The Essex Serpent: A Novel
The Essex Serpent: A Novel book cover

The Essex Serpent: A Novel

Hardcover – Deckle Edge, June 6, 2017

Price
$26.39
Format
Hardcover
Pages
432
Publisher
Custom House
Publication Date
ISBN-13
978-0062666376
Dimensions
5.5 x 1.45 x 8.25 inches
Weight
1.15 pounds

Description

“A novel to relish: a work of great intelligence and charm, by a hugely talented author.” — Sarah Waters “Richly enjoyable... Ms. Perry writes beautifully and sometimes agreeably sharply... The Essex Serpent is a wonderfully satisfying novel. Ford Madox Ford thought the glory of the novel was its ability to make the reader think and feel at the same time. This one does just that.” — Wall Street Journal “Gloriously alive.” — NPR “The most delightful heroine since Elizabeth Bennet in Pride and Prejudice …Perry creates that delicate illusion of the best historical fiction: an authentic sense of the past—its manners, ideals and speech—that feels simultaneously distant and relevant to us…By the end, The Essex Serpent identifies a mystery far greater than some creature ‘from the illuminated margins of a manuscript’: friendship.” — Washington Post “A novel of almost insolent ambition--lush and fantastical, a wild Eden behind a garden gate...it’s part ghost story and part natural history lesson, part romance and part feminist parable. I found it so transporting that 48 hours after completing it, I was still resentful to be back home.” — New York Times “A fabulous summer read...If Middlemarch heroine Dorothea Brooke had heard of dinosaurs, she might have gone tromping through the salt marshes with Cora Seaborne.” — Christian Science Monitor “The sumptuous twists and turns of Perry’s prose invite close reading, as deep and strange and full of narrative magic as the Blackwater itself. Stuffed with smarts and storytelling sorcery, this is a work of astonishing breadth and brilliance.” — Kirkus Reviews (starred review) “The vivid, often frightening imagery… and the lush descriptions… create a magical background for the sensual love story between Sarah and Will. Book-discussion groups will have a field day with the imagery, the well-developed characters, and the concepts of innocence, evil, and guilt.” — Booklist (starred review) “In Perry’s excellent second novel… a fatal illness, a knife-wielding maniac, and a fated union with the Essex Serpent will dictate the ultimate happiness of [the] characters. Like John Fowles’s The French Lieutenant’s Woman... this is another period literary pastiche with a contemporary overlay.” — Publishers Weekly “Compulsive...narrative and voice coil together until it is very difficult to stop reading.” — The Guardian “Irresistible” — People (Book of the Week) “Astonishing...Perry’s prose is rich, textured, and intricate...a thoughtful and elegant book about the human need for knowledge and love, and about the fears and desiresxa0we bury.” — Vox “Triumphs on every level, whether in its rich, evocative prose or its authentic Victorian detail, its credible, multifaceted characters or its high-stakes drama...Perry likened writing her novel to a ‘possession.’ Reading it, we find ourselves under a similar mesmerizing spell.” — Minneapolis Star Tribune “ The Essex Serpent is Sarah Perry’s first book to come across the pond to us from Great Britain, and it is a corker...Even the most minor characters are filled with a particular life, lightxa0and love...one of the best, most memorable novels I have read in long years.” — Daily Herald “As engrossing as its reputation would suggest...Perry’s command of language as a tool to evoke time and place proves remarkable.” — Paste Magazine “Dickensian in scope, depth, and exquisite use of language … At once love story and mystery, deeply penetrating layered characters with wit and grace, The Essex Serpen t reveals the mundane beast that spawned wild rumors, and the stranger, less easily unmasked beasts within us.” — Historical Novels Review “Perry’s second novel is a dazzling and intellectually nimble work of Gothic fiction.” — San Francisco Gate “At once numinous, intimate and wise, The Essex Serpent is a marvellous novel about the workings of life, love and belief, about science and religion, secrets, mysteries, and the complicated and unexpected shifts of the human heart…It is so good its pages seem lit from within.” — Helen Schulman, New York Times Book Review “Everything they’re saying is true: sumptuous, beautiful, powerful, engrossing, brilliant.” — Nina Stibbe “[T]he most deeply satisfying fiction you will read this year.” — Waterstones Book of the Year “A blissful novel of unapologetic appetites, where desire and faith mingle on the marshes, but friendship is the miracle. Sarah Perry has the rare gift of committing the uncommittable to prose -- that is to say: here is a writer who understands life.” — Jessie Burton, author of The Miniaturist “A big, warm, generous novel that wears its considerable wisdom lightly, The Essex Serpent is an absolute pleasure from start to finish—I truly didn’t want it to end.” — Melissa Harrison, author of At Hawthorn Time “For originality, richness of prose and depth of characterization is unlikely to be bettered this year ... one of the most memorable historical novels of the past decade.” — Sunday Times “Confident, intelligent and original storytelling -- I was seduced by the many charms of The Essex Serpent. ” — Laline Paull, author of The Bees “Had Charles Dickens and Bram Stoker come together to write the great Victorian novel, I wonder if it would have surpassed The Essex Serpent ? Sarah Perry establishes herself as one of the finest fiction writers working in Britain today.” — John Burnside “A suspenseful love story… The Essex Serpent recalls variously the earthiness of Emily Brontë, the arch, high-tensile tone of Conan Doyle, the evocation of time and place achieved by Hilary Mantel and Sarah Waters and the antiquarian edgelands horror of M. R. James.” — New Statesman “Perry’s achieved the near impossible…A thing of beauty inside and out… a stunning achievement.” — The Independent “Irresistible... you can feel the influences of Mary Shelley, Bram Stoker, Wilkie Collins, Charles Dickens and Hilary Mantel channeled by Perry in some sort of Victorian séance. This is the best new novel I’ve read in years.” — Daily Telegraph “An exquisitely absorbing, old-fashioned page-turner… The Essex Serpent is shot through with such a vivid, lively sense of the period that it reads like Charles Dickens at his most accessible and fans of Jonathan Strange & Mr. Norrell will also find much to love.” — Daily Express “Perry fully inhabits many of the concerns and stylistic elements of the 19th century novel -- but its interests are still contemporary ones: desire, fulfillment and questioning the world… Her language is exquisite, her characterization finely tuned… [I]t’s clear that Perry is a gifted writer of immense ability.” — Irish Times “A Victorian-era gothic with a Dickensian focus on societal ills, Perry’s second novel surprises in itsxa0wonderful freshness . . . [her] singular characters are drawn with a fondness that is bothxa0palpable and contagious, all making forxa0pure pleasure.”xa0 — The Observer “Sarah Perry’s novel of 19th century England tackles big ideas...reversals and sharp darts of psychological insight combined with a sense of the substance and feeling of late 19th-century ideas in bloom make this a fine novel, both historical and otherwise.” — Newsday From the Inside Flap Proclaimed as "one of the most memorable historical novels of the past decade" by the Sunday Times, the rapturous #1 bestseller and Waterstones Book of the Year in the UK arrives in America London, 1893. When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was an unhappy one, and she never suited the role of society wife. Seeking refuge in fresh air and open space, she leaves the metropolis for coastal Essex, accompanied by her inquisitive and obsessive eleven-year-old son, Francis, and the boy's nanny, Martha, her fiercely protective friend. Once there, they hear rumors that after nearly three hundred years, the mythical Essex Serpent, a fearsome creature that once roamed the marshes, has returned. When a young man is mysteriously killed on New Year's Eve, the community's dread transforms to terror. Cora, a keen amateur naturalist with no patience for religion or superstition, is immediately enthralled, certain that what locals think is a magical sea beast may be a previously undiscovered species. Eager to investigate, she is introduced to parish vicar William Ransome, who is equally suspicious of the rumors but for different reasons: a man of faith, he is convinced the alarming reports are caused by moral panic, a flight from the correct and righteous path. As Cora and William attempt to discover the truth about the Essex Serpent's existence, these seeming opposites find themselves inexorably drawn together in an intense relationship that will change both of them in ways entirely unexpected. And as they search for answers, Cora's London past follows her to the coast, with striking consequences. Told with exquisite grace and intelligence, The Essex Serpent masterfully explores questions of science and religion, skepticism and faith, but it is most of all a celebration of love, and the many different--and surprising--guises it can take. -- Daily Telegraph Proclaimed as “one of the most memorable historical novels of the past decade” by the Sunday Times, the rapturous #1 bestseller and Waterstones Book of the Year in the UK arrives in America London, 1893. When Cora Seaborne’s brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was an unhappy one, and she never suited the role of society wife. Seeking refuge in fresh air and open space, she leaves the metropolis for coastal Essex, accompanied by her inquisitive and obsessive eleven-year-old son, Francis, and the boy’s nanny, Martha, her fiercely protective friend. Once there, they hear rumors that after nearly three hundred years, the mythical Essex Serpent, a fearsome creature that once roamed the marshes, has returned. When a young man is mysteriously killed on New Year’s Eve, the community’s dread transforms to terror. Cora, a keen amateur naturalist with no patience for religion or superstition, is immediately enthralled, certain that what locals think is a magical sea beast may be a previously undiscovered species. Eager to investigate, she is introduced to parish vicar William Ransome, who is equally suspicious of the rumors but for different reasons: a man of faith, he is convinced the alarming reports are caused by moral panic, a flight from the correct and righteous path. As Cora and William attempt to discover the truth about the Essex Serpent’s existence, these seeming opposites find themselves inexorably drawn together in an intense relationship that will change both of them in ways entirely unexpected. And as they search for answers, Cora’s London past follows her to the coast, with striking consequences. Told with exquisite grace and intelligence, The Essex Serpent masterfully explores questions of science and religion, skepticism and faith, but it is most of all a celebration of love, and the many different—and surprising—guises it can take. Sarah Perry is the internationally bestselling author of The Essex Serpent and After Me Comes the Flood . She lives in England. Read more

Features & Highlights

  • An NPR and Kirkus Review Best Book of 2017, a
  • New York Times
  • Notable Book of the Year,
  • and a
  • Washington Post
  • Notable Work of Fiction. Winner of the British Book Awards Fiction Book of the Year and overall Book of the Year, selected as the Waterstones Book of the Year, and a Costa Book Award Finalist
  • "A novel of almost insolent ambition--lush and fantastical, a wild Eden behind a garden gate...it's part ghost story and part natural history lesson, part romance and part feminist parable. I found it so transporting that 48 hours after completing it, I was still resentful to be back home."
  • -
  • New York Times
  • “An irresistible new novel…the most delightful heroine since Elizabeth Bennet in
  • Pride and Prejudice
  • …By the end,
  • The Essex Serpent
  • identifies a mystery far greater than some creature ‘from the illuminated margins of a manuscript’: friendship.”  -
  • Washington Post
  • "Richly enjoyable... Ms. Perry writes beautifully and sometimes agreeably sharply...
  • The Essex Serpent
  • is a wonderfully satisfying novel. Ford Madox Ford thought the glory of the novel was its ability to make the reader think and feel at the same time. This one does just that." -
  • Wall Street Journal
  • An exquisitely talented young British author makes her American debut with this rapturously acclaimed historical novel, set in late nineteenth-century England, about an intellectually minded young widow, a pious vicar, and a rumored mythical serpent that explores questions about science and religion, skepticism, and faith, independence and love.
  • When Cora Seaborne’s brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at nineteen, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive eleven-year old son, Francis, and the boy’s nanny, Martha, her fiercely protective friend.
  • While admiring the sites, Cora learns of an intriguing rumor that has arisen further up the estuary, of a fearsome creature said to roam the marshes claiming human lives. After nearly 300 years, the mythical Essex Serpent is said to have returned, taking the life of a young man on New Year’s Eve. A keen amateur naturalist with no patience for religion or superstition, Cora is immediately enthralled, and certain that what the local people think is a magical sea beast may be a previously undiscovered species. Eager to investigate, she is introduced to local vicar William Ransome. Will, too, is suspicious of the rumors. But unlike Cora, this man of faith is convinced the rumors are caused by moral panic, a flight from true belief.
  • These seeming opposites who agree on nothing soon find themselves inexorably drawn together and torn apart—an intense relationship that will change both of their lives in ways entirely unexpected.
  • Hailed by Sarah Waters as "a work of great intelligence and charm, by a hugely talented author,"
  • The Essex Serpent
  • is "irresistible . . . you can feel the influences of Mary Shelley, Bram Stoker, Wilkie Collins, Charles Dickens, and Hilary Mantel channeled by Perry in some sort of Victorian séance. This is the best new novel I’ve read in years" (
  • Daily Telegraph
  • ).

Customer Reviews

Rating Breakdown

★★★★★
30%
(4.3K)
★★★★
25%
(3.6K)
★★★
15%
(2.1K)
★★
7%
(999)
23%
(3.3K)

Most Helpful Reviews

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Not what I expected but still good.

No spoilers in this review. OK, so I was sooooo excited to get this book and I am a bit disappointed. But it isn't because it is a poorly written book. It is a good book, good writing, good characters -- it is just that the book jacket description does not match the book hardly at all. You need to know this so that you are not disappointed as I was. The book jacket makes the book sound like it is about a little village in Ireland where people are dying or missing and it is blamed on a mythical/historical sea serpent. A natural scientist, a woman named Cora, goes to the village to investigate. This is all somewhat true of the story, but the sea serpent part is really a background story and does not dominate the narrative at all. It's almost a second thought. If I could completely ignore the book jacket description, I would say that this book is about Cora, a female scientist in late 1800s London, and her relationships with men, her unhappy marriage, her lovers, her difficulties in relating to her odd son, her hopes and dreams. The story is more about relationships, love and loss, friendships, and less so about women's dreams during this time period. A great deal of the dialogue is about religion vs science but it is only lightly worked. There were not many scary parts, only tiny bits and pieces scattered here and there throughout the book. The characters are well defined and interesting, though I needed to keep a notebook with names and notes at first to keep them straight. I rarely like to have more than 4 characters in a book and this had several to keep track of. The situations were believable. I only want to point out that if you are looking for something a bit more magical, a bit more along the lines of cryptozoology with the possibility of a sea serpent or a tracking down of a sociopathic killer in a small Irish village, you will not find that here. The book jacket is misleading, which is not the fault of the author. It is however a wonderfully written and interesting book and I do recommend it to those who enjoy stories with interesting characters, especially of women who are challenging societal roles.
562 people found this helpful
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Much more than just a story about a sea serpent

This is a most unusual novel, and a very good one. Set in the Essex county in England, in about 1893, it provides an interesting view of late Victorian life and mores. The author is a native of this area and seems to have a real "feel" for it. The overall setting of the novel involves the strong beliefs of Essex inhabitants that a giant sea serpent is preying upon them, though direct proof is somewhat lacking. So one theme is how group psychology, much like the Salem witchcraft trials, can grip a local rustic community even though such beliefs are contrary to fact.

Another dimension involves the differing perspectives of well-off, educated Londoners v. the classic rural villagers whose way of life has changed little over centuries. The central character, Cora, while refined is also interested in Darwin, evolutionary theory, and hunting fossils. Having just read and reviewed "Darwin's Women" I was not surprised as to this aspect since I had learned that a great many women had helped Darwin by doing the legwork necessary to collect the specimens and fossils upon which his work was in part based. Placed in the environment of Aldwinter village, Cora encounters the local, classic British parson with his flock--much better educated than was typical but yet devoted to religious concepts. The two go at it on several themes which illustrates this transition that occurred in England in the late 19th century., as evolution ran up against established religious and social norms. Cora believes the serpent may simply be a "living fossil"; the parson believes it just hysteria which should be dismissed, even though his flock disagrees.

Another interesting dimension involves several characters who are involved in improving impoverished living conditions in London, but with little success. Also present is a most interesting surgeon who has inventive ideas about heart surgery which the local medical authorities are most reluctant for him to undertake. I was surprised a bit at this since much medical progress in reality had been made during this period, the Wellcome Hospital being just one example. The success of his techniques only brings him tragedy.

The title suggests another major theme--sort of a scary monster story or is it? The author resolves the mystery not once but twice, and does so in a most inventive way. In the end, all these issues seem to settle down, though Cora for all her perception and intellectual resources remains a widow, though a fulfilled one. The author's style is most seductive and the novel really draws the reader in and demands continued turning of its 418 pages. I read that the author had become seriously ill recently and may not write any more novels. This is a tragedy for her and a great loss for us if no further works emerge from her. So read this unique and innovative novel and enjoy her while you can.
80 people found this helpful
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An Astonishing Novel

The Essex Serpent is everything you could want from a reading experience. The characters, especially Cora and Will, are drawn with such heart that they will live on in your dreams. The atmosphere of 1877 England is drawn at a moment of scientific discovery and wavering religious faith. Sarah Perry repays a close reading with sentences and passages that leap off the page, stopping you in your tracks and reaching for something to write on. And of course the whole notion of writing as expression and reflection comes out as the heart of this well-written, astonishing novel.
42 people found this helpful
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No purpose to this book!

Amazon suggested this as a great "MYSTERY GENRE" book, along with Magpie Murders- which I liked, and Midnight at the Bright Ideas Book Store- which I have not yet read. SO, I bought all three books in the hard cover editions based upon the recommendation. Reading this book I would have rated it a solid three stars. But as it slogged along page after page, it went down to two stars and then one star. At least one hundred pages could have been cut from the book. Not Jane Austen, but not anything else either. Do not waste your time. Do not waste your money.
21 people found this helpful
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For fans of Victorian and gothic literature

The Essex Serpent is a stunning modern achievement in Victorian-era gothic literature—an intellectually stimulating merging of naturalism, religion, skepticism, faith and mortality.

Victorian literature admittedly isn't my thing, so it took me a while to warm up to it and grow accustomed to the style. Perry's writing, however, is nothing short of exquisite. There are some damn fine sentences within these pages.

And the characters are fascinating. At the center of the novel is the companionship between Cora Seaborne, a fiercely independent young widow influenced by the writing of Darwin; and William Ransome, a clergyman at a church in rural Essex. They are brought together by rumors of a mystical sea creature lurking in the waters of Essex, and each has a very different opinion about its origin.

The relationship that develops between Cora and Will is written with such depth and complexity. It's clear that they are intellectual equals in spite of their differences—probably even soulmates—but Will has a sick wife and three children to whom he is loyal. There's nothing typical about this situation though. A lesser novel would be bogged down by themes of jealousy and betrayal, but there's nothing like that here. In fact Cora and Will's wife, Stella, have a genuine and tender friendship of their own.

There are several other supporting characters, as well, and herein lies my major complaint with this book: there are a lot of them. While each character has his or her own place within the narrative, I often found myself distracted by sub-plots that felt unnecessary. With a dynamic as captivating as Cora and Will's, it's almost a disservice to abandon it for the other storylines.

This was a slow read for me—it took me days longer than a book of this size normally would because it demands attentive focus to every word. This isn't a bad thing, merely an observation.

Upon reaching the final chapters, it became clear to me that Cora and Will both will stick with me for quite some time. There's a melancholy beauty to this book that really speaks to me.
18 people found this helpful
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Rather boring

(Please note that I do not write a review unless I have finished reading the book in question. So there is a list of attempted half reads that have never been reviewed.)
Awards, accolades, a recommendation from a book store manager in London and a good title and apparent interesting story lead me to read THE ESSEX SERPENT. I can see how many have been drawn to this book of historical fiction and that many of you will enjoy it too. But I found it mostly boring with long winded rather pretentious sentences. Like this for example, “They delighted in each other then as they had from the first, without thinking it indecent to smile so much and laugh so readily, while sinking in her blue silk cushions Stella raised a scrap of cotton to her mouth and withdrew it flecked with blood, and in Colchester Luke Garrett felt himself adrift.”
I sensed my growing disappointment with this novel in the first chapter which is set in 1895 and introduces the writing style of very long and wordy descriptions, of this and that, all to set up the main character the newly widowed Cora. She hears news that a Serpent has been seen in the waters near Essex and leaves London to go there with a friend in hopes of discovering evidence of the Serpent’s existence that she hopes she can put in a museum. She spurns the surgeon who could not save her husband only to meet a married Vicar who has the most understanding wife in the history of literature. The main story is the growing relationship of Cora and Will, the Vicar. In addition there are many numerous minor characters and their stories add to the book length and in many ways distract from the main characters. But then the main characters are not really that compelling, especially the Vicar Will. This might be because there is not much of a plot… a story here… once you figure out the serpent is just a metaphor for belief vs faith, science vs religion.
Apparently many of the ideas for the book come from actual events in Essex’s past. There was an earthquake and apparent sightings of a Serpent which gave Perry some of her ideas for the books theme. I liked the use of the Serpent in the story.
It is said Sarah Perry set about writing the book in a Victorian English style as if it had been written in 1895. This she may well have accomplished. For me there is a reason novels are not written in this style any more as they offer up to many words in support of too little story or entertainment. Not my cups of tea sort of speak and that impacted my rating of the book. If that idea interests you do give the book a try and if you can make it through the first couple of chapters you will get the end and then decide for yourself.
11 people found this helpful
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0/10

About 14 pages in, I looked too see how many pages where in the book. It felt like I was counting down the days till I was freed from a jail. At page 18 I decided too just skim the book, I wouldn’t have even done that but it was for a book club and I wanted to know what was going on. I just couldn’t get into it. It was very boring and dry. If I could give it zero star, I would.
10 people found this helpful
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I have been trying to read this book since I ...

I have been trying to read this book since I got it. UGH.
I thought maybe I just need to be alone in a quiet room to get into it, but nope. Tried it and still nothing.
I couldn't get into the characters. The story got to a stand still, then went backwards. I think I fell asleep while reading it was SO boring and drooled.
Actually, now that I'm thinking about it, it's an awful book. I'm selling my copy on EBAY.
10 people found this helpful
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A Masterpiece of Prose and Plot

It is with great excitement and enthusiasm I write this review in praise of Sarah Perry's new novel, "The Essex Serpent"! This is Ms. Perry's first novel to be published in the US and what a treat for American readers who enjoy Victorian literature.

But fear not, if "Victorian" has the reputation of being unnecessarily flowery, lengthy in descriptions, and cast with too many characters to keep straight: that is decidedly NOT the case here. Perry's prose is elegant, witty, and accessible and her cast of characters is manageable, and they will steal your heart. The main characters are:

Cora, newly widowed, come to Essex to fossil-hunt a la Mary Anning.
Martha, Cora's companion and "nanny" to Francis, Cora's autistic son.
Will and Stella: Will is a rural Vicar in Essex and Stella is his lovely wife.
Luke, a brilliant London surgeon in love with Cora.
Spencer,  a rich doctor and friend of Luke's who is in love with Martha.

A wonderful and charming supporting cast include Will and Stella's children, and an older couple of high regard from London. And of course the townspeople of Essex who believe a mythical leviathan called the "Essex Serpent" has return to menace 300 years after its first "sighting".

Perry's plot and prose are as straightforward as they are beautiful. The action of the novel occurs in the space of less than a year, yet so much happens. While the serpent plays into the plot and provides mood, mystery, and suspense, the actual meat of the novel is the exploration of the push and pull of opposites:

Love versus loathing
Science/reason versus religion/myth
Rich versus poor
Pain versus pleasure
Marriage versus independence
Disease versus health

Set during the end of the 19th century as major changes in scientific discovery, and social reforms are occurring rapidly, "The Essex Serpent" is no less germane to issues we face today.

I also want to mention two things; first, Francis' autism is thoughtfully and respectfully threaded through the tale and enhances his character and Cora's. Secondly, the correspondence among the characters, so true to the style and means of correspondence of the era, is wonderful to behold; the letters are articulate, witty, and seemingly effortless. They can't help bring to comparison our own era of communication via email and text, which certainly suffer in comparison.

There is much more to praise and discuss (this would make a terrific Book Club selection) but I will end with a high recommendation and a hope that "The Essex Serpent" will one day be brought to film or television...if only so that I can behold Stella's "Blue Bower".
10 people found this helpful
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No Ordinary Novel

An exceptionally well-written ten-star novel. I read the book carefully so that I could enjoy and appreciate everything the author had to say. It was worth the extra time and care. The book is filled with sensitive and thought-provoking ideas, beautiful sentences, and I think it should be read not just once or twice, but multiple times. When I came to the end, I was so pleased that she did not disappoint. Sarah Perry is a creative and very special author, and I hope she writes many more books. When I was not quite halfway finished, I began wondering about all the elements in her book. Where was it going? Then I went to bed, dreamed about it, and woke up with a better understanding of what she was doing, how she was telling her story, and I was so impressed with her technique. I do agree with another reviewer that some of the book cover comments were misleading. For example, I’ve read and reread most of Dickens’ novels, but did not think her writing style was similar. Sarah Perry’s writing style is her own, and it is amazing.
9 people found this helpful