The Saddest Words: William Faulkner's Civil War
The Saddest Words: William Faulkner's Civil War book cover

The Saddest Words: William Faulkner's Civil War

Hardcover – August 25, 2020

Price
$24.31
Format
Hardcover
Pages
448
Publisher
Liveright
Publication Date
ISBN-13
978-1631491702
Dimensions
6.4 x 1.5 x 9.6 inches
Weight
1.51 pounds

Description

"Spectacular.... Surely among the most dexterous, dynamic, and consistently surprising studies ever written about an English-language novelist.... This is surely the first account of Faulkner’s work that provides a systematic reading of Confederate historiography―the version that Faulkner would have imbibed growing up. And yet The Saddest Words , for all its peculiar accents, also serves as a kind of one-stop-Faulkner-shop.... At once diligent and path-breaking, focused and multifactorial, The Saddest Words rivals Joseph Blotner’s single-volume Faulkner and Philip Weinstein’s terser critical biography, Becoming Faulkner (2009), as the first book on this subject to which newcomers might wish to turn..... A master class." ― Leo Robson, Bookforum "Gorra’s well-conceived, exhaustively researched book probes history’s refusals... Rich in insight... Timely and essential as we confront, once again, the question of who is a citizen and who among us should enjoy its privileges." ― Ayana Mathis, New York Times Book Review "Michael Gorra, an English professor at Smith, believes Faulkner to be the most important novelist of the 20th century. In his rich, complex, and eloquent new book, The Saddest Words: William Faulkner’s Civil War , he makes the case for how and why to read Faulkner in the 21st by revisiting his fiction through the lens of the Civil War, 'the central quarrel of our nation’s history.' In setting out to explore what Faulkner can tell us about the Civil War and what the war can tell us about Faulkner, Gorra engages as both historian and literary critic. But he also writes, he confesses, as an 'act of citizenship.'" ― Drew Gilpin Faust, The Atlantic "Eloquent analysis. . . . Graceful. . . . A nimble hybrid that blends literary analyses with history, biography, and personal narrative. . . . [Gorra] movingly narrates the debacles at Bull Run and Gettysburg and effortlessly slides from astute analyses of Faulkner’s best stories, like ‘Mountain Victory,’ to such novels as The Sound and the Fury , The Unvanquished (1938), and Go Down, Moses (1942).”" ― Brenda Wineapple, New York Review of Books "Michael Gorra’s provocative and engrossing new book, The Saddest Words , [is] an entry point into one of the secret themes of Faulkner’s oeuvre: the Civil War, and the collective madness that underlay the Southern resistance to abolition." ― Evan Kindley, The New Republic "Powerful... Mr. Gorra demonstrates convincingly that this unshakable past for Faulkner came increasingly to involve race.... For Mr. Gorra, Faulkner’s fiction should be read these days for 'the drama and struggle and paradox and power of his attempt to work through our history, to wrestle or rescue it into meaning.' Reading Faulkner today we discover just how much imagination and courage can be required to face the past." ― Randall Fuller, Wall Street Journal "Faulkner’s enduring, ubiquitous quote that ‘the past is never dead’ might be a fitting epitaph for this new book. In this timely re-examination, Gorra considers how Faulkner should be read in the 21st century, with a focus on the depiction of Black people and racism in his fiction." ― Joumana Khatib, New York Times "A magisterial, multidisciplinary study of Faulkner that shakes the dust off his canonization." ― Kirkus Reviews [starred review] "As esteemed literary scholar Gorra informs us in this transcendent study, European audiences had long considered Faulkner one of the leading modernists . . . Gorra expertly mines his own deep reading of the Faulkner oeuvre to serve as our Virgil and guide us through an exploration of how the Civil War influenced Faulkner’s work and how, in turn, Faulkner’s writing helped shape modern literature. Gorra adroitly and poignantly portrays Faulkner at war with himself, juxtaposed and entwined with the history of a cleaved nation, to provide a compelling and necessary reexamination of a towering literary figure." ― Bill Kelly, Booklist , starred review "A meticulous work spanning literary criticism and history. As Gorra demonstrates, writing allowed Faulkner (1897–1962) to clarify his thinking and create characters who were often a reflection of himself, in many ways depicting the people of the South as unable to move on from the past. Biographical portions of the narrative show how the author’s own life mirrored these behaviors and sentiments, especially revealing is Gorra’s examination of Faulkner’s later career in Hollywood.?Faulkner once famously said, ‘The past is not dead. In fact, it’s not even past,’ and this exceptional study by Faulkner lends credence to these words. A worthy addition to Faulkner studies, and for larger Southern literature and Civil War collections." ― David Keymer, Library Journal "Michael Gorra is one of the finest critical minds at work in literature today, and this masterly reassessment of William Faulkner could not be more timely. Faulkner is a central figure in American fiction and, indeed, in American history, a voice as resonant in today's troubled world as it was in his own time. Gorra asks hard questions about the novelist and the man, and is unflinching in answering them. This is a momentous and thrilling book." ― John Banville "The audacity of Michael Gorra’s The Saddest Words takes my breath away. Each of his bold wagers would be sufficient risk for most writers: treating all of Faulkner’s dazzling works as a single enormous book; using the Civil War to illuminate Faulkner’s work, and Faulkner, in turn, to illuminate that harrowing, never-quite-ended war; treating Faulkner’s very limitations as an unsparing key to our own enduring dilemmas. The rich weave of Gorra’s book, shuttling nimbly among biography, history, criticism, social commentary, and travel, is so complex that you think it couldn’t possibly yield a coherent pattern. And yet, the uncanny result of this perfectly pitched and exquisitely written book is that Faulkner, that multifaceted genius, has never come across so clearly and so powerfully before." ― Christopher Benfey, author of If: The Untold Story of Kipling’s American Years " The Saddest Words confirms Michael Gorra’s place as one of the most creative and readable literary critics working today. . . . Provocative and poignant, it delivers a rich, discomfiting sense of why the legacies of the war, and of Faulkner himself, remain such unsettled topics in our nation still." ― Maya Jasanoff, author of The Dawn Watch: Joseph Conrad in a Global World "Where did William Faulkner go? The preeminent Southern novelist of the twentieth century, Faulkner was born and died in Jim Crow Mississippi. He was as preoccupied with race as most white Mississippians, and not in ways that make for a comfortable fit with our attitudes today. Michael Gorra’s The Saddest Words is a deeply learned, deeply felt, unflinching reconsideration of Faulkner, which ought to bring his life and work back into the twenty-first century conversation, where it deserves to be." ― Nicholas Lemann, author of Transaction Man: The Rise of the Deal and the Decline of the American Dream Michael Gorra is the Mary Augusta Jordan Professor of English at Smith College, where he has taught since 1985. He is the recipient of fellowships from the National Endowment for the Humanities and the Guggenheim Foundation and, for his work as a reviewer, of the Balakian Award from the National Book Critics Circle. His books include The Saddest Words: William Faulkner’s Civil War ; Portrait of a Novel: Henry James and the Making of on American Masterpiece , a finalist for the Pulitzer Prize in Biography; The Bells in Their Silence : Travels through Germany; After Empire: Scott, Naipaul, Rushdie; The English Novel at Mid-Century ; and, as editor, The Portable Conrad and the Norton Critical Editions of The Sound and the Fury and The Portrait of a Lady.

Features & Highlights

  • A
  • New York Times
  • Notable Book of 2020
  • How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy.
  • William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as
  • Absolom, Absolom!
  • and
  • The Sound and The Fury
  • , creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance―his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South―demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon.
  • Interweaving biography, literary criticism, and rich travelogue,
  • The Saddest Words
  • argues that even despite these contradictions―and perhaps because of them―William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age.
  • Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions,
  • The Saddest Words
  • returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.”
  • Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South―including Faulkner’s Oxford, Mississippi―and commentaries on Faulkner’s fiction,
  • The Saddest Words
  • is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.
  • 10 black-and-white illustrations

Customer Reviews

Rating Breakdown

★★★★★
60%
(200)
★★★★
25%
(84)
★★★
15%
(50)
★★
7%
(23)
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Most Helpful Reviews

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The Saddest Words examines the life of Faulkner, the Lost Cause Mythology and Southern history

William Faulkner (1897-1962) was born in New Albany Mississippi and grew up in Oxford Ms. He won the Nobel Prize for Literature authoring such classics as Absalom, Absalom, Light in August, The Sound and the Fury, The Town, the Hamlet and the Mansion and many superb short stories. In this new book Professor Michael Gorra provides several services for the student interested in Faulkner and his world:
1. He examines in detail several of the Faulkner novels focusing in on his creation of the mythical Yoknapatawpha
County. Faulkner's convoluted prose is often a challenge to read as the author spins his tales of his family and the community of Frenchman's Bend and Jefferson (based on Oxford).
2. Gorra explores the family history of Faulkner whose ancestors owned slaves and served as officers in the Confederate Army. See especially his novels Go Down Moses, Flags in the Dust and Sartoris.
3. We gain a better understanding of the tragic and difficult lives lived by the African-American citizens of Ms. and the South in the Reconstruction era and up until the modern day.
3. An excellent brief survey of the major events of the Civil War from Gettysburg to Vicksburg and battles in the Western theatre of the Civil War. Good information on Nathan Bedford Forrest and Southern marble man icon of the Lost Cause General Robert Edward Lee. The author is good at connecting the dots between Faulkner's work and the Civil War.
4, Gorra is good at placing Faulkner in American literary history and often compares him to fellow authors Joseph Conrad, Henry James and local color authors such as Willa Cather, Sarah Jewett ornett and others.
5. Gorra gives us a Faulkner who is a conflicted Southern white Protestant male deploring racism but at times displaying his own adherence to Lost Cause beliefs and feelings of superiority living in a racially discriminatory culture of violence against and degradation of black Americans.
6. A good travelogue on Gorra's travels to Vicksburg, Natchez, Oxford, Shiloh, Gettysburg and the modern South.
This is an excellent book by a leading literary intellectual.. As the former president of two Civil War roundtables and a graduate of the University of Louisville with honors in English I am delighted to have read this disturbing and illuminating book!
50 people found this helpful
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A VERY TIMELY PRESENTATION OF OUR PAST!

Clear introduction to Faulkner if you are not familiar with him! Gotta captures him brilliantly and definitely timely fashion. This book reflects the past and keeps us in the here and now!!!
20 people found this helpful
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An important and timely book

One might ask why a book about Faulkner's relationship with the Civil War is important and timely.

Because -- this nation has never come to terms with slavery, the Civil War, Reconstruction, the rise of Jim Crow and the Black Codes, and the Civil Rights era. The Nixon-Reagan Southern Strategy that turned Southern states from Democratic strongholds to solid Republican bastion . . . the rise of Sarah Palin that gave us Donald Trump . . . the fact that black men and women are murdered at the hands of police who go unpunished . . . the black-on-black violence that marks our big cities . . . all trace directly to the fact that we have never settled the Civil War.

Sad to say, only a few Faulknerphiles will read this book and understand its premise.

And the past will continue to never be past.
18 people found this helpful
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Interesting effort on a difficult subject

Professor Gorra makes some interesting attempts to explain Faulkner's repellent opinions on race relations on the basis of the locale in which he grew up and the damage done to his brain by his alcoholism. Trying to examine Faulkner's work, Mississippi and Civil War history, and his biography independently is as difficult as removing kudzu from a magnolia. Oft-times the genealogy of the imaginary families of Yoknapatapha County becomes blurred with that of the writer's own life. Reading the addendums on significant incidents of Faulkner's life and the recurring characters in his fiction before beginning this book would be helpful to the reader. Nevertheless, Gorra should be commended for re-examining the work of a difficult author who may become less relevant as today's "woke" generation matures. Those wishing to embark into Faulkner's dark world and difficult syntax should take this book along.
15 people found this helpful
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perceptive and relevant

This one of the most incisive and readable pieces of literary criticism to have come down the pike in many years. Michael Gorra offers a clear-eyed, even-handed assessment of Faulkner's work and its complicated relationship to Southern heritage. While frankly acknowledging the author's contradictions, he makes an extremely persuasive case for Faulkner, alone among so-called "regional" authors, as a powerful critic of the "Lost Cause" myth that so pervades our current cultural malaise. The best this about the book is that it drives a reader back to the source to appreciate the novels of this fundamental American author in a new light.
15 people found this helpful
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Faulkner as historian

Thoughtful examination of William Faulkner, his time and place, and the importance of reading him today. Gorra notes that many southern writers of Faulkner's day avoided discussing race at all, while Faulkner knew it was central to understanding his culture. The Yale historian, C. Vann Woodward, in his Pulitzer winning "The Burden of Southern History" observed that reading Faulkner and Robert Penn Warren was the best way to the understand the region. "The Saddest Words: William Faulkner's Civil War" explains why this is true. Well written and unlike Faulkner easy to read.
9 people found this helpful
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Love Faulkner, Love this Book.

Awesome book with a slightly off-kilter approach to why we need another Faulkner critique. Made me get Absalom, Absalom again because it had been awhile. I am still entrenched in the camp of Light in August is his opus, but Gorra writes a great book.
8 people found this helpful
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Realistic insights on a great writer’s southern heritage

I’ve never read Faulkner. Previous attempts required more patience and concentration that I could muster. I know him only through his historiography so as to speak. Had I actually read the books that Michael Gorman refers to as he collates Civil War history with Faulkner’s writings I might have gained more insight. Unlike others who have reviewed this book, I do not see it as an indictment of Faulkner as a racist, or the whole Southern culture as an aberrant despicable culture. Given the period when Faulkner came of age and the cultural atmosphere of the defeated ex-Confederacy, The Saddest Words, to me, is an attempt to understand the feelings and attitudes of a proud culture that saw, through its own eyes, a noble tradition that no longer existed. The idea of things like racism and slavery, while abhorrent in their practice during this period, were not paramount in the Southern gentry’s vision of its shattered past. The book provides considerable insight into the conflicted attitudes that affected Southern generations after the war, especially those who still had memories of their ancestors who fought in it. The book is well written and worth reading for anyone who still grapples with trying to understand how and why the Civil War could have been fought in the first place
3 people found this helpful
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absolutely fascinating

i would recommend this to anyone who has had the patience to get through books like Absalom, Absalom and Light in August. A very even and fair analysis of Faulkner.
3 people found this helpful
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Not for casual reading

I enjoyed this book because I love Faulkner. It is not a traditional biography because you really need to be familiar with Faulkner's writing to get the most out of it, but it is not so wonky and dry that you feel as you are back in graduate school. The author's discussion of Mississippi make me want to go there and poke around. I think I will wait for cool weather, though.
1 people found this helpful