White Corridor (Bryant & May)
White Corridor (Bryant & May) book cover

White Corridor (Bryant & May)

Hardcover – May 29, 2007

Price
$22.00
Format
Hardcover
Pages
352
Publisher
Bantam
Publication Date
ISBN-13
978-0553804508
Dimensions
5.8 x 1.08 x 8.45 inches
Weight
1.1 pounds

Description

From Publishers Weekly Starred Review. Blending humor and brilliant detection, Fowler's excellent fifth novel to feature the engaging if bizarre exploits of London's Peculiar Crimes Unit (after 2006's Ten Second Staircase ) offers two challenging mysteries for his pair of eccentric sleuths, Arthur Bryant and John May. While driving to an international spiritualists' convention, Bryant and May find themselves trapped on the road near Dartmoor in a blizzard. Lurking among the stalled vehicles is a man who may be a multiple murderer. At the same time, the two try to help via cellphone their colleagues back in London, who must solve the locked-room murder of a PCU member, retiring pathologist Oswald Finch, before the unit is finally shut down for good. The fair-play solution will particularly satisfy lovers of golden age mysteries. Once again, Fowler shows himself to be a master of the impossible crime tale. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist *Starred Review* Senior-citizen sleuths Arthur Bryant and John May have never been ones to play by the rules. As the most distinguished (read oldest) members of London's peculiar Peculiar Crimes Unit, the men pride themselves on cracking cases no right-minded detectives would attempt. This fifth offering (after Ten Second Staircase, 2006) finds the two stranded in a deadly blizzard en route to a spiritualists' convention. (Detective Bryant has long been both ridiculed and admired for his obsession with the occult.) In their absence, the unit's forensic pathologist, who had been having second thoughts about his imminent retirement, is found dead in the morgue. The room was locked from the inside, and only four members of the PCU had keys. Patchy cell-phone reception can't keep Bryant and May from participating in the investigation. Meanwhile, the snow (and plot) thickens when the duo encounters a young woman and her son seeking protection from a charming French drifter. Sherlock Holmes meets Inspector Clouseau in this mordant, award-winning series in which Fowler gleefully skewers religious zealots and government officials alike. Of one of the latter he writes: "It was . . . as if Countess Bathory and Vlad the Impaler had mated to create the perfect bureaucratic hatchet man." Allison Block Copyright © American Library Association. All rights reserved “Blending humor and brilliant detection.... Fowler shows himself to be a master of the ‘impossible crime’ tale.... Excellent.”— Publishers Weekly , starred review"Sherlock Holmes meets Inspector Clouseau in this mordant, award-winning series in which Fowler gleefully skewers religious zealots and government officials alike."— Booklis t, starred review Christopher Fowler is the acclaimed author of fourteen previous novels, including the first four Bryant & May novels, Full Dark House , which won the BFS August Derleth Novel of the Year Award and was nominated for a Barry Award, The Water Room , Seventy-Seven Clocks , and Ten Second Staircase . He lives in London, where he is at work on his sixth novel featuring Arthur Bryant and John May. Excerpt. © Reprinted by permission. All rights reserved. Chapter OneSecond Heart "Concentrate on the moth."The creature fluttered against the inside of the upended water glass as the women leaned in to watch. It was trying to reach the light from the amber street lamp that shone through the gap in the curtains. Each time its wings batted against its prison, the Shaded Broad-bar Scotopteryx chenopodiata shed more of the powder that kept it in flight, leaving arrow-imprints on the glass."Concentrate hard on the moth, Madeline."In the early evening drizzle, the Edwardian terraced house at 24 Cranmere Road was like a thousand others in the surrounding South London streets, its quiddity to be a part of the city's chaotic whole. There were shiny grey slates, dead chimney pots and shabby bay windows. The rain sketched silver signatures across the rooftops, leaving inky pools on empty pavements. At this time of the year it was an indoor world.Behind dense green curtains, five women sat in what had once been the front parlour, narrowing their thoughts in the overheated air. The house was owned by Kate Summerton, a prematurely grey housewife who had reached the age at which so many suburban women faded from the view of men. As if to aid this new invisibility, she tied back her hair and wore TV-screen glasses with catalogue slacks and a shapeless faun cardigan.Her guests were all neighbours except Madeline Gilby, who worked in the Costcutter supermarket on the Old Kent Road and was disturbingly beautiful, even when she arrived still wearing her blue cashier's smock. Kate had known her for almost three years, and it had taken that long to convince her that she possessed a rare gift beyond that of her grace.The small brown moth batted feebly once more, then sank to the tablecloth. It was losing strength. Madeline furrowed her brow and pressed pale hands to her temples, shutting her eyes tight."He's tiring. Keep concentrating."The Broad-bar made one final attempt to escape through the top of the glass, and fell back. One wing ticked rapidly and then became still."That,"said Jessica, adjusting her great glasses, "shows the true intensity of the directed mind. The energy you generated is not measurable by any electronic means, and yet it's enough to interfere with the nervous system of this poor little creature. Of course, the test is hardly very scientific, but it suffices to demonstrate the power you hold within you."Madeline was astonished. She gasped and smiled at the others."You have the gift, dear, as all women do in different degrees," said Kate. "In time, and with our help, you'll be able to identify the auras of others, seeing deep inside their hearts. You'll instinctively know if they mean you good or harm, and will never need to fear a man again. From now on, you and your son will be safe."Kate was clear and confident, conscious of her middle-class enunciation. As a professional, she was used to being heard and obeyed. She turned to the others. "You see how easy it is to harness your inner self? It is important to understand that, in a manner of speaking, all women have two hearts. The first is the muscle that pumps our blood, and the second is a psychic heart that, if properly developed, opens us to secret knowledge. You can all harness that heart-power, just as Madeline is doing. Males don't possess this second spiritual heart; they have only flesh and bone. They feel pain and pleasure, but there is no extra dimension to their feelings, whereas we are able to find deeper shading in our emotional spirituality. This is the defence we develop against those who hurt us and our children, because most men do eventually, even if they never intend to. They are fundamentally different creatures, and fail to understand the damage they cause. With training, we can open a pathway illuminated by the pure light of truth, and see into the hearts of men. This is the breakthrough that Madeline has achieved today, in this room.?"Madeline was unable to stop herself from crying. As a child she had been lonely and imaginative, used to spending long afternoons with books and make-believe friends until boys discovered her nascent beauty. Then the nightmare had begun. Now, there was a chance that it might really be over. For the first time since she had met Kate, she truly believed that her power existed."That's it, let it all out,"said her mentor, placing a plump arm around her as the others murmured their approval. "It always comes as a shock the first time. You'll get used to it."Madeline needed air. She left the suffocating parlour and passed quickly through the herb-filled kitchen into the garden, where she found her son kicking sulkily at the flower beds that held etiolated rosebushes, each with a single despondent pink bloom."It's cold out here, Ryan. You should stay indoors.""Her husband smokes.""Even so." Madeline rubbed her bare arms briskly, looking about. The Anderson shelters and chicken sheds of postwar London had been replaced with rows of flat-pack conservatories. New attics and kitchens thrust out along the terrace, the residents pushing their property boundaries as if halfheartedly trying to break free of the past. "I'm ready to go now. Come and get your jacket. We'll go home."As the neighbours gathered in the hall with their coats, Mrs Summerton removed the tumbler from the parlour table, crushing the moth between her thumb and forefinger before it had a chance to revive, flicking it into the waste bin. She had started her refuge over twenty years ago, when alcohol abuse had been the main problem. Now it was drugs, not that men needed to take stimulants before battering their partners. Madeline had come to her with a black eye and a sprained arm, but had still been anxious to get home on that first evening in order to cook her husband's dinner. Seeing the gratitude in her protegee's eyes made Kate sure she was doing the right thing, even if it meant performing a little parlour trick with a moth. Madeline was a good mother, kind and decent, but badly damaged by her relationships with men. If she could not be taught to seek independence and protect herself by traditional means, it was valid to introduce more unconventional methods. Mrs Summerton said her good-byes and closed the front door, then checked the time and went to change, remembering that someone new was coming to the shelter tonight. She only had room for eight women, and the new girl would make nine, but how would she ever forgive herself if she sent her home without help? Besides, the new girl came from a wealthy family; her fee could finance the refuge for months.Mr Summerton stayed in the kitchen reading his paper. He had coped with the house being turned into a women's shelter, had even enjoyed it for a while, but now it was best to stay out of the way. His wife was honest down to her bones, he had always known that. She had made a few missteps in her overeagerness to help, that was all, but now she was exploring strange new territory, enjoining the women to discover their innate psychic powers and leave their husbands—encouraging suspicion and hatred of all men, of which he disapproved.Still, she was a force of nature when she made up her mind, and he knew better than to raise his voice in protest. There had always been too many women in the house, Kate's friends, their daughters—even the cat was a female. His mother had once warned him that all women go mad eventually, and he was starting to believe it. Overlooked and outnumbered, he sipped his tea and turned to the sports pages.Madeline walked home in the rain, clutching Ryan's hand too tightly. "Why are we walking?" asked the boy. "It's bloody freezing.""Don't swear," his mother admonished. "I haven't got enough bus fare. It's not very far, and the exercise is good for you.?""That's because you gave all your money to her."It was true that Mrs Summerton charged for her services, but you couldn't expect her to do it for nothing. Kate had made sense of her life. During her lonely childhood years, Madeline had been sure that some secret part of her was waiting to be discovered. But instead of gaining self-knowledge she became beautiful, and the curse began. Boys from her school hung around her house, laying their traps and baiting their lies with promises. She had even seen that terrible crafty gleam in her own father's eyes. She trusted easily, and was hurt each time. Beauty made her shy, and shyness made her controllable.Now, at thirty years of age, she was finally discovering a way of standing up to the men who had always manipulated her. She owed Kate Summerton everything."Is she a lady doctor?"asked Ryan."Not exactly. What makes you think that?"You went to see her when you hurt yourself."Madeline had told her son that she'd fallen in the garden, and he seemed to believe her. "She was very kind to me," she said."You were ages in there," Ryan probed, watching her face in puzzlement. "I was stuck in the smoky kitchen with her horrible daughters and her boring husband. What were you doing?""Mrs Summerton was helping to teach me something."She was unsure about broaching the subject with her son. He was at the age where he seemed simultaneously too clever and too childish."You mean like school lessons?" Ryan persisted. 'What was she teaching you?'Madeline remained quiet until they had turned the high corner wall of Greenwich Park. Winter mist was settling across the plane trees in a veil of dewdrops. "She was showing me how to deal with your father,?" she said at last. Chapter TwoThe Shaping of Men Johann Bellocq stretched up on the staircase to the sea, and pulled another of the ripe oran... Read more

Features & Highlights

  • From using crackpot psychics to cutting-edge forensics, Arthur Bryant and John May are famous for their maddeningly unorthodox approach to solving crimes that the ordinary police cannot. Now Christopher Fowler, “a new master of the classical detective story,”* brings back crime detection’s oddest—and oldest—couple to solve the ultimate locked room mystery.It’s an “impossible” crime—a member of the Peculiar Crimes Unit killed inside a locked autopsy room populated only by the dead and to which only four PCU members had a key. And to make matters worse, the Unit has been shut down for a forced “vacation” and Bryant and May are stuck in a van miles away in the Dartmoor countryside during a freak snowstorm on their way to a convention of psychics.Now, with Sergeant Janice Longbright in charge at headquarters, Bryant and May must crack the case by cell phone while trying to stop a second murder without freezing to death. For among the line of snowed-in vehicles, a killer is on the prowl, a beautiful woman is on the run from a man who seeks either redemption or another victim, and an innocent child is caught in the middle.Weaving together two electrifying cases,
  • White Corridor
  • is an unforgettable triumph—by turns hilarious and harrowing—as two of detective fiction’s most marvelous characters confront one of human nature’s darkest mysteries: the ability to deceive, deny, and destroy.

Customer Reviews

Rating Breakdown

★★★★★
30%
(242)
★★★★
25%
(201)
★★★
15%
(121)
★★
7%
(56)
23%
(185)

Most Helpful Reviews

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Surprisingly, also a good locked room murder mystery

As a fan of Christopher Fowler's Peculiar Crime Unit as well as a fan of locked room mysteries, I viewed the arrival of this book with trepidation, because there are so few good new locked room murder mysteries. The last good new one I read was Barbara Amato's "Hard Tack" back in 1991. Even when I was two-thirds through Fowler's new book, "White Corridor", the dread of an inadequate solution remained. Fowler's style is very different from that in traditional locked room mysteries such as those by John Dickson Carr, but his style is also part of his charm. Fowler doesn't have much interest in a complex technical anlaysis of the murder scene. There simply wasn't any good discussion of whether door locks, window latches and other devices could or might have been manipulated to create the illusion of a locked room.

But the ending was worth the wait. The hallmark of a new locked room murder mystery is a novel solution to the locked room problem, and Fowler succeeds on all counts here.
29 people found this helpful
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Definitive British Mystery

If Ken Bruen's east London crime novels featuring the brutal and boorish Inspector Brant are literature as rugby, then Christopher Fowler's mysteries of the aging Brant and May detective duo are symphonies. Both entertaining, but Bruen is jarring and violent where Fowler is refined, cultured, and subtle. Fowler writes the classic British mystery: dryly humorous, understated, unadorned, and intelligent. In this outing, inspectors Arthur Brant and John May, the irascible and unorthodox heads of London's Peculiar Crimes Division, find themselves stranded in a freak blizzard on the moors of southern England, leaving Sergeant Janice Longbright in charge to solve the ultimate "murder in the inside-locked room" mystery of the team's chief forensic scientist. Meanwhile, a serial killer is on the loose in the snowdrifts, keeping our discerning duo occupied between cell phone-assist calls to Longbright and her short-handed crew. But despite facing simultaneous murder investigations and answering some nagging questions about the apparent drug overdose death of a young woman whose body occupies the morgue, the real terror facing the PCU team is the looming stationhouse tour of an insufferable princess and PCU nemesis Oskar Kasavian, the London PD bureaucrat bent on shutting the renegade crime-solving unit down.

Rich in allegory and clever forensics, contemporary crime fiction's most eccentric inspectors plough through deliciously convoluted threads of seemingly unrelated mysteries, taking a few keenly twisted turns before arriving at a clever and, at least for me, a totally unexpected climax. Brilliant character development and sharp, witty, dialogue add up for one of the year's most engaging and enjoyable crime novels. If you haven't met Brant and May yet, this is as good a place as any to start - and chances are you'll not remain a stranger.
14 people found this helpful
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I am a definite fan

First Sentence: NOTICE: THE PECULIAR CRIMES UNIT WILL BE SHUT FOR ONE WEEK COMMENCING MONDAY 19th FEBRUARY

While the Met's Peculiar Crimes Unit is closed down for repairs, Detectives Arthur Bryant and John May had off for an international convention of psychics. Caught in a blizzard and stuck in their van, they are tasked with solving two crimes. Back at the office, the retiring pathologist is found dead within his locked autopsy room. A woman, who escaped her abusive husband with her young son, now finds herself on the run from a man who admitted killing his mother.

One of the things I love about this series is the creativeness of the plots, and there are so many elements I enjoyed in this book. First, I love the characters; the quirkiness of Bryant and the protectiveness of May. The sense of place was excellent; you felt them stuck in that blizzard and dreaded every time they had to get out of their van and into the cold. I appreciated their helping their colleagues solve the case back at headquarters and the approach that they wouldn't always be there to solve the cases. Fowler took what could have been a cliché story line of the woman running from a stalker and gave us something new with it. I am a definite fan and end each book eagerly awaiting the next.
4 people found this helpful
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I am a definite fan

First Sentence: NOTICE: THE PECULIAR CRIMES UNIT WILL BE SHUT FOR ONE WEEK COMMENCING MONDAY 19th FEBRUARY

While the Met's Peculiar Crimes Unit is closed down for repairs, Detectives Arthur Bryant and John May had off for an international convention of psychics. Caught in a blizzard and stuck in their van, they are tasked with solving two crimes. Back at the office, the retiring pathologist is found dead within his locked autopsy room. A woman, who escaped her abusive husband with her young son, now finds herself on the run from a man who admitted killing his mother.

One of the things I love about this series is the creativeness of the plots, and there are so many elements I enjoyed in this book. First, I love the characters; the quirkiness of Bryant and the protectiveness of May. The sense of place was excellent; you felt them stuck in that blizzard and dreaded every time they had to get out of their van and into the cold. I appreciated their helping their colleagues solve the case back at headquarters and the approach that they wouldn't always be there to solve the cases. Fowler took what could have been a cliché story line of the woman running from a stalker and gave us something new with it. I am a definite fan and end each book eagerly awaiting the next.
4 people found this helpful
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Generally enjoyable... but did I miss something?

As with all the Bryant and May mysteries, I have to say that I mostly enjoyed it. In fact, I think I enjoyed White Corridor more than some of the previous volumes in the series. For one thing, the solutions to both cases seemed to be more logical, less beyond the realm of believability.

But something disturbed me...

*** SPOILER WARNING!! Stop reading if you haven't finished the book!! ***

What happens to Ryan?! I was dreadfully concerned about that poor little boy, and at the end, it seemed he was abandoned by both the characters and the author. I'm assuming they didn't leave him out in the cold, alone, but you'd never know it from the rest of the book.
3 people found this helpful
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Generally enjoyable... but did I miss something?

As with all the Bryant and May mysteries, I have to say that I mostly enjoyed it. In fact, I think I enjoyed White Corridor more than some of the previous volumes in the series. For one thing, the solutions to both cases seemed to be more logical, less beyond the realm of believability.

But something disturbed me...

*** SPOILER WARNING!! Stop reading if you haven't finished the book!! ***

What happens to Ryan?! I was dreadfully concerned about that poor little boy, and at the end, it seemed he was abandoned by both the characters and the author. I'm assuming they didn't leave him out in the cold, alone, but you'd never know it from the rest of the book.
3 people found this helpful
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Bryant and May take a road trip

This is the fifth in the BRYANT AND MAY mystery series.

The Peculiar Crimes Unit has been forced to take a vacation, a most unwelcome intrusion into their workaholic lives but one that they had no choice but to accept. Arthur Bryant had decided to use the forced vacation to take one of his extremely rare trips out of London, to attend a conference in Dartmoor. This unusual behavior intrigued his partner John May so much that he agreed to go along. Little did the two men know that events in the south of France would unfold to bring them one of their more challenging cases. The rest of the PCU is not enjoying a week of leisure either. One of their own is murder while at work, putting the rest of the unit in the uncomfortable situation of investigating themselves, and without their senior detectives at hand to guide them.

This is a quirky series of mysteries. The books are written in a humorous style but these are not fluffy comic mysteries by any means. The stories all flirt with the paranormal but, at least so far, nothing has occurred that cannot be explained by non paranormal means. There is an ongoing story arc to this series that grows more pronounced as the series continues so it really would be best to read this series in order.
2 people found this helpful
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the pcu series

I read two of Fowler's earlier books and only discovered his PCU novels this year. They remind me of John Dickson Carr's Dept of Queer Complaint stories with their locked rooms and impossible situation plots.
1 people found this helpful
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a great read

Arrives on time and in great shape.
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My review for White Corridor

I absolutely loved it! Another brilliant book! This is a must read series!