The Vegetarian: A Novel
The Vegetarian: A Novel book cover

The Vegetarian: A Novel

Kindle Edition

Price
$9.99
Publisher
Hogarth
Publication Date

Description

“Surreal . . . [A] mesmerizing mix of sex and violence .” —Alexandra Alter, The New York Times “[Han Kang] has been rightfully celebrated as a visionary in South Korea . . . Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable. . . . Ultimately, though, how could we not go back to Kafka? More than The Metamorphosis , Kafka’s journals and ‘A Hunger Artist’ haunt this text.” —Porochista Khakpour, New York Times Book Review “Indebted to Kafka, this story of a South Korean woman’s radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock.” — O: The Oprah Magazine “ The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender .”—Laura Miller, Slate “Slim and spiky and extremely disturbing . . . I find myself thinking about it weeks after I finished.” Jennifer Weiner, PopSugar “It takes a gifted storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent.” — Chicago Tribune "Compelling . . . [A] seamless union of the visceral and the surreal.”— Los Angeles Review of Books “A complex, terrifying look at how seemingly simple decisions can affect multiple lives . . . In a world where women’s bodies are constantly under scrutiny, the protagonist’s desire to disappear inside of herself feels scarily familiar.”— Vanity Fair “Elegant . . . a stripped-down, thoughtful narrative . . . about human psychology and physiology.”— HuffPost “This elegant-yet-twisted horror story is all about power and its relationship with identity. It's chilling in the best ways, so buckle in and turn down the lights.”— Elle “This haunting, original tale explores the eros, isolation and outer limits of a gripping metamorphosis that happens in plain sight. . . . Han Kang has written a remarkable novel with universal themes about isolation, obsession, duty and desire.” — Minneapolis Star Tribune “Complex and strange . . . Han’sxa0prose moves swiftly, riveted on the scene unfolding in a way that makes this story compulsively readable. . . . [ The Vegetarian ] demands you to ask important questions, and its vivid images will be hard to shake. This is a book that will stay with you.” — St. Louis Post-Dispatch “Dark dreams, simmering tensions, chilling violence . . . This South Korean novel is a feast. . . . It is sensual, provocative and violent, ripe with potent images, startling colors and disturbing questions. . . . Sentence by sentence, The Vegetarian is an extraordinary experience.”— The Guardian Han Kang was born in 1970 in South Korea. In 1993 she made her literary debut as a poet, and was first published as novelist in 1994. A participant of the Iowa Writers' Workshop, Han has won the Man Booker International Prize, the Yi Sang Literary Prize, the Today's Young Artist Award, and the Manhae Literary Prize. She currently works as a professor in the Department of Creative Writing at the Seoul Institute of the Arts. --This text refers to the hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. ***This excerpt is from an advance uncorrected proof***Copyrightxa0© 2015 Han Kang 1 The Vegetarian Before my wife turned vegetarian, I’d always thought of her as completely unremarkable in every way. To be frank, the first time I met her I wasn’t even attracted to her. Middling height; bobbed hair neither long nor short; jaundiced, sickly-looking skin; somewhat prominent cheekbones; her timid, sallow aspect told me all I needed to know. As she came up to the table where I was waiting, I couldn’t help but notice her shoes – the plainest black shoes imaginable. And that walk of hers – neither fast nor slow, striding nor mincing. However, if there wasn’t any special attraction, nor did any particular drawbacks present themselves, and therefore there was no reason for the two of us not to get married. The passive personality of this woman in whom I could detect neither freshness nor charm, or anything especially refined, suited me down to the ground. There was no need to affect intellectual leanings in order to win her over, or to worry that she might be comparing me to the preening men who pose in fashion catalogues, and she didn’t get worked up if I happened to be late for one of our meetings. The paunch that started appearing in my mid-twenties, my skinny legs and forearms that steadfastly refused to bulk up in spite of my best efforts, the inferiority complex I used to have about the size of my penis – I could rest assured that I wouldn’t have to fret about such things on her account. I’ve always inclined towards the middle course in life. At school I chose to boss around those who were two or three years my junior, and with whom I could act the ringleader, rather than take my chances with those my own age, and later I chose which college to apply to based on my chances of obtaining a scholarship large enough for my needs. Ultimately, I settled for a job where I would be provided with a decent monthly salary in return for diligently carrying out my allotted tasks, at a company whose small size meant they would value my unremarkable skills. And so it was only natural that I would marry the most run-of-the-mill woman in the world. As for women who were pretty, intelligent, strikingly sensual, the daughters of rich families – they would only ever have served to disrupt my carefully ordered existence. In keeping with my expectations, she made for a completely ordinary wife who went about things without any distasteful frivolousness. Every morning she got up at six a.m. to prepare rice and soup, and usually a bit of fish. From adolescence she’d contributed to her family’s income through the odd bit of part-time work. She ended up with a job as an assistant instructor at the computer graphics college she’d attended for a year, and was subcontracted by a manhwa publisher to work on the words for their speech bubbles, which she could do from home. She was a woman of few words. It was rare for her to demand anything of me, and however late I was in getting home she never took it upon herself to kick up a fuss. Even when our days off happened to coincide, it wouldn’t occur to her to suggest we go out somewhere together. While I idled the afternoon away, TV remote in hand, she would shut herself up in her room. More than likely she would spend the time reading, which was practically her only hobby. For some unfathomable reason, reading was something she was able to really immerse herself in – reading books that looked so dull I couldn’t even bring myself to so much as take a look inside the covers. Only at mealtimes would she open the door and silently emerge to prepare the food. To be sure, that kind of wife, and that kind of lifestyle, did mean that I was unlikely to find my days particularly stimulating. On the other hand, if I’d had one of those wives whose phones ring on and off all day long with calls from friends or co-workers, or whose nagging periodically leads to screaming rows with their husbands, I would have been grateful when she finally wore herself out. The only respect in which my wife was at all unusual was that she didn’t like wearing a bra. When I was a young man barely out of adolescence, and my wife and I were dating, I happened to put my hand on her back only to find that I couldn’t feel a bra strap under her sweater, and when I realized what this meant I became quite aroused. In order to judge whether she might possibly have been trying to tell me something, I spent a minute or two looking at her through new eyes, studying her attitude. The outcome of my studies was that she wasn’t, in fact, trying to send any kind of signal. So if not, was it laziness, or just a sheer lack of concern? I couldn’t get my head round it. It wasn’t even as though she had shapely breasts which might suit the ‘no-bra look’. I would have preferred her to go around wearing one that was thickly padded, so that I could save face in front of my acquaintances. Even in the summer, when I managed to persuade her to wear one for a while, she’d have it unhooked barely a minute after leaving the house. The undone hook would be clearly visible under her thin, light-coloured tops, but she wasn’t remotely concerned. I tried reproaching her, lecturing her to layer up with a vest instead of a bra in that sultry heat. She tried to justify herself by saying that she couldn’t stand wearing a bra because of the way it squeezed her breasts, and that I’d never worn one myself so I couldn’t understand how constricting it felt. Nevertheless, considering I knew for a fact that there were plenty of other women who, unlike her, didn’t have anything particularly against bras, I began to have doubts about this hypersensitivity of hers. In all other respects, the course of our our married life ran smoothly. We were approaching the five-year mark, and since we were never madly in love to begin with we were able to avoid falling into that stage of weariness and boredom that can otherwise turn married life into a trial. The only thing was, because we’d decided to put off trying for children until we’d managed to secure a place of our own, which had only happened last autumn, I sometimes wondered whether I would ever get to hear the reassuring sound of a child gurgling ‘dada’, and meaning me. Until a certain day last February, when I came across my wife standing in the kitchen at day-break in just her nightclothes, I had never considered the possibility that our life together might undergo such an appalling change. ‘What are you doing standing there?’ I’d been about to switch on the bathroom light when I was brought up short. It was around four in the morning, and I’d woken up with a raging thirst from the bottle and a half of soju I’d had with dinner, which also meant I was taking longer to come to my senses than usual. ‘Hello? I asked what you’re doing?’ It was cold enough as it was, but the sight of my wife was even more chilling. Any lingering alcohol-induced drowsiness swiftly passed. She was standing, motionless, in front of the fridge. Her face was submerged in the darkness so I couldn’t make out her expression, but the potential options all filled me with fear. Her thick, naturally black hair was fluffed up, dishevelled, and she was wearing her usual white ankle-length nightdress. On such a night, my wife would ordinarily have hurriedly slipped on a cardigan and searched for her towelling slippers. How long might she have been standing there like that – barefoot, in thin summer nightwear, ramrod straight as though perfectly oblivious to my repeated interrogation? Her face was turned away from me, and she was standing there so unnaturally still it was almost as if she were some kind of ghost, silently standing its ground. What was going on? If she couldn’t hear me then perhaps that meant she was sleepwalking. I went towards her, craning my neck to try and get a look at her face. ‘Why are you standing there like that? What’s going on . . .’ When I put my hand on her shoulder I was surprised by her complete lack of reaction. I had no doubt that I was in my right mind and all this was really happening; I had been fully conscious of everything I had done since emerging from the living room, asking her what she was doing, and moving towards her. She was the one standing there completely unresponsive, as though lost in her own world. It was like those rare occasions when, absorbed in a late-night TV drama, she’d failed to notice me arriving home. But what could there be to absorb her attention in the pale gleam of the fridge’s white door, in the pitch-black kitchen at four in the morning? ‘Hey!’ Her profile swam towards me out of the darkness. I took in her eyes, bright but not feverish, as her lips slowly parted. ‘. . . I had a dream.’ Her voice was surprisingly clear. ‘A dream? What the hell are you talking about? Do you know what time it is?’ She turned so that her body was facing me, then slowly walked off through the open door into the living room. As she entered the room she stretched out her foot and calmly pushed the door to. I was left alone in the dark kitchen, looking helplessly on as her retreating figure was swallowed up through the door. I turned on the bathroom light and went in. The cold snap had continued for several days now, consistently hovering around -10°C. I’d showered only a few hours ago, so my plastic shower slippers were still cold and damp. The loneliness of this cruel season began to make itself felt, seeping from the black opening of the ventilation fan above the bath, leaching out of the white tiles covering the floor and walls. When I went back into the living room my wife was lying down, her legs curled up to her chest, the silence so weighted I might as well have been alone in the room. Of course, this was just my fancy. If I stood perfectly still, held my breath and strained to listen, I was able to hear the faintest sound of breathing coming from where she lay. Yet it didn’t sound like the deep, regular breathing of someone who has fallen asleep. I could have reached out to her, and my hand would have encountered her warm skin. But for some reason I found myself unable to touch her. I didn’t even want to reach out to her with words. For the few moments immediately after I opened my eyes the next morning, when reality had yet to assume its usual concreteness, I lay with the quilt wrapped about me, absent-mindedly assessing the quality of the winter sunshine as it filtered into the room through the white curtain. In the middle of this fit of abstraction I happened to glance at the wall clock and jumped up the instant I saw the time, kicked the door open and hurried out of the room. My wife was in front of the fridge. ‘Are you crazy? Why didn’t you wake me up? What time is . . .’ Something squashed under my foot, stopping me in mid-sentence. I couldn’t believe my eyes. She was crouching, still wearing her nightclothes, her dishevelled, tangled hair a shapeless mass around her face. Around her, the kitchen floor was covered with plastic bags and airtight containers, scattered all over so that there was nowhere I could put my feet without treading on them. Beef for shabu-shabu, belly pork, two sides of black beef shin, some squid in a vacuum-packed bag, sliced eel that my mother-in-law had sent us from the countryside ages ago, dried croaker tied with yellow string, unopened packs of frozen dumplings and endless bundles of unidentified stuff dragged from the depths of the fridge. There was a rustling sound; my wife was busy putting the things around her one by one into black rubbish bags. Eventually I lost control. ‘What the hell are you up to now?’ I shouted. She kept on putting the parcels of meat into the rubbish bags, seemingly no more aware of my existence than she had been last night. Beef and pork, pieces of chicken, at least 200,000-won worth of saltwater eel. ‘Have you lost your mind? Why on earth are you throwing all this stuff out?’ I hurriedly stumbled my way through the plastic bags and grabbed her wrist, trying to prise the bags from her grip. Stunned to find her fiercely tugging back against me, I almost faltered for a moment, but my outrage soon gave me the strength to overpower her. Massaging her reddened wrist, she spoke in the same ordinary, calm tone of voice she’d used before. ‘I had a dream.’ Those words again. Her expression as she looked at me was perfectly composed. Just then my mobile rang. ‘Damn it!’ I started to fumble through the pockets of my coat, which I’d tossed onto the living room sofa the previous evening. Finally, in the last inside pocket, my fingers closed around my recalcitrant phone. ‘I’m sorry. Something’s come up, an urgent family matter, so . . . I’m very sorry. I’ll be there as quickly as possible. No, I’m going to leave right now. It’s just . . . no, I couldn’t possibly have you do that. Please wait just a little longer. I’m very sorry. Yes, I really can’t talk right now . . .’ I flipped my phone shut and dashed into the bathroom, where I shaved so hurriedly that I cut myself in two places. ‘Haven’t you even ironed my white shirt?’ There was no answer. I splashed water on myself and rummaged in the laundry basket, searching for yesterday’s shirt. Luckily it wasn’t too creased. Not once did my wife bother to peer out from the kitchen in the time it took me to get ready, slinging my tie round my neck like a scarf, pulling on my socks, and getting my notebook and wallet together. In the five years we’d been married this was the first time I’d had to go to work without her handing me my things and seeing me off. ‘You’re insane! You’ve completely lost it.’ I crammed my feet into my recently purchased shoes, which were too narrow and pinched uncomfortably, threw open the front door and ran out. I checked whether the lift was going to go all the way up to the top floor, and then dashed down three flights of stairs. Only once I’d managed to jump on the underground train as it was just about to leave did I have time to take in my appearance, reflected in the dark carriage window. I ran my fingers through my hair, did up my tie, and attempted to smooth out the creases in my shirt. My wife’s unnaturally serene face, her incongruously firm voice, surfaced in my mind. I had a dream – she’d said that twice now. Beyond the window, in the dark tunnel, her face flitted by – her face, but unfamiliar, as though I was seeing it for the first time. However, as I had thirty minutes in which to concoct an excuse for my client that would justify my lateness, as well as putting together a draft proposal for today’s meeting, there was no time for mulling over the strange behaviour of my even-stranger wife. Having said that, I told myself that somehow or other I had to leave the office early today (never mind that in the several months since I’d switched to my new position there hadn’t been a single day where I’d got off before midnight), and steeled myself for a confrontation. Dark woods. No people. The sharp-pointed leaves on the trees, my torn feet. This place, almost remembered, but I’m lost now. Frightened. Cold. Across the frozen ravine, a red barn-like building. Straw matting flapping limp across the door. Roll it up and I’m inside, it’s inside. A long bamboo stick strung with great blood-red gashes of meat, blood still dripping down. Try to push past but the meat, there’s no end to the meat, and no exit. Blood in my mouth, blood-soaked clothes sucked onto my skin. Somehow a way out. Running, running through the valley, then suddenly the woods open out. Trees thick with leaves, springtime’s green light. Families picnicking, little children running about, and that smell, that delicious smell. Almost painfully vivid. The babbling stream, people spreading out rush mats to sit on, snacking on kimbap. Barbecuing meat, the sounds of singing and happy laughter. But the fear. My clothes still wet with blood. Hide, hide behind the trees. Crouch down, don’t let anybody see. My bloody hands. My bloody mouth. In that barn, what had I done? Pushed that red raw mass into my mouth, felt it squish against my gums, the roof of my mouth, slick with crimson blood. Chewing on something that felt so real, but couldn’t have been, it couldn’t. My face, the look in my eyes . . . my face, undoubtedly, but never seen before. Or no, not mine, but so familiar. . . nothing makes sense. Familiar and yet not . . . that vivid, strange, horribly uncanny feeling. On the dining table my wife had laid out lettuce and soybean paste, plain seaweed soup without the usual beef or clams, and kimchi. ‘What the hell? So all because of some ridiculous dream, you’ve gone and chucked out all the meat? Worth how much?’ I got up from my chair and opened the freezer. It was practically empty – nothing but miso powder, chilli powder, frozen fresh chillies, and a pack of minced garlic. ‘Just make me some fried eggs. I’m really tired today. I didn’t even get to have a proper lunch.’ ‘I threw the eggs out as well.’ ‘ What? ’ ‘And I’ve given up milk too.’ ‘This is unbelievable. You’re telling me not to eat meat?’ ‘I couldn’t let those things stay in the fridge. It wouldn’t be right.’ How on earth could she be so self-centred? I stared at her lowered eyes, her expression of cool self-possession. The very idea that there should be this other side to her, one where she selfishly did as she pleased, was astonishing. Who would have thought she could be so unreasonable? ‘So you’re saying that from now on, there’ll be no meat in this house?’ ‘Well, after all, you usually only eat breakfast at home. And I suppose you often have meat with your lunch and dinner, so . . . it’s not as if you’ll die if you go without meat just for one meal.’ Her reply was so methodical, it was as if she thought that this ridiculous decision of hers was something completely rational and appropriate. ‘Oh good, so that’s me sorted then. And what about you? You’re claiming that you’re not going to eat meat at all from now on?’ She nodded. ‘Oh, really? Until when? ‘I suppose . . . forever.’ I was lost for words, though at the same time I was aware that choosing a vegetarian diet wasn’t quite so rare as it had been in the past. People turn vegetarian for all sorts of reasons: to try and alter their genetic predisposition towards certain allergies, for example, or else because it’s seen as more environmentally friendly not to eat meat. Of course, Buddhist priests who have taken certain vows are morally obliged not to participate in the destruction of life, but surely not even impressionable young girls take it quite that far. As far as I was concerned, the only reasonable grounds for altering one’s eating habits were the desire to lose weight, an attempt to alleviate certain physical ailments, being possessed by an evil spirit, or having your sleep disturbed by indigestion. In any other case, it was nothing but sheer obstinacy for a wife to go against her husband’s wishes as mine had done. If you’d said that my wife had always been faintly nauseated by meat, then I could have understood it, but in reality it was quite the opposite – ever since we’d got married she had proved herself a more than competent cook, and I’d always been impressed by her way with food. Tongs in one hand and a large pair of scissors in the other, she’d flipped rib meat in a sizzling pan whilst snipping it into bite-sized pieces, her movements deft and practised. Her fragrant, caramelised deep-fried belly pork was achieved by marinating the meat in minced ginger and glutinous starch syrup. Her signature dish had been wafer-thin slices of beef seasoned with black pepper and sesame oil, then coated with sticky rice powder as generously as you would with rice cakes or pancakes, and dipped in bubbling shabu-shabu broth. She’d made bibimbap with bean sprouts, minced beef, and pre-soaked rice stir-fried in sesame oil. There had also been a thick chicken and duck soup with large chunks of potato, and a spicy broth packed full of tender clams and mussels, of which I could happily polish off three helpings in a single sitting. What I was presented with now was a sorry excuse for a meal. Her chair pulled back at an angle, my wife spooned up some seaweed soup, which was quite clearly going to taste of water and nothing else. She balanced rice and soybean paste on a lettuce leaf, then bundled the wrap into her mouth and chewed it slowly. I just couldn’t understand her. Only then did I realize: I really didn’t have a clue when it came to this woman. ‘Not eating?’ she asked absent-mindedly, for all the world like some middle-aged woman addressing her grown-up son. I sat in silence, steadfastly uninterested in this poor excuse for a meal, crunching on kimchi for what felt like an age. --This text refers to the hardcover edition. Read more

Features & Highlights

  • WINNER OF THE INTERNATIONAL BOOKER PRIZE • “[Han] Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms of renunciation.”—
  • Entertainment Weekly
  • “Ferocious.”—
  • The New York Times Book Review
  • (Ten Best Books of the Year)
  • “Both terrifying and terrific.”—Lauren Groff
  • “Provocative [and] shocking.”—
  • The Washington Post
  • Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.  Celebrated by critics around the world,
  • The Vegetarian
  • is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
  • One of the Best Books of the Year—
  • BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly

Customer Reviews

Rating Breakdown

★★★★★
30%
(2.6K)
★★★★
20%
(1.7K)
★★★
15%
(1.3K)
★★
7%
(610)
28%
(2.4K)

Most Helpful Reviews

✓ Verified Purchase

The Vegetarian by Han Kang: A review

What a strange little book. I tried to think of something in my reading experience with which to compare it and the only thing that came to mind was Kafka's The Metamorphosis, but instead of waking up to find herself transformed into a giant insect, Yeong-hye awoke one morning from a troubled dream of blood and gore and cruelty and decides to give up the eating of all flesh; to become a vegetarian. For her avidly meat-eating family, a metamorphosis into a giant cockroach might have been preferable. They are appalled and outraged.

At a family gathering some time after she makes her decision, they try to force her to eat meat. Her brutal father slaps her twice and forces a piece of meat between her lips, but Yeong-hye manages to spit it out and then grabs a knife and slits her wrist. As her blood spurts out, the only one who comes to her aid is her brother-in-law, while her parents, her husband, sister, brother, and sister-in-law look on. What is wrong with these people? Well, a lot, apparently.

We learn about it all from three different sources: the odious husband, the brother-in-law, and, finally, the sister.

The husband's tale starts with his description of his impressions on meeting the woman who was to become his wife. To say his was underwhelmed would be an understatement. To be fair, his description of himself is just as unflattering. I laughed out loud at the husband's sardonic depictions of the two of them, but it was the only time in the book that I felt any inclination toward jocularity.

As his wife of five years makes her decision to become a vegetarian, all the husband can think about is how this affects him and what his employer and their acquaintances will think. He is totally self-absorbed.

The brother-in-law becomes obsessed with Yeong-hye after the incident at the family gathering. He is an artist. His medium is videos and he becomes consumed by the idea of featuring his sister-in-law's naked body in his videos. He wants to paint flowers on her body and film her. She agrees to this. His fixation then moves on to filming her having sex. He persuades a fellow artist to allow him to paint flowers on his body and to be Yeong-hye's partner, but when it comes to the point of actually engaging in sex, the partner backs out. The brother-in-law then takes over - which is what he wanted to do all along - and videotapes himself having sex with her. The sister discovers them together.

The last section of the book is the sister's tale and there we learn some of Yeong-hye's back story. We learn, for example, that she was an abused child. She was the middle child with her older sister and younger brother, and her father took out his rage on her. Her sister feels guilty that she did not do more to protect her or support her.

Through the sister's eyes, we see Yeong-hye descending from a healthy vegetarianism into anorexia. She goes from refusing to eat meat to, finally, refusing to eat, period. She is diagnosed with a mental illness and hospitalized. Her husband divorces her. Her parents and brother abandon her. The only one who stands by her in the end is her sister.

Yeong-hye is slowly starving herself to death, even as her sister tries to pull her back and persuade her to eat. She dreams of transforming herself into a tree. Finally, she asks her sister who is trying to persuade her to live, "Why, is it such a bad thing to die?"

In Korean society, where societal mores are expected to be strictly obeyed, her decision to become a vegetarian and live a more plant-based life is seen as an act of subversion. This disturbing novel should evidently be read as an allegory about modern life in Korea, and about obsession and the choices we make, as well as our stumbling attempts to try to understand each other. This is an impressive bit of story-telling by a very talented writer.

Just a note also about the translator: I read this book in English and it was a thoroughly lithe and graceful translation. The translator was Deborah Smith and she, too, is an artist.
115 people found this helpful
✓ Verified Purchase

The Price of Non-Conformity in a Traditional Culture

"The Vegetarian" is unlike almost any book I've read in many senses. I picked up the book after hearing a lot of advance praise, but carefully avoiding learning much about the plot. When I told people what I was reading they assumed a straight-forward tale about a vegetarian and their personal or political choices. If that is what you're expecting best too look elsewhere.

"The Vegetarian" centers on Yeong-hye, a housewife in South Korea, who after a series of vivid but unresolved dreams becomes repulsed by meat and opts to become a vegetarian. The first section of the book, narrated by her husband, shows the deep divisions this creates within her marriage, both within the boundaries of her home, but also externally as the wife of businessman within South Korean society. There are two dramatically powerful scenes in the first section, one at a dinner event with business partners of her husband, and another at a family meal. Both encounters bring the consequences of non-conformity in South Korea and the emotional and physical violence visited upon the non-conformist.

In the second section, Yeong-hye's brother-in-law, an aspiring visual video artist, narrates the story which centers around sexual and artistic deviation in a very traditional and conservative society. While the third section is told from the vantage point of Yeong-hye's sister as she comes to grips with the consequences of her sister's decision have had on her marriage, her relationship with her parents, her husband and ultimately her sister. She ultimately comes to question her own pre-existing views on conforming to societal and cultural norms, the price one pays for doing so and how to think of a life well lived in such an environment that represses greater self-expression and identity.

"The Vegetarian" is a very thought provoking novel, beautifully written and translated that tackles broader societal questions in a personal and intimate way.
50 people found this helpful
✓ Verified Purchase

Misery

I'm rather sorry I read this depressing book. I had looked at a few reviews that called parts of it "disturbing" but none quite prepared me for the unending misery contained in this slim volume. I read a fair amount of literary fiction and like to think I can find meaning and explore intellectual questions and ideas in almost any well written book, but this was the exception. I kept reading because yes, the author has a way with words and expressions and the story began in an interesting manner, but honestly, I wish I hadn't kept up to the ending, which leaves the reader hanging. There's not a sympathetic character nor ray of hope in the entire book. I was glad I could return it to the library.
18 people found this helpful
✓ Verified Purchase

it felt like it was being bizarre for the sake of being ...

I stuck through the whole book, but honestly didn't come to care about any of these self-indulgent people. I tried! I recognize that it's a fiction and a comment on various thoughts on life, society and psychosis, but I found each person's thought process was so extreme, it felt like it was being bizarre for the sake of being bizarre. I just can't say I liked it. Maybe I'm simply to linear for this one!
15 people found this helpful
✓ Verified Purchase

Something completely different

I chose to read this book because it won the Man Booker International Prize this year for writing and translation. The story is divided into three sections; while I felt the first two held together, I'm not sure what to make of the third section or even what to make of the entire story. It left me unsettled. There's sex, violence, and art. And some food. Then no food. I may have missed the point.
15 people found this helpful
✓ Verified Purchase

The Purloined Person

This is a work of lucid genius. The main character, Yeong-hye, is a non-person, an empty set; more than vegetative, she is as silent but persistent as vegetation itself. Like Mssr. Mersault, she stops making choices, except that she makes one choice at the beginning of the book to stop eating meat, and this choice alone is enough to cut off her person-hood, to the extent her person-hood was accorded much value in the first place.

The novel's three parts are narrated by Yeong-hye's apathetic husband, neurotic brother-in-law, and chronically depressed sister. All three are unable to assign meaning to Yeong-hye's non-meat status, so they are invited to use her as a blank slate for their own failing identities. The husband sees her emptiness - and refusal to eat meat - as an emasculation, so he delivers her to her true patriarch, her father, a war hero, who replaces the husband's ineffectual self with actual brutality. The brother-in-law sees Yeong-hye's perfect nonchalance as a blank canvas for his puerile video art, which slowly degenerates into nothing but lust, including lust for self-abnegation. The sister sees Yeong-hye's gradual recession from the world as the perfect symbol for her own dark, subservient mentality, and she wonders, starkly at the end of the novel, if there is any waking up from the dream that has captured her sister but reveals no meaning.

The novel is not short; it is simply precise. And for the love of god, it is not about vegetarians. Like Edgar Allan Poe's "The Purloined Letter," The Vegetarian is about the angle and limitation of human perception when a symbol won't reveal its meaning. Yeong-hye's plausible but completely surreal status as a non-assertive person gives every aspect of the narrative an allegorical double. Psychologically, the narrators, or meat-eaters if you will, cannot prevent their tentative searches for meaning and identity from turning them into absurdly cruel predators where Yeong-hye is concerned. By insisting on her existence, they cannot help but erase her. This is the nature of meaning: we must impose our own selves on the meaninglessness of symbols or simply admit that the whole thing is an inconsequential dream. The author's prose does everything to accommodate this interpretation. It is even, matter of fact, carefully paced storytelling, nearly devoid of metaphor, except where there is opportunity to over-describe nature, which is a purposeful over-investment in the beautiful but possibly empty image. The story carries you along, and that is all except for what you have to feel about it.
14 people found this helpful
✓ Verified Purchase

This book is very DISTURBING! It is not a ...

This book is very DISTURBING! It is not a whimsical book about a girl who thinks she's becoming a tree. It is the graphic telling of an abuse victim's decent into mental collapse. It should come with a content warning.
11 people found this helpful
✓ Verified Purchase

Dumb

As a vegan, I feel book was indicating that people who cared about animal welfare are mentally ill. I hate this book.
11 people found this helpful
✓ Verified Purchase

Depressing story of abuse and mental illness

Internalized anger, the fate of women and dreams vs. reality with a bit of pornography disguised as art. How did this book become so popular? The only sympathetic character is the sister, who feels guilty over her conditioned passivity. Women are trained to endure, but these two women have their own means of escaping: committing suicide by starving or abandoning a child to live a life that truly belongs to her, although the book ends before we know both outcomes.
10 people found this helpful
✓ Verified Purchase

I just didn't get it

I like to think that I am well read and capable of enjoying "advanced books" but I just didn't get this book and the ending still has me wondering if some of the pages failed to download.
10 people found this helpful