They Can't Kill Us All
They Can't Kill Us All book cover

They Can't Kill Us All

Paperback – September 1, 2017

Price
$17.99
Format
Paperback
Pages
256
Publisher
Back Bay Books
Publication Date
ISBN-13
978-0316312493
Dimensions
5.5 x 0.64 x 8.25 inches
Weight
8 ounces

Description

"Lowery's book is electric, because it is so well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart.... Lowery's book is valuable for many reasons. He circles slowly and warily around the question of why, during Obama's presidency, so little has happened to improve on the racial front."--Dwight Garner, New York Times "Lowery's dispatches from the front lines of this new era in racial justice movement building have proven indispensable, and with They Can't Kill Us All, he further shows just how vital his reporting has become. Part early history of a still growing movement, as well as part critique of the media charged with covering this movement, Lowery also offers a peek into the process of reporting--the structural challenges, unfortunate failures, and personal successes in accurately capturing the politics and personalities involved in the biggest domestic story of the Obama presidency. They Can't Kill Us All proves itself a necessary read for anyone in need of greater understanding of why and how a new generation of young black activists have taken to the streets to demand justice from their country.― Mychal Denzel Smith, New York Times bestselling author of Invisible Man, Got the Whole World Watching Featured on Anti-Racist Reading Lists by USA Today, Chicago Sun Times, Esquire, Oprah Magazine, Refinery29, InStyle, Publishers Weekly,The Cut, Medium, The Millions, Michigan Daily, and PopSugar "Riveting.... A timely, significant book."― Kirkus, Starred Review "With empathy, anguish, and a superb eye for telling detail, Wesley Lowery chronicles the birth of the new civil rights movement. This book is an urgent, grounds-eye view of the struggle."― Chris Hayes, author of A Colony in a Nation " They Can't Kill Us All is a wise memoir that chronicles the fatigue of reporting Black death at the hands of law enforcement."― Ebony "Lowery takes us inside the pain and courage of those who have cared to challenge the police and this nation. He details their stories and, along the way, provides a powerful and all-too-human account of what it means to be a reporter in a time of profound crisis. His example gives me renewed home in those who report the news. This is a must read!"― Eddie S. Glaude, Jr., author of Democracy in Black: How Race Still Enslaves the American Soul " They Can't Kill Us All is a comprehensive record of the #blacklivesmatter protest movement, as well as a first-person account of those events from the author's dual--and conflicted--perspective as a journalist and an African-American man."― Esquire "A searing, affecting, sharply-written treatise on one of the most important crises the United States faces today."― Harper's Bazaar "[A] vital book.... Setting the fatal police shootings of young black men in the historical context of racial violence, Lowery also adds personal insight as a young biracial man professionally bound to the crisis."― Elle "The best journalism serves as the 'first draft of history,' but every so often a reporter gets to write the second draft as well. Wesley Lowery has provided a crucial dispatch from a particularly American frontline. Ferguson, Charleston, Baltimore and Cleveland are more than flashpoints in current affairs, they are the theaters in which our longstanding battles for racial equality have taken place. They Can't Kill Us All is a valuable field report on the status of American democracy itself."― Jelani Cobb, staff writer, The New Yorker and professor of journalism, Columbia Journalism School "[Lowery's portrait of a nation facing up to issues of race and justice is gripping, as are his accounts of the passion and pain of activists like Brittany Packnett, who told President Obama, 'Our lives matter, stop killing us.'"― Jane Ciabattari, BBC "A narrative of outrage, struggle, and, eventually, optimism.... A balanced look at a protest movement that's only just begun to gather focus and strength."― Vulture "Through hundreds of interviews, [Lowery] looks at how the deaths of Michael Brown, Freddie Gray, and Tamir Rice have affected communities, plus the impact of perceived and actual discrimination. Lowery also offers insight into the movement that has sprung up in response and what is left to be done."― Bustle "The most eloquent passages in They Can't Kill Us All come when Lowery reveals the emotional cost paid by those who write the first draft of history, especially when the writers are journalists of color.... Lowery's strength lies in the breadth of his reporting and the depth of his introspection.... Lowery is still in his twenties, but already he's earned his spot among a small cadre of journalists of color."― Chicago Tribune "Riveting...The personal challenges faced by the young black journalist are thought-provoking and compelling. But another unique and valuable aspect of They Can't Kill Us All revolves around Lowery's examination of the complications of reporting in an era when anyone with a camera phone or social media account can break a story.... Lowery's insider perspective offers fresh insight into what it means to cover a broad national story about race in a rigorous and sustained way."― Boston Globe " They Can't Kill Us All offers a window onto the journalistic process, and the countervailing pressures to tell and important and awful story fairly.... Lowery is unflinchingly honest...a skillful reporter and storyteller. He takes the reader through the laborious task of reportage with a humanity and forthrightness, making this book more than just a catalog of tragedy. He succinctly presents a story of human grief."― New York Times Book Review "Insightful and unnerving.... Lowery draws crucial connections between the 'centuries-long assault of the black body,' and contemporary black massacre."― Minneapolis Star Tribune "With so much political media coverage to distract us, Lowery sets out to remind us why revisiting our history is crucial for racial improvement."― New York Magazine's The Cut "What makes They Can't Kill Us Al l more than a ripped-from-the-headlines chronicle is Lowery's combination of solid reporting, emotional commitment to his story as a black man and a reflective turn of mind."― Milwaukee Journal Sentinel "Everyone should read it. It is incredibly well-reported and very well done.... It's a fantastic book. Go out and read it."― Chris Hayes, All In With Chris Hayes "Documents, with refreshing candor and vulnerability, his efforts to balance life and work, ambition and compassion.... [Lowery's] reflections, observations and personal dilemmas offer a glimpse behind the scenes as a reporter hones his craft and calibrates his moral and professional compasses.... Through it all, Lowery was honest with himself, and now, in his book, he is honest with his readers. This candor enhances his credibility as a journalist.... Overall, this is a beautifully written reporter's journal that offers an overview of an important chapter in 21st-century African American history.... As a young man who has seen up close the bloody misuse of power and the fire and fury it engenders, Lowery has remained steadfast in his role as witness and truth-teller. His example of integrity under fire and professionalism under pressure should be an example to his junior and senior colleagues alike. We desperately need tough and tenacious reporters unafraid to speak truth to power as we wade into the multiple uncertainties of the next four years."― Washington Post "Lowery provides an anthropological examination of the movement.... The result is a vivid timeline of the movement from its origins to present day.... They Can't Kill Us All is a documentary on the awakening of young black Americans--no, all Americans--to the systematic injustices that weren't erased with the election of President Obama.... Lowery's clear-eyed reporting is exceeded only by his thoughtful, sharp sentences. He allows pain to seep into the prose, not hiding the anguish of a black man reporting on so much black death while pointing out connections that can't be ignored.... [Lowery] is one of the best on the national beat."― San Francisco Chronicle "An explosive examination of police brutality"― O, The Oprah Magazine "[Lowery's] careful behind-the-scenes reporting offers insight into how the various grassroots campaigns converged into what is now often referred to as a single protest movement.... The quiet optimism underlying his book is itself an act of protest in our dark times."― The Nation "It is a model for journalism that is as deeply felt as it is informative."― City Paper Wesley Lowery is a national reporter for the Washington Post who covers law enforcement and justice. He was the paper's lead reporter in Ferguson, Missouri and covering the Black Lives Matter protest movement, and was a member of the team awarded the 2016 Pulitzer Prize for National Reporting for the paper's coverage of police shootings. His reporting has previously appeared in The Boston Globe , The Los Angeles Times , and The Wall Street Journal .

Features & Highlights

  • An indispensable work of journalism that “is electric, because it is so well reported” (Dwight Garner,
  • New York Times
  • ) by Pulitzer Prize winning reporter Wesley Lowery that describes the earliest days of #blacklivesmatter and brings to life the quest for justice in the murders by police of Michael Brown, Tamir Rice, and Freddie Gray as well as an intimate, moving portrait of the activists working to dismantle systemic racism in America
  • Conducting hundreds of interviews over the course of one year of reporting on the ground,
  • Washington Post
  • writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy,
  • They Can't Kill Us All
  • offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination.
  • They Can't Kill Us
  • All is a canonical work in the fight against police brutality. Lowery grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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YOU are killing all of you.

In 2019, 9 unarmed black men were shot and killed by police... in the whole country. I don’t have the statistics in front of me, but black on black violence kills a many thousands of times that. Three weeks ago, 102 people were shot in Chicago over a single weekend. Why don’t their black lives matter? A little consistency would be nice ok this whole thing.
14 people found this helpful
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same old racial hate crime hoaxes by another same old

More same old, same old racial hate crime hoaxes by another same old, same old Washington Post lib Leftist Washington Post hack.

All honest Americans of all races, creeds and kinds admit that the Michael Brown Ferguson MO incidents were not the result of Officer Wilson acting improperly or was any kind of a racial hate crime.

Michael Brown was huge, dangerous, really stupid criminal. Michael Brown did a strong armed robbery of a small Asian convenience store clerk, then instead of hiding from law enforcement this stupid criminal Michael Brown goes strutting down the middle of an automobile street and provokes a violent confrontation with a police officer - Michael Brown lost the confrontation. The whole hands up don't shoot meme was proven to be a lie and so many of those Ferguson MO residents who testified that they saw Michael Brown holding his hands up saying "don't shoot" they admitted they were pressured in to tell these lies.

Since Ferguson MO BLM protests and riots, police have been pressured to back away from policing in inner city Black neighborhoods, the results are predictable - violent crime against Black Americans has exploded

In my Chicago we had 3,000 plus shootings this year and 625 murders, 2016 we had over 800 murders.

These lying Leftists, Antifa, BlackLiesMatter don't care about regular Black Americans who are getting robbed, beaten and murdered in extremely high numbers, for them everything is about RACISM and police brutality.

Let's all make a New Year's eve resolution to tune out the fake news lying press.
14 people found this helpful
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Big Lies Matter

Just another repeat of the big lie that police are the problem killing innocent unarmed blacks in massive numbers. A cursory review of the actual crime statistics reveals nothing is further than the truth. Yes blacks AND whites are killed in police encounters, more so if you are white. 99% of the killings involve the apprehension of a criminal or a person committing a felonious criminal act. Only a handful of these police killings each year are questionable and the police are prosecuted in these cases. But if you misidentify the problem you will never have a solution to the real threat to black Americans. Just pay no attention to the Black on Black crime killing over +6000 men women and children each year. It is so encouraging to see some black communities realizing what a dangerous organization BLM represents.
9 people found this helpful
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A JOURNALIST DESCRIBES SOME EVENTS LEADING TO THE BLM MOVEMENT

Wesley Lowery is a journalist at CBS News, formerly at The Washington Post; he was a lead on the Post’s ‘Fatal Force’ project that won the Pulitzer Prize for National Reporting in 2016. (NOTE: page numbers below refer to the 248-page hardcover edition.)

He wrote in the Introduction to this 2016 book, “I wrote this book from the messy notes I compiled as I reported, by looking back at what I wrote in the Washington Post, and from hundreds of interviews with young protest leaders, elected officials, police officers and chiefs, and the families of those who in death became national symbols… there was an underlying message, a defiant declaration, bursting from the protest chants in each of these cities, perhaps best captured by a sign left by a demonstrator… YOU CAN’T KILL US ALL. The story of Ferguson, Cleveland, and Baltimore is that of the fractured and neglected relationship that exists between those who walk the streets without a badge and those who wear one. This gulf of trust only widens and becomes harder still to fill with each shooting. And the conversation about accountability and reform stalls each time… when an officer’s life is deliberately targeted in the name of vigilante justice. Two yeas after America’s great awakening to the reality of police violence in the streets of Ferguson, the same distrust, pain, and suspicion that drove thousands into the streets flow through the veins of millions of black and brown Americans. The story of Ferguson remains the story of America.” (Pg. 17-18)

He observes, “Ferguson would birth a movement and set the nation on a course for a still-ongoing public hearing on race that stretched far past the killing of unarmed residents---from daily policing to Confederate imagery to respectability politics to cultural appropriation. The social justice movement spawned from Mike Brown’s blood would force city after city to grapple with its own fraught histories of race and policing… Even if you believe Mike Brown’s own questionable choices sealed his fate, did Eric Garner, John Crawford, Tamir Rice, Walter Scott, Freddie Gray, and Sandra Bland all deserve to die?” (Pg. 13)

He notes, “Now we were able to share what we saw and how we felt about it instantaneously with thousands of others who were going through similar awakenings. Conversations once had at Bible studies and on barroom stools were happening on our phones and on Facebook, allowing both instant access to information and a means of instant feedback. Social media made it possible for young black people to document interactions they believed to be injustices, and exposed their white friends and family members to their experiences.” (Pg. 14-15)

He recounts the incidents leading up to Michael Brown’s death: “Brown… grabb[ed] athirty-four dollar box of Swisher Sweets and attempting to walk out. The employee … told Brown that he needed to pay… and in response the teen grabbed the man by the collar and shoved him. One of the store’s security cameras captured the violent exchange… But in the hours and days after Brown was shot and killed by Officer Darren Wilson, none of the residents of Ferguson knew about the liquor store robbery. That information wouldn’t come out for days…” (Pg. 22-23) He continues, “Investigators would later concluded that Brown’s hands were most likely not up and that the altercation began when the [Brown] punched Darren Wilson after the officer, responding to the robbery call attempted o stop him on the street. Whether Brown was attempting to surrender to attempting to attack Officer Wilson when the fatal shots were fired remains murky. The evidence shows that ‘Hands up, don’t shoot’… was based on a falsehood. But as anger boiled into rage, no one in Ferguson could have known that yet… Mike Brown’s body remained on the hot August ground for four and a half hours---a gruesome, dehumanizing spectacle that further traumatized the residents … and would later be cited by local police officials as among their major mistakes.” (Pg. 22-25)

He asks, “What makes a young man stand before a police line and throw a water bottle toward their armor? It’s certainly part ego. And it’s part the foolishness of youth. But in Ferguson, it was also at least part helplessness… If, no matter what a police officer does to you, he or she will not be charged with a crime… does it matter how you treat them?” (Pg. 49-50)

When the news came that “Wilson had not been indicted… hundreds gathered outside the Ferguson Police Department… ‘Everybody want me to be calm, do you know how those bullets hit my son?...’ [Brown’s mother] Lezley McSpadden screamed … ‘Burn this M-----f---r down!” her husband… began screaming. ‘Burn this b---h down.’ … By morning dozens of businesses had been torched, Ferguson police cruisers pummeled…” (Pg. 68-69)

He states, “While the phrase [‘Black Lives Matter’] is now the name of an organization and is often used to describe the broader protest and social justice movement, Black Lives Matter is best thought of as an ideology… For the young black men and women entering the adult world during the Obama presidency, the ideology of Black Lives Matter… carried substance, even heft.” (Pg. 87)

He says of Shaun King, “an author and life coach turned activist who, during the early days of Ferguson, built an online following of hundreds of thousands. King had long seen himself as a racial justice activist… since his days in student government at Morehouse College in the late 1990s. But, he recalled for me later, it was the death of Michael Brown that awakened him to the extent of police violence.” (Pg. 103) He continues, “King had become one of the most frequent targets of vitriol among political opponents of the protest movement. The backlash was in part his own doing. He had a complicated work history, which included time as a pastor, a motivational speaker, and a fundraiser…He leveraged his presence to drive attention to overlooked cases and to disseminate small but important updates about the best-known police shootings. But King had a propensity to play a bit fast and loose with facts and to fall into profane, aggressive arguments with media personalities, other activists, and political enemies. Here was the darker side of the immediacy and expedience afforded by social media.” (Pg. 105)

After he helped persuade the Post to develop a database on ‘How Many Police Shootings a Year,’ he recalls, “We were looking for trends. Who were these people being killed? Were they mostly career criminals? Teens? The elderly? Gang members? Or just people who were in the wrong place at the wrong time? My job was to weed through all the armed white men---the largest subcategory of people killed by the police---to spit the story in the numbers. I was shocked at how many of these men were mentally ill or explicitly suicidal.” (Pg. 112-113)

He summarizes, “critics … [saw] flaws in the ideology of the movement for black lives. Didn’t this man, or others like him, deserve to die? Wasn’t his fate sealed by his own poor decision-making? But the protest chants were never meant to assert the innocence of every slain black man and woman. The protests were an assertion of their humanity and a demand for a system of policing and justice that was transparent, equitable, and fair. Who is a perfect victim?... Young activists reframed the question: Does it matter? For too long, many of the activists declared, black bodies had been extinguished by police officers without public accountability or explanation. For all the stories of police abuse, brutality, and impunity that had been shared … for generations, these basic facts were ignored or unacknowledged by the nation at large.” (Pg. 195)

This book will be of great interest to those studying the Black Lives Matter movement, and related social justice issues.