Solid Ivory: Memoirs
Solid Ivory: Memoirs book cover

Solid Ivory: Memoirs

Hardcover – Picture Book, November 2, 2021

Price
$9.86
Format
Hardcover
Pages
416
Publisher
Farrar, Straus and Giroux
Publication Date
ISBN-13
978-0374601591
Dimensions
6.31 x 1.38 x 9.15 inches
Weight
1.46 pounds

Description

Named a New York Times Critics' Best Books of 2021 “As memoirs go, Solid Ivory is candid, informative and infused with warmth, verve and humor. Sit back and enjoy a series of well-executed master shots and captivating close-ups.” ―Malcolm Forbes, The Wall Street Journal "[Ivory recollects] a photo album’s worth of men (with album photos, too) who were friends or lovers, recalling his younger days with all the panache of a Cole Porter song, if Porter also wrote deft lyrics about male genitalia . . . There’s a warmth to his earthiness about his personal life . . . There is a calm self-assessment of how he operates as a director . . . And scattered throughout, there are perfect, martini-dry vignettes of various people who have passed through his rather marvelous life . . . Oh, there is so much good stuff here! ―Lisa Schwarzbaum, The New York Times Book Review “Over twenty films. Over forty years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy? James Ivory met Ismail Merchant (in 1961) and Ruth Prawer Jhabvala (in 1962), and one of the earliest, most durable, most independent of independent film families came to life. The widest varieties of stories (neorealist memoirs, literary adaptations, avant-garde experiments) and settings (England, France, Italy, India, the Americas North and South); the broadest collection of superb actors and artists (Vanessa Redgrave, Paul Newman, Anthony Hopkins, Shashi Kapoor, Maggie Smith, Subrata Mitra!). Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema.” ― WES ANDERSON “It's a touching, illuminating story about growing up in a world to which he didn't quite belong―seasoned, of course, with delicious stories of a life in showbiz―that's essential reading for any fan of his work on screen.” ― Town and Country Magazine “A memoir as eloquent and gracious as his films, James Ivory’s page-turner brims over with the boldness, candor, and modesty that only great minds can claim. Places, objects, bodies, people, and so many names all have a place in his unassailably brilliant life.” ― ANDRÉ ACIMAN , author of Call Me by Your Name “Jim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing, and unusual. We take the tour of his life, which has as fascinating a cast and is set in locations as far-flung and exotic as his films―except with way more sex. Jim is now in his ninth decade, and I believe his secret elixir is a delight in life―read it and drink it in!” ― HELENA BONHAM CARTER “The producer-director's memoirs are as stately and intimate as his indelible films.” ―Michelle Hart, Oprah Daily " “It is this sense of perspective, good humor, and a willingness to go with the flow that shines through in his writing. Ivory’s book makes for a charming, yet unconventional, entertainment industry memoir.” ―David Vogel, The Chicago Review of Books “How does someone become James Ivory? How does someone become one of the finest moviemakers of his time? These pages provide us with a key to unlock this enigma: friendship, travels, love, desire, and, of course, sometimes disillusions and hardships. The collision of all these experiences in the life of Ivory gave us some of the most beautiful and empowering films of the last decades.” ― ÉDOUARD LOUIS , author of Who Killed My Father “His memoir will delight film buffs, of course, but it will also appeal to general readers who value intelligent writing and insights into the lives of accomplished people.” ― Booklist (Starred Review) James Ivory is an Academy Award–winning director, producer, and screenwriter. His directorial work includes A Room with a View , Howards End , and The Remains of the Day , for each of which he was nominated for the Academy Award for Best Director. In 2017, he won an Academy Award for Best Adapted Screenplay for Call Me by Your Name. He has also won three BAFTA Awards, a Directors Guild of America Lifetime Achievement Award, and a Writers Guild of America Award, among many other honors. Peter Cameron is the author of Andorra, The City of Your Final Destination , and Someday This Pain Will Be Useful to You . His work has appeared in The New Yorker , Grand Street , and The Paris Review . He lives in New York City.

Features & Highlights

  • The irreverent, brilliant memoirs of the legendary filmmaker James Ivory
  • In
  • Solid Ivory
  • , a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of
  • A Room with a View, Howards End,
  • Maurice
  • , and
  • The Remains of the Day
  • , tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for
  • Call Me by Your Name
  • ; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir,
  • The New
  • Yorker
  • magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant―Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved.
  • Solid Ivory,
  • edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.

Customer Reviews

Rating Breakdown

★★★★★
30%
(61)
★★★★
25%
(51)
★★★
15%
(30)
★★
7%
(14)
23%
(46)

Most Helpful Reviews

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Too much of his early sex life or trying to find a sexual partner

I bought this book hoping to find out how he came to be such a good director...I wanted to know his history not about his early sex life!
9 people found this helpful
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A fascinating read

I have loved Merchant Ivory films for a long time so naturally I devoured this book as soon as it came out. There were many surprises awaiting me. The most important being: Ismail Merchant and James Ivory were romantic partners!
Being a gay man myself, this came as a welcome surprise. Although James spoke about his many many gay affairs and lovers in much detail - including the anatomical kind - he was mum about his romantic relationship with Ismail. And certainly no anatomical information was provided. I thought this to be a curious and deliberate omission. I think Mr. Ivory didn’t want to embarrass Ismail’s traditional Muslim family in India…..which is understandable. But what’s not clear is that why did Mr. Ivory not even mention the fact that Ismail Merchant’s real last name was Abdul Rahman. I had to dig up that little morsel on Wikipedia. Why did Ismail change his last name? Wiki says because he wanted a more “cosmopolitan” last name. Interesting. Or was it that he didn’t want his Muslim last name to get in the way of his ambitions?
Regardless, he became an accomplished producer and director and left behind a treasure trove of cinematic gems.
The book has some delicious tidbits of behind the scenes gossip but not nearly enough granted that Merchant Ivory made movies for over 40 years.
Mr. Ivory spent one third of the book describing his high school and college era sexual adventures and misadventures. What I’d like to ask Mr. Ivory is this: Why such details about very minor characters in your life but not much about the major characters? But I guess we will have to wait for that from some capable biographer of his who will dig deeper after Mr. Ivory is gone.
8 people found this helpful
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Utterly frank memoir from a master of storytelling

James Ivory is, of course, a great film director; and his partner in life and work for forty years Ismail Merchant were both responsible for some of the most recognizable and mesmerizing films in the last half-century. Oddly this memoir is not about the films per se but about a life well lived that involved making films. Also, it is a spare story of Ivory’s intimate life with Merchant and both men are limned by their encounters with ‘famous’ people: Lillian Roth, Peggy Ashcroft, Vanessa Redgrave, Bruce Chatwin, and J.D. Salinger; not to mention a raft of fascinating Indians from Bombay, Calcutta, and New Delhi (I’m using old names for the first two cities because Merchant and Ivory spent a lot of time in an India coming into its own after the end of the Raj).

The main thing is that Ivory’s memoir is HIS story, from his early life in Klamath Falls, Oregon, through the 1960’s and 1970’s and ultimately his winning an Oscar at the age of 89. It is a marvelous series of encounters, good and not so good. As an example of the latter is Ivory’s experience with J.D. Salinger at, of all things, a baby christening. Salinger does not shine in this tale.

Sex is prominent throughout this memoir, specifically homosexual sex. If one is thrown into a panic, rage, disgust, or any permutation of outrage at the thought of two men having sex, this memoir is NOT for prudes, bigots, or haters. To be sure, the sex in this book is not an all-male version of pulp ‘heaving bosoms’, but it IS frank to the point that I squirmed on reading some of Ivory’s more clinical prose: not from disgust but from a feeling that I was a voyeur. But, the point is James Ivory is honest about sex. This may limit this book’s appeal but it is a fine example of a film director who is as sensual as many of his films.

Besides which, don’t you want to read about a piece of dinosaur skin kept at a British great house, or about an almost fatal scene at a banquet at a maharaja’s palace? People of a certain age may also be glad to read about an American boy’s childhood in Klamath Falls leading to a life filled with eccentric people in London, New York, and Great Britain, and, for me the wondrous locales in India.
8 people found this helpful
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Not what I expected

This book has very little on his experiences in making films. I think it is clear being a director is simply a job that brought him fame and money. He left his actors to do their own without direction. He hired set decorators and costumers and took no interest in the beauty of their work, only in it following his direction and cost. The only actor he discusses at length is Vanessa Redgrave. If you are interesting in learning the history the great films Merchant-Ivory produced you will need to wait for another book. I cannot explain why he spent so much of the book discussing his sex life as a child and teenager.
6 people found this helpful
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This book is alive

ALWAYS SAD TO READ BAD REVIEWS BECAUSE A BOOK INCLUDES EROTICA, ESPECIALLY WHEN IT IS GAY. This book is a page turning joy.
Ivory is human and this is what you will get upon reading this.This is not a book on film technique.It is a book about living life to the fullest.
4 people found this helpful
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A Great Disappointment

I was expecting an informative and interesting read and was greatly disappointed. If I could rate it a minus ten I would. My hope was I would learn about the creativity which led to those beautiful Ivory Merchant movies but I did not. I find it hard to believe anyone edited it because it rambles, spends too much time on his sexual encounters, and lacks any substance. I have read a lot of memoirs and this is hands down the worst I've read. I wish I could get my money back.
3 people found this helpful
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Amazingly Entertaining Memoir

I love everything about this book. It is chatty enough to be a pageturner, and you really learn a great deal about what goes into making a movie. The portraits of individuals that James Ivory in his career is fascinating. I'm glad that he FINALLY won an Oscar. He deserved one long before he got his due. I wish there were more Ivory movies to be made. But alas - no. I would love to know this giant of the film industry. SMM
3 people found this helpful
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So many funny and amazing details of Mr. Ivory’s life

this book astonished me. These are revealing stories that really give structure to understanding the man behind some of the most important and underrated films of the last 50 years. An excellent read. Enjoyed.
2 people found this helpful
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Candid Portrait of Growing Up Gay Pre-WWII & 50 Years Making Films

When James Ivory won his first Academy Award in 2017 for his screenplay for "Call Me by Your Name," he was 89 years old and had been directing and writing films for more than 50 years with his business and domestic partner Ismail Merchant. In SOLID IVORY, the filmmaker looks back on his long career making such Merchant Ivory classics as "A Room with a View", "Howards End" and "The Remains of the Day." Ivory may be in his ninth decade but he possesses a sharp memory and a storyteller's gift for compelling tales. He also never forgets a slight and still nurses grudges--making for a lively, affectionate and caustic memoir.

Ivory has great affection for Bengali filmmaker and mentor Satyajit Ray. Though he graduated from the University of Southern California film school, Ivory writes, "I didn't know what a director did until I went on Ray's set" and watched him interact with his cast and crew. Some of the other portraits of contemporaries and coworkers are less flattering, but Ivory always counterbalances anecdotes about bad behavior with insight into the insecurities behind the actions of others. He writes juicy and perceptive portraits of George Cukor, Lillian Ross, Vanessa Redgrave, Ruth Prawer Jhabvala and especially his nightmarish time directing Raquel Welch in "The Wild Party." He also recounts his fractious relationship with the producers and director of "Call Me by Your Name", a film he wrote and produced and was originally to co-direct.

SOLID IVORY is a candid portrait of growing up gay before World War II and a captivating account of five decades making independent films.

At 93, James Ivory writes with vigor and candor about his youthful gay experiences and his 50-plus year partnership with Ismail Merchant in life and in films.
2 people found this helpful
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Can’t put it down

Totally candid and witty recounting of growing up in Oregon and making films all over the world. His frankness and charm made me read the entire book in 48 hours. I appreciated him recounting his sexual partners and what he liked about them. It was innocent and sweet. And reading about people who have no sex life is boring.
2 people found this helpful