Twilight Zone: 19 Original Stories on the 50th Anniversary
Twilight Zone: 19 Original Stories on the 50th Anniversary book cover

Twilight Zone: 19 Original Stories on the 50th Anniversary

Paperback – September 1, 2009

Price
$17.49
Format
Paperback
Pages
448
Publisher
Tor Books
Publication Date
ISBN-13
978-0765324337
Dimensions
5.5 x 0.99 x 8.5 inches
Weight
13.9 ounces

Description

Carol Serling (1929-2020) married Rod Serling in 1948. She served as a Consultant for Twilight Zone - the Movie and the TV show Twilight Zone: Rod Serling's Lost Classics. She lived in Los Angeles. Excerpt. © Reprinted by permission. All rights reserved. Twilight Zone 19 Original Stories on the 50th Anniversary By Carol Serling Tom Doherty Associates Copyright © 2009 Carol Serling and Tekno BooksAll rights reserved.ISBN: 978-0-7653-2433-7 Contents Introduction • CAROL SERLING, Genesis • DAVID HAGBERG, A Haunted House of Her Own • KELLEY ARMSTRONG, On the Road • WILLIAM F. WU, The Art of the Miniature • EARL HAMNER, Benchwarmer • MIKE RESNICK AND LEZLI ROBYN, Truth or Consequences • CAROLE NELSON DOUGLAS, Puowaina • ALAN BRENNERT, Torn Away • JOE R. LANSDALE, Vampin' Down the Avenue • TIMOTHY ZAHN, A Chance of a Ghost • LUCIA ST. CLAIR ROBSON, The Street that Forgot Time • DEBORAH CHESTER, The Wrong Room • R. L. STINE, Ghost Writer • ROBERT J. SERLING, The Soldier He Needed to Be • JIM DEFELICE, Ants • TAD WILLIAMS, Your Last Breath, Inc. • JOHN MILLER, Family Man • LAURA LIPPMAN, The Good Neighbor • WHITLEY STRIEBER, El Moe • ROD SERLING, About the Authors, About the Editor, CHAPTER 1 GENESIS * * * David Hagberg This is The Corporal, age twenty-one, a paratrooper, who is secure in his own mortality, held together only by the thin thread of his memories. But in a few moments a Japanese sniper's bullet will hit him in the wrist and knee, bringing him into a reality that he's been trying to escape from since leaving Cayuga Lake. He'll be brought back to face an enemy he's never met, nor ever wanted to. His small-town upbringing and loving family will work against him. He can recall in detail a simpler, easier existence, which his wounds will erase from his life as if it never existed. The Corporal, demolitions expert, who in the next seconds will move into the Twilight Zone — in a desperate search for survival. * * * It was fast approaching night when the oppressive heat of the day would be replaced by the oppressive humidity. The only good thing about the darkness was that the tracer rounds could be seen walking toward their positions. And the Japanese were proving to be an even tougher, more accurate, and certainly more tenacious foe than MacArthur had warned they would be. This was Leyte Island, in the Philippines, a place that The Corporal and the others in the 11th Airborne Division's 5llth Parachute Regiment had come to hate and fear after only the first few days of the fierce battle that would never end — except for the ones who bought it, and there were a lot of those. Too many of them. A heavy mortar round struck about twenty feet from where The Corporal and a half-dozen other paratroopers were hunkered down behind a jumble of boulders that looked as if they'd been dropped into the middle of the jungle. After the initial concussion, a rain of black dirt, chewed-up vegetation, and something else that smelled strongly of copper and something sweet and horribly sour at the same time fell down on them, peppering their helmets. A young man, even younger than The Corporal, and slighter and shorter than The Corporal's slender five-four, suddenly leaped up and tried to run. His helmet, face, and shoulders were covered in blood, and a long, twisted rope of intestine that had fallen from the sky was plastered down one arm from his shoulder to his elbow. He was screaming, his words not recognizable in the almost constant din of battle because the noises coming from his throat were not human. Only the desperate sounds of a frantically frightened man. "Down!" The Corporal shouted. "Get down!" But the private didn't or couldn't hear; it was as if he had turned to run for home and nothing in the world could make him look back, nothing would stop him, until a Japanese Type 92 7.7-mm machine-gun round slammed into the back of his head, exiting out the front of his helmet, and he was thrown forward onto his face, dead before he hit the ground. The Corporal, his mouth slightly open, knew that he shouldn't be affected by this — just the latest death in the dozens, probably hundreds, that he had personally witnessed since New Guinea in June — but he had a vivid imagination. Ernie Pyle or someone like that, he thought, had written something to the effect that a moron died only once but a bright guy died a thousand deaths because he could think out ahead and figure the odds, figure his chances. Probably had something to do with cowardice versus heroism, but right at this moment The Corporal wanted to be anywhere but here, because he'd been figuring the odds for a long time. He hunkered down a little lower into the jungle mud and gore, into his own sweat and the foul body odors of the other grunts packed around him like untidy sardines in a can, and allowed his mind to drift into a fantasy world. Like the war and Leyte, the errant thought intruded in The Corporal's head, the intense noises of the heavy machine-gun fire and mortar rounds they were taking from the Japanese who were steadily sending in reinforcements from Luzon, inescapable. He could see a man aboard a train hurtling down a track somewhere back in the States. He was an ordinary man, maybe in some business that he'd grown tired of; a job and very likely a place from which he wanted to escape. The man was looking up at the conductor who'd come around to collect tickets, and it was clear from the expression on his face that he wasn't happy. That he might have wanted to take off into a dream world. That he would be hurtling down some other track, for someplace else, for a place where he could be happy, could be at peace with himself. Maybe it would happen in his dreams. The Corporal opened his eyes, and he could see pretty much the entire scene. The man was wishing for a better life, not in terms of money but in terms of no stress, and he would fall asleep during his daily commute and dream of such a place. Small-town USA. Only on this day, he gets up in the middle of his dream and sleepwalks to the end of the passenger car, opens the door to the connecting platform, and then without hesitation, with a smile on his face, opens the outer door and, still sleepwalking, steps off the speeding train to his death. * * * Maybe it's wishful thinking nestled in the hidden part of a man's mind, or maybe it's the last stop in the vast design of things, or perhaps for this man it's a place around the bend where he could jump off. * * * Someone was calling his name, but for a moment it didn't register. When his time came, he wouldn't jump up and try to run away, nor would he sleepwalk off a speeding train. It would be different for him. He knew it, could feel it in his gut. There was more for him, more life, more dreams, more everything. "Corporal, for Christ's sake, get your head out!" The Corporal looked to the left, into the eyes of Tom Hafner, his squad sergeant, not two feet away. "What?" he said. But then he had to shout to be heard over the din. "What?" "That Jap pillbox is chewing us up. I'll try to find some defilade around the mound at two eighty, come in from his blind side. I need covering fire." The Corporal looked out and saw the low mound of a hillock to the left. If the Sarge could reach that far, he'd be blocked from view by the Japanese gunners from their heavily fortified position. The others had looked up and were listening to the sergeant, and nodding uncertainly. Fear was on their faces, but determination, too. The only way this war was ever going to end was for them to take orders and to fight as hard as humanly possible. But the fog seemed to be everywhere. Surrounding a man. Making any future less than certain, even improbable. Their platoon of two squads, eight guys and one sergeant in each, plus Lieutenant Henderson from Minnesota, was down to one undermanned squad, one sergeant, and no officer, with no replacements expected anytime soon. "Let's do it." The Sarge motioned toward the hillock about twenty-five yards out. He hesitated a moment, then shouted: "Now!" The Corporal popped up and began firing his M3 Grease Gun on full automatic, short bursts as they'd been taught. The other four grunts did the same, laying down a heavy screen of fire out ahead, walking the line up toward the machine-gun slits in the Japanese position of palm logs and sandbags. The Sarge, a heavyset man ten years older than everyone else in the combined squad, had a potbelly, a fact everyone marveled at because all they'd been eating for the past two weeks were C-rats, and looking at him no one would ever guess he could get to his feet from behind a boulder, let alone do a broken field run, in full kit, faster than any of the kids. But then incoming rounds, which had the right-of-way, were definite motivators. The Sarge, hunched behind the end of the mound of boulders, suddenly leaped forward, making a diagonal path toward the hill. He moved very fast, bent over at the waist, zigzagging through the sometimes thick jungle growth. Almost immediately the Japs spotted him and moved their fire to the left, trying to cut him off. They knew what he was trying to do. The Corporal increased his rate of fire, almost immediately running dry, but it took him only a couple of seconds to reload with a fresh thirty-round box magazine of .45 ammo, slam the bolt back, then pop up again to fire. It was the same thing that everyone else was doing. Larry Pechstein pulled out a grenade, yanked the pin, and tossed it overhand to hit the ground within ten or fifteen yards of the pillbox, and it went off with an impressive bang. It hadn't caused any damage, yet the pop must have impressed the Japs, because their fire diminished, just as the Sarge flopped down behind the hummock, putting it between him and the pillbox. He gave the squad a thumbs-up, and The Corporal and the others hunkered back down behind the boulders, and the Japanese machine guns opened up again on their position. From somewhere off to the right were a mortar launcher and crew, and they began to lob round after round over the trees again, bracketing the squad's position. The Corporal looked over at Pechstein, who was from somewhere near Jacksonville, he thought, and at the others, Yablonski from Hackensack, Lamb from Waterloo, and Horvak from Cleveland, who'd claimed at one time or another to have owned just about every model Detroit had ever made before the war, and himself, of course from Syracuse. * * * Five young men, soldiers all. Florida, New Jersey, Iowa, Ohio, and New York, with the usual backgrounds, all stuck in a situation beyond their making or understanding. There is no logic here, just a seemingly endless nightmare from which the only escape might be death. In the next second we'll begin to see the situation for what it really is — the past, the present, and, more important to them, the future. * * * A mortar round struck ten yards to the left and slightly behind their position. Someone from the other side of the tall palm tree began returning fire, momentarily breaking The Corporal out of his reveries. He cautiously raised up so that he could just see over the top of the boulders, but the Sarge was gone from behind the hill. Nowhere in sight, but then the machine-gun fire from the pillbox concentrated on their position again, and he ducked back down. In his head he could see the five of them desperately trying to get away, but none of them knew to where or what they might find if they got there. At first they made a human pyramid, climbing on one another's shoulders, but they couldn't reach the top. Of the boulders? He didn't know. He couldn't see that far. Another mortar round landed nearby, and The Corporal rose up again to look for the Sarge, but machine-gun fire from the pillbox forced him back. To his imagination. The five of them took off their web belts, linked them together, and attached a bayonet to one end. Like a grappling hook. One of the soldiers, The Corporal couldn't see who — but maybe it was himself because his need to escape was even stronger than the others' — tossed the bayonet up over the top. Three times before it finally caught on something and he climbed over the top of the boulder and tumbled down to the other side. Where he ...? The Corporal opened his eyes again, confused in the first instant. He had escaped, in his mind, but he had no idea to where. He thought he might have seen snow; maybe he was lying facedown. And when he looked up he'd been seeing something, perhaps a person, but not a Japanese soldier, and not the Sarge. Pechstein was looking at him, an odd expression on his red, freckled face smudged with grease and mud. "What?" The Corporal asked. "You fall asleep or something? You okay?" It struck The Corporal that the mortar shells had stopped coming, and the machine gun in the pillbox had gone silent. "What's going on? What's happening?" "Beats the shit outta me," Pechstein said. "Maybe the Sarge got lucky." The Corporal rose up and took a quick look at the low hill and to the right, at the pillbox, but there was no movement, no sound. It was as if the five of them had been dropped off the face of the earth, or at least out of the battlefield. Then a mortar round dropped so close in front of them that one of the larger boulders was dislodged and came tumbling down, missing Horvak by less than one foot. Then he had it, the place to which he had escaped by climbing up the boulders, and the figure. He was a doll, or something; the figure above him was that of a little girl, who picked him up and threw him back over the boulders. Into a barrel with other dolls being collected for Christmas. * * * Just a barrel where are kept make-believe figures made in the shape of human beings. Of soldiers unloved and in mortal danger for the moment. But somewhere just on the other side is a place of peace and home and love. If only they can get there, out of this dream world and into another. * * * But the machine-gun fire hadn't resumed and The Corporal chanced another look over the top. Nothing had changed. No sounds of gunfire anywhere, and now the mortar rounds stopped. He glanced down at Pechstein and the others, who were watching him. "What do you see?" Pechstein asked. "Nothing." "What about the Sarge? Can you see him?" Horvak asked. "Has he made it to the pillbox?" "I told you, nothing's moving out there," The Corporal said sharply. He was getting spooked. He'd been through lulls on the battlefield before, but never like this one, which seemed to have dropped over them like a thick blanket. He eased down and sat, his back against the boulders, his Grease Gun cradled between his knees. "What're we supposed to do?" Yablonski asked. Like the others, he looked up to The Corporal. "Wait for the Sarge," The Corporal replied absently. He was thinking of something, his focus on the here and now going soft. "But what if he doesn't come back? Fer Christ's sake, we can't sit here forever, waiting for somebody to show up." Here and now. * * * The place is here on the battlefield, the time is now, mid- November 1944, and the journey is just about to start. * * * But it isn't the jungle battlefield he's seeing with his mind's eye. It's a small town somewhere, maybe in the Midwest, and he can't remember his name, or how he got there, except that the place seems to be deserted. Nothing moves, no sounds, not the rustling of the leaves in a breeze, not a child's laugh or a dog's bark. But people were here just a second ago. He walks into a diner on Main Street and a burger is frying on the grill; a lit cigarette is perched on the edge of an ashtray. Across the street, he looks through the window of the barbershop and sees water dribbling from a faucet into the sink. He turns around and races up the street. "No one's here!" he shouts. "Everyone's gone!" Pechstein was there beside him, a wild look in his eyes. "What the hell's the matter with you?" "What do mean?" "You were shouting something crazy." The Corporal shook his head. He couldn't see the rest of it. The town, where the people had gone. The ending. But he desperately wanted to see, wanted to understand, because he felt that his life, his future, might depend on it. Something nagging at the back of his head, something from the future- wonder stories he'd read as a boy, something just beyond his ken, wanting to take him away from this place, wanting to pull his concentration away from the struggle here to the mystery out there. * * * Up there is an enemy known as isolation. It sits in the stars, waiting, waiting with the patience of aeons. * * * But he didn't know what that meant. The thoughts were merely random snippets, popping off in his head like a photographer's flashbulbs, clear for just an instant before nothing was left except the afterimage of a dark spot in the retina. Pechstein and the others were watching him. They were worried. With the Sarge gone, The Corporal was all they had to lead them. He had a bachelor's degree from Antioch, which meant he knew things none of them knew, he could figure out stuff. They were depending on him. "Well, at least they've stopped shooting at us," The Corporal said. "Do you think it's because of the Sarge?" Horvak asked. "Maybe he took out the pillbox." "We would have heard something," Lamb said. He was the shy one of the squad and usually the butt of the jokes. But what he'd just said made sense, and no one ribbed him. They would have heard the Sarge's Grease Gun, or maybe a grenade. (Continues...) Excerpted from Twilight Zone by Carol Serling . Copyright © 2009 Carol Serling and Tekno Books. Excerpted by permission of Tom Doherty Associates. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Features & Highlights

  • An original anthology celebrating Rod Serling's landmark television series
  • When it first aired in 1959, The Twilight Zone was nothing less than groundbreaking television. Freed from much of the censors' strict oversight because of the show's classification as "science fiction," the 156 filmed episodes explored powerful and moving human themes―love, hate, pride, jealousy, terror―in their own unique style.The show has since inspired two revivals, as well as fiction, comic books, and magazines, and even a pinball game and theme park rides. Just as important, it sparked the imaginations of countless writers, filmmakers, and fans around the world, and is considered a seminal show for broadening the horizons of television. This anthology will be an all-new collection of stories written in the vein of the original television show. Edited and featured and introduction by Carol Serling, the anthology will include brand new stories by science fiction and fantasy luminaries such as Whitley Strieber, Loren D. Estleman, Joe Lansdale, R. L. Stein, Timothy Zahn, and Peter S. Beagle, as well as writers from the original series, Earl Hammer and Harlan Ellison®, all in honor of Rod's incredible vision.

Customer Reviews

Rating Breakdown

★★★★★
30%
(65)
★★★★
25%
(54)
★★★
15%
(32)
★★
7%
(15)
23%
(49)

Most Helpful Reviews

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Interesting read but is it really the Twilight Zone?

I bought this book because I am a major TZ fan. Obviously I have not only the original series on DVD but the 80s version and the 2000 version (All which I have reviewed). I also will purchase any reasonably priced books that come out called 'The Twilight Zone'. I have to say right away that I have great respect for Carol Serling. She has been a part of keeping this series alive many years after its original cancellation. However, I also must say right away that I truly do not agree with many of her decisions on what makes a story a 'Twilight Zone' story. Just because a story may have an ending you may not have seen coming does not necessarily make it a TZ story. Cases in point: 'Ants' is a good story with an interesting ending. But it is MUCH more an 'Alfred Hitchcock Presents' story than TZ. 'A Haunted House of her Own', 'Vampin' Down the Avenue' and 'The Art of the Miniature' seem to fit 'Night Gallery'. I have no idea why she even bothered to include 'On the Road'. It makes no sense at all and isn't even very interesting to me. "Truth or Consequences' seems to read way too much like another TZ television episode "The Hitchhiker". I would say ' The Wrong Room' was the closest she came to a real TZ story as well as 'The Soldier He Needed to Be'. The story 'Benchwarmer', 'Puowaina', The Street that Forgot Time' and 'A Chance of a Ghost' are teetering on TZ or not so I'm okay with them. I also believe that it was appropriate to begin the series of stories with 'Genesis' and end it with a Rod Serling story 'El Moe'. I could go on with the other stories but it would be too redundant. Please realize that I am not trashing the book at all. I read it in one day so, for me, it says a lot. I just do not see many of them as TZ material. But you can judge that for yourself. I will be purchasing the sequel of stories 'More Stories from the TZ' as well to see how well they fit the fifth dimension of the TZ also. I'll wait and see for myself. In the meantime, it's a fun book to read overall and I enjoyed reading most of these 19 short stories.
12 people found this helpful
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You unlock this door...

"The Twilight Zone" is in many ways a time capsule, a fly preserved in amber, of the specific politics and cultural touchstones of the late '50s and early '60s. However, it remains timeless, and still culturally relevant today on the eve of its 50th anniversary. Even now, with much of its audience born after the original series was taken off the air, everyone remembers "that one with...". Although many episodes from the original series no longer withstand modern scrutiny (due to subpar writing, or a story/theme that's fallen out of date), the bulk of the stories remains vivid and compelling.

Enter this anniversary anthology of 19 stories written in the style of the "Zone", published under the Serling family banner; Rod and his brother Robert account for two stories, and Rod's widow is listed as editor. Here, then, is an episode-guide's eye view of what to expect from this collection:

GENESIS by David Hagberg: An unfortunate opening act; the "twist" is obvious from the 3rd page and the story really amounts to no more than hero worship.

A HAUNTED HOUSE OF HER OWN by Kelley Armstrong: More of a YA short story than something genuinely scary, but the last three sentences may be the best "sting" to any story in this collection.

THE ART OF THE MINIATURE by Earl Hamner: Hamner wrote several episodes of the original "Zone" and also created "The Waltons". Ends on a shocking image but the story employs no logic to get there.

BENCHWARMER by Mike Resnick & Lezli Robyn: TZ wasn't all scares and chills; it also produced several moving, bittersweet human dramas. This tale of imaginary childhood friends adds to that latter tradition.

TRUTH OR CONSEQUENCES by Carol Nelson Douglas: Seems to be a rote rewrite of "The Hitchhiker" from the original TZ (itself a remake). The closing narration here alludes to W. Somerset Maugham and the Talmud, but that's not enough to distinguish the story from its predecessor.

PUOWAINA by Alan Brennert: A bittersweet ghost story from a well-regarded contributor to the '80s TZ revival.

TORN AWAY by Joe R. Lansdale: A voodoo tale with a "Lights Out"-inspired shadowy ending, interestingly set in East Texas and told from the POV of a rural sheriff.

A CHANCE OF A GHOST by Lucia St. Clair Robson: Reminiscent of the 1980s "Alfred Hitchcock Presents" revival, this is a love story of a retiree and her haunted cane. The cane goes to interesting lengths to protect its new owner.

THE STREET THAT FORGOT TIME by Deborah Chester: The closing twist lacks any sort of logic. Perhaps an explanation of why this gated community from Hell would want to turn its inhabitants into zombies might have made the last page more memorable.

THE WRONG ROOM by R.L. Stine: Again, the twist isn't very logical, but it's a great Stephen King style haunted-hotel setup.

GHOST WRITER by Robert J. Serling: This isn't so much of a twist as a bit of historical irony, as told from the perspective of a short-sighted speechwriter.

THE SOLDIER HE NEEDED TO BE by Jim DiFelice: A "Dumbo's Magic Feather" story about an unlucky U.S. soldier fighting in Afghanistan. Pretty solid.

ANTS by Tad Williams: A Hitchcockian tale about a murderous spouse trying to fool the cops, with a great "gotcha!" last paragraph.

YOUR LAST BREATH, Inc., by John Miller: A pale rewrite of the short story "What You Need" (later adapted for the original TZ series), in which a reporter investigates an exclusive business.

FAMILY MAN by Laura Lippman: TZ meets "The Office", when fate plays several tricks at once on a smarmy middle manager.

THE GOOD NEIGHBOR by Whitley Strieber: Like some of the strongest TZ episodes, a thinly veiled racial allegory about a social climber who goes all KKK on his alien neighbors and lives to regret it.

EL MOE by Rod Serling: A leftover Serling script treament about an unlikely Mexican freedom fighter.
12 people found this helpful
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Not Quite the Twilight Zone

It was a clever idea to produce a special book to commemmorate the 50th anniversary of the TV series written
and produced by Rod Serling. The fact that his wife put her name to the project undoubtedly helped attract
stories and a publisher. If the reader anticipated some original scripts from the famous TV series, or other
previously unpublished stories written by the Master himself, the book may be disappointing. It is in fact a collection of stories written specially for this project by other authors, somewhat in the style of Rod Serling.
The quality of the contributions varies. Several of the stories are very clever and offer just the right
degree of suspense, quirky imagination and bizarre happenings to qualify for this sort of effort. Others are less successful, and a few are downright tedious. Fairly good summer beach-time reading in any case. This is a book you can dip into, put down, and go back to, suppressing the occasional yawn and enjoyoing the occasional "frisson" .
11 people found this helpful
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Once more, into the zone

It's hard to believe that it is 50 years since the Twilight Zone debuted on TV. I do confess that I was not there when it appeared in September of 1959, but I do have memories of watching the series in the various incarnations. In black and white, the fantastic worlds seemingly ruled over by a sentient being with a sense of the ironic were often frightening, and always thought provoking.

With the death of Sterling in 1975, his wife Carol has maintained the Twilight Zone as a viable, contemplative property. Now, she and 18 authors have combined to present a veritable feast of the fantastic, a smorgasbord of the sensational, and a collection of the eclectic that capture the spirit of the series. Authors Whitley Strieber, Kelly Armstrong, R L Stine, Timothy Zahn, Tad Williams, Carole Nelson Douglas, Mike Resnick, Lezli Robyn, Earl Hammer, Joe R Lansdale, Allan Brennert and a host of others lead us by the proverbial hand into the zone. There is no art, just a literary collection that opens the theatre of the mind.

Right from the start, we enter the Twilight Zone for an adventuresome read. "Genesis" by David Hagberg tells the story of a young Rod Serling in a 1944 wartime experience that truly is a Genesis, a beginning. "A Haunted House of Her Own" takes us into a world of self destination. "On the Road" is so very cool that you have to travel your own life to understand it. "Benchwarmer" is charming. "Truth Or Consequences" is twisted, yet it keeps you going right until the very end. My favorite story is "Puowaina" by Brennert. It is sensitive, and far seeing. Given a new TV production, this would be a spectacular episode ready for an Emmy. The rest of the book is tantalizing, and ends with "El Moe" by Rod Serling himself. How else could you end such a collection?

I highly recommend this collection of TZ tales. 50 years is a long time, and still Serling inspires.

Tim Lasiuta
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If you miss the Twilight Zone, this is what you want!

Both this and the second book in the set are masterful collections that I believe Rod would have endorsed whole-heartedly. While I don't love every single story, I think there was a greater percentage in this anthology that I enjoyed than in most others. The stories run from funny, to dark and suspenseful, to offbeat, to morality plays, to straight sci-fi, and so on. There really is something for everyone. I highly recommend both books in this set to anyone who was a fan of the Twilight Zone. Each story has a little written intro, and if you try just a little, you can hear Rod Serling reading them to you. Don't forget to get both books for the full experience.
4 people found this helpful
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A fun read

I originally purchased this book as a quick shot of 'brain candy' to read in between other more "serious" books. I found myself fully captured and put everything else aside to read it instead. While the quality of the contributors is obviously varied I found the stories to be generally good with a few gems that made the entire experience very enjoyable. I am hesitant to list specific stories that I found of a higher quality but I would highly recommend this book in its complete form to anyone interested in the series or in stories similar to the ones portrayed there.
3 people found this helpful
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Interesting mix of stories in the Twilight Zone vein

This book caught my eye in my local library. I am a big fan of the original Twilight Zone series; I love watching marathons and have seen all the episodes multiple times. I wasn't sure that the show would translate to short story form, but I was intrigued by some of the authors, which included Earl Hammer (one of the writers for the original Twilight Zone), Robert Serling (Rod Serling's brother), R.L. Stine, Whitley Strieber, and even Rod Serling himself.

As other reviewers have mentioned, these stories are mostly hit or miss, although I enjoyed the book overall. Here's a quick breakdown of my impressions (no spoilers!):

GENESIS - interesting build-up; a good one for die-hard Twilight Zone fans

A HAUNTED HOUSE OF HER OWN - amusing twist at the end, but otherwise not much to it

ON THE ROAD - a pretty straight story that doesn't really engender much interest

THE ART OF THE MINIATURE - not much to this story by Hammer; a bit disappointed

BENCHWARMER - this one felt pretty silly to me

TRUTH OR CONSEQUENCES - almost a complete rip-off of one of the original Twilight Zone episodes (and one that I never really liked!)

PUOWAINA - enjoyed this one centered around a young girl in Hawaii

TORN AWAY - felt very much like an original Twilight Zone even though not a lot happens

VAMPIN' DOWN THE AVENUE - this one has a bit of humor to it; generally a fun read

A CHANCE OF A GHOST - a bit odd but kind of fun

THE STREET THAT FORGOT TIME - this was one of the longest stories and definitely one of my favorites!

THE WRONG ROOM - also reads like an original Twilight Zone, but a bit disturbing ending

GHOSTWRITER - this short offering by Robert Serling was another favorite

THE SOLDIER HE NEEDED TO BE - another story that was very readable but with a somewhat disappointing ending

ANTS - my LEAST favorite from the collection; was disgusting and didn't read like a Twilight Zone at all

YOUR LAST BREATH - reminded my of a Stephen King short story; an amusing little tale

FAMILY MAN - interesting little story with a good twist

THE GOOD NEIGHBOR - Strieber's story started out super-odd for me, but kind of a curious ending

EL MOE - by Serling, a treatment rather than a story, perhaps for the Twilight Zone series; sounded like it could have been a good episode!

So in conclusion, these stories are probably best suited to fans of the original Twilight Zone, and some are definitely much better than others, but overall I would recommend it.
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almost great

just finished this and while the stories collected had some awesome twilight zone worthy ideas, many of the stories had something missing. not a bad read by any means but not a great one either.
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Another trip to the fifth dimension

As an avid fan of the old series, I grabbed this book as soon as I saw it in the bookstore. The thought of having more stories in the same vein as the series while still being new was a treat. The collection of 19 stories gives you some great stuff by well-known authors (including Rod Serling himself) along with a few lesser-knowns.

As with any short story collection, there are hits and misses. Stories involving a neighborhood that hates dogs (with good reason) and a woman who purchases a ghost on Ebay are good. Others like the story of a man trying to burn out his alien neighbors and the President preparing for a historic speech could have been replaced with better ones. Despite that, there are definitely more winners than losers here.

I don't think any of the stories had been reprinted anywhere else, so this is a completely original collection edited by Serling's wife, Carol. I would love to see another collection offered soon. Even with the bad stories, this collection lives up to the name "Twilight Zone" and it's easy to see just about any of these as one of the episodes that might have been. Highly recommended for fans of the series.
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Very good stories! Got mine at a bookstore and not ...

Very good stories! Got mine at a bookstore and not Amazon, but saw it here and thought I'd comment. The stories told in thie book will not disappoint Twilight Zone fans. My favorite is the one by Lucia St Clair Robson called "A Chance of a Ghost".