The Map of Lost Memories: A Novel

Kim Fay on The Map of Lost Memories The Map of Lost Memories holds a special place in my heart. When I was a child, my grandfather lived with my family, and at night he would sit on the side of my bed and tell me stories about his life as a sailor in Asia in the 1930s. Together we would pore over his photos, most of which were of Shanghai and showed an exotic world of rickshaws and sampans against a backdrop of majestic European buildings. As I grew up, my fascination with Asia simmered within me until I graduated from college and made my first trip. I was smitten by the sodden heat, the smell of incense and jasmine down hidden lanes, and the magical combination of foreignness and familiarity. I continued to return to that part of the world until finally I moved to Vietnam. It was there that I read about Andre and Clara Malraux, a French couple who looted a Cambodian temple in the 1920s to raise money for the Communist party. With that, the first glimmer of my novel appeared. In the following years, surrounded by the remnants of French colonialism, I could not stop thinking about the Westerners who came to Asia to claim a piece of it for themselves. I began to research every bit of information available on the history of illicit art collecting at the beginning of the twentieth century. I traveled to Shanghai to trace the stories my grandfather once told me. And I went to Angkor Wat. I had read so much about this temple and thought about it for such a long time, and still its grandeur stunned me. Shaped by all of these experiences and my great passion for Asia, The Map of Lost Memories is both an adventure novel and a time capsule. One of my gramps' photos of Shanghai that inspired The Map of Lost Memories Click here for a larger image An abandoned Khmer temple in the jungles of Cambodia in the 1920s Click here for a larger image A deserted hallway in Cambodia's Angkor Wat temple in the 1920s Click here for a larger image Praise for The Map of Lost Memories "Fay’s exciting and exotic historical adventure set in the 1920s Far East draws easy comparison to Ann Patchett’s State of Wonder . The plot is original, and the characters are smart." —Library Journal “[ The Map of Lost Memories ] has qualities any reader would wish for: adventure, romance, history and a vividly described exotic setting … There is something captivating about this novel. Call it authorial confidence, a sense of place, a splendid technicolor … The Map of Lost Memories has one beautifully met purpose: It brings Cambodia alive.” — The Washington Post "Fay’s extraordinary first novel has everything great historical adventure fiction should—strikingly original setting, exhilarating plot twists, and a near-impossible quest . . . Every word of this evocative literary expedition feels deliberately chosen, each phrase full of meaning." — Booklist , (starred review) "Thrilling and ambitious, this is a book to get lost in, a book that homes in on the human drama of the quest and never lets go. A rich debut." — BookPage "[ The Map of Lost Memories ] is a thrilling mix of adventure and personal discovery set in Southeast Asia in the 1920s . . . Fay crafts an intricate page-turner that will keep readers breathless and guessing." — Publishers Weekly "Fay’s debut is intriguing, beautifully written, colorful and multilayered like a lovely tapestry."— Romantic Times “In The Map of Lost Memories, Kim Fay draws us into a universe as exotic, intense, and historically detailed as the ancient artifacts her unforgettable heroine seeks. It’s a deliciously unexpected journey: Indiana Jones meets Somerset Maugham meets Marguerite Duras; all culminating in a glorious traipse through a forgotten Asian world. This novel will stay with me for a long, long time.”— Jennifer Cody Epstein, author of The Painter from Shanghai “Kim Fay’s engaging debut novel, The Map of Lost Memories, not only weaves together a smart, compelling story of a quest for scrolls believed to contain the lost history of Cambodia’s ancient Khmer Empire, but also gives us a glimpse into 1920’s China and Indochina during the time of transition from colonialism to the beginnings of communism. With deftness and clarity, Fay brings her world to life and gives us a captivating read.”— Gail Tsukiyama, author of A Hundred Flowers “In The Map of Lost Memories , Fay updates the archaeological adventure tale with an ambitious heroine and a cast of morally ambiguous characters in a race to discover an ancient temple in the jungles of colonial Cambodia. Fay's assured, absorbing prose will compel readers with its lush detail, multiple plot twists and keen insight into this politically combustible period of history.” —Aimee Phan, author of The Reeducation of Cherry Truong “Kim Fay breathes new and original life into the Westerner-in-Asia novel with The Map of Lost Memories, going beyond the intrigues of 1925 Shanghai to the remote reaches of the Cambodian jungle. An enchanting, absorbing first novel, all the more remarkable for its effortless portrayal of a bygone world, now nearly forgotten.” —Nicole Mones, author of Lost in Translation “ The Map of Lost Memories is the best book I have read this year. Exotic, thrilling, and brimming with fascinating historical detail, it had me hooked from page one and sent me to a world I knew existed but never really understood, never really felt, until now. Kim Fay is a wonderful storyteller who truly masters the art of crafting a riveting story with heart and elegance. The result is utterly mesmerizing.” —Anne Fortier, author of Juliet “Kim Fay writes with such mesmerizing authority that it’s hard to believe that The Map of Lost Memories is her first novel. Rarely do we find a book that combines gripping adventure with exquisitely crafted prose, but Fay’s novel does just that, bringing together the beauty and complexity of Marguerite Duras’s The Lover with the thrilling breathlessness of Indiana Jones . The result is breathtaking.” —Dana Sachs, author of If You Lived Here Born in Seattle and raised throughout the Pacific Northwest, Kim Fay lived in Vietnam for four years and still travels to Southeast Asia frequently. A former bookseller, she is the author of Communion: A Culinary Journey Through Vietnam, winner of the World Gourmand Cookbook Awards’ Best Asian Cuisine Book in the United States. She is also the creator/editor of a series of guidebooks on Southeast Asia. Fay now lives in Los Angeles. This is her first novel. Excerpt. © Reprinted by permission. All rights reserved. Part 1SHANGHAIFrom its inception as a foreign enclave, Shanghai emerged a free city. New arrivals required neither visa nor passport to enter. To the dispossessed, the ambitious and the criminal, it offered a fresh start. Lady Jellico, who was brought up in the city, recalled, “One never asked why someone had come to Shanghai. It was assumed everybody had something to hide.”harriet sergeant,ShanghaiChapter 1Desperate WeatherAt the far end of the apartment, a row of shutters opened onto a balcony overlooking the swayback roofs of Shanghai. Beyond the low buildings and down a crooked street, the Whangpoo River shushed against the wharves. A heavy, velvet humidity pressed down on this dark belt of water, a perpetual tension that caused a wilted draft, lifting fumes of jasmine and sewage, coal and rotting river weed, into the thick night air.Inside, the small living room was crowded with a dozen overheated journalists and revolutionaries, as well as the usual assortment of eccentrics that congregated at parties in Shanghai in 1925: a Persian opera singer, a White Russian baroness, and a gunrunner of indeterminate nationality. There was a priest bright-eyed on cocaine he had ordered from the room service menu at the Astor House, and Irene Blum recognized the Italian fascist she had seen the night before, parading through the Del Monte with a tiger on a leather leash. Shanghailanders never needed an excuse to gather, but tonight they had one: the return of Roger and Simone Merlin from France, where the couple had gone to raise funds for China’s Communist party.The Merlins were late, and a restlessness that matched Irene’s stirred among the guests. She overheard the Italian fascist complain, “Bloody hot,” prompting the Persian opera singer to declare, “Desperate weather. Did you hear about the Argentine ballerina caught stealing spices in the Chinese market? She wears only Coco Chanel. Every time the peddler turned his back, she dropped another pinch of saffron into her pocket. She swears she doesn’t know why she did it. Insists the heat must have addled her brain.”Irene understood. It was unsettling, the way the heat subverted. She had been in Shanghai only one week, but already, each day around the noon hour, when the sun was high and the city lay exposed, she found herself envisioning the most uncharacteristic acts. Stabbing a rickshaw driver with her penknife, or shoving one of the demure chambermaids down the back stairs of her hotel. Of course she did not act upon these impulses, but their eruption harassed her and caused a heat-stricken feeling of agitation that had reached a new level of intensity tonight. She had not expected to have to wait a week to meet Simone Merlin, and she was wound tight with anticipation. She could not stop watching the door. Unable to concentrate on conversation, she slipped out to the balcony, where she leaned against the railing, plucking the fabric of her dress away from her skin, seeking relief from the muggy room.She was soon joined by Anne Howard. Anne had arranged the party so Irene could meet Simone, and yet she now said, “It’s not too late to change your mind.”“Why are you so against this?” Irene asked.“Darling, I’m looking out for you, that’s all. This is bigger than anything you’ve been involved with before. It’s not a jaunt to Phoenix to find out if you can detect a forged—”“I did detect it. And I saved Mr. Simms a great deal of money on that statue, not to mention the humiliation of being duped by a greasy con man from Arizona.”“I know you did. You’re good at what you do. I’m not denying that. But if the wrong person gets wind of this. If anyone finds out what you’re searching for. And the jungles! Irene, you don’t seem to realize what a different league you’re in with this expedition.”“I’m in the same league I’ve been in for years.” Irene scowled at the woman she thought she knew so well.Nearly sixty, her gray hair cut into a fashionable bob, Anne was the self-appointed head of Shanghai’s outpost of the Brooke Museum in Seattle. She and Irene had worked together from opposite sides of the Pacific Ocean for ten years, ever since the Great War broke out and Irene was given a job at the museum by its curator, Professor Howard, Anne’s former husband. Anne had helped Irene track down missing relics, providing information that could be gathered only in China.A friend of Irene’s mother, Anne had divorced and moved to Shanghai when Irene was five. Each Christmas, she sent Irene a gift: cloisonné rings, silk slippers, a lacquer jewel box that could nestle in the palm of a child’s hand. She was the only woman, after Irene’s mother died, who gave Irene the sorts of things she really wanted. Throughout her youth, Irene read every letter Anne had sent her mother, descriptions of foot binding, imperial traditions, and the older woman’s affair with a Chinese revolutionary who had two wives. She lost herself in this exotic world the way other girls her age escaped into Jane Austen and Louisa May Alcott. As teachers fretfully noted her lack of interest in domestic skills or other female pursuits, the life Anne was living in Shanghai gave Irene hope. It proved that a woman could do anything she liked as long as she did not care what others thought. Every day, with her maps and books and her dreams of lost treasures, Irene practiced not caring.It was difficult, though, not to care about Anne’s opinion. Anne had always encouraged Irene’s dreams, and now she did not want Irene to have this one that mattered most. It made no sense.Irene took a sip of whiskey. Already she felt a little drunk, and this was unusual, since she was from Swedish stock and could generally hold her alcohol. But there was something about the delayed buildup to this moment, combined with the sweltering climate and its intoxicating effect on the body, that made her cautious with her single malt tonight. She said, “I know the risks.”“You’re even more headstrong than I used to be.” Anne went back inside.Irene remained on the balcony, standing apart as she often did at parties, her intense observation hidden behind the Scandinavian coolness of her pale blue eyes. She was twenty-nine, half Anne’s age, and taller than most women, but not so tall as to intimidate men. For this she was grateful, since men, when threatened, even if only by the threat of height, were difficult to manipulate. And manipulation was essential in the world of art trafficking.With her dark blond hair pulled back into a loose chignon, Irene had dressed in an uninterrupted flow of silk that emphasized her slender figure. Fine white Indian embroidery caught the lamplight. This was a gown she had worn often for occasions at the museum, to welcome patrons and collectors. She had been wearing it the night she greeted Rockefeller with a martini, when the Brooke Museum had been her pride. When she had been its pride—or so she had thought. She shook her head. She had to find a way to stop thinking about the museum. She had already wasted too much time on that bitterness. As she lit a cigarette, the warm stones of her carnelian bracelet slipped over the bend of her wrist. She touched them, for luck.When the front door finally opened, Irene heard the Merlins’ names shouted out in greeting. Through the men and women who rose to welcome the couple, she glimpsed damp strands of dark hair. The honey light from an oil lamp reflected off a perspiring brow. Smoke adhered to the air. A chill, seemingly impossible in such oppressive weather, whisked up Irene’s spine.Anne had run out of tumblers, and she descended upon the Merlins with rum sodas in coffee mugs. Drinks were raised in a hearty toast to the French couple whose support was integral to the strikes that were debilitating Shanghai’s European government and empowering the Communist party’s nationalist comrades, the Kuomintang. The Persian opera singer, whose lavender fedora sat askew on her head, giggled drunkenly and slurred, “It’s a miracle you were allowed back into the country.”Clutching her glass, Irene peered past one of the shutters that hung slack against the balcony’s mildewing wall. Anne was pressing her way back out toward Irene, towing Simone Merlin by her sleeve. This was it. The moment Irene had been waiting for. Beneath the apartment in the well of darkness, she could hear the tenor of the city. Children laughed. Water splashed into dishes being washed while a woman mewed a melancholy folk song.Irene had seen Simone in photographs, but details had been hard to make out. In person, the young woman was afflicted with the cadaverous complexion of many Europeans who were raised in the tropics. Her floor-length dress was nearly colorless too, as if she had emerged from a landscape by Turner. Irene could not fathom how someone so washed out and small had the stamina to raid a temple and support a Communist revolution, but the contradiction intrigued her. She had no interest in people who could be summed up in a single sentence.“Ma chérie,” Roger called after Simone from the cluster of his admirers. “Why are you dashing away from me?”Simone did not look back. “There is someone Anne insists I meet.”Roger took a few steps after his wife. He appeared to be in his forties, much older than she. He too was slight in build, but he held his chin arrogantly high, and his stern intellectual’s eyeglasses deflected attention from his insubstantial physique. “Are you sure?” he asked.It was an odd question, and Simone paused at the threshold to the balcony while Roger waited for a response. She stared stoi... Read more