bestselling author Michael Gruber, a member of "the elite ranks of those who can both chill the blood and challenge the mind" (
The Denver Post
), delivers a taut, multilayered, riveting novel of suspense
Somewhere in Pakistan, Sonia Laghari and eight fellow members of a symposium on peace are being held captive by armed terrorists. Sonia, a deeply religious woman as well as a Jungian psychologist, has become the de facto leader of the kidnapped group. While her son Theo, an ex-Delta soldier, uses his military connections to find and free the victims, Sonia tries to keep them all alive by working her way into the kidnappers' psyches and interpreting their dreams. With her knowledge of their language, her familiarity with their religion, and her Jungian training, Sonia confounds her captors with her insights and beliefs. Meanwhile, when the kidnappers decide to kill their captives, one by one, in retaliation for perceived crimes against their country, Theo races against the clock to try and save their lives.
Customer Reviews
Rating Breakdown
★★★★★
30%
(107)
★★★★
25%
(89)
★★★
15%
(54)
★★
7%
(25)
★
23%
(82)
Most Helpful Reviews
★★★★★
5.0
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the family that prays together
Michael Gruber's The Good Son is simply an outstanding political thriller.
The plot itself is hard to compress into a simple paragraph; other reviewers will do that for you anyhow. Suffice to say that a conference with a theme of bringing peace to the Pakistani/Afghan/Kashmir area, viewed by its attendees through the prism of psychotherapy and psychology rather than straight politics, is hijacked by one of the multiple factions of jihadis infesting the area. Sonia Laghari, a highly unconventional woman with a highly unconventional family, is one of those abducted, and her son, Theo, one-time muj fighting against the Russians in Afghanistan in the 80s, and now killer commando doing black ops for the US Army, decides he must rescue her.
However, that's the least of it. Additional characters include the extended Pakistani family, ranging from 'businessman' of a certain sort to corrupt ISI leaders, fanatical jihadis and loving family men; the jihadi captors in their various factions, as well as the villagers living around them; and, in Washington DC, operatives from the CIA and NSA who are involved to a greater or lesser degree in the kidnapping and/or trying to prevent a nuclear disaster. Each of the characters is superbly drawn, vivid and fleshed out, fully believeable and outfitted with real and conflicting motivations. The story is masterfully told.
The three major plot lines develop more or less simultaneously, each told from a different POV. Sonia works through a combination of Sufi wisdom and self-control, and Jungian psychological insight and dream interpretation, to get under the skin and into the heads of the jihadis, while keeping the group of hostages from disintegrating, as the muj start cutting off heads. Theo gives us a great deal of back history while organizing a rogue rescue mission. Cynthia Lam, an NSA language specialist, is picking up on conflicting information from cell phones in Pakistan which seem to indicate a potential nightmare scenario; what should she do about this, in an environment where her superiors seem to have a pre-existing bias to a certain explanation over her own interpretations?
Gruber handles each aspect of the story brilliantly, particularly Sonia's extremely delicate role in dealing with her Muslim captors. We get poetry, Jung, intelligence, hostage negotiations, factional infighting, and theological discussions, all of it well presented. The underlying theme of attitudes of the local Muslims to God, women, religion, foreign presence in their lives, is all there, balanced and nuanced. The attitude and modus operandi of the Americans is presented as well, unfortunately all too realistically.
I cannot say enough about how well-written, thoughtful, complete and engrossing novel. It is sensitive, highly intelligent, insightful, complex, and thoroughly enjoyable.
77 people found this helpful
★★★★★
4.0
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ALL PRAISE IS DUE TO MICHAEL GRUBER
Some of you may already know Michael Gruber's unusual history as a writer. His first cousin, Robert K. Tanenbaum, asked him to ghost-write a legal thriller based on Tanenbaum's experiences as a prosecuting attorney. They split the royalties, but Tanenbaum was listed as sole author and got all the credit except for a fulsome acknowledgement ("All praise is due Michael Gruber...") at the beginning of each book. Their first book "No Lesser Plea" was so successful that "they" followed it with 13 or 14 more of the now famous Butch Karp/Marlene Ciampi exploits. As a part of their arrangement, Gruber was not to reveal his role as ghost-writer. Eventually Gruber apparently tired of not being able to answer such innocent inquiries as "And what do you do?" and started to spill the beans. When Tanenbaum found out, he fired his cousin, hired a new, much inferior ghost-writer, and Gruber began his career as a novelist in his own right and with his own name on the cover.
Gruber should thank his cousin for firing him as it pushed him to further reveal a talent that I regard as genius. In the legal thrillers, Gruber had demonstated a remarkable ability to understand and get inside sub-cultures, in this case the sub-cultures of the New York District Attorney's Office and various criminal networks. In his own novels he has expanded this talent to portray credibly everything from Cuban Santeria cults to Siberian tribal groups. In "The Good Son" this unique talent is on conspicuous display as we are invited inside the various cultures of Pashtun, Punjabi, CIA, jihadi, and a few other groups. It is truly an amazing tour de force. I know of no other writer who could pull this off.
As other reviewers have mentioned, the novel has three intertwined stories, each with an eloborate back story: Sonia who is kidnapped by jihadis along with her peace-seeking group; Theo, her son, who mounts a rogue operation to free her; and Cynthia, the CIA operative that gets wind of Theo's plan. Each of the three stories is fascinating in itself, but the connection among the three doesn't always come off perfectly. All we really get to see of Theo's elaborate plot is Theo's heroic actions and Cynthia being harshly sidelined. If the rest of the hostages are also rescued, it happens off stage. Also, the denoument or after-story is anticlimactic. We see Theo's work as an employee of his uncle but learn very little about what happens to Sonia. There is a hint when Theo meets Cynthia at the end but not more.
Despite these shortcomings, I have to say I loved the book. Anytime I can learn some history, sociology, politics, and cultural anthropology along with a gripping thriller, I feel like I have gotten my money's worth and then some. I echo Robert K. Tanenbaum's acknowledgement: All praise is due to Michael Gruber.
28 people found this helpful
★★★★★
3.0
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The Usual Unusual People
I have enjoyed Michael Gruber's psychological thrillers in the past, such as [[ASIN:B002WTCAAA TROPIC OF NIGHT]] and [[ASIN:0061456578 THE BOOK OF AIR AND SHADOWS]]. They come nearer to the straight novel than most thrillers, in the relative complexity of their characters and their unusual settings. With THE GOOD SON, however, Gruber enters Clancy or Ludlum territory, with a novel that is more frankly political and of the moment. In a sentence: Sonia Laghari, an American married to a Pakistani, gets taken hostage by militants in Pakistan, and her son Theo uses his special forces skills to rescue her. The book may well have wide appeal; it is certainly long and detailed; but I personally have less taste for this genre.
One of Gruber's trademarks is to give his characters back-stories of amazing complexity; all of them are highly unusual people, but their unusualness itself becomes something of a cliché. Here, I'm afraid, he comes close to parodying himself. Sonia, it is revealed quite early on, grew up in a circus and trained as a magician. Penniless when she met her husband, she is barely accepted by his rich family, and eventually escapes, disguising herself as a boy (complete with prosthetic manhood) and entering the forbidden city of Mecca, later writing a book about her experiences. Later still, she studies to be a Jungian psychologist in Zurich, gaining skills which she will use in holding off and confusing her captors. While barely out of his childhood, her son Theo established a reputation as a boy warrior among Pashtun tribesmen, and now serves in a US army unit so secret that it does not even have a name. And Gruber is not exactly subtle with his exposition. There is one sequence when Theo takes a woman home after a fine dinner. "So spit it out, Buster!" she says. "You were born in Pakistan. And then what?" So Theo tells her for thirteen densely written pages, with the result that "She seemed to have been aroused by my story, and I felt myself riding on her excitement, drowning the guilt."
For all the obviousness of his narrative machinery, there are things that Gruber does extremely well. Sonia, for example, confounds her captors with a deeper knowledge of Islamic law and practice than they have themselves. It is clear that the author has done much research, and all his major characters really know what they are talking about. Those who read only for the action may find that this slows the pace unbearably. But for many readers, this depth of understanding may be the entire point.
25 people found this helpful
★★★★★
1.0
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Ridiculous!
Sometimes you pick up a book and have doubts about it from the start, but stick with it thinking that it must get better. Well this one continued the slide from bad to just plain silly. The plot was totally ridiculous and unbelievable - a Jungian analyst who is kidnapped by terrorists and is secretly working for the CIA; her son, a former mujaheddin who works in U.S. Special Forces; his blood brother, a nuclear physicist who has put together suitcase bombs to destroy Arab oil facilities. The dialogue is very stilted. This one was written to help pay the mortgage.
9 people found this helpful
★★★★★
4.0
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a ripped from the headlines feel, strong characterizations, complex plotting and a unique look at the Muslin jihad
The Good Son is a different kind of international spy thriller - intelligent, thoughtful, with a complex plot and interesting well developed characters. There are actually three intertwined story lines that come together at the end of the book. Theo Bailey is a US army Special Forces fighter who has been wounded in Afghanistan by friendly fire. He is the son of a Pashtu father and a Polish American mother. He was raised as a Pashtu and while still quite young participated in the jihad against the Russians. As a teenager he is taken to the US and becomes an American citizen. While recuperating from his wounds his mother is captured by terrorists in Afghanistan. He develops plans to free her from the terrorists. In a separate thread we are told his mother's story. Sonia is a former circus performer who has married a wealthy Pakistani and is also a trained Jungian psychologist. Her two daughters are murdered by terrorists in the 1980s. She is kidnapped while leading a peace conference in Afghanistan. In the third thread we meet Cynthia Lam, an analyst at the National Security Agency charged with monitoring intercepts from South Asia. The events surrounding the attempts to release Sonia and the other hostages bring together the stories of Theo, Sonia and Cynthia.
I know I have not distilled this plot well in my description but the first half of the book where the characters are introduced is a really good read. The detail that the author provides relating to the Afghani and Pakistani culture enriches this story. Descriptions of the food, the family and clan life and the different sects of the Muslin religion were educational and enjoyable to read. The author makes a real effort to illustrate the differences between Western culture and the Muslin tradition. For this most part this works.
As I write this review I can see how wild this plot seems but let me tell you it worked for me right up until the last few chapters. The author was so skilled and the story presentation so strong that I was sure the ending would life up to my expectations. Sadly not true. So many implausible things happen in the last 50 pages I was stunned. Not only were the events contrived, major characters acted totally out of character.
So, I still recommend this book despite the end. It has a ripped from the headlines feel, strong characterizations, complex plotting and a unique look at the Muslin jihad.
6 people found this helpful
★★★★★
1.0
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Tedious
When ever Gruber injected the character's back stories, the book suffered. The momentum of the chase, the thrill, the espionage was lost. Those lengthy passages slowed the book way down to a crawl. I found myself racing through them to get back to the current story and then I finally gave up. Reading this book was too much work and not enough pleasure.
6 people found this helpful
★★★★★
3.0
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Readable, but Gruber's Worst
One of the things I like about Michael Gruber is that he's a real cultural and religious relativist, a guy who believes that the path to understanding and power leads through the study of just about any established belief system. I think he feels that it's the sincerity and intensity of your study that counts, not so much what you're studying. The problem is that in his desire to explain these different religious, scientific and psychological belief systems he uses his characters to lecture the reader. In this novel one of his co-main characters blabs on for page after page, pontificating about the shallowness of American culture, the theory of Jungian dream interpretation, the war on terror etc. (none of which I particularly disagree with, by the way). She has an opinion on everything and makes idiots of everyone questioning or dialoging with her. There is also a three or four page death declaration by another character that might as well be labeled "Gruber's theory on Islam". He's fallen into this habit before - with Marlene in his ghost writing days, and with Jimmy Paz's mother more recently, but never to this extent.
The plot is okay, and he does his usual expert job of weaving together three stories, one in third person past tense, one in third person present, and the other in first person past. As usual there are some interesting surprises at the end and some riveting action scenes.
I read this on the Kindle and there are quite a few formatting errors, which is pretty egregious for a book costing over the $9.99 usual price.
So, as a reader who has given five stars to his other books, I have to go three here - and a low three, I have to say.
6 people found this helpful
★★★★★
2.0
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Disappointed By This Book
This was my first Michael Gruber book, but I had heard so much about his other novels that I was excited to read this one. As you can see, everyone has written glowing reviews of the book, so when I finally began reading it I was confused as to what others saw that I must have missed.
To begin with, the back story (which by the way is half the book) is unrealistic and ridiculous. All of the major characters coincidentally have a history that probably would never happen in reality. But literature has a fine tradition of fantastical backgrounds for characters, so I accepted this leap of faith.
What I could not accept was the flat dialogue and very predictable ending (which I will not give away). I did like how the point-of-view alternated between first-person and third-person, but the actual dialogue was strained. I did not feel moved, compelled, or even interested in things the characters were saying; in fact in parts I found myself skimming just to keep going. The settings for the story were fairly well detailed without taking away from the plot but having enough description so you saw how it related to the story.
I did however predict the ending about halfway through the novel, and the added twist was very lame. When I shared the twist with my wife, she laughed out loud. It's hard to explain without ruining the book, but I felt the author could have done a much better job tying up the loose strands; what we get instead seems like a rushed ending with very little real thought put into it.
As I said, this was my first Gruber novel, and I am so disappointed in it I doubt I will read another. It is a decent read that for the most part kept my attention (hence the two star rating) but I would not recommend it to anyone else to read.
5 people found this helpful
★★★★★
2.0
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Disappointed By This Book
This was my first Michael Gruber book, but I had heard so much about his other novels that I was excited to read this one. As you can see, everyone has written glowing reviews of the book, so when I finally began reading it I was confused as to what others saw that I must have missed.
To begin with, the back story (which by the way is half the book) is unrealistic and ridiculous. All of the major characters coincidentally have a history that probably would never happen in reality. But literature has a fine tradition of fantastical backgrounds for characters, so I accepted this leap of faith.
What I could not accept was the flat dialogue and very predictable ending (which I will not give away). I did like how the point-of-view alternated between first-person and third-person, but the actual dialogue was strained. I did not feel moved, compelled, or even interested in things the characters were saying; in fact in parts I found myself skimming just to keep going. The settings for the story were fairly well detailed without taking away from the plot but having enough description so you saw how it related to the story.
I did however predict the ending about halfway through the novel, and the added twist was very lame. When I shared the twist with my wife, she laughed out loud. It's hard to explain without ruining the book, but I felt the author could have done a much better job tying up the loose strands; what we get instead seems like a rushed ending with very little real thought put into it.
As I said, this was my first Gruber novel, and I am so disappointed in it I doubt I will read another. It is a decent read that for the most part kept my attention (hence the two star rating) but I would not recommend it to anyone else to read.
5 people found this helpful
★★★★★
4.0
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Not quite the tour de force that the Jimmy Paz series was
Don't get me wrong... The Good Son was a ripping yarn, but it did seem a little heavy on the Sherlock Holmes factor--you know, where it is revealed that the mystery is half-solved because Holmes just happens to be an expert on [West Indian tobacco ashes/the clays and loams of Hertfordshire/the distinctive marks of every profession left on the fingertips and kneecaps/name your improbable field].
Nonetheless, Gruber is a great stylist and has the true ear for dialog that so many writers of thriller lack. I don't think he could turn out a real stinker. 3.5 stars, and rounded up.