The Mourner: A Parker Novel (Parker Novels)
The Mourner: A Parker Novel (Parker Novels) book cover

The Mourner: A Parker Novel (Parker Novels)

Paperback – April 15, 2009

Price
$14.00
Format
Paperback
Pages
232
Publisher
University of Chicago Press
Publication Date
ISBN-13
978-0226771038
Dimensions
5.25 x 1 x 8 inches
Weight
10 ounces

Description

“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.” -- H. J. Kirchoff ― Globe and Mail Published On: 2009-04-17 “Perhaps this, more than anything else, is what I admire about these novels: the consistent ruthlessness of an unapologetic bastard.xa0 And so if you’re a fan of noir novels and haven’t yet read Richard Stark, you may want to give these books a try.xa0 Who knows?xa0 Parker may just be the son of a bitch you’ve been searching for.” -- John McNally ― Virginia Quarterly Review “Parker is refreshingly amoral, a thief who always gets away with the swag.” -- Stephen King ― Entertainment Weekly “Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.” -- William Grimes ― New York Times “Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude." -- Elmore Leonard“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.” -- John Banville ― Bookforum “Parker is a true treasure. . . . The master thief is back, along with Richard Stark.” -- Marilyn Stasio ― New York Times Book Review “Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.” ― Washington Post “Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.” ― Los Angeles Times “Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.” -- Lawrence Block“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.” -- Anthony Boucher ― New York Times Book Review "Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past." -- Luc Sante ― New York Times Book Review "I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written." -- Terry Teachout ― Commentary "The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it." -- Josef Braun ― Vue Weekly "Whether early or late, the Parker novels are all superlative literary entertainments." -- Terry Teachout ― Weekly Standard “If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter , The Outfit , The Mourner , and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s." ― Christian Science Monitor “Fiercely distracting . . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding.” -- John Hodgman ― "Parade" "...a classic type of crime story...The Parker books meditate with surprising profundity on human desire and attachment at their fantastic extremes..." -- Leonard Cassuto ― Barnes and Noble Review Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.

Features & Highlights

  • The Mourner
  • is a story of convergence—of cultures and of guys with guns. Hot on the trail of a statue stolen from a fifteenth-century French tomb, Parker enters a world of eccentric art collectors, greedy foreign officials, and shady KGB agents. Hired by a shifty dame who has something he needs, Parker will find out just who intends to bury whom—and who he needs to kill to finish the job.

Customer Reviews

Rating Breakdown

★★★★★
30%
(144)
★★★★
25%
(120)
★★★
15%
(72)
★★
7%
(34)
23%
(111)

Most Helpful Reviews

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Parker's Maltese Falcon

One of the things you realize reading these in their University of Chicago "approved classic" editions is that the guy who wrote them was a working stiff trying to find what would sell; so while the character of Parker is fairly constant, the situations hop genres. This one clearly starts out in a mix of Dashiell Hammett and 60s spy movie territory, with a Peter Lorre-esque collector on the trail of a Maltese Falcon-like historical dingus also sought by KGB agents and other grotesque characters, the kind of caper that was typical back then in movies like Topkapi or The Pink Panther. At first that seems a little cheap, but in the end it's interesting to see how Parker functions in that environment-- and the answer is, ten times more unsentimentally than even Sam Spade, since he's not going to fall in love with any dame, or worry about sending one up the river, either. Still, too much of this seems out of place in Parker's world, too movieish for a guy who inhabits a lowlife world of untraceable cars and stagnant small towns, and the convenient use of a genuine piece of standard issue spy equipment to finish off one major character seems cheap and wrong. The next book, The Score, will return Parker to a world he belongs in.
8 people found this helpful
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A DISAPPOINTING AMALGAM OF GREED, SADISM, SEXISM, AND STUPIDITY

THE MOURNER (1963) by Richard Stark (pen name of Donald E. Westlake, 1933-2008) is an "adventure" novel featuring Parker, his series thief, who, in book after book (like Ian Fleming's James Bond), gets into trouble and then gets out of it. Unlike Westlake's wonderful novels KILLY (1963) and BANKSHOT (1972) and his shorter works collected in LEVINE (1984), THE MOURNER is an amalgam of humorless stupidity, greed, cruelty, sexism, and double-crossing—rounded off at the very end with three VERY TINY instances of honor among thieves.

The mourner of the book's title is an antique alabaster statuette that an unscrupulous collector hires Parker and his sidekick Handy to steal for him. The layout of the story is shaped somewhat like an ordinary paperclip, with a "surprise twist" followed by a flashback that leads up to another "surprise twist" that is followed by another flashback. Neither surprise twist would surprise readers who are paying the least bit of attention.

Characterization is minimal. For the two main thieves, it consists of a Hemingway-esque macho taciturnity for Parker (who has zero sex drive prior to a theft but is a "satyr" after completing it) and a bland, talkative amiability for Handy. The other four main characters are Bett Harrow (a heartless nymphomaniac), her rich father (who covets the mourner statuette), Kapor (a Communist official in Washington who owns the mourner), and Menlo (a Communist agent assigned to murder Kapor for padding his expenses).

Along the way, Handy is captured and rescued, Parker and Handy form an alliance with Menlo, Parker and Handy are shot, Parker and Handy recover, and new arrangements are made with Mr. Kapor, Mr. Harrow, and Bett.

SPOILER ALERT—The plan for the robbery is simple: open the back door, walk in, and take the mourner and the money (the "clever" hiding place of the latter has been discovered magically somehow by Kapor's convenient maid). The supreme stupidity on Parker's part (and Handy's) is that, although they are totally certain they will be double-crossed, they do NOT take preventative steps of the most basic sort. The supreme stupidity on their adversary's part is that he grabs the loot but does NOT check either Parker or Handy after shooting them to verify their deaths.

SPOILER ALERT—Relatively minor instances of stupidity are Parker and Handy do not wear gloves during any of the thieving, and Parker puts the hotel key of a dead man into that man's pocket without wiping his own fingerprints off it. Fairly serious stupidity on the part of Richard Stark-Donald Westlake involves his implausible descriptions of Parker's latest gunshot wound and the aftereffects of that wound: Parker receives a superficial flesh-wound that immediately made him fall unconscious for 3 hours ... a flesh-wound to the side of his waist. It also made Parker's arm and hand almost totally numb for a long while.

Speaking from personal experiences, I have had in the past 76 years serious injuries to my right shoulder, my chin, my chest, and my abdomen ... and less serious injuries to my head, my ribs, my collarbone, my knees, and other parts of my body. In my judgment, Parker's flesh-wound is unlikely to have made him unconscious for even a second and would have had no effect on his arms or hands.

A few passages in this book are adequately written, such as the description of the mourner and the dialogue between Parker and Mr. Kapor, but most of this book is a depressingly trite macho fantasy about a pair of greedy sadists and the unscrupulous people they deal with.

If I were giving this novel a letter grade, it would be an "F" (one star).
2 people found this helpful
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Parker not Perfect

The story begins with Parker waking to discover two assailants breaking into his room. As he encounters them he realizes that his friend Handy McKay is in trouble, because only Handy knew where he was sleeping.

The Mourner is a tale of multiple intrigues and heart stopping action. Parker is commissioned by Ralph Harrow, his girlfriend's father, to steal a statuette called a Mourner. In the 15th century a rich potentate commissioned, for his tomb, several statutes each mourning in a different manner. Ralph Harrow discovered one of the Mourners, and requested that Parker steal it for him. Parker agreed to perform the heist of the priceless statue for $50,000.

In "The Mourner" we learn that Parker is not perfect. Parker is the antihero made famous by Richard Stark's series of crime stories where the criminal is the main character. In this novel Parker struggles to accomplish his mission.

{{Spoiler Alert}} During this caper, Parker gets outwitted, shot, and the priceless statue taken from his hands. My first reaction to his trouble was that, since he had been brought into this by his girlfriend, Bett Harrow, maybe she arranged for the double-cross (that subplot occurred in the first novel). Then I remembered that Parker always comes back.

With the super fast action and the many plot twists, The Mourner is my favorite Parker novel. I enjoyed this story and recommend it to all those who like crime mystery.
1 people found this helpful
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The Fourth Parker novel is another Hit!

After a slight lull in action in the last two novels, "the Man with the Getaway Face" and "the Outfit", Richard Stark sets Parker in full throttle mode with this fourth novel in this excellent series, and sets things on the same intensity level as with his first novel, the Hunter.

Picking up the threads from the first chapters of the Outfit, Parker is blackmained into strealing a statue, called the Mourner, from an Eastern European diplomat. Who is blackmailing him? That would be Brett harrow, the woman who stole a gun Parker used to kill an Outfit Hitman (and which still has his finger prints all over it).
This caper brings Parker into contact with the Outfit again as well as the unsavory Auguste Menlo; a Cold War era Communist official with the secret police who also has plans to steal from the same diplomat. Parker and Menlo must work together both knowing they each intend to double cross each other and when the inevitable happens, Parker must find his adversary and dispatch him in the ussual calculated manner.

It is great to see the Parker books back in print, but I must again point out the poor cover graphics on these current printing from the University of Chicago Press.

The design has such a no frills quality about it and the collage images do not even accurately represent the events or objects found in the book. It would be great to see these books receive a more creative and energetic set of covers such as what we've seen from the Hard Case Crime books, or the recent James Bond reprints, but if you want to read these novels you'll have to settle for these early 90's style works.

Great fun and a fast read regardless, pick this one up and enjoy.
1 people found this helpful
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Another classic Parker

We owe a lot to the University of Chicago Press for reprinting the Parker novels.
1 people found this helpful
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Not the best in the series

I've real all the Parker novels, and practically everything else that Donald Westlake wrote. This was not up to the high standards he set. A so-so story that meanders along and finally ends. In this one Parker himself is wooden and not at all likable, which he usually is in a strange way. If you can believe it, he's actually dull. The other Parker stories are more interesting and enjoyable. A rare swing and miss by a genuinely gifted writer.
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Can't top Parker for Crime and action.

I'm working my way thru the Parker series by Starkey and each one is masterful so far. Can't add to that. Parker is the deal and doesn't disappoint. He is a bad guy and won't show up with sudden redeeming qualities that make you think otherwise. That said, you want to see him succeed in all his "jobs"....because he is a master at what he does. The best.
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Five Stars

These Parker novels are all gems. Gems, I tell ya.
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Good book.

Parker is always good.
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another great book by Stark

This is a great series and Parker is a fantastic character. Loved the movie "Parker" and did not think it got enough attention by the distributor.