Unveiled
Unveiled book cover

Unveiled

Mass Market Paperback – January 25, 2011

Price
$13.11
Publisher
HQN Books
Publication Date
ISBN-13
978-0373775439
Dimensions
4.28 x 0.99 x 6.62 inches
Weight
6.4 ounces

Description

From Publishers Weekly Historical goofs mar this otherwise compelling Victorian romance. Ash Turner becomes heir to the dukedom of Parford after uncovering evidence that the current duke's children, Ash's distant cousins, are illegitimate. Among the suddenly disinherited is the beautiful Lady Margaret Dalrymple, now shunned by society. Ash has no idea that the dying duke's beautiful nurse is actually Margaret, set to spy on Ash and collect material to support her brothers' countersuit for a decree of legitimacy. Instantly attracted to almost impossibly kind and charismatic Ash, Margaret is torn between newfound love and loyalty to her boorish brothers. While the love story is genuinely satisfying and Margaret's dilemma movingly portrayed, Milan (Proof by Seduction) leaves Ash's complex relationship with his brothers unresolved--perhaps to be explored further in sequels--and makes the conflict dependent on the unlikely scenario of Parliament legitimizing a bigamist's bastards, fatally marring an otherwise promising novel. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved. From Booklist Ash Turner has taken everything from Margaret Dalrymple: her name, her dowry, and her fianc�e. But Margaret isn�t about to give up without a good fight. After discovering that Margaret�s father, the Duke of Parford, married her mother without bothering to divorce his first wife, Ash petitions Parliament to declare Margaret and her two brothers bastards, thus awarding the title�and everything that goes with it�to Ash. And when Ash arrives at her family�s ancestral estate to take up his duties as the new duke, Margaret is ready for him. While acting as nurse to her ailing father, who, until his death, is still the rightful duke, she intends to find out information about Ash that she can use to discredit his claims to the title. The flaw in her plan is the fact that Ash is so irresistibly nice. In her latest expertly executed historical, Milan delivers splendidly nuanced characters and a quietly compelling and emotionally complex plot. An addictively readable tale of revenge and redemption, love and family, Unveiled is brilliant. --John Charles Courtney Milan lives in the Pacific Northwest with her husband, an exuberant dog, and an attack cat. Before she started writing historical romance, Courtney experimented with various occupations, none of which stuck. Now, when she's not reading (lots), writing (lots), or sleeping (not enough), she can be found in the vicinity of a classroom. You can learn more about Courtney at http://www.courtneymilan.com. Excerpt. © Reprinted by permission. All rights reserved. Somerset, August 1837 So this was how it felt to be a conquering hero.Ash Turner—once plain Mr. Turner; now, so long as fate stayed Parliament's hand, the future Duke of Parford—sat back on his horse as he reached the crest of the hill.The estate he would inherit was laid out in the valley before him. Stone walls and green hedges hugged the curves of the limestone hill where his horse stood, breaking the brilliant apple-green growth of high summer into gentle, rolling squares of patchwork. A small cottage stood to the side of the road. He could hear the hushed whispers of the farm children, who had crept out to gawk at him as he passed.Over the past few months, he'd become accustomed to being gawked at.Behind him, his younger brother's steed stamped and came to a halt. From this high vantage point, they could see Parford Manor—an impressive four-story, five-winged affair, its brilliant windows glittering in the sunlight. Undoubtedly, someone had set a servant to watch for his arrival. In a few moments, the staff would spill out onto the front steps, arranging themselves in careful lines, ready to greet the man who would be their master.The man who'd stolen a dukedom.A smile played over Ash's face. Once he inherited, nobody would gainsay him."You don't have to do this." The words came from behind him.Nobody, that was, except his little brother.Ash turned in the saddle. Mark was facing forwards, looking at the manor below with an abstracted expression. That detached focus made him look simultaneously old, as if he deserved an elder's beard to go with that inexplicable wisdom, and yet still unaccountably boyish."It's not right." Mark's voice was barely audible above the wind that whipped at Ash's collar.Mark was seven years younger than Ash, which made him by most estimations firmly an adult. But despite all that Mark had experienced, he had somehow managed to retain an aura of almost painful purity. He was the opposite of Ash—blond, where Ash's hair was dark; slim, where Ash's shoulders had broadened with years of labor. But most of all, Mark seemed profoundly, sacredly innocent, where Ash felt tired and profane. Perhaps that was why the last thing Ash wanted to do in his moment of victory was to hash through the ethics.Ash shook his head. "You asked me to find you a quiet country home for these last weeks of summer, so you might work in peace." He spread his arms, palms up. "Well. Here you are."Down in the valley, the first ranks of servants had begun to gather, jockeying for position on the wide steps leading up to the massive front doors.Mark shrugged, as if this evidence of prosperity meant nothing to him. "A house back in Shepton Mallet would have done."A tight knot formed in Ash's stomach. "You're not going back to Shepton Mallet. You're never going back there. Do you suppose I would simply kick you from a carriage at Market Cross and let you disappear for the summer?"Mark finally broke his gaze from the tableau in front of them and met Ash's eyes. "Even by your extravagant standards, Ash, you must admit this is a bit much.""You don't think I would make a good duke? Or you don't approve of the method I used to inveigle a summer's invitation to the ducal manor?"Mark simply shook his head. "I don't need this. We don't need this."And therein lay Ash's problem. He wanted to make up for every last bit of his brothers' childhood deprivation. He wanted to repay every skipped meal with twelve-course dinners, gift a thousand pairs of gloves in exchange for every shoeless winter. He'd risked his life building a fortune to ensure their happiness. Yet both his brothers declared themselves satisfied with a few prosaic simplicities.Simplicities wouldn't make up for Ash's failure. So maybe he had overindulged when Mark finally asked him for a favor."Shepton Mallet would have been quiet," Mark said, almost wistfully."Shepton Mallet is halfway to dead." Ash clucked to his horse. As he did so, the wind stopped. What he'd intended as a faint sound of encouragement sounded overloud. The horse started down the road towards the manor.Mark kicked his mare into a trot and followed."You've never thought it through," Ash tossed over his shoulder. "With Richard and Edmund Dalrymple no longer able to inherit, you're fourth in line for the dukedom. There are a great many advantages to that. Opportunities will arise.""Is that how you're describing your actions, this past year? 'No longer able to inherit?'"Ash ignored this sally. "You're young. You're handsome. I'm sure there are some lovely milkmaids in Somerset who would be delighted to make the acquaintance of a man who stands an arm's length from a dukedom."Mark stopped his horse a few yards before the gate to the grounds. Ash felt a fillip of annoyance at the delay, but he halted, too."Say it," Mark said. "Say what you did to the Dal-rymples. You've spouted one euphemism after another ever since this started. If you can't even bring yourself to speak the words, you should never have done it.""Christ. You're acting as if I killed them."But Mark was looking at him, his blue eyes intense. In this mood, with the sun glancing off all that blond hair, Ash wouldn't have been surprised if his brother had pulled a flaming sword from his saddlebag and proclaimed him barred from Eden forever. "Say it," Mark repeated.And besides, his little brother so rarely asked anything of him. Ash would have given Mark whatever he wanted, so long as he just…well, wanted. "Very well." He met his brother's eyes. "I brought the evidence of the Duke of Parford's first marriage before the ecclesiastical courts, and thus had his second marriage declared void for bigamy. The children resulting from that union were declared illegitimate and unable to inherit. Which left the duke's long-hated fifth cousin, twice removed, as the presumptive heir. That would be me." Ash started his horse again. "I didn't do anything to the Dalrymples. I just told the truth of what their own father had done all those years ago."And he wasn't about to apologize for it, either.Mark snorted and started his horse again. "And you didn't have to do that."But he had. Ash didn't believe in foretellings or spiritual claptrap, but from time to time, he had…premonitions, perhaps, although that word smacked of the occult. A better phrase might have been that he possessed a sheer animal instinct. As if the reactive beast buried deep inside him could recognize truths that human intelligence, dulled by years of education, could not.When he'd found out about Parford, he'd known with a blazing certainty: If I become Parford, I can finally break my brothers free of the prison they've built for themselves. With that burden weighing down one side of the scale, no moral considerations could balance the other to equipoise. The disinherited Dalrymples meant nothing. Besides, after what Richard and Edmund had done to his brothers? Really. He shed no tears for their loss.The servants had finished gathering, and as Ash trotted up the drive, they held themselves at stiff attention. They were too well trained to gawk, too polite to let more than a little rigidity infect their manner. Likely, they were too accustomed to their wages to do more than grouse about the upstart heir the courts had forced upon them.They'd like him soon enough. Everyone always did."Who knows?" he said quietly. "Maybe one of these serving girls will catch your eye. You can have any one you'd like."Mark favored him with an amused look. "Satan," he said, shaking his head, "get thee behind me."Ash's steed came to a stop and he dismounted slowly. The manor looked smaller than Ash remembered, the stone of its facade honey-gold, not bleak and imposing. It had shrunk from the unassailable fortress that had loomed in Ash's head all these years. Now it was just a house. A big house, yes, but not the dark, menacing edifice he'd brooded over in his memory.The servants stood in painful, ordered rows. Ash glanced over them.There were probably more than a hundred retainers arrayed before him, all dressed in gray. He felt as sober as they appeared. Had there been the slightest danger of Mark accepting his cavalier offer, Ash would never have made it. These people were his dependents now—or they would be, once the current duke passed on. His duty. Their prosperity would hang on his whim, as his had once hung on Parford's. It was a weighty responsibility. I'm going to do better than that old bastard. A vow, that, and one he meant every bit as much as the last promise he'd sworn, looking up at this building.He turned to greet the majordomo, who stepped forwards. As he did so, he saw her. She stood on the last row of steps, a few inches apart from the rest of the servants. She held her head high. The wind started up again, as if the entire universe had been holding its breath up until this moment. She was looking directly at him, and Ash felt a cavernous hollow open deep in his chest.He'd never seen the woman before in his life. He couldn't have; he would have remembered the feel of her, the sheer rightness of it. She was pretty, even with that dark hair pulled into a severe knot and pinioned beneath a white lace cap. But it wasn't her looks that caught his attention. Ash had seen enough beautiful women in his time. Maybe it was her eyes, narrowed and steely, fixed on him as if he were the source of all that was wrong in the world. Maybe it was the set of her chin, so unyielding, so fiercely determined, when every face around hers mirrored uncertainty. Whatever it was, something about her resonated deep within him.It reminded him of the cacophony of an orchestra as it tuned its instruments: dissonance, suddenly resolving into harmony. It was the rumble, not of thunder, but its low, rolling precursor, trembling on the horizon. It was all of that. It was none of that. It was sheer animal instinct, and it reached up and grabbed him by the throat. Her. Her. Ash had never ignored his instincts before—not once. He swallowed hard as the majordomo approached."One thing," he whispered to his brother. "The woman in the last row—on the far right? She's mine."Before his brother could do more than frown at him, before Ash himself could swallow the lingering feeling of sparks coursing through his veins, the majordomo was upon them, bowing and introducing himself. Ash took a deep breath and focused on the man."Mr.—I mean, my—" The man paused, uncertain how to address Ash. With the duke still alive, Ash, a mere distant cousin, held no title. And yet he had come here as heir to the dukedom, on the strictest orders from Chancery. Ash could guess at the careful calculation in the majordomo's eyes: should he risk offending the man who might well be his next master? Or ought he adhere to the strict formalities required by etiquette?Ash tossed his reins to the groom who crept forwards. "Plain Mr. Turner will do. There's no need to worry about how you address me. I scarcely know what to call myself."The man nodded and the taut muscles in his face relaxed. "Mr. Turner, shall I arrange a tour, or would you and your brother care to take some refreshment first?"Ash's eyes wandered to the woman in the back row. She met his gaze, her expression implacable, and a queer shiver ran down his spine. It was not lust itself he felt, but the premonition of desire, as if the wind that whipped around his cravat were whispering in his ears. Her. Choose her. "Good luck," Mark muttered. "I don't believe she likes you all that much."That much Ash had gleaned from the set of her jaw."No refreshment," Ash said aloud. "No rest. I want to know everything, and the sooner, the better. I'll need to speak with Parford, as well. I'd best start as I mean to go on." He glanced at the woman one last time, and then met his brother's eyes. "After all, I do enjoy a challenge."From her high perch on the cold stone steps, Anna Margaret Dalrymple could make out little in the features of the two gentlemen who approached on horseback. But what she could see did not bode well for her future.Ash Turner was both taller and younger than she had expected. Margaret had imagined him arriving in a jewel-encrusted carriage, pulled by a team of eight horses—something both ridiculously feminine and outrageously ostentatious, to match his reputation as a wealthy nabob. The man who had taken everything from her should have been some hunched creature, prematurely bald, capable of no expression except an insolent sneer.But this man sat his horse with all the ease and grace of an accomplished rider, and she could not make out a single massive, unsightly gem anywhere on his person.Drat.As Mr. Turner cantered up, the servants—it was difficult to think of them as fellow servants, when she was used to thinking of them as hers —tensed, breath held. And no wonder. This man had supplanted her brother, the rightful heir, through ruthless legal machinations. If Richard failed in his bid to have the Duke of Parford's children legitimized by act of Parliament, Mr. Turner would be the new master. And when her father died, Margaret would find herself a homeless bastard.He dismounted from his steed with ease and tossed the reins to the stable boy who dashed out to greet him. While he exchanged a few words with the majordomo, she could sense the unease about her, multiplying itself through the shuffling of feet and the uncertain rubbing of hands against sides. What sort of a man was he?His gaze swept over them, harsh and severe. For one brief second, his eyes came to rest on Margaret. It was an illusion, of course—a wealthy merchant, come to investigate his patrimony, would care nothing for a servant clad in a shapeless gray frock, her hair secured under a severe mobcap. But it seemed as if he were looking directly inside her, as if he could see every day of these past painful months. It was as if he could see the empty echo of the lady she had been. Her heart thumped once, heavily.She'd counted on being invisible to him in this guise.Then, as if she'd been but a brief snag in the fluid silk of his life, he looked away, finishing his survey of the massed knot of servants. Beside her, the upstairs maids held their breath. Margaret wished he would just get it over with and say something dastardly, so they could all hate him. Read more

Features & Highlights

  • Ash Turner has waited a lifetime to seek revenge on the man who ruined his family—and now the time for justice has arrived. At Parford Manor, he intends to take his place as the rightful heir to the dukedom and settle an old score with the current duke once and for all. But instead he finds himself drawn to a tempting beauty who has the power to undo all his dreams of vengeance….Lady Margaret knows she should despise the man who's stolen her fortune and her father's legacy—the man she's been ordered to spy on in the guise of a nurse. Yet the more she learns about the new duke, the less she can resist his smoldering appeal. Soon Margaret and Ash find themselves torn between old loyalties—and the tantalizing promise of passion….

Customer Reviews

Rating Breakdown

★★★★★
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★★
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Most Helpful Reviews

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Lessons in what not to name your baby

I enjoyed "Unveiled" for many reasons, including the pleasure of reading a well-written and nicely edited book (during the last several I've read, I had to untangle cumbersome sentences and figure out missing or misused words).

The hero, Ash Turner, is a gem. While he can be ruthless and vengeful, when he interacts with the heroine, Margaret, he is supportive, kind, protective, loyal, and extremely empathetic. He is the most lovable hero I've come across in a long time.

Watching the three Turner brothers together is great, too. Just as happens in real life, the siblings offer unconditional love, but frequently fail to understand each other, and often hurt each others' feelings.

I liked the funny bits. The Turners' dreadful mother gave each boy a bizarre name. Ash's full name is revealed in "Unveiled," but disclosure of the "real" names of the other two brothers must wait for the sequels. Including all three names in one book would require an extra chapter just for the names. Also, younger brother Mark is obsessively writing a quirky treatise on male chastity. And, Mark gives self-defense lessons in streetfighting tactics to the housemaids. I could imagine the maids in their dark uniforms leaping about the parlor like early 19th century ninjas.

Courtney Milan has used an interesting device in her novels. Each hero has a syndrome or difficulty that was not identified until the 20th century. In his own way, each man has figured out how he is different from most others. Each feels isolated from the rest of society, but all of them learn to adapt and face the challenges in their lives. The hero of Milan's first book appeared to have Asperger's Syndrome. The second novel featured a bi-polar hero. In "Unveiled," Ash has his own problems which are easily diagnosed today but must have seemed baffling in Ash's time. I hope Milan continues to create such interesting characters who conquer adversity from within. I can imagine an OCD hero eagerly removing the heroine's clothing one piece at a time, then folding each item very precisely and placing the article of attire on the floor, an exact one inch from the last piece.
53 people found this helpful
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Near Perfect Beautiful Romance (A- Grade)

Every single Courtney Milan book I've read has been so full of win. Her writing really speaks to me on so many levels. Courtney's skill as a writer is shown perfectly with her heroes and heroines and the interactions that on the surface seem to be one thing, when really underneath their dialogue and conversations is another thing altogether. Not many authors can write a successful character driven story, but Courtney has done it time and again. Her latest, Unveiled is another beautifully written historical romance that I can't find any fault with. The majority of the drama that occurs is internally, mainly from the heroine, Anna Margaret Dalrymple, who's entire world has been destroyed not only because of the selfish and amoral actions from her father, but from a distant cousin who rips it all away as a revenge on his part.

Ash Turner and his two brothers lived in near poverty because their mother was sick in the head and become a religious fanatic who gave away all their money and livelihood after their father died. Ash lives with guilt over the death of his sister who could have been saved if only his distant cousin, Richard, the Duke of Parford had given him the funds needed for a doctor. The Duke turned Ash out on his ear just because he felt like it. Left with nothing, Ash leaves his family for India where he makes his fortune. When he returns, his brothers are living on the streets. He quickly makes amends, but it's not enough, or at least from his view. Ash promises to get back at Parford, and after years of waiting, has figured out a way to take away the Dukedom from Parford and in a legal way. Parford is a bigamist who married one woman, threw her away and then married another woman of society who became his Duchess. From that union he had three children, two sons and a daughter. Now Parford is dying, and after Ash has taken legal action, Parford's children are considered to be bastards. Ash has come to take over Parford Manor, along with his younger brother, the studious Mark in tow.

Ash wishes it didn't have to come down to this, but the former Duke forced his hand. Ash really doesn't need the title, the lands or the money, but it's the principal of the thing. He's not sure what to expect, especially in regards to the staff. But he quickly charms them, mainly by treating them like equals. But one member, former Parford's nurse, Margaret Lowell looks upon him with cold disgust. Ash doesn't know why she has such disdain toward him, but he plans on doing his best to change her mind. But what Ash doesn't know is that Margaret is former Parford's daughter, Lady Anna.

Margret keeps her real identity a secret because her brothers have left her to be a spy and report back to them about anything about Ash they could use against him in court. Not only has Margaret's fiancée dropped her, but her father acts like he can't stand her and says the most horrible things about her dead mother. Margaret is adrift in the world, with no real place or social status. Ash confuses her because he doesn't act like that soulless, greedy thief she expects him to be. Instead he is very kind, as well as makes her yearn for something deeper than she shouldn't feel since he's the enemy.

Ash wants to get to the bottom of the skittish Margaret and have her trust him. He lets her in on his darkest secrets about feeling like an outcast where his brothers are concerned, including something so damaging that if Parliament or the public finds out could make him return to being a commoner. All Margaret has to do is pen a letter to her brothers to tell them what she knows. It all comes down to Margaret and how far she will go to take back what is rightly hers, even if it means betraying Ash who wants her for the woman she is and not her role as a daughter of a duke.

Ash Turner is a man with faults, who beats himself up for things in the past that occurred by no fault of his own. Courtney has written an amazing hero with Ash who doesn't see things as black and white, but all different shades of gray, especially in regards to Margaret. As soon as he sees her, he feels a connection and wants to claim her as his own. He doesn't try to seduce or plunder Margaret as most heroes may do, but takes care with her since he senses her mistrust.

Mistrust is a big underlying theme in Unveiled. This mainly concerns Ash and Margaret, but also the lack of trust with Parford and what he has done to his family. Ash feels he's lost the trust of his brothers, especially the seemingly emotionally distant Smite. Mark is Ash's conscience in a way where he tells Ash what he doesn't want to hear. Even with the strain that appears between the Turner brothers, you do feel the love between them. The same applies to Margaret with her two brothers, Edmund and Richard, who at first may seem as villainous as their father, but surprisingly are not.

Watching Margaret and Ash fall in love is very tender and sweet. You'd think their passion for one another would be tumultuous with everything between them. But it isn't, which is a welcomed relief is because we see this far too often in historical romances, especially when the hero and heroine are at odds with one another. Another familiar, stereotypical trend is the big misunderstanding. Courtney gets even more brownie points for staying far away from that trope and I so wanted to cheer when it didn't happen.

One thing to cheer about is that Courtney can write an awesome, heated exchange in a store-room pantry with Ash and Margaret during a ball.

Unveiled is an absolutely delightful historical romance. With Unveiled, Courtney has shown that she's not on her way to become a master in this genre, but has already arrived there.

Katiebabs
45 people found this helpful
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Not a run-of-the-mill romance

To me, what makes this novel stand out from the pack is that it's more of a character study than a romance. Ash and Margaret are each in a rut in their journeys to self-actualization. The relationship that springs up between them helps them realize that they can be more than they're settling for.

The story got off to a slow start, but it didn't take me long to realize it wasn't slow...it was deliberate. This author's style reminds me a lot of Madeline Hunter, another writer who takes romance to the next level with fleshed out characters and careful word choices. Like Hunter, Ms. Milan seems more to craft her work than to just slop it down with an inevitable ending.

The family relationships are another stellar aspect of this book. Ash's relationships with his brothers felt true to life...both joyful and painful in the way family relationships are. (Your family may drive you nuts, but you'd probaly still give your life for them.) Poor Margaret drew the short straw when it came to family, yet they're not flat-out villains either. Margaret struggles with wishing she could walk away from them and knowing she just can't.

Bottom line: If you prefer your romances quick, formulaic, and focused on the couple relationship, then this may not be the book for you. If you look for a little more in your light reading experiences, give this one a try. I loved it and am eagerly looking forward to the next two books.
15 people found this helpful
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Not quite what it promises

While this was an entertaining read, I thought it fell a little short of its promise. This was a great story but the secondary characters were almost more compelling than the main characters, I found a number of their reactions at key moments to not be "in character" and much opportunity for the characters to develop seemed to be missed. I sort of felt like I had been promised a bowl of silky creamy mushroom soup and got something made with skim milk and canned mushrooms. The flavors were there, but the body was not.
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My New Favorite!

Let me begin by saying that this is the first romance novel I've ever found inspiring. I seriously think it raised my own self esteem a few points. The mantra of the book, said first by the hero and repeated over and over again in the heroine's mind is, "You are important. You matter." I know some might find it a little anti-feminist that the heroine needs a man to tell her that she matters, but it was the 19th century, and I can't imagine most women were used to hearing such words from anyone. In any case, I've been using the mantra for myself lately, and it seriously gives me a boost! Thanks, Courtney Milan!

So, back to this beautiful, wonderful, inspiring book. I'm not one to write rave reviews about romance novels unless I feel the book really deserves it. This one does, undeniably. The writing is incredible, better than any romance novel I've read in a long time. The descriptions are wonderful, and Ms. Milan does an awesome job of staying away from cliches, both in love scenes and just in general. It was a pleasure to read, literally...very smooth and effortless. I was never jolted out of the flow of the story by an odd word or historical inaccuracy, which made it very hard to put down! Publishers Weekly notes above the whole historical blunder about the unlikelihood of Parliament legitimizing Margaret and her brothers, but it honestly doesn't affect the story at all.

Not only is this book beautifully written, but it has a lot of heart. The emotions feel real and believable, and the characters, both primary and secondary, are masterfully constructed. They feel like real people, with real vulnerabilities and real problems. I truly cared about the hero and heroine, and I have a feeling that they will stick with me, unlike the majority of romance novel H/h pairs which seem to fade into obscurity pretty soon after I've finished the book. Out of all the romance novels I've ever read, there have only been two couples whose names I always remember: Jessica Trent/Dain (from Loretta Chase's Lord of Scoundrels) and Georgina Maitland/Harry Pye (from Elizabeth Hoyt's The Leopard Prince). I know for sure that Ash and Margaret will be added to that list.

Here is why this book is my new favorite romance novel:

1. The hero, Ash Turner, is a genuinely good guy. I don't often feel this way about romance novel heroes. Although Ash begins the book a lot like any other hero, flirting outrageously with the heroine, as the novel progresses you realize that he actually does have a deep respect for women. He never pushes himself on Margaret, and instead of aggressively seducing her, he gives her the chance to come to him. While he's got the whole tortured thing going on, he still manages to be a pretty decent guy. Still, he has plenty of believable flaws.

2. The heroine, Anna Margaret Dalrymple, is one of the few heroines I've read lately that didn't annoy me to tears. In fact, she never once annoyed me. The decisions she makes are realistic and justifiable, and she actually has a very good reason to dislike the hero in the beginning. She also has a very good reason not to marry him at first, unlike the typical "I can't marry him because he hasn't told me he loves me yet!" excuse that seems to be so popular in historical romance. She's strong and smart, never silly or whiny. And while she does let men have a lot of control over her decisions at the beginning, she takes total control of her future at the end.

3. The secondary characters are great, even Margaret's hateful father, who managed to make me laugh even when he was being evil. Ash's brothers are more interesting than Margaret's, but this is presumably because they (Ash's brothers) will eventually feature in their own novels. I do wish that there had been more women besides Margaret, who doesn't seem to have any strong female relationships (except for with her mother, who's dead). But all of the peripheral characters, even the ones who only appeared in one scene, were fun to read about, yet also seemed like real people rather than caricatures.

4. As others have said, the relationship between Ash and Margaret is sweet and tender, and I totally believed in their love for each other. They actually have conversations and spend time together beyond just sex. Milan builds their relationship in a believable way, and I felt that Ash and Margaret connected on a emotional level as well as on a sexual one.

Speaking of sexual, my one complaint about this book is that the sexual tension wasn't as good as it could have been. Not that it was bad, but many times when the characters started going at it I felt like it was sort of abrupt. There wasn't that usual rising tension that you normally find in romance novels. I never really got that "Would you guys just do it already?!" feeling. This didn't make the book any less awesome, but I think it could have been that much better had Milan worked harder at creating sexual tension between the H/h. That's not to say there wasn't any, because there definitely was! But there could have been more.

Also, a lot of the love scenes would start out really great, but would end way sooner than I wanted them to. It was as if (in some scenes, not all) Milan started off feeling sexy, then got shy and brought things to a conclusion as fast as possible. Maybe it's because the love scenes in most romance novels I've read lately are so similar and generic that I often skip or skim them. Since Milan's were so wonderful and ungeneric, I was ready for them to go on longer! But really, those are the only complaints I can make about this book, and they're only very tiny ones.

Next time someone I know bad-mouths romance, I cannot wait to hand them this book. The writing and story are on an equal level with mainstream fiction, and I truly enjoyed every minute. If you are a fan of historical romance, definitely, definitely, definitely buy this book!
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Unveiled by Courtney Milan

Ash Turner is getting his revenge. As a young child, for religious reasons his insane mother gave away all of their money and Ash found himself on the doorstep of Parford Manor begging his very distant cousin, the Duke of Parford, Richard Dalrymple for help. His young sister was very ill, and everyone was hungry. Parford slammed the door in his face refusing any support. After his sister's death a short time later, Ash decides to never see his brothers suffer the same fate. He takes himself off to India for four years to amass a fortune. Returning, he finds his two brothers skinny as a rail and on the street, but gets them through school.

As an adult he accomplishes something very important to him. He discovers Parford had married a mistress, prior to his current marriage, and after going through parliament he has Parford's current marriage declared void for bigamy. Therefore, the children he had with his second "wife" are no longer able to inherit his title. This leaves Ash (his sixth cousin, twice removed) next in line. With Parford on his deathbed, Ash has the title of Duke in the very near future.

Margaret Dalrymple has lost her title, her fiancé and her mother all in the recent past. She is Parford's daughter - and as her brothers are in London battling Parliament for their father's title back, she is pretending to be a servant, in particular Parford's nurse to essentially spy on Ash. To gain any information she can to send back to her brothers that would help them get the bigamy ruling overturned.

Ash takes one look at Margaret, standing in the servant line and an attraction develops. Margaret thinks Ash is a greedy tyrant intent on ruining her family's name. Ash thinks Margaret is a mere servant, but one with spunk and independence. But their attraction towards one another will lead them to discover many new truths.

Unveiled is the third book I have read by Courtney Milan and the third that I have adored. And by adored I mean - this book is on my favorite list for 2011 and will proudly sit upon my favorite shelf. From the very beginning Courtney Milan had me. She has such a way with words - they are to be absorbed and savored.

Ash is great with people. He is not good at analyzing things on paper, but let him look someone in the eye, and this is how he has built his fortune in trade. The reason he has a fortune, and the reason he is vying for the Dukedom are for his brothers Mark and Smite and only his brothers. After he watched his young sister die, he vowed to himself his brothers would have a better lot in life. While earning his fortune there were many years he did abandoned them - but once he had the funds, he forced them to go to school and encouraged them to be successful members of society. But his relationship with them is far from perfect. They don't dote upon him - both Mark and Smite have bonded with each other, leaving Ash out of their circle. Their dynamics are very intriguing and different.

Ash never looks upon Margaret as a lowly servant (for a time, he doesn't know she is actually Parford's daughter). He is enamored from the start. Margaret wants to hate him for what he has done to his family. She is not only mourning the death of her mother, but her father is on his deathbed and her and her brothers have all been proclaimed bastards. But the man she meets is not the man she expected. He really is trying to do the right thing. Yes he wants revenge on Parford (who truly is scum) but he treats everyone else with the utmost respect. He is charming and just - nice. As Margaret notices he can be a man of business, with the utmost honor in parliament, but also have dinner conversations with servants without a struggle.

The best thing Ash does for Margaret is gives her confidence. He dares her to defy her station in life. He tells her by both words and actions that she matters. She is important. Something I love about Margaret is her trust and acceptance of Ash. She may have confusing feelings because she doesn't want to go against her brothers, but she knows Ash would never do something to intentionally harm her, and she has no qualms about letting people know that.

Mark and Smite both get page time in this book, especially Mark, whose book is out later this fall. Mark is a scholar writing a book on why men should practice chastity, something he himself follows so I very much look forward to watching how he gets his happily ever after. And Smite is still somewhat of a mystery. He lives a very small lifestyle, and not a lot is resolved about his relationship with Ash or who exactly he is. Which of course has me extremely intrigued to find out more about him!

Unveiled is an absolutely beautiful book.
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Milan Keeps Improving, Loved It

This is Courtney Milan's best book. I might be saying that for the next one as well, because I am completely in love with this trilogy. Milan excels with the details of conflicted loyalties in Unveiled. Margaret knows what she owes her birthright, her parents, and her brothers but she isn't quite certain what she owes herself. Ash is a man who doesn't owe anyone anything, (although he thinks he owes his brothers everything) but he has no idea what he owes Margaret. Yet Unveiled isn't a book about debts, it's a book about slowly opening up to new possibilities, about letting go of the fears that keep us from speaking honestly, seeing honestly, inside our own families.

Ash has disinherited Margaret and her siblings through a series of legal but morally questionable machinations. Margaret's father, through a legal but morally questionable action, once cost the life of Ash's sister. But this isn't a book about revenge. It's a book about love, what we will do to pay it back, to earn it, to find it. It isn't a book with unrealistic revelations, it's a book filled with the tiny "why didn't you tell me" moments that lead to so much emotional distance between people. Unveiled is full of true to life details from our own families, and it uses them to create a memorable world and a memorable story. Courtney Milan has given us a really wonderful read. I will absolutely be back for the next two installments of this trilogy. (I received an advance copy of this book)
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When a Man loves a Woman...

Read UNVEILED and see what that really looks like.
Ash is Amazing.
Margaret is...
Magnificent.

My deepest respect to author Courtney Milan.
Her novel is mature, complicated in the best way, and profound.
UNVEILED grips your gut and pounds your emotions just the way superior literature should.

I beg you, please, Ms. Milan, DO NOT succumb to the pressure of the mass-media profit monster and start churning one out every few months.
You will lose this selective, impressed and dedicated reader.
Take your time. Make Marks's tale and Smite's story as special as Ash and Margaret's.
I am patient. I promise, I will wait, and I will pay gladly for more of what you have just given us.

Be true to your gift. It is prodigious.
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Review from the book review blog, Book Faery

Rating: 3.5/5 stars

UNVEILED's first chapter started off somewhat slowly for me, but once the hero and heroine locked eyes, I was sucker-punched by the intense desire to see what would happen next in this historical.

Milan is a new author for me. I've heard some positive things about the author and her writing, including how hilarious her stories can be... and I was not disappointed. Scene after scene had me either smiling knowingly, snickering, or laughing long and loud. A certain amount of mischievousness has been layered into the story, thus lending the otherwise angst-filled story about discovery a new level of excitement and fun for the reader.

Speaking of angst, this isn't your typical romance. There's drama, of course, but remember that humor I just mentioned? It nearly eradicated the disquiet lurking in the background. But Milan doesn't let you forget it's there; in fact, she'll remind you every chance she gets--when the characters are alone. Usually with the romances I read, it's all adversity, all the time. It can get quite tiring, but I suppose that comes with the tortured hero, right?

The only point in time where I started to lose interest is towards the end of the story. I don't want to spoil anything, but it's obvious the two will hook up at some point (it's a romance, after all). The question, then, is when will they? My problem was, once the two did get together, my enthusiasm began to wither away. I began to lose focus and interest in what would happen next, and I'm not sure why.

Like another reviewer, I found it fairly hard to believe that Ash didn't figure out Margaret's identity sooner--especially since he had this "intuition" when it came to people.

Aside from those two complaints, I found UNVEILED to be a fun and engaging read. Anyone who enjoys historicals must check out Milan's Turner series. I will definitely be checking my library to see what other books are available there.
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A romance for non-romance readers

If you like historical romance, you'll love it.

If you're like me and don't read romance and generally prefer books that are character-driven, literary, and filled with solid prose rather than the cliches that mar nearly every romance and popular fiction book out there, you will enjoy this. It's good. And it's not filled with cliches and purple prose.

No, it's not "literary fiction." (I don't mean that as a slur--this is just a different kind of fiction.) But it's the best kind of genre fiction, well-written and with characters who drive the plot as much as the far-fetched device of a vote in parliament to declare illegitimate children legal heirs. Within a chapter, you care about the characters, and they continue to surprise you with their humanity, basic intelligence, and ability to think and act like real adults, unlike the romance heroines and heros of the romances I recalled from the 80s bodice-rippers--you know the kind, the heroines who act in ways so immature and idiotic that even a teen in the throes of an I-hate-you-no-one-understands-me hissy fit wouldn't act like that.

Plus, it's both romantic and sexy. Perfect beach read.

This author writes well and tells a good story, with believable characters. I'll read more Milan on the beach and whenever I'm looking for a greater escape than my usual fare.
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