A Place of Hiding
A Place of Hiding book cover

A Place of Hiding

Mass Market Paperback – August 3, 2004

Price
$9.44
Publisher
Bantam
Publication Date
ISBN-13
978-0553582376
Dimensions
4.18 x 1.3 x 6.9 inches
Weight
14.4 ounces

Description

From the Inside Flap An isolated beach on the island of Guernsey in the English Channel is the scene of the murder of Guy Brouard, one of Guernsey?s wealthiest inhabitants and its main benefactor. Forced as a child to flee the Nazis in Paris, Brouard was engaged in his latest project when he died: a museum in honor of those who resisted the German occupation of the island during World War II.It is from this period of time that his murderer may well have come. But there are others on Guernsey with reason to want Guy Brouard dead: his wives, his business associates, his current mistress, the underprivileged teenagers he mentored?any of whom might have harbored a secret motive for murder. As family and friends gather for the reading of the will, Deborah and Simon St. James find that seemingly everyone on the history-haunted island has something to hide. And behind all the lies and alibis, a killer is lurking. In order to bring this person to justice, the St. James must delve into Guernsey?s dark history?both past and present?and into the troubled psyche of someone who may have exacted retribution for the most unspeakable crime of all.In A Place of Hiding , bestselling novelist Elizabeth George marks new territory in the darker landscapes of human relationships. She tells a gripping, suspenseful story of betrayal and devotion, war and remembrance, love and loss...and the higher truths to which we must all ultimately answer. From the Hardcover edition. Elizabeth George’s first novel, A Great Deliverance , was honored with the Anthony and Agatha Best First Novel Awards and received the Grand Prix de Littérature Policière. Her third novel, Well-Schooled in Murder , was awarded the prestigious German prize for suspense fiction, the MIMI. A Suitable Vengeance, For the Sake of Elena, Missing Joseph, Playing for the Ashes, In the Presence of the Enemy, Deception on His Mind, In Pursuit of the Proper Sinner, A Traitor to Memory , and I, Richard were international bestsellers. Elizabeth George divides her time between Huntington Beach, California, and London. Her novels are currently being dramatized by the BBC. From the Hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. November 10, 2:45 p.m.MONTECITO, CALIFORNIASanta Ana winds were no friends of photography, but that was something you could not tell an egomaniacal architect who believed his entire reputation rested upon capturing for posterity--and for Architectural Digest--fifty-two thousand square feet of unfinished hillside sprawl today. You couldn't even try to tell him that. Because when you finally found the location after making what felt like two dozen wrong turns, you were already late, he was already ticked off, and the arid wind was already throwing up so much dust that all you wanted to do was get out of there as fast as possible, which wasn't going to be possible if you argued with him over whether you were going to take the pictures in the first place. So you took them, never mind the dust, never mind the tumbleweeds that seemed to have been imported by a special-effects team to make several million dollars' worth of California ocean-view real estate look like Barstow in August, and never mind the fact that the grit got under your contact lenses and the air made your skin feel like peach pits and your hair like burnt hay. The job was everything; the job was all. And since China River supported herself by doing the job, she did it.But she wasn't happy. When she completed the work, a patina of grime lay on her clothes and against her skin, and the only thing she wanted--other than a tall glass of the coldest water she could find and a long soak in a very cool tub--was to be out of there: off the hillside and closer to the beach. So she said, "That's it, then. I'll have proofs for you to choose from the day after tomorrow. One o'clock? Your office? Good. I'll be there," and she strode off without giving the man a chance to reply. She didn't much care about his reaction to her abrupt departure, either.She drove back down the hillside in her ancient Plymouth, along a smoothly paved road, potholes being permanently banned in Montecito. The route took her past houses of the Santa Barbara super-rich who lived their shielded privileged lives behind electronic gates, where they swam in designer swimming pools and toweled themselves off afterwards on terrycloth as thick and white as a Colorado snow bank. She braked occasionally for Mexican gardeners who sweated behind those protective walls and for teenage girls on horseback who bounced along in tight-fitting blue jeans and skimpy T-shirts. The hair on these girls swung in the sunlight. On every last one of them it was long and straight and shiny like something lit it from within. Their skin was flawless and their teeth were perfect, too. And not a single one of them carried an ounce of unwanted flesh anywhere. But then, why would they? Weight wouldn't have had the moral fortitude to linger upon them any longer than the time it took them to stand on the bathroom scale, get hysterical, and fling themselves at the toilet afterwards.They were so pathetic, China thought. The whole coddled, undernourished crowd of them. And what was worse for the little twits: Their mothers probably looked exactly like them, doing their part to be role models for a lifetime of personal trainers, plastic surgery, shopping excursions, daily massages, weekly manicures, and regular sessions with a shrink. There was nothing like having a gold-plated meal ticket, courtesy of some idiot whose only requirement of his women was zeroed in on the looks department.Whenever China had to come to Montecito, she couldn't wait to get out of Montecito, and today was no different. If anything, today the wind and the heat made the urgency to put this place behind her worse than normal, like something gnawing at her mood. Which was bad enough already. An overall uneasiness had been sitting on her shoulders since the moment her alarm had rung early that morning.Nothing else had rung. That was the problem. Upon waking, she'd made that automatic three-hour leap in time to ten-a.m.-in-Manhattan-so-why-hasn't-he-called, and while the hours passed till the one at which she had to leave for her appointment in Montecito, she'd mostly watched the phone and stewed, something that was easy enough to do since it was nearly eighty degrees by nine a.m.She'd tried to occupy herself. She'd watered the entire front yard by hand and she'd done the same to the back, right down to the grass. She'd talked over the fence to Anita Garcia--Hey, girl, is this weather killing you? Man oh man, it's destroying me--and sympathised with her neighbour's degree of water retention in this last month of her pregnancy. She'd washed the Plymouth and dried it as she went, managing to stay one step ahead of the dust that wanted to adhere to it and turn into mud. And she leaped inside the house twice when the phone rang, only to find those unctuous, obnoxious telephone solicitors on the line, the kind who always wanted to know what kind of day you were having before they launched into their spiels about changing your long-distance telephone company which would, of course, also change your life. Finally, she'd had to leave for Montecito. But not before she picked up the phone one last time to make sure she had a dial tone and not before she double-checked her answering machine to make sure it would take a message.All the time she hated herself for not being able just to dismiss him. But that had been the problem for years. Thirteen of them. God. How she hated love.Her cell phone was the phone that finally did the ringing towards the end of her drive home to the beach. Not five minutes away from the uneven lump of sidewalk that marked the concrete path to her own front door, it chimed on the passenger seat and China grabbed it up to hear Matt's voice."Hey, good-looking." He sounded cheerful."Hey yourself." She hated the instant relief she felt, like she'd been uncorked of carbonated anxiety. She said nothing else.He read that easily. "Pissed?"Nothing from her end. Let him hang, she thought."I guess I've blown my wad with this one.""Where've you been?" she demanded. "I thought you were calling this morning. I waited at the house. I hate it when you do that, Matt. Why don't you get it? If you're not going to call, just say that in the first place and I can deal with it, okay? Why didn't you call?""Sorry. I meant to. I kept reminding myself all day.""And . . . ?""It's not going to sound good, China.""Try me.""Okay. A real bitch of a cold front moved in last night. I had to spend half the morning trying to find a decent coat.""You couldn't call from your cell while you were out?""Forgot to take it. I'm sorry. Like I said."She could hear the ubiquitous background noises of Manhattan, the same noises she heard whenever he called from New York. The blare of horns reverberating through architectural canyons, jack hammers firing like heavy armaments against cement. But if he'd left his cell phone in the hotel, what was he doing on the street with it now?"On my way to dinner," he told her. "Last meeting. Of the day, that is."She'd pulled to the sidewalk at a vacant spot about thirty yards down the street from her house. She hated stopping because the air conditioning in her car was too weak to make much of a dent in the stifling interior so she was desperate to get out, but Matt's last remark made the heat suddenly less important and certainly far less noticeable. All her attention shifted to his meaning.If nothing else, she'd learned to keep her mouth shut when he dropped one of his small verbal incendiary bombs. There'd been a time when she'd jump all over him at a remark like "Of the day, that is," to weed specifics out of his implications. But the years had taught her that silence served just as well as demands or accusations. It also gave her the upper hand once he finally admitted what he was trying to avoid saying.It came in a rush. "Here's the situation. I've got to stay here another week. I've got a chance to talk to some people about a grant, and I need to see them.""Matt. Come on.""Wait, babe. Listen. These guys dumped a fortune on a filmmaker from NYU last year. They're looking for a project. Hear that? They're actually looking.""How do you know?""That's what I was told.""By who?""So I called them and I managed to get an appointment. But not till next Thursday. So I've got to stay.""Goodbye Cambria, then.""No, we'll do it. We just can't next week.""Sure. Then when?""That's just it." The street sounds on the other end of the cell phone seemed to grow louder for a moment, as if he were throwing himself into the midst of them, forced off the sidewalk by the congestion of the city at the end of a workday.She said, "Matt? Matt?" and knew a moment of irrational panic when she thought she'd lost him. Damn phones and damn signals, always fading in and out.But he came back on the line and it was quieter. He'd ducked inside a restaurant, he said. "This is make or break for the film. China, this one's a festival winner. Sundance for sure, and you know what that can mean. I hate letting you down like this, but if I don't make a pitch to these people, I'm not going to be worth taking you anywhere. To Cambria. To Paris. Or to Kalamazoo. That's just how it is.""Fine," she told him, but it was not and he would know that by the flat sound of her voice. It had been a month since he'd managed to carve two days away from pitch-meetings in LA and funding-scavenges across the rest of the country, and before that it had been six weeks while she cold-called potential clients for herself and he continued to pursue the horizon of his dream. "Sometimes," she said, "I wonde... Read more

Features & Highlights

  • An isolated beach on the island of Guernsey in the English Channel is the scene of the murder of Guy Brouard, one of Guernsey’s wealthiest inhabitants and its main benefactor. Forced as a child to flee the Nazis in Paris, Brouard was engaged in his latest project when he died: a museum in honor of those who resisted the German occupation of the island during World War II.It is from this period of time that his murderer may well have come. But there are others on Guernsey with reason to want Guy Brouard dead: his wives, his business associates, his current mistress, the underprivileged teenagers he mentored—any of whom might have harbored a secret motive for murder. As family and friends gather for the reading of the will, Deborah and Simon St. James find that seemingly everyone on the history-haunted island has something to hide. And behind all the lies and alibis, a killer is lurking. In order to bring this person to justice, the St. James must delve into Guernsey’s dark history—both past and present—and into the troubled psyche of someone who may have exacted retribution for the most unspeakable crime of all.In
  • A Place of Hiding
  • , bestselling novelist Elizabeth George marks new territory in the darker landscapes of human relationships. She tells a gripping, suspenseful story of betrayal and devotion, war and remembrance, love and loss...and the higher truths to which we must all ultimately answer.
  • From the Hardcover edition.

Customer Reviews

Rating Breakdown

★★★★★
30%
(903)
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★★
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Most Helpful Reviews

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Surprised

I was a little surprised with all the negative reviews of this George novel. I virtually read it in one sitting/day. It is a novel with an interesting setting with intriguing historical contexts and a mystery of all is not what it seems.

It was also a "growth" story of two of George's recurring characters-the St James who I enjoy. I like the way George uses them to reflect all that is not in the Lynley marriage. And I do think this is a novel which sets up alot of what happens in the next of the series which I have already quickly read. While I enjoy the other characters to a degree it is reading what George does with the St. James in her "soap opera" portions of her novels which I really like. In this novel Deborah, in particular, and there is little talk of her infertility, faces alot of humbling situations and the hard facts of living. So does Simon but the one thing the couple sustains is their love for each other and the strength it gives them.

I thought the whole of the arc of the mystery intriguing as well as other characters-all learning all is not what it seems and how to deal with that. Frankly I thought it was one of her best novels and while it does deal with sexual themes and innuendo less so than for example what I thought was amorality in In Pursuit of A Proper Sinner. I too was surprised as to George's use of the treatment of animals in this novel-not really typical but then maybe that was all part of the parallel microcosms she creates in her novels.
19 people found this helpful
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This book is now worth 25 cents and I know why.

This is the worst one so far but I am not giving up and am looking for Well Schooled in Murder. I just couldn't get past the 2 Californian modern day faux hippys, China and Cherokee River (ugh) and poor-little-me-Debs-the-artiste and then when St. James removed his leg brace, jumped up on his crutches and made love to Debs standing up I just couldn't help wondering what he did with the crutches while he was at it and on and on and I just couldn't get to the story of Nazi art repatriation that this tome promised to reveal.
14 people found this helpful
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Did Elizabeth George really write this book?

Having torn through all the rest of George's books and loved them, I was delighted to stumble on A Place of Hiding in the bookstore--I hadn't realized she had added another to the series and I had been impatiently waiting for a sequel to Traitor to Memory since it came out in hardback. Like many other people who've reviewed the book here, I was not only extremely disappointed but question whether George herself really wrote this book, or if perhaps someone ghosted it for her. Hold this one up against A Great Deliverance, for example, and it becomes obvious that the writing is simply not the same. The characters are not as well drawn, the action drags, and the plot is so contrived in places as to beg credulity. Frankly, I was so bored in spots that I put the book down for long periods while I read other things, astonished to be bored by an author I consider to be the finest writer of the genre. I did finally finish it, but found it a disappointment. If you've read the rest of George's oeuvre by all means read this; just don't expect it to be at the same level. I guess every author has at least one book that misses the mark, and this one is it for Elizabeth George.
12 people found this helpful
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Finally, it's over

I just finished working my way through the entire Lynley series, up to the latest, over the course of about a year, with other books interspersed. My opinion was formed after about three books, and each of the others simply provided more support. Elizabeth George is like that wonderful aunt who makes wonderful cookies but brings them over, in bushels, every day, every week, two bushels on holidays. Halfway through each book, I'm muttering through tight lips, "Will you PLEASE just get on with it?"

The last five or six 800-page novels cover a single chronological year. One actually begins before the previous ends! That in itself should give you pause. One of the novels is 1002 pages long, and that is, blast it, TOO MANY COOKIES!

With that off my chest, yes, George is one of the best going, once you learn to read at a glancing jog. Her characters are human and well-drawn. In A Place of Hiding, it's true we care less and less about the victim as the story progresses, but it is also true that the who of the murder is a complete surprise and yet painfully satisfying, folding us back to the first few, probably forgotten pages of the story. As she often does, George layers effective complexity on her characters. One of the most sympathetic commits a murder far less shocking than it probably should be; one of the least sympathetic has a moment when we are touched, if only briefly, with a sense of the tragedy that turned him from a merely unexceptional person to someone we loathe.

But the endless whinging over Deb and Simon, Helen and Lynley, Tommie and Deborah, even, in one book, Helen and Simon, is unendurable. I am fed up with their laocaonic (whatever) wrestling with their marriages. I am fed up with Deb's "What did you say?" chips on shoulders regarding her husband's scarcely discernible sexism and his endless "My love, what I meant was" responses. Tommie's doubts bore me and Helen is less cute than anyone realizes. I know more about Tommie than I ever would have wanted to, and once I got to know Helen after reading With No One as Witness, I did not find her fate especially hard to bear. It's like having nice neighbors who insist on discussing their marriage with you.

What a maddening writer. Her books are wonderful, page for page, plot for plot. But there is not a page on one of them that I won't wager I could cut by 20% without anyone noticing. If I'm wrong, I'll... eat a cookie.
9 people found this helpful
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A big George fan found this book disappointing

I agree with the other critiques I've read in this space (not all loose ends tied up, not her best book, very little suspense, lack of Barbara Havers is disappointing). I would also add that the writing -- good as it is -- is simply not up to her standard. For example, a young boy who is very simple -- might even be developmentally disabled although this is never explicitly stated -- but his "head dialog" is as erudite as Simon's. All the characters' voices are identical when they were thinking. George is very good at differentiating her characters in dialog and she was up to her usual standards here.

My other overall criticism -- which I think factors into all criticisms that have been made of this book -- is that the thing is just too darn long. If 200 pages minimum had been cut out, the book and its readers would have been done a big service. There were times when I realized I was basically re-reading something I'd read earlier, which, in a 779 page book, is pretty annoying.

I was impressed to read that anyone who didn't know how wonderful George is at her best would have finished this book and be willing to read another. But those readers will be happy to know that other books of George's are much, much better. "Playing for the Ashes" is an amazing achievement and so are many others.
9 people found this helpful
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This one could easily be skipped...

Deborah St James is insistent that her old friend China Rivers could not possibly have committed a murder. Her husband, Simon, simply must see this too and help her find out who really killed Guy Brouard. Deborah's old friend is an American, travelling with her brother as the unlikely couriers of business papers that happened to have a cash bonus thrown in with a couple of free air tickets. On the island of Guernsey the murder victim was the local unofficial lord, known for charitable acts and somewhat controlling patronage of a select few.

When the will of the late Guy Brouard is read, it is not only the family that have cause for upset. On the night before his death, Brouard threw a party detailing his final plans for a war museum that was to be built, honoring in particular those who died during the Nazi occupation of Guernsey in the Second World War. It seems that to go ahead with the museum was never the plan, and where on earth haves all the riches of the deceased millionaire gone?

Not much seems to fit in this read. You have the peculiar but not terribly interesting method of a murder. You also have the fact that the stars of this literary crime series, Inspector Thomas Lynley and Sergeant Barbara Havers do not actually appear (Lynley has a few pages for plot assistance only). This novel is very different from the others in this series and the length of 600 plus pages does not necessarily mean a richer and more rewarding conclusion for your reading efforts. The wrap up doesn't make much sense and seems to have been pulled out of a bag for the purpose of closure and so that we could call this a crime novel. Well, there had to be a murder somewhere.

Elizabeth George is a member of a very small group of the more literary crime writers who excel in detailing all the finer points. "A Place of Hiding" seems to have strayed too far from the idea of a murder mystery, if that was the intention. George is an excellent writer but with her twelfth novel in this series, "A Place of Hiding", her work does not go far enough to showcase that extraordinary talent.
7 people found this helpful
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Best of the series

I must be in the minority who find this novel to be the best of George's mystery series. I'm a huge fan of the St. James marriage and it was a treat to have Deborah featured so prominently in this book. In addition, the story was so well written that I had no idea who had committed the crimes in question until the very end. The setting in the Channel Islands was a welcome change of pace from past novels. Sadly, it's obvious with this book's sequel, With No One as Witness, that Ms. George is headed in the direction of revisiting the tedious back-and-forth between Lynley and St. James over Deborah. I doubt I'll continue reading the series after that last novel, which I really didn't enjoy, but this one was a great!
6 people found this helpful
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good and bad

In the latest from Elizabeth George, Simon St. James and wife Deborah travel to Guernsey when a friend of Deborah's is accused of murder. The St. James' have previously been supporting characters, and I enjoyed seeing them take centre stage here, particularly Deborah, who is easily the best written female George has ever created. Deborah begins to question her relationship with Simon and her life goals over the course of the book and I'm interested to see where she might go.

I had been troubled for a while by the misogyny that pervades George's work, particularly in the person of the here-absent Havers, who can't go out the front door without George insulting her clothes. Besides Deborah, every other woman in the book is domineering, clingy, obsessive , or otherwise one-dimensional.

The mystery itself is decidedly less than it appears, as the victim is really a and the murderer's motive is shaky at best.

I did enjoy the information about and obvious affection for Guernsey, although as usual there's too much. Devoted fans will like this, newcomers should read the earlier novels first.
5 people found this helpful
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Elizabeth George Continues Going Strong!

I bought A Place of Hiding in paperback and didn't read for a while as the reviews I had read weren't encouraging. I finally started reading it and am I ever glad. I enjoyed reading a story from the prospective of Simon St. James and Deborah and I became totally involved in the story and its twists and turns. Maybe it is a slightly different style than some of Ms. George's other books, but I admire an author who dares to try something even slightly different. I look forward to Ms. George's next book.
4 people found this helpful
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The final third of the book gets better

I have been a big fan of Elizabeth George for many years and have read all of the books in the Inspector Lynley series up through this offering. The way she writes her books is that each one is based on a story around a new set of characters. They are the main characters in each book. Then layered on top is the overarching storyline of the mainstay characters, Inspector Lynley, Barbara Havers, etc.

So this book was a bit different in that Barbara does not appear and Lynley is only brought in a little. The ongoing character list only includes Simon and Deborah for this book.

The story revolves around the folks living on an island who have many secrets and, of course, a murder is involved. I personally found this to be a very dark and actually a bit slow for my taste. The characters are expertly developed as the author is noted for. However, the build-up and their actions is way too slow. I understand how these complex plot lines need to have time to develop and bring in all the necessary background material, but this really could have been written just as well with 100 less pages.

I still plan on reading the rest of the series, but have taken a one year hiatus. I've been told by a reliable source, my wife, that the next couple of books are much better. Let's hope that is true.

Pros:
o excellent prose
o in depth characters
o interesting plot - really picks up in the final third

Cons:
o little of Lynley and none of Havers in this edition
o slow buildup through the first half of book

Overall - true fans should read this as it does move the series forward, but otherwise it may be the one to skip.
3 people found this helpful