Primal Fear (Vail Stampler)
Primal Fear (Vail Stampler) book cover

Primal Fear (Vail Stampler)

Paperback – April 2, 1994

Price
$5.32
Format
Paperback
Pages
432
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345388773
Dimensions
4.25 x 1 x 6.75 inches
Weight
6.4 ounces

Description

In Chicago, a sainted archbishop is murdered, mutilated, and dismembered in his rectory. Aaron Stampler, an angelic-looking young man, is found crouched in a confessional, covered with blood, clutching a butcher's knife, swearing his innocence. Martin Vail is the brilliant lawyer every prosecutor and politician loves to hate. It is up to him to defend Stampler, the young human monster. But first he must uncover the horrifying truth about the crime. From the Inside Flap tingling...Mr. Diehl can sustain suspense."THE NEW YORKTIMESMartin Vail, the brilliant "bad-boy" lawyer every prosecutor and politician love to hate, is defending Aaron Stampler, a man found holding a bloody butcher's knife near a murdered archbishop. Vail is certain to lose, but Vail uses his unorthodox ways to good advantage when choosing his legal team--a tight group of men and women who must uncover the extraordinary truth behind the archbishop's slaughter. They do, in a heart-stopping climax unparalleled for the surprise it springs on the reader... William Diehl is the author of the bestselling Sharky’s Machine , Thai Horse , Hooligans , Chameleon , The Hunt (formerly titled 27 ), and the three Martin Vail novels: Primal Fear , Show of Evil , and Reign in Hell . He lives in Woodstock, Georgia, with his wife, Emmy Award winner Virginia Gunn. Excerpt. © Reprinted by permission. All rights reserved. ONEFEBRUARY 26, 1983When Archbishop Richard Rushman, known to Catholic, Protestant and Jew alike as “the saint of Lakeview Drive” because of his great charitable works, stepped out of the shower, he had less than ten minutes to live. Death stood in the doorway.The hot shower had relieved the bishop’s tension, and he started to hum along with the stereo playing in the bedroom. Beethoven’s Ode to Joy–possibly his favorite piece of music. The majesty of the chorus never ceased to thrill him. It was so loud he did not hear the apartment’s kitchen door open. The kitchen door’s unlocked. Good. The room so spotless, so sterile-clean, stainless steel and tile, like the autopsy room at the hospital. The music. So fitting. Lovely. Overpowering. Volume all the way as usual, he won’t hear a thing. In the bedroom, conducting the orchestra, eyes closed, imaginary baton in hand, humming along. So fucking predictable. The archbishop stood in the doorway of the bathroom, dabbing himself dry with the plush Turkish towel. He was a tall, handsome man, muscular and hard, with a tan line from shoulder to shoulder where his T-shirt usually ended. Dark, thick hair tumbled down over his forehead. He flexed his bicep, admiring the bulge as he dabbed under his arm. When he finished, he threw the towel on the bathroom floor and began to sway with the music as he stood naked in the middle of the room. Chocolate for energy. Can almost feel it zooming up like an electric charge, down there, too, swelling me up, preparing the big O. That’s what he calls it, the big O. Don’t screw up, hold your hand against the big six-foot refrigerator door so it doesn’t make that little popping sound when it opens. Like that, perfect. There they are, all those little pony bottles of chocolate milk. Soldiers on the door shelf. The intruder twisted the small bottle upside down, right side up, watching the drink turn to thick, chocolatey brown before he twisted off the top and drank it. Then instead of pressing the foot pedal on the garbage container, he lifted the cover by hand and placed the bottle silently into the plastic liner. So neat, so clean. So fucking sterile. The archbishop sprinkled talc into a folded washcloth and, closing his eyes, rubbed it into his body. He was lost in the music, using his voice like a bass fiddle as the brass came in. Bum bum bum bum bumbumbum buuum . . . God, I love the way the knives feel. Light, balanced, cold. So smooth, slick, oily, like she is when she wants it, when she’s ready. The intruder slid open the hidden tray under the cabinet where the carving knives were stored, ran his fingertips lightly across the handles, so carefully rubbed with linseed after they were washed. He stopped at the largest one, the carving knife, its broad, long, stainless blade honed until the cutting edge was almost invisible. It shimmered in the soft rays of the night light recessed under the cabinets. He removed it, ran his middle finger down the length of the blade, leaving a thread of blood on its ridge from the slice in his finger. The intruder licked off the blood. The chorus is beginning to build. And me, tightening, tingle in my belly, pulse in my temples, the spasms. Not much time left before it’s time to explode. He walked through the living room with the knife held down at his side. The bedroom door was open. Sanctum sanctorum. Scarlet drapes and bedclothes, blood of the Father. White carpeting, purity of soul. Candles glowing, clean the air. Incense . . . And the ring, lying on the night table where he always put it when he showered afterward. There he is. All purity and light. His Eminence, His Holiness . . . His Crassness. Blessed saint of the city? Saint, where is thy halo? On the bedpost? In a drawer somewhere? Evil he stands and naked, conducting his imaginary symphony of angels, anointed with self-righteousness. The music was building. The intruder walked to the table, took the ring and slipped it on his finger. His Excellency was rapt in the music, eyes closed, unaware. The intruder closed in, reached out with the knife and tapped the bishop on the shoulder with the flat of the blade. Startled, the bishop turned. His eyes widened in surprise. The bishop started to smile, saw the knife. Questions floated across his face.The intruder held out the hand with the ring on it and pointed the knife toward the floor. The bishop was stunned, began to smile. The intruder jabbed the knife sharply toward the carpet and his Holiness slowly lowered to his knees. Fear replaced curiosity. The bishop slowly leaned forward to kiss the ring on the hand outstretched to him. Got to be timed perfectly so we come together. Big death, petite death . . . Forgive me Father for I have sinned, forgive me Father for I have sinned, forgive me Father for I have . . . “Forgive me Father!” the intruder screamed.Archbishop Rushman looked up to see the knife slashing a minisecond before it hit. He twisted, felt the blade slash into his shoulder, cutting deeply through the muscle and tissue and slashing his shoulder bone. He screamed, a horrific mixture of terror, fright and pain, like the banshees of hell howling in despair. The knife rose again, and as it plunged toward him he tried to block it with his hand, the other hanging limp at his side. The blade pierced his palm, twisted, withdrew and slashed again, and again, and again. The bishop staggered backward, trying vainly to ward off the deadly weapon. He felt a burning under his ear as the blade sliced through throat, windpipe, jugular and esophagus, nicking bone before bursting out under his other ear, a cut so clean and powerful only the bony spine kept head and body together.Blood showered from the horrible gash.The knife slashed again, this time across his naked belly. Then again from hip to hip. The deadly blade whipped again and again, flashing in the light as he fell backward, sending a table and lamp halfway across the room, clutching at the wounds, feeling his hand bury into the soft mass of arteries and ruptured flesh. His head lolled, jogged to and fro like a cork in water. Pain overwhelmed him . . .In the small park across the street from the rectory, a city mailman unleashed his dachshund, Gretchen, and watched her waddle along the row of shrubs that separated the grass from the sidewalk. He could hear the strains of classical music coming from the blinds in the bishop’s second-floor suite, and he began to hum along with the music, a melody from his past.He stood on the walkway letting his memory drift back, sifting through time as he picked up the tune.Suddenly a voice cried out above the music.“Forgive me Father!”He looked up at the window. There was a loud crash.The light behind the blinds went askew and a moment later he heard a harrowing scream of terror, so wrought with horror that the dog feathered his ears and began to howl.A streak of terror as real as a lightning bolt shot down his back. The hair rose on his arms. The puppy, crying, ran back to him and he swept it up in his arms as another scream just as harrowing, just as horrifying, followed, only to be cut short by muffled cry.Silhouetted against the blinds he saw a figure moving in and out of the light, and the mailman ran into the street, waving one arm at a passing car, yelling for help. Read more

Features & Highlights

  • "Spine-tingling...Mr. Diehl can sustain suspense."THE NEW YORKTIMESMartin Vail, the brilliant "bad-boy" lawyer every prosecutor and politician love to hate, is defending Aaron Stampler, a man found holding a bloody butcher's knife near a murdered archbishop. Vail is certain to lose, but Vail uses his unorthodox ways to good advantage when choosing his legal team--a tight group of men and women who must uncover the extraordinary truth behind the archbishop's slaughter. They do, in a heart-stopping climax unparalleled for the surprise it springs on the reader...

Customer Reviews

Rating Breakdown

★★★★★
60%
(980)
★★★★
25%
(408)
★★★
15%
(245)
★★
7%
(114)
-7%
(-114)

Most Helpful Reviews

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First-rate psychological thriller

Although past its prime, this book is an absolute classic and has withstood the test of time to prove itself to be one of the very best psychological thrillers. Fast-paced and thorough, this thriller combines the best elements of the legal and psychological thriller genres to make for a fantastic read. As someone who is generally very critical of the realism in modern legal thrillers, I found little not to like in Primal Fear. Diehl is a first-rate writer.
24 people found this helpful
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Legal action AND a great THRILLER to boot!

I'm gonna tell you right now, the last line of this book alone is worth the purchase price (and a lot more). I was left thinking about this book long after I finished it. TRUST me, if you saw the movie version, you will be forever disappointed with how they twisted it for whatever reasons to make it NOWHERE NEAR as good as it could and should have been.
Aaron Stampler is a FANTASTIC character, not 2-dimensional like so many in popular fiction today. Fully realized, and VERY complex. IS he guilty? Does he really have multiple personalities? OR is he a genius PRETENDING to be a somewhat backwards inbred mountain outcast? These questions will be raised and it won't be until the INCREDIBLE conclusion on the VERY LAST PAGE that you will be treated to one of my all-time favorite endings.
'Primal Fear' ranks as one of my favorite books, and after you finish it, I'm sure you will agree that it deserved all of the praise it received. I have to admit, the following sequels to 'Primal Fear' just didn't do it for me. I tried, honest to goodness I TRIED to enjoy them as much, but it didn't happen. And if someone tells you that one of the sequel's are BETTER than 'Primal' DON'T BELIEVE IT. If you count yourself a fan of John Grisham, Steve Martini, Richard North Patterson or MY personal favorite legal thriller author: Phillip Margolin do yourself a supreme favor and pick this amazing thriller up and devour it TODAY.
11 people found this helpful
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A real breath-holder

To read any book by William Diehl is to experience a seasoned master at "the very acme and pitch" of his writing power. Diehl wields his eloquent pen like some mighty Zeus, flinging lightning thoughts that breathe and words that singe. His books are not for the timid. It's hard to realize that a mind so bright and playful creates such iniquitous villains.
When legendary attorney Martin Vail is forced by his political enemies to defend Stampler with his invincible legal team--a retired judge, an ex-boxer investigator and a gorgeous psychiatrist, Vail sets out to prove Stampler not guilty. He strides toward his goal, bending with each unexpected blow, through a plot as complicated as a biblical genealogy and infinitely more intriguing--until he comes to a shattering ending.
Diehl's writing is so vibrant that his books are not for the squeamish. The reality he paints is often stark and harsh but he's always accurate. Characters romp through the story as the reader becomes caught in their lives. You'll find yourself holding your breath in this one. And if you've seen the movie -- read the book. There's more story here and it's even better.
4 people found this helpful
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This book sucked! (Spoilers)

This awful book was over the top, cheesy, amaturish and badly written in multiple ways (storytelling, characters, facts, even editing). Dreck! The movie is vastly superior.

I haven't read it in a few years, but here are some of the things I remember about it that made it bad...

One dimensional, obvious, boring, unsympathetic characters. Silly factual errors such as people oohing and aahing over Aaron's genius IQ...of 130. Give me a break. 130 IQ might be genius to the author of this book, but in reality it's not that frigging impressive. The cheesy, "this is a courtroom thriller novel" writing style...such as when Aaron reveals his true evil self at the end and CACKLES about it, ending the book. Give me a break! Maniacal, cliched villian. Then there's the gratuitous, badly written sex scene that was thrown in. It's just a bad book. The only reason I could reccomend it is because to some extent, it's so bad it's funny. Grab a piece of coconut cream pie and wash it down with some Coke, and read this piece of schlock if you have some time to waste and want a few chuckles. But the movie is funnier, and in more satisfying ways!
3 people found this helpful
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First-rate legal thriller

Aaron Stampler is found in a confessional booth holding a knife, proclaiming his innocence, after someone killed the revered Bishop of the city. Martin Vail, a quick-witted lawyer who isn't afraid to leap before he looks, is basically coerced into defending the young man who appears guilty in every sense of the world. Every politician in the city seems to have a vendetta against Vail and looks foward to seeing him lose the case.
Liked the movie. Loved the book. As with most book-to-movie adaptations, the book was better. Unlike his movie persona, Vail isn't cool, well-dressed sauveness that Richard Gere presented. The Vail in the book is a man who isn't overly concerned about his personal appearance, and he isn't afraid to grab at straws, and he makes lawyers tremble just at the mention of his name.
The book also provided more insight on Aaron. You get a taste of his childhood and find out more about what molded him. In the book, Aaron is a genius, despite the accent and his angelic appearance. His childhood wasn't the best thing, and he's even described as being able to detach himself from tragedies. Is that enough to make him a killer? Is he mentally stable?
I'm sure by now, most people have heard about the twist, but that doesn't take the impact away from reading it for yourself. I read the "twist" over and over again, even though I've seen the movie and knew what to expect. A first-rate legal thriller. I can't wait to read the sequel.
3 people found this helpful
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Give me more Adam S-S-S-Tampler please!!!!!!!!

God what an awesome book!!!! Are you a James Patterson fan?! Did you read "Along Came a Spider"? Didn't you love Gary Soneji?! Well, move over Soneji..there is a better weirdo out there to rival you! Actually the main lawyer/prosecutor in this book, Martin Veil is ALOT like the love of my life, Alex Cross from the James Patterson novels. He's just white. Martin Veil is a swanky, smooth talkin' lawyer who decides to defend the angel-faced Adam Stampler (how angelic? he even studders)..from the accusations against him. Adam is an alter boy (awwwee!) accused of killing the bishop in his church. How could such a sweet little fella do such a thing? Well, through therapy it is discovered that Adam S-s-stampler has a split personality. Did he kill the bishop? who knows...I mean the Bishop WAS making porno movies using Adam and his friends, and, well studies do show that under such repetitive abuse, a personality CAN split. Martin Veil goes to work to find out more about his client and his friends...he himself cannot defend Adam if he beleives he's faking the split personality defense. Just what happens next will have you turning pages with rapid fire. AND WHAT AN ENDING!!!!! By the way, if you're like me and couldn't get enough from this book....two more follow it. Please do yourself a huge favor and see the movie AFTER you read the book. It's a fantastic trilogy...I hope they turn the other two books into movies too.
3 people found this helpful
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The Movie Scared Me

The movie scared me, so I bought the book, which is the opposite of how I usually operate: book first, movie second. While I enjoyed the movie (Richard Gear in rare form!), I must say I like the book much better. There are quite a few thrills in it, psychological, visceral, and even sexual . . . (every man gets his turn with the nice country teacher, oh what fun). But this is no run of the mill thriller; the thing reads like it's actually true, and that is hard to do with such a far out plot. So I asked myself, How did William Diehl accomplish this? The answer is versimilitude.
Put all of the spooky stuff aside, and you hold in your hands a well written legal investigation/courtroom drama. Diehl knows his way around the courtroom as well as the cigar smoke-filled political backrooms. Diehl's understanding of how the "game" is played--this is the backbone of the book, and while that is clicking on all cylinders, we are more likely to miss the occasional plot contrivance.
A truly excellent book, down to the last word.
2 people found this helpful
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Heavy handed execution of great concept

I always enjoy reading the book on which an exceptional movie was based. More often than not the sub plots and character development of a novel far outshine what is possible within the constraints of a two hour film. As someone who enjoys literary more than popular or pulp fiction, I was expecting a thought provoking work after having watched the film. However, I found the author's writing to be rather heavy handed for my taste. The naming of the characters, for example, there is an over bearing preacher named Shackles, a lawyer who masks the truth named Veil, going up against a virtue filled attorney named Venable (bringing to mind venerable). There are also long, drawn out narrative descriptions without much subtly; in general the writing style is one that tells you what to think rather than makes you think. I did enjoy learning the inside scoop on Aron Stampler's background, his girl friend Linda as well as the other major, minor, and new characters. Most of this novel in fact is going into the past of these people, versus taking place inside the courtroom. This is a C+ novel with a great premise and characters, that opened the path to a B screenplay, that was elevated to an A film through the exceptional performances of Edward Norton et al.
1 people found this helpful
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William Diehl-One of the best for Mystery and Suspense

Primal Fear. A believable story. It could happen.

Aaron Stampler, accused of murdering a church Bishop plays to the reader's compassion with his stutter and country charisma. We think that Aaron is truly innocent, as we subconsciously help his defense attorney, Martin Vail, to get his client acquitted. But Aaron is not your typical country bumpkin. He is equipped with a clever psychotic mind that manipulates his attorney and the reader's mind and leads them on a trail of doubt of his guilt.

The story is suspenseful and well written with great character development and a look into the mind of a person with multiple personality disorder. Diehl cleverly masks the truth through Primal Fear and keeps the reader turning pages until the real truth of the murder is revealed in an unsuspected ending.
1 people found this helpful
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Top drawer legal thriller!

"Primal Fear" by William Diehl is just as riveting and absorbing on the second read as it was on the fist go around.
Knowledge of the astonishing conclusion enhanced rather than diminished my satisfaction, as I read with a different perspective.
It was intriguing to know just who the manipulators were and appreciate their diabolical natures.
Mr. Diehl is a marvelous writer and impressive storyteller. He illuminates the main characters skillfully. You feel you are on a first name basis with them as he introduces their back-story in an almost conversational manner.
The DA's team, defense attorney Martin Vail's contingent, as well as the victim and suspect are positively vivid characters.
The pacing is taut and the denouement is electrifying.
"Primal Fear" was a favorite of mine when first published and remains so today. It holds up.
As good a legal thriller as I have read.
1 people found this helpful