this book for someone else, and they told me it skipped a lot of pages and reprinted some at the end.
5 people found this helpful
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A great story about trying to find ones place in the world

Persepolis 2 by Marjane Satrapi is a graphic memoir detailing her high school years away from Iran and her eventual return to the country of her birth. This book is a follow up to her Persepolis and pretty much starts off where the first book left off.

Once again Satrapi uses the graphic style to tell her story and the visuals really add to her words and in a few places taking the place of words altogether giving weight to the phrase that a 'picture tells a thousand words.' In this part of her story Satrapi chronicles the isolation she felt while going to school in Austria. The uncertainty of never really fitting in to any one group and the search of trying to figure out just who she was. While in Austria she experienced so many freedoms that she never could have dreamed of while living in Iran. She also had to deal with peoples misperceptions of what it meant to be Iranian. In the end, once she graduated from high school she felt that the only way to learn who she was, was to return to the country of her birth.

Once back in Iran Satrapi faces a new struggle. The one of trying to fit back into a box that she no longer fit into. It was a hard reality for her to face when she realized that she had become so adjusted to the freedoms she had in Europe that she forgot what living in the repressive atmosphere in Iran was like. Satrapi had fled back to Iran looking for a place to belong and instead she found that even there she didn't have an identity. She was too westernised now to fit comfortably back into her old skin.

Satrapi does a wonderful job of telling her story and in conveying all the emotions and the struggles that she faced both at school in Austria and back home in Iran. Her search to find out her identity was at times tragic and at others times amazingly beautiful. Her style of writing and drawing really conveyed all the emotions that she must have been feeling at the time. I thoroughly enjoyed this additional glimpse into Satrapi's life and will be on the look out for any additional works that she might come out with. What can I say....sometimes I'm a horrible voyeur!

See my other reviews at tickettoanywhere.blogspot.com
5 people found this helpful
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BRAVO!!!!!

Bravo. A wonderful seamless melding of history, memoir, fiction, and visual art. I was skeptical about the ability of the graphic novel to communicate, but what better way than a visual illustration to show how uncomfortable and dehumanizing is the hooded scarf. The main character (fictionalized author/first person) is lovable: full of faults, sometimes wavering in whether she should conform with the others (the easier path), but ultimately true to herself, as her wise grandmother advises her to be. What a wonderful family she has, her parents really let her be herself, regardless of the impossible oppressive social environment that is the Iran of the 1970s and 1980s. This story is a testament to how a family cannot just bow to the status quo, but has the power to influence their only child, a daughter, to stand up to political oppression, even if it means self-exile. Again, not only is this a wonderful story of a family, but on a parallel level, is an excellent history of Iran the nation, the conflicts in the Middle East, and the ambivalent aftermath of colonialism and centuries of war and conquest. I am looking forward to the translation of Persepolis 3 (my French will never improve fast enough to read it in the original).
5 people found this helpful
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BRAVO!!!!!

Bravo. A wonderful seamless melding of history, memoir, fiction, and visual art. I was skeptical about the ability of the graphic novel to communicate, but what better way than a visual illustration to show how uncomfortable and dehumanizing is the hooded scarf. The main character (fictionalized author/first person) is lovable: full of faults, sometimes wavering in whether she should conform with the others (the easier path), but ultimately true to herself, as her wise grandmother advises her to be. What a wonderful family she has, her parents really let her be herself, regardless of the impossible oppressive social environment that is the Iran of the 1970s and 1980s. This story is a testament to how a family cannot just bow to the status quo, but has the power to influence their only child, a daughter, to stand up to political oppression, even if it means self-exile. Again, not only is this a wonderful story of a family, but on a parallel level, is an excellent history of Iran the nation, the conflicts in the Middle East, and the ambivalent aftermath of colonialism and centuries of war and conquest. I am looking forward to the translation of Persepolis 3 (my French will never improve fast enough to read it in the original).
5 people found this helpful
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very touching, like Maus

I've read Maus, the graphic novel describing the holocaust as experienced by the author's parents, now living in Queens, NY. Reading the two volumes of Persepolis reminded me somewhat of Maus.

There are very touching moments, expressed in minimalistic graphics, and few or no words, that convey so much, about intimate relationships and family life.

In Maus, the single frame of the father taking his son's coat out of the metalwire coat hanger and putting it instead on a wood hanger, and saying that he doesn't put his son's coat on a wire hanger, but deservedly on a wood hanger, was so meaningfull, and beautifully expressed.

In Persepolis, the happy couple that just got news of their successfull admittance to the state university and loking for a place to hug and embrace each other, well, because they are not married, such affection cannot be done in public, thus, without speaking, they jump into a car and drive off, looking for seclusion, and while driving, a hand is on the gear switch handle, and the other person's hand is on top of that hand. No words. Yet, beautifully conveying the message.

And moments of utter sadness and death, so difficult to say, yet they are said, with no dialogue, yet, so effective. The scene of the party, stormed in by the revolutionary guards enforcing the morality code, are chasing a black & white silouette on the rooftops, under a white crescent moon. The silouette is shown to jump from one roof to another. Then it is shown to fall between two buildings. Death of a friend. All said with no words, just a few minimalistic black & white frames of silouettes, building rooftops, a crescent moon.

The author has experienced great contrasts. And the medium she chooses, black and white graphics, is a perfect choice. There are several scenes in which the opposites are placed one next to the other: "the way I am" next to "the way he sees me". Or "the way I wanna be", "the way the morality code wants me to be". At a moment while reading, and thinking about the choice of B&W graphics, I thought it would be brilliant if the author then used the reverse image, as in a photographic negative, to display the sense of absurdity.

I hope the author continues on the genre, possibly visiting the iranian community in the Los Angeles area, or raising kids in France, teaching them Farsi, then visiting Iran regularly with the kids, and documenting how her kids interact with the kids raised in Iran. Those five-year-old kids raised in Tehran will spot that something is wrong with the five-year-old kids raised in Paris: "you speak like an eskimo", possibly noting that the Paris-based kids are speaking Farsi that is not at the eloquent and fluidity of the Tehran-based children.

Looking forward for future installments.
5 people found this helpful
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the story of a nation

Unless you're Persian you probably won't feel the pain hidden in each and every word and sentence in this book. Masterfully written. Love it.
4 people found this helpful