The Spider and the Fly: A Reporter, a Serial Killer, and the Meaning of Murder
The Spider and the Fly: A Reporter, a Serial Killer, and the Meaning of Murder book cover

The Spider and the Fly: A Reporter, a Serial Killer, and the Meaning of Murder

Hardcover – January 24, 2017

Price
$21.78
Format
Hardcover
Pages
288
Publisher
Dey Street Books
Publication Date
ISBN-13
978-0062416124
Dimensions
0.7 x 5.2 x 8.4 inches
Weight
14.4 ounces

Description

“Extraordinarily suspenseful and truly gut-wrenching, The Spider and the Fly is not just a superb true-crime story but an insightful investigation of the nature of evil, the fragility of good, and the crooked road that can turn human beings into monsters. A must-read.” -- GILLIAN FLYNN, author of the #1 New York Times bestseller Gone Girl “Part psychological thriller and part gut-wrenching memoir, The Spider and the Fly crosses boundaries on nearly every page. It is chilling, self-revelatory, and unforgettable.” -- ROBERT KOLKER, author of the New York Times bestseller Lost Girls: An Unsolved American Mystery “Claudia Rowe catalogues her obsession with a serial killer so mesmerizingly that before I knew it, I too was obsessed...But this is not merely a recounting of a descent, it is equally a memoir of discovery through the lens of potential evil. I literally could not put it down.” -- Alan Cumming, author of the New York Times bestseller Not My Father's Son “Rowe’s engaging prose means the pages practically turn themselves.” -- Kirkus Reviews “Readers seeking a literary look at the psychology of a criminal will find much to hold them rapt.” -- Booklist Poughkeepsie, New York, 1998 Eight women had gone missing over the past two years, but few were looking for them. Other than ragged flyers taped to downtown telephone poles, there was barely a sign they were ever here. Most were women who had walked the streets, sold themselves for drugs. But they were also daughters, sisters, and in many cases, mothers. In death, as in life, it was easier for this small upstate city to ignore them. The police had leads, including many about Kendall Francois, a large, awkward African American man repeatedly reported for attacking women whom he paid for sex. But Francois fit few of the familiar serial killer stereotypes, and detectives had largely written him off. One evening, seeming almost bored with the topic, Francois asked to speak with a prosecutor. Then, in a monotone voice just above a whisper, he shook the region to its core by pointing to mug shots of numerous women and announcing that he had killed them all. The bodies, he explained, were at home—in the house he shared with his mother, father, and teenage sister. Claudia Rowe, a young reporter living in Poughkeepsie, had heard chatter about the missing women. She mentioned it to her editors in New York City, despite the fact that the local paper acted as if the women didn’t warrant much ink. A serial killer couldn’t be on the loose in Poughkeepsie. It wasn’t that kind of place. But after Kendall Francois confessed, the entire town became consumed with a desire to understand how a man who’d grown up there, whom many had known, could have committed such brazen crimes. Even more perplexing, how could a family live seemingly unaware of rotting corpses in their home? Rowe wanted to understand those things, too, with a desperation that eventually stunned her. Over five years and through a series of letters, phone calls, and visits that consumed her life, Rowe engaged with a killer in a dizzying conversation about cruelty, compassion, and control, digging down to the roots of her own need to understand evil. Because the case never went to trial, many of the details she uncovered about Francois, his past, and his victims have never before come to light. A search for the origins of the darkest parts of human nature, a sticky narrative that skips back and forth through time, a beautifully written tale of a reporter’s relationship with her subject, a coming-of-age story that forces a deep reckoning with ourselves, a sociological dissection of class, race, and crime in an upstate New York town, The Spider and the Fly is a multifaceted reading experience that will chill you to the bone. Claudia Rowe is an award-winning journalist who has been twice nominated for the Pulitzer Prize. Currently a staff writer at the Seattle Times , she has published work in numerous newspapers and magazines, including the New York Times, Mother Jones, Huffington Post, Women’s Day, Yes! and Seattle’s alternative weekly, The Stranger . She has been honored by the Society of Professional Journalists, the Nieman Foundation for Journalism at Harvard University, and the Journalism Center on Children & Families, which awarded her a Casey Medal for Meritorious Journalism. Read more

Features & Highlights

  • Winner of the Washington State Book Award for Memoir
  • “Extraordinarily suspenseful and truly gut-wrenching. . . . A must-read.”
  • Gillian Flynn, author of the #1
  • New York Time
  • s bestseller
  • Gone Girl
  • In this superb work of literary true crime—a spellbinding combination of memoir and psychological suspense—a female journalist chronicles her unusual connection with a convicted serial killer and her search to understand the darkness inside us.
  • "Well, well, Claudia. Can I call you Claudia? I’ll have to give it to you, when confronted at least you’re honest, as honest as any reporter. . . . You want to go into the depths of my mind and into my past. I want a peek into yours. It is only fair, isn’t it?"—
  • Kendall Francois
  • In September 1998, young reporter Claudia Rowe was working as a stringer for the
  • New York Times
  • in Poughkeepsie, New York, when local police discovered the bodies of eight women stashed in the attic and basement of the small colonial home that Kendall Francois, a painfully polite twenty-seven-year-old community college student, shared with his parents and sister.
  • Growing up amid the safe, bourgeois affluence of New York City, Rowe had always been secretly fascinated by the darkness, and soon became obsessed with the story and with Francois. She was consumed with the desire to understand just how a man could abduct and strangle eight women—and how a family could live for two years, seemingly unaware, in a house with the victims’ rotting corpses. She also hoped to uncover what humanity, if any, a murderer could maintain in the wake of such monstrous evil.
  • Reaching out after Francois was arrested, Rowe and the serial killer began a dizzying four-year conversation about cruelty, compassion, and control; an unusual and provocative relationship that would eventually lead her to the abyss, forcing her to clearly see herself and her own past—and why she was drawn to danger.

Customer Reviews

Rating Breakdown

★★★★★
30%
(164)
★★★★
20%
(109)
★★★
15%
(82)
★★
7%
(38)
28%
(153)

Most Helpful Reviews

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Worth a read, true crime

This book is alright. The relationship between the author and the criminal is a bit strange and at times the author comes across as a bit self absorbed and loses track of the story - but an interesting study of an author becoming a little too interested in her subject.
9 people found this helpful
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While it is a story of a horrible crime, it was well written and held my ...

Living in the area near where these crimes were committed caused me to want to read this book. Others who have read it have criticized the interspersed personal reflections of the author but I found her story just as intersting. While it is a story of a horrible crime, it was well written and held my interest.
4 people found this helpful
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More about author than subject

This author has as many issues as the serial killer she is trying to understand. She seems to have no compassion whatsoever for the victims of these horrific murders or their unfortunate circumstances in life. On two occasions she actually calls their physical appearance "ugly"! Really? Through the whole book she seems to judge everyone involved - the killer, his victims, the police - with an air of superiority. By the end of the book I found myself disliking the author almost as much as the murderer. This book is really about Ms. Rowe and very little about Kendall Francois or his victims.
4 people found this helpful
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You Get Nothing, You Lose! Good Day Sir!

What If?

What if the author had made this book a fictional suspense novel and the locked up serial killer had been feeding her clues that led to discovery of her live-in boyfriend Derrick as the killer of the other eight women still missing in Poughkeepsie. Now that is a book I'm sure I and other hungry readers could sink our teeth into and not let up until the last revealing bite is swallowed down; that bite being the author coming home to a swarming police task force in her backyard, where eight body bags containing more missing Poughkeepsie prostitutes have been unearthed. Oh, and the boyfriend is in police custody.

Instead, like many other reviewers, I found this book simply asked more questions about serial killer Kendall Francois than author Claudia Rowe could ever answer. I believe the problem lay somewhere in the disconnect between the author and everything else; the town, the job, the culture, the community, the politics, the crime and most importantly the criminal himself. Kendall might've been many things, but he wasn't blind to the wants and needs of a journalist desperate and in need of a good story to publish. Though much is said about Kendall in this book, Kendall himself really said nothing that could give the author or us readers any real insight into his psyche. He toyed with the inquiring journalist as if she were the fly trapped in his spidery web.

In this book Kendall resembles a weird Willy Wonka treating the journalist like just another selfish, spoiled kid not named Charlie!
"So you get nothing, You lose! Good day Sir!
3 people found this helpful
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Get it from your library and return it when you get bored

To be fair, I have only read 3 chapters so far. There are so many inaccuracies and mistakes about Poughkeepsie and Pleasant Valley already, that I have to question how much more in the novel is misstated. I am debating whether to spend the time finishing this book when I have so many unread (and likely better written) books available.
2 people found this helpful
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a reporter who spent years covering this story and attempting to better understand the inner workings of this serial killer

A very entertaining read. It's a fascinating crime story that exposes a community's disregard for the killer's victims, women addicted to drugs and relying on prostitution for income. There was a lot of narrative devoted to the background of the writer, a reporter who spent years covering this story and attempting to better understand the inner workings of this serial killer. At times those interactions are unsatisfying, as the reader struggles to understand why she continues to engage with such a dangerous and twisted individual, putting herself at risk both emotionally and physically. There are clear overtones of In Cold Blood, and the author tells an engaging story, even if it doesn't rise to such lofty literary heights. When it was all said and done, I was glad I read the book, and found it a good option for traveling or sitting at the pool.
1 people found this helpful
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Horribly written, I gave up fast

Rowe might have been nominated for a Pulitzer Prize, but somehow she doesn't know to stay with one point of view during a scene.

For example, in the early chapters there is dialogue between murderer Kendall Francois and a prosecutor he asked to meet. these exchanges are presumably adapted from police videos or transcripts. yet Rowe also writes as if she has access to interior monologues from Francois and the prosecutor -- all with in the same scene. it's extraordinarily confusing. I'm a little shocked that Harper's editor's would allow Rowe to get away with this writing style. One point of view per scene is virtually a cardinal rule of writing.

compare with Last Stone by Mark Bowden, a recent true crime book, which also relies heavily on videos and transcripts of police interviews with a suspected killer. Bowden's writing is clear, precise and compelling. Zero confusion. Zero showing off. I read Bowden's book in two sittings over two days, but gave up on Rowe's after a single baffling chapter when I realized I couldn't follow her writing.
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Duuuuuuuuuuull

This book is dry, slow, and dull. The author's writing leaves a lot to be desired and she spends more time focusing on herself and whining about her own issues than actually covering the supposed subject of the book - the killer. This book is not worth reading.
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Five Stars

good
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I bought this as a girt for my Dads Wife ...

I bought this as a girt for my Dads Wife after hearing the Author interviewed on Coast to Coast AM and she loves the book.