The Quiet War
The Quiet War book cover

The Quiet War

Paperback – September 22, 2009

Price
$19.99
Format
Paperback
Pages
405
Publisher
Pyr
Publication Date
ISBN-13
978-1591027812
Dimensions
5.38 x 0.86 x 8.32 inches
Weight
1.25 pounds

Description

From Publishers Weekly Starred Review. Shortlisted for this year's Arthur C. Clarke Award, this sweeping interplanetary adventure is also a thoughtful examination of human nature. The few people remaining on feudal 23rd-century Earth are obsessed with repairing the damaged ecosystem, while the near-anarchic Outers, who fled to the solar system's outer worlds, would rather probe the atmosphere of Saturn and grow gardens in vacuum. Earth tries to rein in the Outers with a campaign of intrigue, assassination and sabotage that culminates in bloody carnage. McAuley ( Cowboy Angels ) moves deftly among five well-drawn characters in the thick of the action: a cloned spy, a hotshot pilot, a ruthless scientist, a bluntly independent biological engineer and an unscrupulous diplomat. They all, in different ways, must choose between the familiar and the new, struggling to reconcile conflicting desires. This compelling tale opens vast panoramas while confronting believable people with significant choices. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Paul McAuley's first novel won the Philip K. Dick Award and he has gone on to win almost all of the major awards in the field. For many years a research biologist, he now writes full-time. He lives in London. Visit Paul McAuley online at http://unlikelyworlds.blogspot.com/ Excerpt. © Reprinted by permission. All rights reserved. THE QUIET WAR By PAUL McAULEY Prometheus Books Copyright © 2009 Paul McAuleyAll right reserved. ISBN: 978-1-59102-781-2 Chapter One Every day the boys woke when the lights came on at 0600. They showered and dressed, made their beds and policed the dormitory, endured inspection by one of their lectors. Breakfast was a dollop of maize gruel and a thimble of green tea. They ate quickly, each boy facing one of his brothers across the long table, no sound but the scrape of plastic spoons on plastic bowls. There were fourteen of them, tall and pale and slender as skinned saplings. Blue-eyed. Their naked scalps shone in the cold light as they bent over their scant repast. At two thousand six hundred days old they were fully grown but with traces of adolescent awkwardness yet remaining. They wore grey paper shirts and trousers, plastic sandals. Red numbers were printed on their shirts, front and back. The numbers were not sequential because more than half their original complement had been culled during the early stages of the programme. After breakfast, the boys stood to attention in front of the big screen, flanked by their lectors and the avatars of their instructors. A flag filled the screen edge to edge and top to bottom, a real flag videoed somewhere on Earth, gently rippling as if caught in a draught. Its green light washed over their faces and set sparks in their eyes as they stood straightbacked in two rows, right hands starfished on their chests as they recited the Pledge of Allegiance. The same rituals every morning. The same video. The same flag rippling in exactly the same way. The same scrap of blue visible for half a second in the upper left-hand corner, the blue sky of Earth. One of the boys, Dave #8, looked for that little flash of blue every day. Sometimes he wondered if his brothers looked for it as well, wondered if they too felt a yearning tug for the world they had been created to defend yet could never visit. He never talked about it, not even to his best friend, Dave #27. Things like that, feelings that made you think you might be different from your brothers, you kept to yourself. Difference was a weakness, and every kind of weakness must be suppressed. Even so, at the beginning of every day Dave #8 anticipated the fugitive glimpse of that scrap of Earth's sky, and every time he saw it he felt a flutter of longing in his heart. Their lectors and instructors recited the Pledge of Allegiance, too. Fathers Aldos, Clarke, Ramez and Solomon in their white, rope-girdled habits; the instructors' faces floating in the visors of the man-sized, man-shaped plastic shells of their avatars. On Mondays, Wednesdays and Fridays it was instructors for ecosystem management, engineering, and sociology; the rest of the week it was theory of war, psychology, economics, and Hindi, Japanese, Mandarin, and Russian-the boys were already fluent in English, the lingua franca of the enemy, but some enemy communities still used the languages of the homelands of their ancestors, and so the boys had to learn those, too. The instructors taught theoretical classes in the morning and the lectors taught practical classes in the afternoon and evening. Maintenance and repair of pressure suits, construction and deployment of demons and data miners, vehicle and flight simulators, immersion scenarios that acquainted the boys with every aspect of everyday life in the cities of the enemy. They practised martial arts, bomb-making, and sabotage, and trained with staffs, swords, knives, and every other kind of blunt and bladed weapon. The practise versions were weighted so that they would find the real thing easier to handle. They learned to strip down, repair, and use firearms in all kinds of conditions. In the dark; in a centrifuge that buffeted them in every direction; in extremes of heat and cold and combinations of rain, snow, and high winds in the weather chamber. Sealed in their pressure suits. Underwater. Every tenth day they were led in single file down a long umbilical passage to the cargo bay of a shuttle that took them into orbit. Floating weightless in the padded, windowless tube, where each move had to spring from the body's centre of mass and every blow caused an equal and opposite reaction, they had to learn hand-to-hand combat and use of weapons all over again. The lectors punished every mistake. Father Solomon, who supervised the classes in martial arts, was quickest with the shock stick. Dave #8 and his brothers exhausted themselves in bruising bouts of boxing, capoeira and karate to win his approval, but most of them suffered at least one shock in each and every session. Sometimes the practical classes were visited by an avatar that wore a woman's face. The lectors treated her with a deference they showed no one else and were quick to answer her questions. Usually she said nothing at all, watching the boys work for a few minutes or an hour before her face vanished from the avatar's visor and it marched out of the gymnasium and returned to its rack. The woman's name was Sri Hong-Owen. The boys had long ago concluded that she must be their mother. It didn't matter that she looked nothing like them. After all, they'd been cut to resemble the enemy, treated with the same gene therapies, given the same metabolic tweaks, the same so-called enhancements. But the enemy had been human before they had perverted themselves, so the boys must have started out as human beings, too. And because they were clones, which was why they had numbers and why they were all called Dave (a casual joke by one of the instructors which the boys had incorporated into their private mythology), they must all have the same mother ... Although they had no proof that the woman was their mother, they had faith that she was. And faith was stronger than any mere proof because it came from God rather than the minds of men. She did not visit them often. Once every fifty days or so. The boys felt blessed by her presence, and worked harder and were more cheerful for days afterwards. Otherwise their routine was unvaried, dedicated to the serious business of learning how to kill and destroy. Learning how to make war. In the evenings, after Mass, supper, and the struggle sessions in which the boys took turns to confess their sins and suffer the criticism of their brothers, it was politics. Videos crammed with motion and bright colours and swelling music told stories of courage and sacrifice from the history of Greater Brazil, showed how the enemy had betrayed humanity by sheltering on the Moon during the Overturn, how they had refused to return to Earth and help in its reconstruction but had instead run away to Mars and the moons of Jupiter and Saturn, how a group of Martians had later tried to attack Earth by nudging one of the Trojan asteroids, whose elliptical orbits around the sun crossed the orbit of Earth, into a collision course. The plot had failed, and a suicide mission of righteous heroes had exploded hydrogen bombs over the Martian settlements at Ares Valles and Hellas Planitia, and deflected the trajectory of a comet falling sunwards. The comet had been broken up by more hydrogen bombs and its fragments had stitched a string of huge craters around Mars's equator and wiped every trace of human life from the face of the red planet. But the enemy were plotting still in their nests and lairs on the moons of Jupiter and Saturn; were actively engaged in elaborating the greatest crime in the history of mankind by the anti-evolutionary engineering of their genomes. The boys always knew which type of video would be shown because of the meal before it. Their favourite foods, sweet and swimming with fats, before history and heroes; gruel and plain boiled vegetables before crimes against humanity. In snatched moments, they discussed the heroes they most admired and the battles they would have most liked to have fought in, and speculated about where they might go and what they might do after they had finished their training. Although war had not yet been declared, it was obvious that they were being trained to fight the enemy. Dave #27, who took extra instruction from Father Aldos on aspects of faith and the nature of Gaia, believed that if they were especially heroic they would be remade into ordinary human beings. Dave #8 wasn't so sure. Lately he'd been troubled by a simple paradox: if he and his brothers had been created by technology that was evil, how then could they ever do good? He brooded on this for a long time, and at last confided his thoughts to Dave #27, who told him that every kind of goodness can spring from evil, just as the most beautiful flowers may be rooted in filth. Wasn't that the story of the human race? Everyone was Fallen. Everyone who had ever lived was tainted by original sin. Yet anyone could achieve Heaven if they atoned for their sins by cultivating their faith, praising God, and tending His creation. Even the enemy had the potential to be redeemed, but they refused God because they wanted to be little gods themselves, ruling little heavens of their own making. Heavens that were heaven in name only, and were doomed to become hells to spite their creators' mortal hubris because they lacked the grace that flowed only from God. "We are sinful in origin and aspect, but not in deed," Dave #27 said. "We do not use our talents to rebel against God, but to serve Him. We might even be a little closer to angels than other men, because we are wholly dedicated to serving the Trinity. Because we are holy warriors who will gladly and eagerly lay down their lives for God, Gaia, and Greater Brazil." Dave #8, alarmed by the shine in Dave #27's eyes, warned his brother that he was committing the mortal sin of pride. "Our lives may be dedicated to the defence of God and Gaia and Greater Brazil, but that doesn't mean we're in any way like the heroes of the great stories." "What are we, then?" "Soldiers," Dave #8 said. "No more, no less." He did not want to be special. It helped that he did not excel or outshine his brothers in any aspect of training or instruction, that he lacked Dave #27's love of discourse and argument, Dave #11's limber athleticism, Dave #19's skill in electronic warfare. He wanted to believe that lack of any kind of singular talent was a virtue, for differing in any way from the ordinary might foster pride that would lead him astray and make him fail in his duty. One day Father Solomon caught him trying to examine his reflection. This was in the gymnasium. There were cases of weapons down one long wall-short spears and javelins, stabbing swords and long swords, fencing foils and bouquets of knives, staffs, maces, bludgeons, truncheons, halberds, and pikes, longbows and crossbows and their arrows and quarrels, as well as the grinding stones and bottles of mineral oil and diamond-dust polish and files used to keep edges sharp and metal clean. There were projectile and energy weapons, too. Machine-pistols, target pistols, and sniper rifles; glasers whose beam could cook a man from the inside out; tasers that fired clouds of charged tags; pulse rifles that fired plasma needles hot as the surface of the sun. Ranged along the far wall of the cavernous room were racks of armour, pressure suits, and scuba suits with integral airpacks. That was where Dave #8 sat cross-legged with his brothers, the components of the pressure suits they had dismantled during a routine maintenance exercise laid out in front of them. Dave #8 was holding the chest-plate of his pressure suit at arm's-length, turning it this way and that. Its polished black curve gave back only distorted fragments, but there were no mirrors anywhere in the warren of chambers the boys called home and this was the best he could do. He was trying to see if there was something different in his face. If there was, then he would know that his suspicion that he thought differently was true. He did not notice Father Solomon creeping up behind him on rubber-soled sandals, thumbing back the snap that fastened his shock stick to his belt. When Dave #8 came round, with an all-over cramp and blood in his mouth, Father Solomon was standing over him and lecturing the other boys about vanity. Dave #8 knew that he was in trouble so deep that the exercise Father Solomon gave them after his lecture, assembling their pressure suits in a howling snowstorm in the weather chamber, would not be enough to atone for it. In the struggle session that evening, each of his brothers stood up in turn and denounced him ringingly, as he had denounced them in other sessions after they had committed sins of omission or commission. He could not explain that he had been trying to catch sight of hidden faults in the reflection of his face. It was forbidden to attempt to excuse or explain any sins, and he was conditioned to believe that every punishment was just. He was being punished because he deserved it. The theme of Father Clarke's sermon at Mass took as its text Ecclesiastes, chapter one, verse two. Vanity of vanities, said the preacher; vanity of vanities and everything is vanity. It was a favourite of the lectors, but that evening Dave #8 knew that it was directed straight at him, a righteous X-ray laser shrivelling his soul. Burning with misery and shame and self-loathing, he sat through a video that documented in gruesome detail the brute lawlessness and cannibalism that had swept over the great North American cities during the Overturn. He was certain that he had failed especially badly. That he was a candidate for disappearance. For although the last disappearance had occurred when the boys had been very much younger, over one and a half thousand days ago, it had been drilled into them that their survival was forever provisional and they must struggle to attain perfection every hour of every day. The disappearances had always happened at night. The boys would wake to find one of their number gone, his bed stripped bare, his footlocker open and empty. No explanation had ever been given; none was needed. Their brother had disappeared because he had failed, and failure was not tolerated. In bed after the lights had been switched off, Dave #8 struggled to stay awake, but his conditioning soon won out over his fear. He slept. And in the morning was surprised to discover himself still in his narrow bed, with the bustle of his brothers rising and dressing all around him. It was as if he had been reborn. Nothing had changed, yet everything was charged with significance. Full of joy, he stood with his brothers in front of the rippling flag on the big screen and with his right hand over his heart recited the familiar words with renewed ardour. I pledge allegiance to the flag of Greater Brazil and to the undertaking for which it stands, one Earth under Gaia, indivisible, restored, replenished, and purged of all human sin. (Continues...) Excerpted from THE QUIET WAR by PAUL McAULEY Copyright © 2009 by Paul McAuley. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. Read more

Features & Highlights

  • Twenty-third century Earth, ravaged by climate change, looks backwards to the holy ideal of a pre-industrial Eden. Political power has been grabbed by a few powerful families and their green saints. Millions of people are imprisoned in teeming cities; millions more labour on Pharaonic projects to rebuild ruined ecosystems. On the moons of Jupiter and Saturn, the Outers, descendants of refugees from Earth's repressive regimes, have constructed a wild variety of self-sufficient cities and settlements: scientific utopias crammed with exuberant creations of the genetic arts; the last outposts of every kind of democratic tradition. The fragile detente between the Outer cities and the dynasties of Earth is threatened by the ambitions of the rising generation of Outers, who want to break free of their cosy, inward-looking pocket paradises, colonise the rest of the Solar System, and drive human evolution in a hundred new directions. On Earth, many demand pre-emptive action against the Outers before it's too late; others want to exploit the talents of their scientists and gene wizards. Amid campaigns for peace and reconciliation, political machinations, crude displays of military might, and espionage by cunningly wrought agents, the two branches of humanity edge towards war . . .

Customer Reviews

Rating Breakdown

★★★★★
30%
(105)
★★★★
25%
(88)
★★★
15%
(53)
★★
7%
(25)
23%
(80)

Most Helpful Reviews

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The first must-read Sci-fi book of the year

The Quiet War is Space Opera that hits close to home and is surprisingly digestible with its pacing. I find many Space Opera's a bit overdone, but that is not the case here. In fact this is the first must-read Sci-fi book of the year. The Quiet War having already been nominated for the Arthur C. Clarke Award is quite deserving of this honor.

Earth and the outer separatist colonies have been at odds for the past 200 odd years. Earth is recovering from a planetary wide environmental collapse, which seems all too feasible presently. A Green fervor has taken hold of the people and the politics as they have repairing the planet, which leaves all of the power to the most wealthy families. The colonies exists as an egalitarian societies loosely connected, where debates run rampant and action is slow.

However, the people of Earth and the colonies are diverting on more than just politics. The colonies are situated on moons around planets in our solar system where they have been changing themselves genetically for generations to adapt to these new environments and also lengthening their life spans to hundreds of years. Many now consider them a separate species and as the gap widens so does the trust each group has for the other. Earth's own attempts at toying with humanity's capabilities are quite startling, especially the creation of the people on the moon, which I wish were used a tad more.

The Quiet War shows that no matter what side you are on, throwing yourself too much in any direction can take you further away from your goal as so much scheming is going on you never know when a favor will be called in. Nearly every character is a pawn in a greater game of chess. Just when you think you've reached the Queen a new piece swoops in to take position. Told from multiple points of view at a multitude of locales The Quiet War brings heaps of action and suspense. The characters are sometimes stuffy, but never uninteresting. The science is spot on and believable.

This is my first exposure to McAuley's work, but he has definitely peaked my interest with his highly informed style and voice. The Quiet War is the best Space Opera I have read in years. I give The Quiet War 9.25 out of 10 Hats. I didn't find out until I finished, but there is a a sequel, Gardens of the Sun, scheduled for release by Pyr in 2010. That said The Quiet War does stand on its own but I for one would like to see what the future holds for some of these characters.
36 people found this helpful
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Good, but...

First of all, this is not military science fiction. It is much more social science fiction.

The writer is well versed in the best techniques of writing. However (at least the Kindle Edition), has very, very poor editing. There are four places where paragraphs and lines are just hanging out. It's almost as if the writer was moving stuff around and just forgot to delete these notes/lines/paragraphs.

Again, the writing is good, but I'm really reminded of L. Ron Hubbard's 10 book decology. Without all the flowery prose, this would be a much shorter book.

The writer's vision of the future is fascinating, but I don't think it is well thought out. He mentions nanotech three times, but there is no general use of it, even though the tech is very generalized (repairing a crippled star-fighter for example). The biotech and modifcations of the Outers is one of the major plot points, but other than being taller and one small group having small wings and/or gliding membranes, there is no wholesale body modification.

Finally, the ending is so very anti-climatic. It is almost a deus ex machina. Oh, and don't become close to any of the main characters.

It's a good book, with a better editor, I'd give it another star.
17 people found this helpful
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Tedious unless you have a global warming hangup

This review is directed at anyone who doesn't live their lives 24/7 wringing their hands about global warming: skip this book. Seriously, if you thought Kim Robinson's Red/Blue/Green Mars trilogy was eco-preachy, you haven't seen anything yet.

Ignoring that aspect, the prose wasn't particularly good and the storyline was meandering and weak. I only finished it because it was the last book I had packed for a business trip and it killed time on the flight home. Sadly, I also bought the sequel. I'm giving both of them away to a die-hard climate-change-junkie friend of mine, I'm sure he'll find them fascinating.
8 people found this helpful
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A huge disapointment

I couldn't get more than 100 pages into The Quiet War. I am a big Spec. Fic. fan, and have very flexible tastes. If a book is imaginative, that can make up for bad writing; good characters can fill in for weak plot line; amazing world building can fill in for other deficiencies. I couldn't find anything to love here, though. The prose is terrible, and even full of typos! The science in the science fiction falls flat as well...I am an ecological/evolutionary scientist, and I thought the ecology in the book is less interesting than what you would get in an intro ecology class, when you aren't allowed to make things up! And the fiction: nothing to tingle the imagination here. My apologies to the author, but is the worst book I have tried to dig into in YEARS.
8 people found this helpful
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Needs a few more drafts

There is an interesting setting here, and some semblance of characters and plot, but the book is unsatisfying. McAuley spends far too much time describing the scenery and the physical and biological processes behind it. These descriptions often manifest in majestic run-on sentences worthy of the Bulwer-Lytton contest for bad fiction:

"Like Callisto, Europa was a ball of silicate rock wrapped in a shell of water ice, but tidal stresses caused by the competing pulls of Jupiter and Jupiter's largest moon, Ganymede, heated its interior, and beneath its icy crust was a world ocean some twenty kilometers deep, kept liquid by hydrothermal rifts and vents where water was subducted into the lithosphere."

Here's another example:

"Her thoughts were snarled up and some kind of physical activity was usually a good way of freeing them, but most of all, right there and then, she wanted to get away from everything, and as she came out of the bay's wide mouth she broke into a run, long fluid strides that quickly ate up distance, passing a low sandy promontory planted with young cabbage palms and yuccas, running on under the clear white light of the chandeliers and the irregular quilting of the tent toward the long oval of water that occupied the deepest part of the lake."

In short, this novel needs editing -- and a few more drafts.
7 people found this helpful
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Nice Hard SF

There aren't nearly enough good hard sci fi stories being written today. I'll take a good sci fi story (especially one set in our solar system) over an urban fantasy novel any day. How many books are there currently being published with a picture on the cover of the novel's female protagonist, looking over her shoulder, wearing a shirt that bares her midriff, and holding a sword? Too many if you ask me. The Quiet War delivers when it comes to the science of the story, especially genetic manipulation and man-made organisms (even those that can live in space).

The Quiet War wasn't the best hard sf novel I've ever read, but it's much better than a lot of the sf/f books currently being published. The Quiet War is set several decades in our future, after major environmental, ecological, and political turmoil on Earth has pushed much of mankind into space and forced those remaining on Earth to live lives that are very, very different from ours.

The Quiet War takes us on a tour of various cities in South America, Brazil being one of the world's super powers, and of the moons of Jupiter and Saturn, where most of space-bound humanity lives. We follow a handful of characters as tensions between the humans on Earth and the humans in space escalate to war. We explore the issues associated with genetic manipulation and human cloning. We compare and contrast totalitarian and democratic governments, walking the fine line between pure democracy and absolute anarchy. We witness characters giving up long-held beliefs and desires to pursue even bigger dreams. We live in the slums of future Earth, in Antarctic compounds, and on the moons of Jupiter and Saturn.

The book wasn't perfect. Too many of the book's characters had a penchant for "speaking their mind" when they shouldn't have (which was probably a narrative cheat). And the story seemed to end just as it was getting really good (to be fair, there apparently is a sequel). But as a whole, the book was enjoyable. I would highly recomend it to any fan of hard sci fi.
6 people found this helpful
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Too much Science - not enough Fiction

Picked this up in a local bookstore and it was the cover recommendation by William Gibson that pushed me to the cash register. Shame. I admire Mr. Gibson but won't make that mistake again. The Quiet War has a great premise, great potential, great ideas but it never takes off. I pressed through to the end, hoping it would, but just when you think it's going to... it flounders and starts meandering again.

It seems the author included all his back-story research in an effort to fill out the novel. Consequently, it never quite comes into focus and engages you, and ends up resembling more a thesis on Astronomy/Low-Grav, Self-Sustaining, Artificial Environments than a story of struggling flesh and blood characters caught up in a war.

Sent it to the swap shop at the local dump the next day.
4 people found this helpful
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Tedious

This book has all sorts of strengths: a fascinating premise of future history, a setting as exotic and alien as one could want, a play of huge moral and social forces arrayed against one another. And all the way through I was watching the length indicator at the bottom of the Kindle page, grimacing at how slowly it was moving. I wanted it done, over. I think it was the shallowness of the characters and the fact that the science -- the vacuum plants, the details of living on the moons of Saturn -- had more life than the people and the plot. Read it for the science speculation, if you want, but not for the adventure.
4 people found this helpful
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Flat, slow, not fleshed out well

I picked this up on a recommendation from io9 dot com. Their review sounded excellent, and seemed to fit right up the alley of the type of stellar-tech books I enjoy. What a let down.

As one of the prior reviewers stated, the 'story' is okay, but the details are left out on many of the items that caused the so-called fallout between earth and the Outers. Many things are mentioned, some given hints or small detail, but beyond a few examples (advancer monkeys for example) not much is made of it beyond the societal issues that it caused. An author like Hamilton, on the other hand, shows the ability to integrate tech into the storyline, and explain it, without making it a 'ooohhh, look at my cool tech stuff' writing style. TQW had potential with potentially interesting characters, but everything just felt flat and undeveloped, in some cases seeming more like scenes were stitched together, rather than a cohesive plot, rather like a novel that has been adapted from a comic book, where the main points are made, and story flows, but the depth is lacking.

This is not to say that I did not find interest in the book. If I had not, it would have been sent to the 'free book pile' in my office. A few plot lines were more intriguing than others, and some characters more so. The 'main' character (Macy) I simply could not stomach after a chapter or two of nonsense. The bio-scientist (Sri) was a bit more interesting, until about 75% of the way through the book, where her storyline degenerated badly. The clone boy (#8?) was (to me) one of the more interesting plot lines, but even that was rather shallow in it full development.

The 'bad guys' were just overwritten, almost cartoonish in their 'evil ways'. I can't even go into details, they were so terribly bad.

At the end of the day TQW just fell flat for me and never inspired me when reading through its pages. Many of the ideas had interest, but it was not developed to its potential.
4 people found this helpful
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Too many words

This book reminds me of the movie Amadeus, when the Emperor says Mozart's opera has "too many notes." (Although he is of course wrong.)

This book has too many words. Every storyteller must find the right balance between plot and description. This book has way too much description. The author has an amazingly detailed image of his world in his head, but the real art of storytelling is to invoke that without endless paragraphs of description. He is also obviously fascinated with the geology of all the moons in the solar system, along with things like the biology of mud. Unfortunately for me, I'm not as interested.

Also, I personally didn't really like the characters much. The ones I liked the least, the story seems to devote the most time too.

Also, I personally don't like or care about intrigue. I read sci fi like this for the "space opera" aspect.

One major plus for this book is laying out what it might be like to colonize the outer solar system. That was very interesting to me. This is the book's major contribution to sci fi.

To the book's credit, the plot was engaging enough to keep me ploughing through all the description and tedious intrigue. The author has a lot of promise, but this book feels like he's still cutting his teeth.
3 people found this helpful