The Wayfarer Redemption: Book One
The Wayfarer Redemption: Book One book cover

The Wayfarer Redemption: Book One

Mass Market Paperback – September 17, 2001

Price
$8.18
Publisher
Tor Fantasy
Publication Date
ISBN-13
978-0765341303
Dimensions
4.32 x 1.46 x 6.84 inches
Weight
11.3 ounces

Description

“This is storytelling at its best, with fast-paced action, gritty realism, powerful characters, magic and romance.” ― Romantic Times BookClub Magazine “Epic storytelling on a par with Terry Goodkind and Robert Jordan.” ― Library Journal From the Inside Flap Praise for author Sara Douglass "Sara Douglass is the best and most exciting writer of commercial fantasy fiction to emerge from Australia." -- Locus "Douglass handles matters impressively and her characters are fully drawn."― Kirkus Reviews Sara Douglass was born in Penola, a small farming settlement in the south of Australia, in 1957. She spent her early years chasing (and being chased by) sheep and collecting snakes before her parents transported her to the city of Adelaideand the more genteel surroundings of Methodist Ladies College. Having graduated, Sara then became a nurse on her parents' urging (it was both feminine and genteel) and spent seventeen years planning and then effecting her escape. That escape came in the form of a Ph.D. in early modern English history. Sara and nursing finally parted company after a lengthy time of bare tolerance, and she took up a position as senior lecturer in medieval European history at the Bendigo campus of the Victorian University of La Trobe. Finding the departmental politics of academic life as intolerable as the emotional rigours of nursing, Sara needed to find another escape. This took the form of one of Sara's childhood loves - books and writing. Spending some years practising writing novels, HarperCollins Australia picked up one of Sara's novels, BattleAxe (published in North America as The Wayfarer Redemption ), the first in the Tencendor series, and chose it as the lead book in their new fantasy line with immediate success. Since 1995 Sara has become Australia's leading fantasy author and one of its top novelists. Her books are now sold around the world. Excerpt. © Reprinted by permission. All rights reserved. 1The Tower of the Seneschal Twenty-nine years later …The speckled blue eagle floated high in the sky above the hopes and works of mankind. With a wingspan as wide as a man was tall, it drifted lazily through the air thermals rising off the vast inland plains of the kingdom of Achar. Almost directly below lay the silver-blue expanse of Grail Lake, flowing into the great River Nordra as it coiled through Achar toward the Sea of Tyrre. The lake was enormous and rich in fish, and the eagle fed well there. But more than fish, the eagle fed on the refuse of the lake-side city of Carlon. Pristine as the ancient city might be with its pink and cream stone walls and gold and silver plated roofs; pretty as it might be with its tens of thousands of pennants and banners and flags fluttering in the wind, the Carlonites ate and shat like every other creature in creation, and the piles of refuse outside the city walls supported enough mice and rats to feed a thousand eagles and hawks.The eagle had already feasted earlier that morning and was not interested in gorging again so soon. It let itself drift further east across Grail Lake until the white-walled seven-sided Tower of the Seneschal rose one hundred paces into the air to greet the sun. There the eagle tipped its wing and its balance, veering slowly to the north, looking for a shady afternoon roost. It was an old and wise eagle and knew that it would probably have to settle for the shady eaves of some farmer’s barn in this most treeless of lands.As it flew it pondered the minds and ways of these men who feared trees so much that they’d cut down most of the ancient forests once covering this land. It was the way of the Axe and of the Plough.* * *Far below the eagle, Jayme, Brother-Leader of the Religious Brotherhood of the Seneschal, most senior mediator between the one god Artor the Ploughman and the hearts and souls of the Acharites, paced across his comfortable chamber in the upper reaches of the Tower of the Seneschal.“The news grows more disturbing,“ he muttered, his kindly face crinkling into deep seams of worry. For years he’d refused to accept the office his fellow brothers had pressed on him, and now, five years after he’d finally bowed to their wishes and accepted that Artor himself must want him to hold supreme office within the Seneschal, Jayme feared that it would be he who might well have to see the Seneschal--nay, Achar itself--through its greatest crisis in a thousand years.He sighed and turned to stare out the window. Even though it was only early DeadLeaf-month, the first week of the first month of autumn, the wind had turned icy several days before, and the windows were tightly shut against the cold. A fire blazed in the mottled green marble fireplace behind his desk, the light of the flames picking out the inlaid gold tracery in the stone and the silver, crystal and gold on the mantel.The younger of his two assistants stepped forward. “Do you believe the reports to be true, Brother-Leader?”Jayme turned to reassure Gilbert, whom he thought might yet prove to have a tendency toward alarm and panic. Who knew? Perhaps such tendencies would serve him well over the coming months. “My son, it has been so many generations since anyone has reliably spotted any of the Forbidden Ones that, for all we know, these reports might be occasioned only by superstitious peasants frightened by rabbits gambolling at dusk.”Gilbert rubbed his tonsured head anxiously and glanced across at Moryson, Jayme’s senior assistant and first adviser, before speaking again. “But so many of these reports come from our own brothers, Brother-Leader.”Jayme resisted the impulse to retort that most of the brothers in the northern Retreat of Gorkentown, where many of these reports originated, were little more than superstitious peasants themselves. But Gilbert was young, and had never travelled far from the glamor and cultivation of Carlon, or the pious and intellectual atmosphere of the Tower of the Seneschal where he had been educated and admitted into holy orders to serve Artor.And Jayme himself feared that it was more than rabbits that had frightened his Gorkentown brethren. There were reports coming out of the small village of Smyrton, far to the north-east, that needed to be considered as well.Jayme sighed again and sat down in the comfortable chair at his desk. One of the benefits of the highest religious office in the land were the physical comforts of the Brother-Leader’s quarters high in the Tower. Jayme was not hypocritical enough to pretend that, at his age, his aching joints did not appreciate the well-made and cushioned furniture, pleasing both to eye and to body, that decorated his quarters. Nor did he pretend not to appreciate the fine foods and the invitations to the best houses in Carlon. When he did not have to attend to the administration of the Seneschal or to the social or religious duties of his position, there for the stimulation of his mind were thousands of leather-bound books lining the shelves of his quarters, with religious icons and portraits collected over past generations decorating every other spare space of wall and bringing some measure of peace and comfort to his soul. His bright blue eyes, still sharp after so many years spent seeking out the sins of the Acharites, travelled indulgently over one particularly fine representation of the Divine Artor on the occasion that he had presented mankind with the gift of The Plough, a gift that had enabled mankind to rise above the limits of barbarity and cultivate both land and mind.Brother Moryson, a tall, lean man with a deeply furrowed brow, regarded his Brother-Leader with fondness and respect. They had known each other for many decades; having both been appointed as the Seneschal’s representatives to the royal court in their youth. Later they had moved to the royal household itself. Too many years ago, thought Moryson, looking at Jayme’s hair and beard which were now completely white. His own thin brown hair, he knew, had more than a few speckles of gray.When Jayme had finally accepted the position of Brother-Leader, a post he would hold until his death, his first request had been that his old friend and companion Moryson join him as first assistant and adviser. His second request, one that upset many at court and in the royal household itself, was that his protégé, Axis, be appointed BattleAxe of the Axe-Wielders, the elite military and crusading wing of the Seneschal. Fume as King Priam might, the Axe-Wielders were under the control of the Seneschal, and within the Seneschal a Brother-Leader’s requests were as law. Royal displeasure notwithstanding, Axis had become the youngest ever commander of the Axe-Wielders.Moryson, who had kept out of the conversation to this point, stepped forward, knowing Jayme was waiting for his advice. “Brother-Leader,“ he said, bowing low from the waist with unfeigned respect and tucking his hands inside the voluminous sleeves of his habit, “perhaps it would help if we reviewed the evidence for a moment. If we consider all the reports that have come in over the past few months perhaps we might see a pattern.”Jayme nodded and waved both his assistants into the intricately carved chairs that sat across from his desk. Crafted generations ago from one of the ancient trees that had dominated the landscape of Achar, the well-oiled wood glowed comfortingly in the firelight. Better that wood served man in this way than free-standing on land that could be put to the Plough. Thick stands of trees were always better cut down than left standing to offer shade and shelter to the demons of the Forbidden.“As always your logic comforts me, Brother Moryson. Gilbert, perhaps you could indulge us with a summation of events as you understand them thus far. You are the one, after all, to have read all the reports coming in from the north.”Neither Jayme nor Moryson particularly liked Gilbert; an unbrotherly sentiment, they knew, but Gilbert was a rather pretentious youth from a high-born Carlonite family, whose generally abrasive personality was not helped by a sickly complexion, thin shanks and sweaty palms. Nevertheless, he had a razor-sharp mind that could absorb seemingly unrelated items of information from a thousand different sources and correlate them into patterns well before anyone else could. He was also unbelievably ambitious, and both Jayme and Moryson felt he could be better observed and controlled if he were under the eye of the Brother-Leader himself.Gilbert shuffled back into his seat until his spine was ramrod straight against the back of the chair and prepared to speak his mind. Both Moryson and Jayme repressed small smiles, but they waited attentively.“Brothers under Artor,“ Gilbert began, “since the unusually late thaw of this spring,“ both his listeners grimaced uncomfortably, “the Seneschal has been receiving numerous reports of…unusual…activities from the frontier regions of Achar. Firstly from our brethren in the religious Retreat in Gorkentown, who have reported that the commander of Gorkenfort has lost many men on patrol during this last winter.” The small municipality of Gorkentown, two hundred leagues north, huddled for protection about the military garrison of Gorkenfort. Centuries previously, the monarchy of Achar had established the fort in Gorken Pass in northern Ichtar; it was then and remained the most vital link in Achar’s northern defenses.“One shouldn’t expect every one of your men to come back from patrol when you send them out to wander the northern wastes during the depths of winter,“ Jayme muttered testily, but Gilbert only frowned slightly at this interruption and continued.“An unusual number of men, Brother-Leader. The soldiers who are stationed at Gorkenfort are among the best in Achar. They come fr... Read more

Features & Highlights

  • A millennia-old prophecy was given when the Forbidden Ones were driven from Achar. And now, the Acharites witness its manifestation: Achar is under attack by an evil lord from the North, Gorgreal-his ice demons strike from the sky and kill hundreds of brave warriors in the blink of an eye.
  • All Acharites believe the end is near.
  • One young woman, Faraday, betrothed of Duke Borneheld, learns that all she has been told about her people's history is untrue. While fleeing to safety from the dangerous land, Faraday, rides with Axis, legendary leader of the Axe-Wielders-and hated half-brother of Borneheld-and a man Faraday secretly loves although it would be death to admit it. She embarks on a journey, which will change her life forever, in search of the true nature of her people.
  • This grand and heroic story tells the tale of one woman's plight to learn the truth of her people and change their hearts and their minds forever. She fights against oppressive forces to share this reality and will not desist until everyone knows. . . . . The truth of the Star Gate

Customer Reviews

Rating Breakdown

★★★★★
60%
(217)
★★★★
25%
(90)
★★★
15%
(54)
★★
7%
(25)
-7%
(-25)

Most Helpful Reviews

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Abysmal. A betrayal of everything fantasy lovers value.

I write this review intending to encompas the first three books in the series. I'll try to avoid spoilers.
I have never before read a book or series in which I've yearned for the misery and failure of the main protagonist more than this one.
Without going into much detail, Sara Douglass attempts to instill human realism into the main character by giving him certain....weaknesses....that lead him to take certain actions that even the most flawed fantasy hero would deftly avoid. Unfortunately, while Ms. Douglass' attempts to instill weakness into her hero succeed, those weaknesses, and said hero's resulting hypocrisy and betrayals, only serve to disgust and alienate the reader.
We read fantasy literature for many different reasons, yet in the end, in my opinion, it all boils down to one: we yearn to discover worlds better than our own and people greater than ourselves. We search for a magical place where people we love triumph over monsters we hate. Simply put, we look for the perfect story.
In my opinion, there are many stories that meet this criteria with varying degrees of success. A Song of Ice and Fire (Martin), The Riftwar Saga (Feist), The Belgariad (Eddings), The Lord of the Rings (Tolkein), and my personal favorite fantasy series of all--The Deed of Paksennarion (Moon) are all stunning examples of fantastic brilliance. This series is not.
Perhaps I could have given the series two stars. I thought about it, and had Douglass made more of an effort to reconcile her protagonist's disgusting behavior by creating her supporting cast with weaknesses of their own (ala A Song of Ice and Fire), I would have, but in this she failed miserably. 99% of the characters in this series are the kind of creatures I could and did root for without qualification. Unfortunately, this just served to make the protagonist's weakness and resulting behavior all the more revolting. This kind of amateurishly lopsided character development should not be encouraged, especially in this genre.
Not even Douglass' admittedly fertile imagination and better than average storytelling can not come close to making up for the disgust I felt with Axis SunSoar, the main "hero" (laugh) throughout most of the series.
Avoid this one for anything other than campfire tinder.
22 people found this helpful
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the worst kind of fantasy - spare yourself the trouble

there is a handful of writers in the genre of fantasy who actually know what they are doing; creating their own history rather than dabbling in things that can only be described as monstruous fanfiction. sara douglass, however, is neither a good fantasy writer or a dabbler in fanfiction - she's a typist. there is no other excuse for the existence of this series; someome must have seen her at a computer and assumed that she was an author and accidentally given her a book contract - for this is literature at its absolute lowest.

1. random capitalization of names and places and races does not make a book stronger - in fact, it makes it look like it's been written by a mad monkey.
2. the popularization of a traditional hero/anti-hero has been done to exhaustion. the hero/anti-hero in this case is so boring and full of himself that one wishes he'll just jump off a cliff and die already.
3. problematizing a trivial love story into oblivion is NOT a good idea; half of the time the reader will have absolutely no idea of what the author is getting at, and the rest of the time will be spent in annoyance at the trivialities.

this is not literature; it's TYPING, and it is not even good typing. a bland, uninteresting character will not catch my attention by a double-capitalization (StarMan? StarDrifter? TypingAuthorWomanWithComputer?) that most of the time looks like the typist's hands were sliding all over the keyboard. this story is bland, unoriginal, boring and sometimes infuriatingly presumptuous. no reader likes to be treated as a child, yet it is exactly with such an attitude that the author takes on her quite ridiculously thin story.

stay away - or better yet, go read george r r martin. this is not worth your time.
20 people found this helpful
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Why Did I Do It?

O.K. Any of the reviews of The Wayfarer Redemption that are above 2 stars are obviously written by teenagers below the age of 15. If this is not the case, then I feel truly sorry for those reviewers. With The Wayfarer Redemption Sara Douglass has crafted a pedantic, cliché ridden study in somnolence. I read this series simply because I am a voracious reader... As well as not having any other unread books in the house at the time.
I read a review from a Top 1000 reviewer that gave this book 3 stars. He stated that after this initial offering, readers would be treated to improvements in the next 2 books. Sadly, he was incorrect. I too believed as he did. It has to get better, I kept telling myself. Then I slogged my way through 2 more books of additional prose that proved that the craft of writing does not necessarily get better with practice.
I am simply unwilling to waste time and effort detailing everything that is wrong with the storyline and writing in this series. A brief litany would include the complete amorality of the main characters, a magic system that is not explained, battle scenes that lack even a rudimentary understanding of basic tactics, a timeline that doesn't even pretend to be chronological, cardboard cut-out bad guys, and on and on. This series suffered from a complete suspension of the suspension of disbelief. I truly did not care about any of the main characters in this series. By the last book, Starman, I was hoping they would all be killed. I myself was hoping to be pulverized by a meteor for actually finishing the series.
How can I save any potential readers from making the mistake of purchasing the books in this series? I can beg you I suppose. I don't write many reviews. I felt compelled to try and save readers the grief they will surely experience if they attempt to read these books. This series was truly one of the worst that I have EVER read. Ms. Douglass improved not a wit from book 1 to book 3. I am led to understand that there are an additional 3 books that are related to this series. I don't know their names and I have absolutely no urge find out.
If you want memorable fantasy then read R. R. Martin or David Gemmell.
15 people found this helpful
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Gleefullly Unoriginal

1000-odd years ago in the "Wars of the Axe," the human population of Tercendor rose up against the non-human populations, naming them "The Forbidden" and attributing all sorts of nastiness to them. The humans, following the deity Artor and its "Way of the Plough," proceeded to clear cut once vast forests where the non-human populations lived and slaughter the non-humans wherever they were found. Now, a great evil has arisen that, according to prophecy, can only be defeated by the three races working together and led by one StarMan. Unfortunately for everyone concerned, the StarMan seems to be the Warleader of the dominant religion, which preaches persecution and extermination of the "Forbidden."
This book is not totally awful, and if you're under 15 or you've never read a fantasy novel before it might actually excite you. But if you're a dedicated reader of fantasy with some knowledge of what's out there and how elegant and moving the genre can be, I'd give TWR a miss, unless you're looking for something to keep you occupied on the train or during an illness.
TWR is chock-full of fantasy cliches, from the Ancient Prophecy to the Ultimate Evil Arising in the (Insert Compass Point Here); from the Bastard Enchanter of Mixed Blood to the Strangely Eccentric Keepers of the Prophecy. It reminded me of being in junior high and reading _Lord of the Rings_ and thinking, "I want to write something just like that!!!"; it was so gleefully unoriginal.
As far as characters go -- well, if you take one or two from every epic fantasy ever written, you'll have a pretty good idea of who you'll be finding here. Sometimes that's not so bad, as you can welcome stock characters as old friends. Not here. It's more like really bad blurry pictures of old friends. In addition to being stock, the characters are exceedingly one-dimensional except in those rare moments when the writer inserts some kind of emotional distress, which she generally does in the most bombastic tone possible. Another thing that really bothered me about the characters was that every internal conflict was resolved too quickly, like: "Gee my entire way of life is wrong and bigoted? Okay, now that I know that I'll stop and be good!"
Because there was essentially no character development, the book hinges on action to move it along. Half of the action consists of characters running hither and yon all over the face of the country; the other half consists of the obligatory battle scenes. Neither was very well done or engaging.
Some of the ideas could have been interesting if handled by another writer; lack of originality is not necesarily bad in itself if the work is of mythic dimensions. Unfortunately, Ms. Douglass hasn't the skill to pull off a story of archetypal proportions. Her writing is, frankly, juvenile, both in style and technique. This is a writer who has no idea of the use of a semi-colon, who jumps POV far too often and to little effect and whose sentence craft consists of long strings of "It was" statements. There were several places I burst out laughing at her constructions, notably at the point where the mysterious and reclusive magical race was described as having a love of "seduction, magic and interior decorating."
Still, there's something kind of endearing about _The Wayfarer Redemption_, something akin to watching a puppy stumble around and trip over its ears. There's potential there. It's just a question of whether the writer will ever fulfill it, or whether the reader has the patience to stick around until she does.
15 people found this helpful
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Axis, Battleaxe of the Axewielders!?

I have to admit I am stupefied by the positive reviews this book has received including several five star (!) reviews. I bought this based on the positive blurb on the cover by Locus. How bad could it be? It's plenty bad with a stupid dull plot and uninteresting characters. How bout Axis, Battleaxe of the Axewielders? Sounds like a bad D&D character I created when I was thirteen. It has some embarassing scenes that play out like a bad three for a dollar Harlequin novel. Axis is naturally a brunette Fabio and all woman leer at him like oglers at Chippendales. Don't waste your money, I leafed through the last 150 pages or so. In fact, I might use the book as target practice. Makes hacks like Eddings and Goodkind look like Shakespeare in comparison. Looking for great fantasy, George Martin, Nuff said!
14 people found this helpful
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This Got Published!!??

The blurb on the first page proclaims Douglass to be "at least as good as Eddings or Goodkind." Hardly. Eddings and Goodkind wrote books that are actually enjoyable to read, with interesting, well-drawn characters and compelling plots. Douglass wrote a boring, one-dimensional cheese-fest that I had to truly struggle through. Although I did not actually finish this book, I have to say I have a pretty fair idea of how it ends, thanks to Douglass' clumsy foreshadowing. The characters and plot were so stereotypical I actually felt that I was reading a parody of the high fantasy genre. The worst part of the book was that even the main characters are just plain unlikable. Faraday acts like a flighty twelve year old, and Axis is a bigot. The only one I felt any sympathy for was Duke Borneheld, due to his abandonment by his mother. And this is an "evil" character, someone you are not supposed to care about! The plot itself seems to be a mishmash of several different epics (WoT, Sword of Truth etc...) with nothing really original about it. The only really good thing about this book is that it is thick, and thus makes a nifty paperweight.
13 people found this helpful
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Amazingly bad.

I can't claim to have read the whole book, because I only read the first forty pages, but based on that sample of the book, I'm choosing not to read another page. First there are the cosmetic problems. Douglass often uses parenthesis when a comma is the appropriate divider. This seriously disturbs the flow of the reading, and she uses it often, sometimes as often as three times a page. Then there is the bizarre capitalization. While this is a personal preference, I really dislike stupid capitalization. You don't have to go further than the opening prophetic poetry to see an example of this, "Wing and Horn" "StarMan" and "Lover." And let us not forget Axis, BattleAxe. While I'm on the subject of prophetic poetry, I have read many, many fantasy books in my time, and thus I've seen plenty examples of prophetic poetry. I honestly believe this is the single worst prophecy I've ever read.
If the simple grammatical and writing style problems weren't enough to put me off this book, the actual plot and characters finished the job. As I was reading the opening chapters, all I could think was that I'd seen almost every scene she chose to do, every situation, done before and done better than she did it. I was almost gagging at the opening banquet scene. First, we're just supposed to accept that Axis is so hot that there's not a woman at court not ready to bed him. Then, Douglass chooses to introduce his illegitimacy in the most inane, tired way imaginable. I can't imagine reading another 600 pages of this drivel.
12 people found this helpful
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Appalingly bad writing overshadows what may have been an interesting, if unoriginal story

I was going to give this book two stars, but when I saw how many people had rated it well, I thought it would be better to bring down the average a little bit.

As I write this I am only partway through the book and am unsure as to whether I'll be able to finish it. I wish that I would have read some of these reviews before I'd wasted the few bucks I spend on it. Sara Douglass breaks what I consider to be a cardinal rule of writing. Most often when I am reading a book, even though it may be written in third person, I expect each chapter, or at least each scene, to be told from a single person's point of view. You hear their thoughts, emotions, get their reactions to other people. It should always be clear as to who is telling the story. If the author switches viewpoints they leave a space between paragraphs.

Now, Sara Douglass, bless her heart, not only will she change viewpoints from paragraph to paragraph with no break whatsoever, but will change viewpoints MID-PARAGRAPH! Now, some may argue that this gives the reader insight to many different characters, but I disagree. She spends so little time with the thoughts of each character that they don't really get a chance to develop and the reader can't really get to know or like any of the characters. On closer inspection, the characters seem to have no more depth than a piece of cardboard. It is clear that Douglass wants us to reject Faraday's misguided notions about the Forbidden etc. and as a result we have little sympathy for her. Furthermore, the reader is so dizzy from trying to figure out who is doing the talking that one is distracted from the truly unsuspenseful, cookie-cutter plot.

I just started reading this after finishing The Sharing Knife series by Lois McMaster Bujold. It's probably the complete opposite of this series. The characters are well fleshed-out, the writing is phenominal, though the story can be a tad slow. If you like romance and fantasy, read that instead.
11 people found this helpful
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Felt unclean - and offended - after finishing this one

This is not a complaint about the writing style as so many other of the bad reviews have been, this is about the message I could not help but feel Douglas was trying to convey.
I think a lot of readers forget that authors try to present not only an interesting story, but their ideals conserning the real world as well. For instance, Tolkien's "Lord of the Rings" is filled with the heroes who are self sacrificing and valiant in the face of definitive evil. After reading this book, however, I think Douglas has one twisted and disturbing sence of morality.
The book takes that which most people with any sort of traditional values would find morally offensive and tries to portray them as "good" and tries to get the reader to feel sympathy for those engaging in such behavior.
Anyway, if you want characters that have some sort of moral fiber to them, I'd strongly recommend skipping this one.
11 people found this helpful
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Good start to what looks to be a great series-4.5 stars

This is the fourth book of Sara Douglass I have read. And, may I say, I intend to read all of them. She's that good.

This is the story of a people who have forgotten who their enemy is. The men of Achar know that a thousand years ago there was a terrible war involving the "forbidden" but no one remembers what the forbidden were. However, the people cut down almost all the trees in the realm to keep the forbidden out (they remember that the forbidden like tress.) A new enemy begins to attack in the north of Achar and they think it might be the forbidden. So Axis, leader of the ax wielders, which is sort of a religious army (the people see cultivation as a religion and worship a plow god), takes his men north.

But along the way he discovers who the forbidden are, who he is and an ancient prophecy telling of two brothers-one who will incase the world in ice and the other who will try to stop him. But first that man-the Starman as he is called-must know the truth about the world he lives in.

As always, the story is very well told and developed. Sara Douglass is a great world builder. I felt that the characters were a little stiff at first (especially Faraday, Axis love interest and a noble woman of Achar) but they developed some personality quickly. The love story needs some fleshing out still, but there are six books in this series total. The whole thing about the prophecy seemed a little odd-all the characters believed it too fast with no basis to go on. I don't think anyone would respond that quickly or well to having their whole world turned upside-down-yet all the characters here do adapt in about a minute to a truth that is vastly different from what they always believed. But this author routinely has her characters be a little na've and then taken advantage off before they truly get hip to what's happening, so I suppose that could be why she wrote that part of the book that way.

In conclusion: good book, four point five stars, and I will recommend it and eagerly wait to read the sequel.

Oh yeah, if you're confused about the order of the books in this series it is:
The Wayfarer Redemption
Enchanter
Starman
Sinner
Pilgrim
Crusader

And if the maps in this book confuse you-the first is of a city in the north, the next map is the northern part of the continent and the third map is the southern part where most people live.

Three months later-in retrospect I don't think I like this series very much. It's not very well written, it has no likeable well drawn charecters and a lot of the actions are brutaly offensive. In retrospect I think I find Sara Douglass's writing to be very dark and depressing and gloomy-but not always in a way that works. I wouldn't advise reading her stuff, excepting Threshold, unless you can work a two week depresion into your life.
10 people found this helpful