The Complete Arrows Trilogy (Heralds of Valdemar)
The Complete Arrows Trilogy (Heralds of Valdemar) book cover

The Complete Arrows Trilogy (Heralds of Valdemar)

Paperback – August 4, 2015

Price
$22.00
Format
Paperback
Pages
720
Publisher
DAW
Publication Date
ISBN-13
978-0756411190
Dimensions
6.04 x 1.47 x 8.98 inches
Weight
1.46 pounds

Description

“Beautifully written.... Shows a sure touch with the wonder and adventure that characterize the best fantasy writers.” — RT Reviews “Lackey has created a complex, interesting world.” — American Fantasy Magazine “The story is well told, and the major characters are well-drawn. As a whole, the trilogy offers evidence of Lackey’s...potential to become a major figure in the field.” — Booklist “So well-crafted you’ll want read it an entire night. The Heralds are all people you know, or wish you knew.” —OtherRealms Mercedes Lackey is a full-time writer and has published numerous novels and works of short fiction, including the bestselling Heralds of Valdemar series. She is also a professiona lyricist and a licensed wild bird rehabilitator. She lives in Oklahoma with her husband and collaborator, artist Larry Dixon, and their flock of parrots. Excerpt. © Reprinted by permission. All rights reserved. ARROW OF THE QUEEN CHAPTER 1 A gentle breeze rustled the leaves of the tree, but the young girl seated beneath it did not seem to notice. An adolescent of thirteen or thereabouts, she was, by her plain costume, a member of one of the solemn and straight-laced Hold families that lived in this Borderland of Valdemar—come there to settle a bare two generations ago. She was dressed (as any young Holdgirl would be) in plain brown breeches and a long, sleeved tunic. Her unruly brown curls had been cut short in an unsuccessful attempt to tame them to conform to Hold standards. She would have presented a strange sight to anyone familiar with Holderfolk; for while she sat and carded the undyed wool she had earlier cleaned, she was reading. Few Hold girls could read, and none did so for pleasure. That was a privilege normally reserved, by longstanding tradition, for the men and boys of the Holdings. A female’s place was not to be learned; a girl reading—even if she was doing a womanly task at the same time—was as out of place as a scarlet jay among crows. If anyone could have seen her thoughts at that moment, they would have known her to be even more of a misfit than her reading implied. xa0•xa0•xa0• Vanyel was a dim shape in the darkness beside her; there was no moon, and only the dim light of the stars penetrated the boughs of the hemlock bushes they hid beneath. She only knew he was there by the faint sound of his breathing, though they lay so closely together that had she moved her hand a fraction of an inch, she’d have touched him. Training and discipline held her quiet, though under other circumstances she’d have been shivering so hard her teeth would have rattled. The starlight reflected on the snow beneath them was enough to see by—enough to see the deadly danger to Valdemar that moved below them. Beneath their ledge, in the narrow pass between Dellcrag and Mount Thurlos, the army of the Dark Servants was passing. They were nearly as silent as the two who watched them; only a creak of snow, the occasional crack of a broken branch, or the faint jingling of armor or harness betrayed them. She marveled at the discipline their silent passage revealed; marveled, and feared. How could the tiny outpost of the Border Guard that lay to the south of them ever hope to make a stand against these warriors who were also magicians? Bad enough that they were outnumbered a hundred to one—these were no simple barbarians coming against the forces of Valdemar this time, who could be defeated by their own refusal to acknowledge any one of their own as overall leader. No, these fighters bowed to an iron-willed leader the equal of any in Valdemar, and their ranks held only the trained and seasoned. She started as Vanyel’s hand lightly touched the back of her neck, and came out of her half-trance. He tugged slightly at her sleeve; she backed carefully out of the thicket, obedient to his signal. “Now what?” she whispered, when they were safely around the ledge with the bulk of a stone outcropping between them and the Dark Servants. “One of us has to alert the King, while the other holds them off at the other end of the pass—” “With what army?” she asked, fear making her voice sharp with sarcasm. “You forget, little sister—I need no army—” the sudden flare of light from Vanyel’s outstretched hand illuminated his ironic smile, and bathed his white uniform in an eerie blue wash for one moment. She shuddered; his saturnine features had always looked faintly sinister to her, and in the blue light his face had looked demonic. Vanyel held a morbid fascination for her—dangerous, the man was; not like his gentle lifemate, Bard Stefen. Possibly the last—and some said the best—of the Herald-mages. The Servants of Darkness had destroyed the others, one by one. Only Vanyel had been strong enough to withstand their united powers. She who had little magic in her soul could almost feel the strength of his even when he wasn’t exerting it. “Between us, my Companion and I are a match for any thousand of their witch-masters,” he continued arrogantly. “Besides—at the far end of the pass there isn’t room for more than three to walk side by side. We can hold them there easily. And I want Stefen well out of this; Yfandes couldn’t carry us double, but you’re light enough that Evalie could easily manage both of you.” She bowed her head, yielding to his reasoning. “I can’t like it—” “I know, little sister—but you have precious little magic, while Evalie does have speed. The sooner you go, the sooner you’ll have help here for me.” “Vanyel—” she touched his gloved hand with one fur mitten. “Be—be safe—” She suddenly feared more for him than for herself. He had looked so fey when the King had placed this mission in their hands—like a man who has seen his own death. “As safe as may be, little sister. I swear to you, I will risk nothing I am not forced to.” A heartbeat later she was firmly in the saddle, Evalie galloping beneath her like a blizzard wind in horse-shape. Behind her she could feel Bard Stefen clinging to her waist, and was conscious of a moment of pity for him—to him, Evalie was strange, he could not move with her, only cling awkwardly; while she felt almost as one with the Companion, touched with a magic only another Herald could share. Their speed was reckless; breakneck. Skeletal tree limbs reached hungrily for them, trying to seize them as they passed and pull them from Evalie’s back. Always the Companion avoided them, writhing away from the clawlike branches like a ferret. “The Dark Servants—” Stefen shouted in her ear “—they must know someone’s gone for help. They’re animating the trees against us!” She realized, as Evalie escaped yet another trap set for them, that Stefen was right—the trees were indeed moving with a will of their own, and not just randomly waving in the wind. They reached out, hungrily, angrily; she felt the hot breath of dark magic on the back of her neck, like the noisome breath of a carrion-eater. Evalie’s eyes were wide with more than fear; she knew the Companion felt the dark power, too. She urged Evalie on; the Companion responded with new speed, sweat breaking out on her neck and flanks to freeze almost immediately. The trees seemed to thrash with anger and frustration as they eluded the last of them and broke out on the bank above the road. The road to the capital lay straight and open before them now, and Evalie leaped over a fallen forest giant to gain the surface of it with a neigh of triumph.xa0.xa0.xa0. •xa0•xa0•xa0 Talia blinked, emerging abruptly from the spell her book had laid on her. She had been lost in the daydream her tale had conjured for her, but the dream was now lost beyond recall. Someone was calling her name in the distance. She looked up quickly, with a toss of her head that threw her unmanageable hair out of her eyes. Near the door of the family house she could make out the angular figure of Keldar Firstwife, dark-clad and rigid, like a stiff fire iron propped against the building. Keldar’s fists were on her hips; her stern carriage suggested that she was waiting Talia’s response with very little patience. Talia sighed regretfully, put up her wool and the wire brushes, and closed the worn little cloth-bound volume, laying aside the rocks she’d used to hold down the pages as she’d worked. Though she’d carefully marked the place, she knew that even without the precious scrap of ribbon she used to mark it she’d have no trouble finding it again. Keldar couldn’t have picked a worse time; Herald Vanyel was alone, surrounded by the Servants of Darkness, and no one knew his peril but his Companion and Bard Stefen. Knowing Keldar, it would be hours before she could return to the tale—perhaps not even until tomorrow. Keldar was adept at finding ways to keep Talia from even the little reading she was grudgingly allowed. Nevertheless, Keldar was Firstwife; her voice ruled the Steading, to be obeyed in all things, or suffer punishment for disobedience. Talia responded to the summons as dutifully as she could. She put the little book carefully away in the covered basket that held carded and uncarded wool and her spindle. The peddler who had given it to her last week had assured her many times that it was worthless to him , but it was still precious to her as one of the three books she owned and (more importantly) the only one she’d never read before. For an hour this afternoon she’d been transported to the outside world of Heralds and Companions, of high adventure and magic. Returning to the ordinary world of chores and Keldar’s sour face was a distinct letdown. She schooled her expression with care, hoping none of her discontent showed, and trudged dully up the path that led to the Steading, carrying her basket in one hand. But she had the sinking feeling as she watched the Firstwife’s hardening expression that her best efforts were not enough to mislead Keldar. Keldar noted the signs of rebellion Talia displayed despite her obvious effort to hide them. The signs were plain enough for anyone with the Firstwife’s experience in dealing with littles; the slightly dragging feet, the sullen eyes. Her mouth tightened imperceptibly. Thirteen years old, and still fighting the yoke the gods had decreed for her shoulders! Well, that would change—and soon. Soon enough there would be no more time for foolish tales and wasted time. “Stop scowling, child!” Keldar snapped, her thin lips taut with scorn, “You’re not being summoned for a beating!” Not that she hadn’t warranted a beating to correct her attitude in the past. Those beatings had done precious little good, and had drawn the feeble protests of her Husband’s Mother—but it was the will of the gods that children obey , and if it took beating to drive them into obedience, then one would beat them with as heavy a hand as required, and pray that this time the lesson was learned. It was possible that she, Keldar, had not possessed a hand heavy enough. Well, if that were indeed the case, that situation would be corrected soon as well. She watched the child trudge unwillingly up the path, her feet kicking up little puffs of dust. Keldar was well aware that her attitude where Talia was concerned was of a harshness that bordered on the unfair. Still, the child drove her out of all patience. Who would ever have imagined that so placid and bovine a creature as Bessa could have produced a little scrap of mischief like this? The child was like a wild thing sometimes, intractable, and untamable—how could Bessa have dared to birth such a misfit? And who would have thought that she’d have had the poor taste to die of the birthing and leave the rearing of her little to the rest of the Wives? Talia was so unlike her birth-mother that Keldar was perforce reminded of the stories of changelings. And the child had been born on Midsummer’s Eve, a time long noted for arcane connections—she as little resembled the strong, tall, blond man who was her father as her plump, fair, deceased mother— But no. That was superstition, and superstition had no place in the lives of Holderkin. It was only that she had double the usual share of stubbornness. Even the most stubborn of saplings could be bent. Or broken. And if Keldar lacked the necessary tools to accomplish the breaking and bending, there were others among the Holderkin who suffered no such lack. “Get along , child!” she added, when Talia didn’t respond immediately, “Or do you think I need hurry your steps with a switch?” “Yes ma’am. I mean, no ma’am!” Talia replied in as neutral a voice as she could manage. She tried to smooth her expression into one more pleasing to her elder, even as she smoothed the front of her tunic with a sweaty, nervous palm. What am I being summoned for? she wondered apprehensively. In her experience summonings had rarely meant anything good. “Well, go in, go in! Don’t keep me standing here in the doorway all afternoon!” Keldar’s cold face gave no clue as to what was in store. Everything about Keldar, from her tightly wrapped and braided hair to the exact set of her apron, gave an impression of one in total control. She was everything a Firstwife should be—and frequently pointed this out. Talia was always intimidated by her presence, and always felt she looked hoydenish and disheveled, no matter how carefully she’d prepared herself for confrontations. In her haste to edge past the authoritative figure of the Firstwife in the doorway, Talia stumbled a little on the lintel. Keldar made a derogatory noise in the back of her throat, and Talia felt herself flush. Somehow there was that about Keldar that never failed to put her at her faultiest and clumsiest. She regathered what little composure she had and slipped inside and into the hall. The windowless entryway was very dark; she would have paused to let her eyes adjust except for the forbidding presence of Keldar hard on her heels. She felt her way down the worn, wooden floor hoping not to trip again. Then, as she entered the common-room and could see again in the light that came from its three windows, her mouth suddenly dried with fear; for all of her Father’s Wives were waiting there, assembled around the rough-hewn wooden table that served them all at meals. And all of them were staring at her. Eight pairs of blue and brown eyes held her transfixed like a bird surrounded by hungry cats. Eight flat, expressionless faces had turned to point in her direction. She thought at once of all her failings of the last month or so, from her failure to remember her kitchen duties yesterday to the disaster with the little she was supposed to have been watching who’d gotten into the goat pen. There were half a hundred things they might call her to account for, but none of them were bad enough to call for an assemblage of all the Wives; at least, she didn’t think they were! Unless—she started guiltily at the thought—unless they’d somehow found out she’d been sneaking into Father’s library to read when there was a full moon—light enough to read without a betraying candle. Father’s books were mostly religious, but she’d found an old history or two that proved to be almost as good as her tales, and the temptation had been too much to resist. If they’d found that out— It might mean a beating every day for a week and a month of “exile”—being locked in a closet at night, and isolated by day, with no one allowed to speak to her or acknowledge her presence in any way, except Keldar, who would assign her chores. That had happened twice already this year. Talia began to tremble. She wasn’t sure she could bear a third time. Keldar took her place at the head of the table, and her next words drove all thought of that out of Talia’s head. “Well, child,” she said, scowling, “You’re thirteen today.” Talia felt almost giddy with relief. Just her Birthing Day? Was that all it was? She took an easier breath, and stood before the assemblage of nine Wives, much calmer now. She kept her hands clasped properly before her, eyes cast down. She studied the basket at her sturdily-shod feet, prepared to listen with all due respect to the lecture about her growing responsibilities that they’d delivered to her every Birthing Day she could remember. After they were sure that she’d absorbed all their collective wisdom on the subject, they’d let her get back to her wool (and not so incidentally, her tale). But what Keldar had to say next scattered every speck of calm she’d regained to the four winds. “Yes, thirteen,” Keldar repeated significantly, “and that is time to think of Marriage.” Talia blanched, feeling as if her heart had stopped. Marriage? Oh, sweet Goddess no ! Read more

Features & Highlights

  • Available in a single volume for the first time, Mercedes Lackey’s debut trilogy of Valdemar!
  • The Complete Arrows Trilogy
  • contains the three extraordinary novels that launched Mercedes Lackey’s remarkable career and sparked the imaginations of millions of readers across the world.
  • The Arrows trilogy tells the story of Talia, a daughter of the repres­sive Holderfolk, who is Chosen by the immortal Companion Rolan to become one of the legendary Heralds of Valdemar.   Companions like Rolan are mystical horse-like beings with powers beyond imagining—including the power to sense an awakening potential for special talents of the mind in certain young men and women, like Talia.   With Rolan’s help, Talia will learn to master her unique mental abilities of telepathy and empathy, and will grow from an uncertain and inexperienced Herald trainee to become the most important Herald of all: the Queen’s Own.   And together, Talia and Rolan will fight to protect the queen, the heir to the throne, and the entire kingdom—from dangerous conspiracies, looming unrest, vicious treachery, and even an evil and ancient sorcery beyond the magic of the Heralds themselves.

Customer Reviews

Rating Breakdown

★★★★★
60%
(1.1K)
★★★★
25%
(472)
★★★
15%
(283)
★★
7%
(132)
-7%
(-132)

Most Helpful Reviews

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I loved this story (complete trilogy)

I originally read this series around 13-14 years old and it started me on my journey to being an avid reader. I bought this recently for my daughter for her to read. I have bought many Mercedes lackey books (mostly the series in the valdemar universe) and have really enjoyed them. The most if the series go in sets of 3 books and many characters overlap between the series (which I like). This particular book is all 3 arrows of the queen series books in one book.
3 people found this helpful
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Return to A Favorite World

Mercedes Lackey's Valdemar has been a personal favorite since I discovered Arrows of the Queen as a teenager in the '80s. I recently acquired some of the later, standalone volumes (Take a Thief, Exile's Honor & Exile's Valor) in the wider Valdemar world that I hadn't yet had the pleasure of reading, and decided to re-read all the old favorites such as Arrows of the Queen & Last Herald Mage trilogies, as well as exploring the newer books (The Collegium Chronicles, etc.).

I was thrilled to discover this omnibus edition of The Complete Arrows Trilogy, and devoured it within a week. Valdemar is still just as magical as it was 25 years ago.
3 people found this helpful
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Going to be roasted by fans for this one.

Just to let you know. If you are looking for a fast paced story this is not for you. I have plowed through all the Valdemar books and I do mean plowed. The story and characters would be good but they are not really what the books are about. I would break it down this way.

About 25% of each book is filled with descriptions of people and places. Very long and exact descriptions. Either the author has no faith in the readers imagination to provide imagery for her people and scenes, or She does is trying to maintain to much control of the people and scenes.

Another 25% is taken up by the actual story. Hard to believe but true. You almost have to pick out the plot in some places since the author spends most of the books on other things.

Last and definitely not least. A full 50% of these books contain thoughts. Now thoughts can be good but I have never read so many thoughts that in no way advanced the story or characters in my life. I am no pro but I have read thousands of books and I have never read so many thoughts, remembrances, guilt trips, self recriminations, feelings of inadequacy, Confusion, and second guessing yourself you name it it is in there. Seriously in places it is so bad that you get a paragraph of plot then pages, and pages of thought, the back to the plot for another few lines then pages of thoughts again.

In short these Valdemar books are a slog fest.

I realize that her fans will toast me for this but be real people she will never improve if you just worship whatever she writes.
3 people found this helpful
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My second copy of this trilogy

I bought a copy of this trilogy I think in the 1980s. And I read it to death. Probably 30 or more times. That hardcover now has pages loose and some sections falling out and stuff taped together. So, I bought a new copy, which is very nice and has all of the same things in it including the songs and poems that were in the old copy I had. Nice to get a new one that doesn't fall apart when I pick it up!
(Oh, and for those that haven't read any of the Valdemar series before? This is where to start.)
2 people found this helpful
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A book I can (and have) read over and over

I love having the entire trilogy in one book!

This is usually my first response when people ask me to recommend a book. I don't know how many times I've read this series over the years, but each time I do read it I get so engrossed that it's like reading it for the first time, even when I know *this character* is going to do *this thing*.
2 people found this helpful
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Five Stars

i had read it when it was first published loved it then loved it now
2 people found this helpful
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Love the story

This book is wonderful, how ever it is SO heavy. If you read for hours on end as I do your arms will feel like they are falling off. Find a different way to read this
1 people found this helpful
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I'm in love. I'll be the first to admit

So I'm roughly halfway through this set. And quite frankly, I'm in love. I'll be the first to admit, it has a bit of a generic fantasy feel to it, but personally that's how I like it. A touch of magic, a dash of destiny...perfect elements used properly in these stories. I'll be rereading this series for a while to come, and probably eyeing more stories by Mercedes Lackey as well.
1 people found this helpful
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Good for a beginning writer....

I enjoyed the first few pages and I love idea behind the story. But the novels lack direction. The characters are not solid and need to be fleshed out more. I believe this is one of her first 3 books combined. The author has written many novels and I love these types of books, so I will push through this one to move onto her later works.
1 people found this helpful
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Still a great read!

Recently, life has thrown me some curveballs, so I decided to re-read a character story that was similar to what I was going through. I found Arrows of the Queen early in life (either junior high or early high school) and loved the story then for almost the same reasons I wanted to read it again now. Also, DAW recently released the trilogy in a single paperback, which rekindled my desire to read the series.
I want to be honest here; I usually skip Arrows Flight in my re-read because not much happens. As one of Mercedes Lackey’s earliest writing endeavors, this trilogy suffers in a couple ways. First, the middle book is almost dead space with most of what is described being too drawn out. This really could have been a beefier duology and been a bit better for it. Second, the pacing is just a little off at times. I like getting to know how Court and Collegium work, and I like getting to learn more about Talia’s friendships, but there aren’t quite enough pages devoted to the action sequences. They read as very abrupt.

Readers who aren’t accustomed to older styles of writing in the fantasy genre may become frustrated or annoyed by the editing presented in the originals. And, I haven’t had the opportunity to examine the new release to see if the editing was updated at all. However, I think the story of acceptance, bullying, family, and adventure overcome these minor negatives.

The reasons why I love this tale are tied to the main character, Talia. As a child, she was raised in a household that didn’t provide love or acceptance for who she was as a person. Then, when she traveled to the capital to become a Herald, she was met with bullies and court intrigue from early on, plus she had to work through her issues of trust, friendship, and communication. Mercedes Lackey shows a great deal of knowledge about the human psyche and emotions. Anyone who wants more LBGTQ, female empowerment, and diversity in their fantasy should check out any of Lackey’s works as she was one of the originals to feature positive reactions and acceptance of what was mostly considered normal (in the worldbuilding) relationships of that nature.

Also, who doesn’t love horse gods🙂
1 people found this helpful