The Submission: A Novel
The Submission: A Novel book cover

The Submission: A Novel

Paperback – March 27, 2012

Price
$12.98
Format
Paperback
Pages
352
Publisher
Picador
Publication Date
ISBN-13
978-1250007575
Dimensions
6.14 x 0.79 x 8.2 inches
Weight
12 ounces

Description

“The Submission reads as if the author had embraced Tom Wolfe's famous call for a new social realism...and in doing so has come up with a story that has more verisimilitude, more political resonance, and way more heart than Mr. Wolfe's own 1987 bestseller, The Bonfire of the Vanities.” ―Michiko Kakutani, The New York Times Book Review “Addictively readable...Not unlike The Wire's David Simon...Waldman has an eye for the less sound bite-worthy but crucial ways in which ideology and influence make their imprint on the world.” ―Vogue “Elegantly written and tightly plotted . . . With the keen and expert eye of an excellent journalist, Waldman provides telling portraits of all the drama's major players, deftly exposing their foibles and their mutual manipulations. And she has a sense of humor: the novel is punctuated with darkly comic details [which] would seem richly satirical were it not for the fact that they so closely reflect reality.” ―Claire Messud , The New York Times Book Review “Moving . . . Eloquent . . . A coherent, timely and fascinating examination of a grieving America's relationship with itself. Waldman . . . excels at involving the reader in vibrant dialogues in which the level of the debate is high and the consequences significant.” ―Chris Cleave , The Washington Post “Masterful . . . [A] scathing, dazzlingly crafted indictment of the messes people make when they mistake ideology for morality and bigotry for patriotism . . . Waldman, an ex- New York Times bureau chief, unspools her story with the truth-bound grit of a seasoned journalist and the elegance of a born novelist.” ―Leah Greenblatt, Entertainment Weekly “Propulsive and thoughtful . . . [A] smart and sensitive work of fiction.” ―Mark Athitakis , Star-Tribune (Minneapolis) “Devastating . . . An excellent debut novel . . . The Submission is an exceedingly accomplished novel. The pacing, dialogue, characters and plot are absorbing from the start. Waldman populates her work with a dozen realistic characters.” ―Anne Trubek, The Plain Dealer (Cleveland) “A novel whose time has come . . . [Amy Waldman's] debut novel is a sharp work with complex characters and an unflinching skepticism about human motivation. Waldman recognizes the tragedy of 9/11 without indulging in sentimentality . . . Much of the power in Waldman's writing comes from her ability to gradually reveal layer upon layer of her characters' circumstances, creating a continual sense of enlightenment as the story progresses.” ―M.L . Johnson, Associated Press “[A] gripping, deeply intelligent novel . . . Panoramic in scope but thrillingly light on its feet . . . Waldman does a masterful job of getting into the heads of New Yorkers . . . [A] dazzling tapestry of a grieving city.” ―Kimberly Cutter , Marie Claire “Waldman, a former South Asia bureau co-chief for the Times , has antennae well tuned to the media circus. Perhaps it's her reporter's skill that makes her so nimble at sketching in characters; she's a penetrating psychologist, especially for a first novelist. She weaves together a half-dozen stories, from the top to the bottom of New York's social strata, and keeps them moving briskly forward; you never want to stop reading.” ―Craig Seligman , Bloomberg News “In her magnetizing first novel, replete with searing insights and exquisite metaphors, Waldman, formerly a New York Times reporter and co-chief of the South Asia bureau, maps shadowy psychological terrain and a vast social minefield as conflicted men and women confront life-and-death moral quandaries within the glare and din of a media carnival. Waldman brilliantly delineates the legacy of 9/11; the confluence of art, religion, and politics; the plexus between the individual and the group; and the glory of transcendent empathy in The Bonfire of the Vanities for our time.” ―Donna Seaman, Booklist (starred review) “[An] emotionally and politically rich novel . . . The Submission raises wrenching post-9/11 questions about what it means to be an American . . . [Waldman's] novel transcends ideological politics.” ―Bob Minzesheimer, USA Today “Fascinating . . . Brilliant . . . The genius of Waldman's novel is that it captures the manner in which a member of a group that has become part of an ideological tussle will often come to be stripped of his humanity and viewed as a symbol . . . A searing personal saga.” ―Rayyan Al-Shawaf, New York Press “[ The Submission ] accomplishes the rare feat of being prescient after the fact, a counterfactual novel that turns out to be accurate in all the details that matter . . . [Waldman is] as convincing in an apartment full of Bangladeshi immigrants as she is among the martini-quaffing suits in midtown . . . A New Yorker might well read The Submission before bed and wake up the next morning believing it actually happened.” ―Jess Row, New York “[A] provocative and smartly conceived book.” ―Bob Hoover , Pittsburgh Post-Gazette “[A] poised and commanding debut novel . . . A remarkably assured portrait of how a populace grows maddened and confused when ideology trumps empathy. A stellar debut. Waldman's book reflects a much-needed understanding of American paranoia in the post-9/11 world.” ― Kirkus Reviews (starred review) “Amy Waldman's The Submission is a wrenching panoramic novel about the politics of grief in the wake of 9/11. From the aeries of municipal government and social power, to the wolf-pack cynicism of the press, to the everyday lives of the most invisible of illegal immigrants and all the families that were left behind, Waldman captures a wildly diverse city wrestling with itself in the face of a shared trauma like no other in its history.” ―Richard Price, author of Freedomland and Lush Life “Waldman fluidly blends her reporter's skill . . . at rapid-fire storytelling with a novelist's gift for nuanced characterization. She dares readers to confront their own complicated prejudices steeped in faith, culture, and class. This is an insightful, courageous, heartbreaking work that should be read, discussed, then read again.” ―Sally Bissell, Library Journal (starred review) “Amy Waldman writes like a possessed angel. She also has the emotional smarts to write a story about Islam in America that fearlessly lasers through all our hallucinatory politics with elegant concision. This is no dull and worthy saga; it's a literary breakthrough that reads fast and breaks your heart.” ―Lorraine Adams, author of Harbor and The Room and the Chair “Frighteningly plausible and tightly wound . . . Waldman addresses with a refreshing frankness thorny moral questions and ethical ironies without resorting to breathless hyperbole.” ― Publishers Weekly (starred review) “A gorgeously written novel of ideas... The Submission is sure to generate a lot of discussion in book clubs across the land.” ― NPR's Fresh Air Amy Waldman was co-chief of the South Asia bureau of The New York Times . Her fiction has appeared in The Atlantic and the Boston Review and is anthologized in The Best American Nonrequired Reading 2010 . She lives with her family in Brooklyn. The Submission is her first novel.

Features & Highlights

  • A
  • New York Times Book Review
  • Notable Book of the YearAn
  • Entertainment Weekly
  • Best Novel of the Year An NPR Top Ten Novel of the YearA
  • Washington Post
  • Notable Book of the Year
  • Esquire
  • Book of the Year
  • A jury chooses a memorial for the victims of a devastating terrorist attack on Manhattan, only to learn that the anonymous designer is an American Muslim -- an enigmatic architect named Mohammad Khan. His selection reverberates across a divided, traumatized country and, more intimately, through individual lives. Claire Burwell, the sole widow on the jury, becomes Khan's fiercest defender. But when the news of his selection becomes public, she comes under pressure from outraged family members and into collision with hungry journalists, opportunistic politicians, and even Khan himself. A story of clashing convictions and emotions, and a cunning satire of political ideals, Amy Waldman's
  • The Submission
  • is a resonant novel for our times.

Customer Reviews

Rating Breakdown

★★★★★
30%
(266)
★★★★
25%
(222)
★★★
15%
(133)
★★
7%
(62)
23%
(203)

Most Helpful Reviews

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disappointing

Unfortunately the book is quite predictable. Its post 9/11 NYC and the government has pulled together an "unbiased" jury to decide on the 9/11 memorial to be built at site of the Twin Towers. The beautiful garden chosen is, no surprise, designed by Mohammad Khan, a Muslim. The jury process was blind to the actual designers so it's a shake up to learn that they chose a Muslim. The book is populated with all the expected post 9/11 characters: family members who have turned into professional victims; Extreme right wingers who see Islamic conspiracy theories at every turn; and far left wingers who believe embracing Islam is the only means of healing...and so it goes back and forth through all these characters.
The author misses the opportunity to really explore the grief process, how NYC collectively grieved , how different people handle it especially how some can move one and how others have chosen hate to fill the space left by their deceased loved one.
There is one plot twist but it is not enough to really excite the reader. Ultimately this book was a disappointment.
13 people found this helpful
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As overpopulated with similes as a dog with ticks

I read only a quarter of the book (for book club) because I never cared about any of the two-dimensional characters and really lost interest when the writing quickly became choked with similes. A man notices that the part in a woman's hair is as straight and white as a jet's contrail. Really? Others in the book club said their interest in the story got them past the writing, but I just couldn't feel engaged by any aspect of the book.
11 people found this helpful
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Well written, thought provoking and gripping

It's one of the best books I've read this year. Set within the familiar post 9/11 trauma, the dilemma of a Muslim, albeit an American, winning the design contest of what memorializes what was lost at Ground Zero seems emotionally real. Characters in all their human frailties are realistically shown. Prejudices, ambition, manipulation -- all play a part in the unfolding tragedy that changes life direction for many of the players. It's a stirring, disturbing scenario that makes you think and sorrow over how whole groups of people, beliefs, and religions can be misunderstood and vilified. The line near the end about how we -- how America self corrects was hopeful.
3 people found this helpful
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Have you ever picked up a book and said it was not for you?

First of all, I have a very hard time with stories that re-manufacture an important event for the purposes of a fictional novel. As a result, I'm quite put off by the premise of The Submission, as I'd be much more interested in the true story about the 9/11 memorial. The word SACRED is used several times in the book -- how does this author not see the actual event as being somewhat sacred?

I picked the book up several times because I was enlisted to host the book for our book club -- not by my choice -- and finally found that I could read it alongside a really fantastic memoir! Then, it seemed to move in the most predictable manner with characters that I care little about, so I quit for the umpteenth time. Just means that I'll have to pick it up again in December, the month in which I host.

Oh, I know, we need to learn something from prejudice. But, this book rather preaches to the choir. I just can't help wondering why a totally "novel" novel couldn't have made some of the same statements. My real reaction is OUCH! Why is this book getting such attention?
3 people found this helpful
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Thought Provoking Read

This fictional story is about some of the possible prejudices that America was left with after the horrible attack of 9/11. A monument is to be built for the victims where the World Trade Towers stood. The public is invited to submit proposals for the design and the winner is chosen anonymously. The successful design was a beautiful, serene garden, then the name of the designer is revealed and he was a model American from Muslim decent. His name was Mohammad Khan. The hysteria, whipped up by the newspapers, that this fact generates has devastating effects. It leads to soul searching for all parties, from family members of victims to the average Joe on the street.

I thoroughly enjoyed this book. I like to read books that make me contemplate what I would do. I was able to put myself in everyone’s shoes and understand why they felt the way they did. I also could appreciate each characters moral dilemma. Although the author may have felt she needed a huge cast of characters, I do feel that there were too many and they were not completely developed. Some were stereotypical. Also, the characters were sometimes called by different names (sometimes first name, sometimes last) and I found this very confusing.

Barring the few glitches mentioned about, this book is a riveting story for discussion with friends or just for self-contemplation.
2 people found this helpful
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THIS FICTIONAL "ALTERNATIVE HISTORY" IS OFTEN THOUGHT PROVOKING ... BUT SELDOM EMOTIONALLY GRIPPING

Amy Waldman's novel THE SUBMISSION (New York, 2011), a fictional "alternative history" of the aftermath of 9/11 in New York City, is structured a bit like a geodesic dome or an igloo: it circles around a large cast of characters who are each dealt with at intervals and whose paths occasionally cross, sometimes by chance, sometimes by their deliberate choices. It also resembles the fine movie LOVE ACTUALLY (2003), which has a similarly large cast, shown in a similar kind of rotation.

Within this large cast, two characters are the most important: Claire Burwell, a widow whose husband died in the collapse of the World Trade Center's towers on 9/11, and Mohammad ("Mo") Khan, an American Muslim architect whose anonymously submitted design was chosen as the winner for the 9/11 Memorial. Claire, the mother of two young children, is a prominent and forceful juror on the committee that selected Khan's design.

Other key characters include the unscrupulously ambitious female governor of New York, the unsavory reporter who works for the NY POST, the wishy-washy liberal editor of the NEW YORKER, the radio personality/bigot-stirrer who is meant to resemble Rush Limbaugh, the female Muslim lawyer who helps Khan, the Muslim widow of a Bangledeshi worker who died when the Twin Towers collapsed, the insecure but outspoken Irish-American brother of a fireman who also died in the collapse, several other members of the selection jury and its leader ... and relatives, friends, associates, and neighbors of these people.

Most of these characters are presented in a tepidly realistic manner through dialogue and an omniscient narrator's summary of their inner thoughts and feelings, but about fifteen percent of them are caricatures of professional and ethnic and political "types." I found this shifting back and forth between realism and satire a bit annoying.

On very rare occasions, as the novel's central struggle unfolds between pro-Khan factions and anti-Khan factions, a character will say or do something that is emotionally gripping or emotionally touching. For the most part, sadly, this novel does not make us care about its characters one way or the other. We are, as it were, "kept at a distance" from them the great majority of the time, perhaps by the author's intent, perhaps despite her efforts to bring us in closer.

As a fictional alternative history, THE SUBMISSION extends into the near future where Claire Burwell's children have grown up and where she and Mo Khan are in middle age. All the controversies have died down; several of the opponents are dead; others are prospering in new ways; some have disappeared from view. Thankfully, the closing scene of this book is its most emotionally touching.

NOTE: Two relatively minor technical points may annoy a few readers of this novel. First, the omniscient narrator often adopts the common (mis)usage of substituting "like" for "as" and "as if." Further, this omniscient narrator likes to "decorate" some passages of the narrative with metaphors of various kinds (e.g., one character's movements are described as "eeling"). While the great mystery author P. D. James often does this sort of decorating as well, I personally prefer metaphors to be ascribed to the viewpoints of an author's characters (e.g., in MY FAIR LADY, Prof. Henry Higgins sings of meeting his former student at a ball: "Oozing charm from every pore / He OILED his way across the floor!").
2 people found this helpful
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Became Predictable

Spoilers Within

Despite some good jolts near the end, for me, this book was a let down. It felt more like a long editorial on Islam, Islamophobia... where the various characters spout off whatever point of view the author wishes to portray.

The story centers on submissions for architectural designs for a memorial to the victims of 9/11. After the jury has made a decision on the winner they discover that the architect is named Mohammed and is a Muslim, after which all hell breaks lose. The book never veers away from this topic and it becomes like a repetitive sledge hammer. I found the characters (if you can call them that) one dimensional; they were mouthpieces. Claire, I found to be simply irritating.

There are also some dangling threads. Our main protagonist, Mohammed, has an interview with a fatuous news anchor (Sarge), but there is no follow-up to this. And who killed Asma, and why? Was this the author's way of creating sympathy or action? I also feel that poor Asma would have been severely exploited within her community after receiving the one million dollar compensation as widow of a 9/11 victim.

The premise of the book is definitely an eye-catching subject matter - unfortunately it became rather predictable, it lacked character and nuance.
2 people found this helpful
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Fascinating Treatment of a Complex Situation

Wonderfully crafted story, the premise being that the winner of an anonymous competition to design a memorial in honor of the fallen at 9/11 turns out to be a muslim. I was completely caught up in all the angles, all the reactions, all the interpersonal dynamics as they unfolded in this book. My hat is off to the author who avoided the easy trap of painting some people as "in the right" and others as "in the wrong". Instead, the characters are fully formed humans with loveliness and ugliness coexisting and as frustrating as they sometimes were, I understood each of them. This was an engrossing read and I do recommend it.
2 people found this helpful
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The best book about a post September 11th world?

That's what most of the reviews said, and with them I must concur (having read many of this genre -- if one can call writing about this tragedy "genre"). Amy Waldman's writing is snappy & smart, and she writes with great verve. She also has her pen/keyboard on the pulse of a post-September 11th United States of America in ways that are scary, exhilarating, and funny. This is a book that Tom Wolfe should've written, but could not possibly have (exclamation points have no place in this book).

It also treats nicely -- without mentioning it -- Daniel Libeskind's original project for the memorial, and how that didn't happen.
2 people found this helpful
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The Secret to Being at Peace

"Perhaps this was the secret to being at peace: want nothing but what is given to you." So observes a woman named Asma Haque, an illegal immigrant from Bangladesh whose husband died on September 11 in New York City. Asma is a pivotal character in Amy Waldman's much-discussed first novel "The Submission" (2011). Set two years after September 11, Waldman's novel explores the commemoration of the event. A carefully chosen blind jury choses a design for a geometrically-shaped garden to commemorate the tragedy of the day. When it made its decision, the jury was unaware that an American Muslim, Mohammad ("Mo") Kahn, an architect and a secular individual, had designed and "submitted" the proposal. Waldman's novel explores the outcry and controversy that resulted from the selection of a Muslim to design a memorial to the victims of the terrorist attack.

It is difficult to write a novel about a political event still fresh in the mind. Even more so, it is difficult to write fiction convincingly when setting up a problematical hypothesis and exploring its claimed implications and possibilities. Such situations are more frequently explored as law school or ethics class problems (the problem of the "runaway trolley", for example, for those familiar with current literature in ethics), rather than in novels demanding the development of stories, specifics and characters. There is a danger of didacticism. I thought Waldman's novel alternatively fell into this predicament and then managed to escape from it. I was in turns infuriated and moved. Much of the book is polemical with the chief targets, as might be expected, American conservatives. But the book, however falteringly, rises above politics. The novel is thoughtful and absorbing and, with some reluctance, I thought it succeeded.

Although the novel includes stereotypical character types and situations, the protagonists are generally fleshed out sufficiently to become believable. The primary character, Mohammad Kahn, is a gifted architect and an assimilated American who can be stubborn and set in his path when he is convinced he is right -- as in the scenario developed in the book, he may well be. Other characters include a rabble-rousing conservative talk show host and several mostly unsympathetic opponents to Kahn's design who act in the book from their undifferentiated hostility to Islam. The book's characters include an ambitious, agressive reporter who helps fan the controversy, members of the jury who must respond to the public outcry, the Governor of New York, a woman and a Democrat who tries to exploit the crisis to promote her presidential ambitions, and more. Underlying it all is trying to find the "right" thing to do in an apparently intractible situation. Waldman explores different ways of determining what might be the "right" thing to do. Thus some of the characters want to act from what they see as principle, with no compromise. Other characters think that determining the "right" solution must include an element of pragmatism and compromise, including seeing the issue in part from the perspective of one's opponents. Still other characters act primarily from expediency or self-interest.

While focusing on the planned memorial, Waldman's novel also examines other issues in American culture and looks at various ways of resolving differences. Thus the primary secondary issue of the book, not the only one, is gender and the unresolved tensions not far below the surface in the contemporary United States in the way people see gender roles. Some of the book is painful with moments of stridency alternating with moments of a good amount of insight.

The studied ambiguity of the novel's title tells much about it. At its simplest level the "Submission" refers to Mohammad Kahn's entry in the memorial design competition. "Submission" to the Will of God is also a key component of Islam. But the broader meaning of "submission" involves self and self-identity and when to act upon them and when they might be given up. Questions of individual identity and selfhood permeate American life and this novel. Waldman's book explores compromising one's principles, even if deeply held, and when this may be properly done. Again, in Waldman's book the question occurs in the context of the memorial and in the context of various gender-related issues. The deeper question is differentiating principle from selfhood, an issue at the center of a good deal of religious and philosophical thought. It is the question which Asma Hague tries to answer in the sentence which opens this review. It is also a question that Mohammad Kahn asks himself on several occasions, most prominently during a visit to Afghanistan that is not recounted until late in the novel. Nonreligious himself, Kahn observes an Afghan man prostrate himself in prayer in a lonely garden. Absorbed in prayer, the man is oblivious to his surroundings. Waldman and Kahn observe:

"But today, the Afghan, deep in his prostrations, did not acnowledge Mo, even as together they formed a line, a wall, a mosque; he cared not at all for Mo's judgment. He had forgotten himself, and this was the truest submission."

A frustrating but good novel, "The Submission" reminded me of the difficult tasks of letting go of oneself, both in individual and in communal life.

Robin Friedman
2 people found this helpful