The Lost Daughter: A Novel
The Lost Daughter: A Novel book cover

The Lost Daughter: A Novel

Paperback – February 1, 2022

Price
$11.89
Format
Paperback
Pages
144
Publisher
Europa Editions
Publication Date
ISBN-13
978-1609457693
Dimensions
5.25 x 0.5 x 8.25 inches
Weight
5.6 ounces

Description

Praise for The Lost Daughter "Elena Ferrante will blow you away."— Alice Sebold, author of The Lovely Bones "Ferrante can do a woman's interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt." — Booklist "Ferrante has blown the lid off tempestuous parent-child relations."— The Seattle Times "So refined, almost translucent, that it seems about to float away. In the end this piercing novel is not so easily dislodged from the memory."— The Boston Globe "Ferrante's prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret."— Publishers Weekly " The Lost Daughter is a resounding success...It is delicate yet daring, precise yet evanescent: it hurts like a cut, and cures like balm." — La Repubblica " The Lost Daughter is a novel about the female condition: the conflicts that can emerge in the sphere of marriage, the extinction of love and passion, the difficult relationships with children, which both obstruct and assist the free expression of one's feelings and the growth towards maturity.” — La Stampa Praise for Elena Ferrante “Elena Ferrante’s decision to remain biographically unavailable is her greatest gift to readers, and maybe her boldest creative gesture.”— David Kurnick, Public Books “Everyone should read anything with Ferrante’s name on it.”— Eugenia Williamson, The Boston Globe “Ferrante has written about female identity with a heft and sharpness unmatched by anyone since Doris Lessing.”— Elizabeth Lowry, The Wall Street Journal “Ferrante has become Italy’s best known writer. In our era of social media accessibility, shameless self-promotion, and hot young celebrity culture, this is nothing short of astounding.”— Gina Frangello, Electric Literature “Ferrante’s writing seems to say something that hasn’t been said before—it isn’t easy to specify what this is—in a way so compelling its readers forget where they are, abandon friends and disdain sleep.”— Joanna Biggs, The London Review of Books “To disagree over the quality of a Ferrante passage is often to run up against what you cannot answer or digest.”— Jedediah Purdy, The Los Angeles Review of Books Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), Troubling Love (Europa, 2006), and The Lost Daughter (Europa, 2008), nowxa0a film directed by Maggie Gyllenhaal and starring Olivia Colman, Dakota Johnson, and Paul Mescal. She is also the author of Incidental Inventions (Europa, 2019), illustrated by Andrea Ucini, Frantumaglia: A Writer’s Journey (Europa, 2016) and a children’s picture book illustrated by Mara Cerri, The Beach at Night (Europa, 2016). The four volumes known as the “Neapolitan quartet” ( My Brilliant Friend , The Story of a New Name , Those Who Leave and Those Who Stay , and The Story of the Lost Child ) were published by Europa Editions in English between 2012 and 2015. My Brilliant Friend , the HBO series directed by Saverio Costanzo, premiered in 2018. Ferrante’s most recent novel, the New York Times bestselling The Lying Life of Adults , was published in 2020 by Europa Editions. Ann Goldstein has translated all of Elena Ferrante’s books, including the New York Times bestseller, The Lying Life of Adults , and the international bestseller, My Brilliant Friend . She has been honored with a Guggenheim Fellowship and is the recipient of the PEN Renato Poggioli Translation Award. She lives in New York.

Features & Highlights

  • NOW A MOTION PICTURE NOMINATED FOR THREE OSCARS—Best Actress, Best Supporting Actress, Best Adapted Screenplay—Directed by Maggie Gyllenhaal and starring Olivia Colman, Jesse Buckley, Paul Mescal, and Dakota JohnsonAnother penetrating Neapolitan story from
  • New York Times
  • best-selling author of
  • My Brilliant Friend
  • and
  • The Lying Life of Adults
  • Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” novel by the author of the
  • New York Times
  • –bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series (
  • Publishers Weekly
  • ).
  • “Although much of the drama takes place in [Leda’s] head, Ferrante’s gift for psychological horror renders it immediate and visceral.”
  • The New Yorker
  • “Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.”
  • Publishers Weekly

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.5K)
★★★★
20%
(981)
★★★
15%
(735)
★★
7%
(343)
28%
(1.4K)

Most Helpful Reviews

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Anti-climactic

I read this book specifically because I was intrigued at the idea of a story about a mother who sort of lacked the expected bond with her children. I went in with an open mind wanting o understand her more. Maybe it’s me but I don’t understand what the author wants the reader to take away from the story. This protagonist was generally unlikable and the main conflict of the story actually had nothing to do with her family itself. She did something really selfish and pointless. The end left a lot to be desired. Overall an interesting read, but don’t expect to walk away with anything.
2 people found this helpful
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It’s not a happy read

I was looking for a light read. This was a serious and not particularly pleasant book for me. Not my cup of tea.
1 people found this helpful
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Awful , unlikable and unrelatable characters

I keep waiting to care about anyone in this novel, and I never did. Waste of time
1 people found this helpful
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Don’t bother

Mi sister the Italian teacher said the translation into English is clunky and awkward. I dismissed her comments and figured that as I cannot understand Italian that it wouldn’t matter to me….boy was I wrong. Leda is a complicated person. She is not a sympathetic character either. I don’t understand why she involved herself with Nina. Save your $$$
1 people found this helpful
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There was nothing redeemable about the main character or her story

I finally forced myself to finish this novella just to be sure I wasn't missing something brilliant at the end. Nope, it was painfully dull throughout. The plot was almost nonexistent outside of Leda's obsessive self-fulfilled navel-gazing and her intense voyeuristic criticism of other people. Even the big external conflict (a stolen doll) is so cringeworthy as a plot device. Really? This is the author's/narrator's vehicle of introspection? This specific protagonist isn't just boring, she's whiny, resentful, abusive, superficial, and fairly remorseless about abandoning her daughters for three years. She only went back to them hoping to redeem motherhood as an "accomplishment." She doesn't seem to care about either of them, not really. That's a cynical take on motherhood if I ever saw one. Perhaps that's the point, that some parents resent their kids, sure, to the point of abuse and neglect. But resenting other people's kids, too? That veers towards antisocial behavior and makes Leda even less sympathetic. The stolen doll makes no sense to Leda, the 'person' who did it, so you can imagine how lost we are as readers.

There was nothing redeemable about this character or story. I'm sorely disappointed in this novella so I won't be reading the author's other books.
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I loved every minute of it. Dark Ferrante. Not for those who love a white picket fence life.

A vacation at a blissful Italian beach under the sun seems an unlikely setting for a dark, psychological tale of familial abuse and wrestling with your inner demons. Still, Elena Ferrante excels in The Lost Daughter at pulling back the curtains on comforting ideas to expose darkness lurking underneath. This is a gripping look at the dark side of motherhood, with a portent plot that builds such a tension you feel might tear you to pieces, not unlike the inner tensions that undid the narrator, middle-aged Leda, when she was a young mother. Ferrante looks at how home life and a career can tug someone in opposite directions and strain them emotionally. Still, more importantly, she examines how giving oneself to the care of others might make you feel you are disappearing and suddenly want yourself all back. The Lost Daughter elusively twists through the timeline as it juxtaposes mothers and daughters. Ferrante delivers a dark, gritty, and very psychological exposition about struggling to live up to maternal norms and the abuse we can bestow upon one another.
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Tough but quick read. Relevant!

The book is a bit uncomfortable to read but in a good way, it’s relatable. Quick read. Studied it in a class, lots of subliminal messages and themes.
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Haunting

This novel examines the ambivalent feelings of a mother toward motherhood. It well describes how children can seem like emotional vampires. Olivia mentions her own mother’s bitterness about being a mother, and about how, in moments of stress, she often threatened her children directly that she would leave them. Imagine what that must’ve been like! In Neapolitan culture, as in most cultures, support and empathy for women is in very short supply.
If you’re a woman who expects the Nobel Prize for having children, you will hate this novel. If you would consider the wide disparities of support for women and motherhood, this novel is a revelation. And the ending, an exposure to sociopathic wildness intruding on the structures of reason and rational Olivia employs, is wild. Ambivalent as she is, there’s a kind of safe harbor for her in motherhood, even if she doesn’t love it.
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Wtf did i just read?!

A friend recommended this book to me. I still don’t really know why. I felt very stressed out by this book and even question if it was supposed to be a horror book. I can definitely say it got into my mind but not in a good way and I’m not really sure there is any purpose. The ending was even frustrating for me which made me wonder why I even chose to finish the book. Just an extremely, grossly selfish main character
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A realistic portrait of a woman with children.

This was so well written and conceived. I loved the book and think it is well worth the time to read it.