The Waters of Eternal Youth: A Commissario Guido Brunetti Mystery (The Commissario Guido Brunetti Mysteries)
The Waters of Eternal Youth: A Commissario Guido Brunetti Mystery (The Commissario Guido Brunetti Mysteries) book cover

The Waters of Eternal Youth: A Commissario Guido Brunetti Mystery (The Commissario Guido Brunetti Mysteries)

Hardcover – March 8, 2016

Price
$9.61
Format
Hardcover
Pages
256
Publisher
Atlantic Monthly Press
Publication Date
ISBN-13
978-0802124807
Dimensions
6.4 x 1.2 x 8.9 inches
Weight
1.2 pounds

Description

Review Praise for The Waters of Eternal Youth : A New York Times BestsellerA National Indie Bestseller “Donna Leon’s Venetian mysteries never disappoint, calling up the romantic sights and sounds of La Serenissima even as they acquaint us with the practical matters that concern the city’s residents . . . The Waters of Eternal Youth . . . [is] a bittersweet story that makes us appreciate Brunetti’s philosophical take on the indignities, insanities, and cruelties of life.” —Marilyn Stasio, New York Times Book Review “Leon’s writing satisfies, much like the dishes that come out of Paola’s kitchen . . . Her characters are reassuringly familiar and likable . . . Like the great 20th-century crime writer Raymond Chandler . . . Leon treats murder as a simple (if evil) thing.” — Philadelphia Inquirer “ The Waters of Eternal Youth , the 25th Brunetti mystery, is every bit as smart and intriguing as the first book was a quarter-century ago . . . It’s no wonder this series is so popular with tourists that it’s inspired its own guided tours of [Venice].” — Christian Science Monitor “Leon’s latest novel marks the 25th anniversary of her wonderfully atmospheric series . . . A sweet poignancy flows through Leon’s narrative like the faint smell of chrysanthemums bordering the ancient palazzos.” — Star Tribune “An atmospheric, suspenseful tale filled with Venetian contessas, immigrants and thieves . . . [Leon] elegantly conjures up the social cabals and daily life of this luminous sinking city . . . The solution’s a real surprise, but completely plausible and insidiously set up. Leon has done it again. And her Venice gleams and bristles with a new tale of lust, betrayal and revenge.” ― Providence Journal “Donna Leon’s 25th Guido Brunetti mystery, The Waters of Eternal Youth , is cause for celebration and a great read, both for travelers and those staying at home. Leon brilliantly exposes the corrupt world of Venice and how its past and present are often linked . . . Leon knows Venice and consistently proves that life in La Serenissima is far more complex, troubled, and dangerous than tourists flocking to St. Mark’s Piazza can ever imagine.” — Bay Area Reporter “ The Waters of Eternal Youth . . . is not only Leon’s 25th installment in her long-running series and one of the best, but also potentially one of 2016’s standout novels . . . The Waters of Eternal Youth has the most satisfying ending of any book I’ve read in recent memory . . . you are going to have to read this amazing novel for yourself . . . you’ll be glad you did.” — Bookreporter “A new Brunetti adventure is always worth celebrating . . . the subtlety and sensitivity with which he approaches his work and his life . . . are on full view here . . . In a marvelous and moving last scene, we glimpse a moment of almost transcendent beauty that makes us realize again how important this series is to our reading lives.” — Booklist (starred review) “Bestseller Leon’s poignant 25th outing for the Venetian police inspector . . . Leon deftly builds her plot against the struggles of contemporary Venetians . . . She draws Manuela and the contessa with skill and nuance, and longtime readers will enjoy insights into the past of Commissario Claudia Griffoni, the inspector’s colleague. Fans new and old should appreciate this escape into Brunetti’s elegant, sophisticated, yet troubled Venice.” — Publishers Weekly “Venice might be sinking into the sea, but as long as Commissario Guido Brunetti is around, there will be someone to make sure the city doesn’t become a total swamp of cynicism and corruption . . . The usual suspects are all here . . . [and] the pleasures of spending time with Brunetti and the gang have never been greater.” — Kirkus Reviews “In Donna Leon’s elegant prose, the book is as engaging as its predecessors, but filled with much more than the usual pain.” — Toronto Star “As Brunetti brings past secrets to light, readers can again let the usual pleasures of Leon’s series—a classy old-school detective, the rhythms of contemporary Venetian life, a familiar supporting cast—wash over them.” — Sydney Morning Herald “The latest entry in one of the best long-running series in mystery fiction is just as good as one expects . . . This series is . . . superb, with its wonderful evocation of Venice’s streets and piazzas, food, and the wonderful moods of an old, old world confronting a very new one.” — Globe and Mail (Canada) “[Leon] demonstrates—even after such an astonishing number of novels—that she’s still at the top of her game . . . If this series has somehow escaped your notice, definitely put it on your to-read list.” —NJ.com About the Author Donna Leon is the author of the highly acclaimed, internationally bestselling Commissario Guido Brunetti mystery series. The winner of the CWA Macallan Silver Dagger for Fiction, among other awards, Leon has lived in Venice for thirty years and now divides her time between Venice and Switzerland.

Features & Highlights

  • In Donna Leon’s Commissario Guido Brunetti series, the Venetian inspector has been called on to investigate many things, from shocking to petty crimes. But in
  • The Waters of Eternal Youth
  • , the 25th novel in this celebrated series, Brunetti finds himself drawn into a case that may not be a case at all.Fifteen years ago, a teenage girl fell into a canal late at night. Unable to swim, she went under and started to drown, only surviving thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out, though not before she suffered irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn’t remember a thing.Now, at a fundraising dinner for a Venetian charity, a wealthy and aristocratic patroness—the girl’s grandmother—asks Brunetti if he will investigate. Brunetti’s not sure what to do. If a crime was committed, it would surely have passed the statute of limitations. But out of a mixture of curiosity, pity, and a willingness to fulfill the wishes of a guilt-wracked older woman, who happens to be his mother-in-law’s best friend, he agrees.Brunetti soon finds himself unable to let the case rest, if indeed there is a case. Awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, and the haunting story of a woman trapped in a damaged perpetual childhood,
  • The Waters of Eternal Youth
  • is another wonderful addition to this series.

Customer Reviews

Rating Breakdown

★★★★★
60%
(5.6K)
★★★★
25%
(2.3K)
★★★
15%
(1.4K)
★★
7%
(651)
-7%
(-652)

Most Helpful Reviews

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«An orange gem resting on a blue glass plate: it’s Venice seen from above.» Henry James

While at a dinner party in an elegant Venetian palazzio, the possibility of a new murder investigation arises for Commissario Guido Brunetti. It's a cold - and watery - case. Brunetti makes the acquaintance of an elderly Contessa who has a family tragedy in her past. There was an accident involving water. Water is a theme throughout this mystery novel, and there is a lot of it.

The circumstances swirling around the accident are murky. One rather unreliable witness had said it wasn't an accident, but a case of attempted murder. Reviving a case 15 years after the incident has its challenges for Brunetti. Some potential witnesses have died. How do you get DNA or forensics? And then there's Brunetti's inferior Superior, Patta.

How will Brunetti charm the ridiculous Patta into agreeing to open up a case which has been filed as accidental?

These aren't the only challenges which come to Brunetti's attention in this book. The contemporary problems of modern Venice make their appearance: government corruption, rising rents, immigration problems, begging, no employment for the young, prostitution. Then there's office politics. Elettra is hacking into computers to get information and to resolve some office feuds. Will she get caught? To de-stress, Brunetti is reading Jason and the Argonauts in Greek when he's at home relaxing with his family. Paolo, his literature professor wife, approves as her religion is books Brunetti realizes.

The first half of this book is leisurely, as Brunetti is stymied in his detective work by the paucity of clues. But midway through the book, the tension amps up as there is another attempted murder. Now Brunetti has recent forensics and witnesses, but how to prove this incident is related to the Contessa's family incident? If there is a connection.

In between sleuthing, Brunetti eats and drinks delicious food throughout the case. A chestnut cake sounded particularly mouth-watering. You may want to order, or cook, some Italian dishes while you're reading the book. You may also want a map of Venice, too, to track Brunetti's wanderings. If you google the "perfect church" Brunetti describes: Chiesa dei Miracoli, you will see a marble church built in the 1400's which could have been a backdrop in a Romeo and Juliet street scene if the action had taken place in Venice instead of Verona. The atmosphere of Venice seeps into these pages, like the damp atmosphere of Venice itself.

Will there be enough clues to determine the villain, or villains, behind these attacks? And how will Brunetti and his team, Claudia and Elletra, gather enough evidence to convict? This is what keeps you reading. I particularly enjoyed the scenes with Patta, when Brunetti and his team outwit his egotistical boss. Patta should get more pages, as he is entertaining. Every story needs a fool.

There aren't enough clues for the reader to solve the mystery at first. However, the villain becomes obvious in one scene, so there is no guessing. That could happen in real life one supposes, so I didn't mind. I don't read Donna Leon for the puzzle. I read her to escape to Venice in the company of the charming and intelligent Brunetti to watch him meander through Venice, eating and drinking, as he follows the clues. Readers of this Brunetti series will enjoy his company once again, but be prepared for a more leisurely pace in the first half of the book. 4.5 stars

The Brunetti series in order:

#1 Death at La Fenice
#2 Death in a Strange Country
#3 Dressed for Death
#4 Death and Judgment
#5 Acqua Alta
#6 Quietly in Their Sleep
#7 A Noble Radiance
#8 Fatal Remedies
#9 Friends in High Places
#10 A Sea of Troubles
#11 Wilful Behaviour
#12 Uniform Justice
#13 Doctored Evidence
#14 Blood From A Stone
#15 Through a Glass Darkly
#16 Suffer the Little Children
#17 The Girl of His Dreams
#18 About Face
#19 A Question of Belief
#20 Drawing Conclusions (2011)
#21 Beastly Things (2012)
#22 The Golden Egg (2013)
#23 By Its Cover (2014)
#24 Falling in Love (2015)
#25 The Waters of Eternal Youth (2016)
54 people found this helpful
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Leon’s latest is a life-saver

As a devoted Donna Leon fan, I am always pleased to get the new Brunetti mystery, and in her latest, "The Waters of Eternal Youth," I am not disappointed! Nor will her legions of fans!

In Ms Leon's Commissario Guido Brunetti series, the Venetian inspector has been called on to investigate many things, from shocking to petty crimes. But in this, the 25th novel in this celebrated series, Brunetti finds himself drawn into a case that may not be a case at all. Or so it seems.

Fifteen years ago, a teenage girl fell into a canal late at night. Unable to swim, she goes under and starts to drown, only surviving thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out. Alas, though, not before she suffers irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn't remember a thing.

Now, at a fundraising dinner for a local charity, a wealthy and aristocratic patroness (the girl's grandmother) asks Brunetti if he will investigate. Brunetti's not sure what to do. If a crime was committed, it would surely have passed the statute of limitations. But out of a mixture of curiosity, pity, and a willingness to fulfill the wishes of a guilt-wracked older woman, who happens to be his mother-in-law's best friend, he agrees.

In true Donna Leon style, Brunetti soon finds himself unable to let the case rest, if indeed there is a case. Awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, and the haunting story of a woman trapped in a damaged perpetual childhood (and she’s good at opening up socially significant and valid, issues), The Waters of Eternal Youth is yet another exciting addition to this series. Leon’s style of writing moves quickly and adeptly toward its conclusion, and, as uusual, not what one might expect. She keeps the readers on their toes.

After 24 previous Brunetti episodes, this one does not seem to have lost any of the charm, the excitement, the intellectual process that Leon’s books have previously presented. The cleverness of the author’s multitude of literary and musical allusions is also one of her unique writing traits—just reading her is an adventure.
37 people found this helpful
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Donna Leon's masterpiece mystery.

This is quintessentialDonna Leon: subtle, richly educated, compassionate, and informative. This is her finest book in a remarkable series in my opinion. She makes you laugh at human foibles and also weep at high tragedy in the relationships of its characters. This story is especially poignant in the way it's young girl is cruelly stripped of much of her mind as the apparent result of an accidental near death of drowning. But this incident from many years earlier is woven into a murder that only the subtle mind of inspector Brunetti can unravel.
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Brunetti at his best - again

I had never heard of Donna Leon until a year or two ago, when her first book, Death at La Fenice, was made available through Book Bub. I loved it, and promptly bought and read the next 20 or so books in the series. The last one or two weren't great, and reviews for the next two were dismal, so I stopped there, slightly saddened, but appreciative of the ones (and hours) I'd enjoyed. When this new book came up for review, I jumped at the chance and dove back in--and am so glad I did!

This is Donna Leon--and her inspector, Guido Brunetti, and his team--back at their best. Like all of her books, there is heart-breaking, human tragedy here, and the slow life-sapping seep of sorrow--but, unlike too many of the past novels, there is also some justice, some joy, and ultimately, some hope for the future. I think we read this series less for the mystery than for the Mensch: Guido Brunetti, that now almost-mythical paradigm of intelligence, humanity, and heart; and those he's gathered around him--his wife and children, his faithful colleagues, the magical secretary who can change the world (and see behind every curtain) with the touch of a button, and their predictable, pathetic, but powerful boss.

I want a Signorina Elettra in the office, a Brunetti to come home to, a brilliant wife (who can cook!) to meet over dinner and discourse, in my life. I want to live in a city filled with art and beauty, to watch the lights change over the canal, to stroll in the evening over ancient bridges on my way to dinner at the palazzo. In the course of lamenting Venice's physical and psychological decay, Leon paints a perfect world--a perfect Venice--which may not exist, but which we long to live in. Thanks for giving us another chance to do so, if only for a few, brief, golden moments. And especially, in this novel, for ending on a note of hope--for Manuela, for mankind, for me.
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Poor style, poor plot - flat like the Laguna at dusk

Others may comment on the plot.

I take issue with the style. The sentences are too long, convoluted, awkward. One feels like asking the Comma Queen to do a massive job of editing, or open Grammarly and go over the text with it. I'm afraid, however, the number of issues marked, the passives highlighted or the poor punctuation might overwhelm the system. Reading feels like wading through molasses or splashing about in the acqua alta.

Moving on the substance: one soon guesses the plot - one would like to prod Commissario Brunetti as he fails to register the obvious clues. Life at the Questura is flat: no one seems to be doing anything worth noting - except for the well-worn internal feuds and trawling wine-places. Brunetti's family is flat. The children hardly have new experiences or discover new ambitions: their emotional life is on hold. The Brunetti couple is on hold as well: but for reading in the same room after dinner, sharing spirits, and food, nothing much seems to be going on.
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I was very disappointed by the plot of this book which began badly ...

I was very disappointed by the plot of this book which began badly and got worse. As with her earlier books, I enjoyed the lovely depiction of characters and Venice. The plot was unbelievable. How the 'accident' of a grand daughter of a noble Venician family with clear signs of a crime was not investigated at the time made no sense to me. In many of Brunetti's interviews he failed to follow up on important comments from an old friend of the family to that with the girl's mother. The latter was really strange: he asked two questions, one was 'how damaged is she?' Important sources like the girl's friends were never interviewed about the all important time just prior to the incident. Then, Leon solves the case by adding a very hard-to-believe incident on the street. Given the very weak investigation Brunetti conducted, the may have been the only way to solve the crime.
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Excellent enjoyable read......

I love these books and do agree that not all of them are great but I truly enjoyed this one. Commissario Brunetti, his co-workers and family were true to character and that is what I mostly enjoy. The writing is very good and the pace steady. There are a few typos but not too many to cause distraction. I won't detail the plot as other reviewers have done that and like other reviewers, I did know the culprit early on in the book but it really made no difference to me. The interaction between characters, Venetian attitudes, and general ambience of the city is what keeps me reading. I found myself a few times laughing out loud at the banter between characters which I don't remember happening too often in previous books. I did note that Brunetti thought or remarked several times throughout the book about retirement and what it would mean to him. His wife was also mentioning her pension should she retire. I think perhaps Ms. Leon may be looking to end this series. I'd feel the loss but all good things come to an end at some point and until that time I recommend this series starting with book one, Death at La Fenice, to anyone who wants a clean easy read set in a beautiful city with what I consider very interesting characters and attitudes.
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A must read in spite of bad reviews

Donna Leon is a treasure. I am not going to review this book extensively. This has been done admirably by other readers. This book is a joy. She describes Venice with the affection of a true Venetian (I should know, I grew up there). The plot in this book moves at a slow, comfortable, affectionate pace and the ending, although it smacks of Hollywood , is credibile and not negative, unlike Camilleri's books. The book is a good companion for a weekend. The
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Leon wins again

Another great book by Donna Leon
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Venice is the star of this series

I am a huge fan of Leon. I have read all her books and some more than once
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